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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 72 228 it is the complementary color RGB 146 183 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 72 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 72 228 shade: RGB 114 72 223, RGB 131 90 242, RGB 148 108 255, RGB 165 126 255 and RGB 182 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 72 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 72 228 shade: RGB 109 72 228, RGB 92 54 209, RGB 75 36 190, RGB 58 18 171 and RGB 41 0 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 72 228 shade: RGB 109 73 227, RGB 151 73 227, RGB 193 73 227, RGB 227 73 220 and RGB 227 73 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 72 228 shade: RGB 109 73 227 and RGB 73 73 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 72 228 shade matches the following richer shades: RGB 109 73 227 and RGB 100 56 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 72 228 shade: RGB 109 73 227, RGB 118 89 210, RGB 127 106 193, RGB 136 123 177 and RGB 145 140 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 72 228 shade: RGB 73 119 227, RGB 73 78 227, RGB 109 73 227, RGB 150 73 227 and RGB 191 73 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 72 228 shade: RGB 66 28 189, RGB 81 37 222, RGB 109 73 227, RGB 138 108 233 and RGB 167 144 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 72 228 shade: RGB 109 72 228, RGB 227 73 160 and RGB 98 227 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 72 228 shade: RGB 109 72 228, RGB 227 109 73 and RGB 73 227 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 72 228 shade: RGB 109 72 228, RGB 227 73 160, RGB 191 227 73 and RGB 73 227 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 72 228 shade: RGB 109 72 228, RGB 227 73 114, RGB 191 227 73 and RGB 73 227 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 68 / 0 / 11

HEX #6D48E4

RGB 109 72 228

HSL 254.23, 0.74%, 0.59%

LAB 43.49, 53.47, -73.91

 

Complementary color

CMYK 20 / 0 / 85 / 28

HEX #92B71B

RGB 146 183 27

HSL 74.23, 0.74%, 0.41%

LAB 69.51, -32.03, 66.4

 

CMYK 49 / 68 / 0 / 13

HEX #7248DF

RGB 114 72 223

HSL 256.69, 0.7%, 0.58%

LAB 43.57, 52.9, -70.92

 

CMYK 46 / 63 / 0 / 5

HEX #835AF2

RGB 131 90 242

HSL 256.18, 0.85%, 0.65%

LAB 50.15, 51.62, -70.85

 

CMYK 42 / 58 / 0 / 0

HEX #946CFF

RGB 148 108 255

HSL 256.33, 1%, 0.71%

LAB 56.33, 48.74, -68.01

 

CMYK 35 / 51 / 0 / 0

HEX #A57EFF

RGB 165 126 255

HSL 258.14, 1%, 0.75%

LAB 61.78, 42.64, -59.18

 

CMYK 29 / 44 / 0 / 0

HEX #B690FF

RGB 182 144 255

HSL 260.54, 1%, 0.78%

LAB 67.36, 36.95, -50.21

 

CMYK 52 / 68 / 0 / 11

HEX #6D48E4

RGB 109 72 228

HSL 254.23, 0.74%, 0.59%

LAB 43.49, 53.47, -73.91

 

CMYK 56 / 74 / 0 / 18

HEX #5C36D1

RGB 92 54 209

HSL 254.71, 0.63%, 0.52%

LAB 36.96, 54.76, -73.79

 

CMYK 61 / 81 / 0 / 25

HEX #4B24BE

RGB 75 36 190

HSL 255.19, 0.68%, 0.44%

LAB 30.58, 55.68, -73.25

 

CMYK 66 / 89 / 0 / 33

HEX #3A12AB

RGB 58 18 171

HSL 255.69, 0.81%, 0.37%

LAB 24.55, 55.7, -71.95

 

CMYK 73 / 100 / 0 / 40

HEX #290098

RGB 41 0 152

HSL 256.18, 1%, 0.3%

LAB 18.96, 54.62, -69.7

 

CMYK 52 / 68 / 0 / 11

HEX #6D49E3

RGB 109 73 227

HSL 254.03, 0.73%, 0.59%

LAB 43.6, 52.66, -73.17

 

CMYK 33 / 68 / 0 / 11

HEX #9749E3

RGB 151 73 227

HSL 270.39, 0.73%, 0.59%

LAB 48.12, 60.26, -65.61

 

CMYK 15 / 68 / 0 / 11

HEX #C149E3

RGB 193 73 227

HSL 286.75, 0.73%, 0.59%

LAB 53.65, 68.89, -56.41

 

CMYK 0 / 68 / 3 / 11

HEX #E349DC

RGB 227 73 220

HSL 302.73, 0.73%, 0.59%

LAB 58.29, 75.13, -44.78

 

CMYK 0 / 68 / 22 / 11

HEX #E349B2

RGB 227 73 178

HSL 319.09, 0.73%, 0.59%

LAB 56.4, 69.07, -23.7

 

CMYK 52 / 68 / 0 / 11

HEX #6D49E3

RGB 109 73 227

HSL 254.03, 0.73%, 0.59%

LAB 43.6, 52.66, -73.17

 

CMYK 68 / 68 / 0 / 11

HEX #4949E3

RGB 73 73 227

HSL 240, 0.73%, 0.59%

LAB 40.78, 47.59, -77.89

 

CMYK 52 / 68 / 0 / 11

HEX #6D49E3

RGB 109 73 227

HSL 254.03, 0.73%, 0.59%

LAB 43.6, 52.66, -73.17

 

CMYK 59 / 77 / 0 / 4

HEX #6438F4

RGB 100 56 244

HSL 254.04, 0.9%, 0.59%

LAB 41.33, 64.48, -86.54

 

CMYK 52 / 68 / 0 / 11

HEX #6D49E3

RGB 109 73 227

HSL 254.03, 0.73%, 0.59%

LAB 43.6, 52.66, -73.17

 

CMYK 44 / 58 / 0 / 18

HEX #7659D2

RGB 118 89 210

HSL 254.38, 0.57%, 0.59%

LAB 46.51, 40.67, -58.7

 

CMYK 34 / 45 / 0 / 24

HEX #7F6AC1

RGB 127 106 193

HSL 254.48, 0.41%, 0.59%

LAB 50.3, 28.19, -42.83

 

CMYK 23 / 31 / 0 / 31

HEX #887BB1

RGB 136 123 177

HSL 254.44, 0.26%, 0.59%

LAB 54.63, 16.65, -26.78

 

CMYK 9 / 13 / 0 / 37

HEX #918CA0

RGB 145 140 160

HSL 255, 0.1%, 0.59%

LAB 59.26, 5.89, -9.91

 

CMYK 68 / 48 / 0 / 11

HEX #4977E3

RGB 73 119 227

HSL 222.08, 0.73%, 0.59%

LAB 52.01, 19.36, -59.63

 

CMYK 68 / 66 / 0 / 11

HEX #494EE3

RGB 73 78 227

HSL 238.05, 0.73%, 0.59%

LAB 41.86, 44.67, -76.12

 

CMYK 52 / 68 / 0 / 11

HEX #6D49E3

RGB 109 73 227

HSL 254.03, 0.73%, 0.59%

LAB 43.6, 52.66, -73.17

 

CMYK 34 / 68 / 0 / 11

HEX #9649E3

RGB 150 73 227

HSL 270, 0.73%, 0.59%

LAB 48, 60.06, -65.81

 

CMYK 16 / 68 / 0 / 11

HEX #BF49E3

RGB 191 73 227

HSL 285.97, 0.73%, 0.59%

LAB 53.37, 68.47, -56.88

 

CMYK 65 / 85 / 0 / 26

HEX #421CBD

RGB 66 28 189

HSL 254.16, 0.74%, 0.43%

LAB 28.55, 57.76, -76.06

 

CMYK 64 / 83 / 0 / 13

HEX #5125DE

RGB 81 37 222

HSL 254.27, 0.74%, 0.51%

LAB 34.69, 64.52, -85.05

 

CMYK 52 / 68 / 0 / 11

HEX #6D49E3

RGB 109 73 227

HSL 254.03, 0.73%, 0.59%

LAB 43.6, 52.66, -73.17

 

CMYK 41 / 54 / 0 / 9

HEX #8A6CE9

RGB 138 108 233

HSL 254.4, 0.74%, 0.67%

LAB 54.04, 40.61, -59.51

 

CMYK 30 / 39 / 0 / 7

HEX #A790EE

RGB 167 144 238

HSL 254.68, 0.73%, 0.75%

LAB 65.23, 28.72, -44.35

 

CMYK 52 / 68 / 0 / 11

HEX #6D48E4

RGB 109 72 228

HSL 254.23, 0.74%, 0.59%

LAB 43.49, 53.47, -73.91

 

CMYK 0 / 68 / 30 / 11

HEX #E349A0

RGB 227 73 160

HSL 326.1, 0.73%, 0.59%

LAB 55.72, 66.82, -14.24

 

CMYK 57 / 0 / 68 / 11

HEX #62E349

RGB 98 227 73

HSL 110.26, 0.73%, 0.59%

LAB 80.75, -63.1, 61.87

 

CMYK 52 / 68 / 0 / 11

HEX #6D48E4

RGB 109 72 228

HSL 254.23, 0.74%, 0.59%

LAB 43.49, 53.47, -73.91

 

CMYK 0 / 52 / 68 / 11

HEX #E36D49

RGB 227 109 73

HSL 14.03, 0.73%, 0.59%

LAB 59.66, 43.34, 41.32

 

CMYK 68 / 0 / 52 / 11

HEX #49E36D

RGB 73 227 109

HSL 134.03, 0.73%, 0.59%

LAB 80.44, -64.34, 45.76

 

CMYK 52 / 68 / 0 / 11

HEX #6D48E4

RGB 109 72 228

HSL 254.23, 0.74%, 0.59%

LAB 43.49, 53.47, -73.91

 

CMYK 0 / 68 / 30 / 11

HEX #E349A0

RGB 227 73 160

HSL 326.1, 0.73%, 0.59%

LAB 55.72, 66.82, -14.24

 

CMYK 16 / 0 / 68 / 11

HEX #BFE349

RGB 191 227 73

HSL 74.03, 0.73%, 0.59%

LAB 85.25, -32.37, 67.95

 

CMYK 68 / 0 / 38 / 11

HEX #49E38C

RGB 73 227 140

HSL 146.1, 0.73%, 0.59%

LAB 80.88, -59.36, 31.06

 

CMYK 52 / 68 / 0 / 11

HEX #6D48E4

RGB 109 72 228

HSL 254.23, 0.74%, 0.59%

LAB 43.49, 53.47, -73.91

 

CMYK 0 / 68 / 50 / 11

HEX #E34972

RGB 227 73 114

HSL 344.03, 0.73%, 0.59%

LAB 54.36, 62.15, 10.99

 

CMYK 16 / 0 / 68 / 11

HEX #BFE349

RGB 191 227 73

HSL 74.03, 0.73%, 0.59%

LAB 85.25, -32.37, 67.95

 

CMYK 68 / 0 / 18 / 11

HEX #49E3BA

RGB 73 227 186

HSL 164.03, 0.73%, 0.59%

LAB 81.78, -49.68, 8.39

 

Description

Color code: RGB 109 72 228 | qconv.com Color code: RGB 109 72 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 72 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 72 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 68 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 68% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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