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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 21 217 it is the complementary color RGB 146 234 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 21 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 21 217 shade: RGB 114 21 212, RGB 131 39 231, RGB 148 57 250, RGB 165 75 255 and RGB 182 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 21 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 21 217 shade: RGB 109 21 217, RGB 92 3 198, RGB 75 0 179, RGB 58 0 160 and RGB 41 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 21 217 shade: RGB 109 21 218, RGB 162 21 218, RGB 215 21 218, RGB 218 21 167 and RGB 218 21 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 21 217 shade: RGB 109 21 218, RGB 56 21 218 and RGB 21 21 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 21 217 shade matches the following richer shades: RGB 109 21 218 and RGB 107 2 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 21 217 shade: RGB 109 21 218, RGB 111 40 198, RGB 113 60 179, RGB 115 79 159 and RGB 117 99 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 21 217 shade: RGB 21 41 218, RGB 54 21 218, RGB 106 21 218, RGB 159 21 218 and RGB 211 21 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 21 217 shade: RGB 72 14 143, RGB 90 17 180, RGB 109 21 218, RGB 130 46 234 and RGB 153 84 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 21 217 shade: RGB 109 21 217, RGB 218 21 93 and RGB 21 218 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 21 217 shade: RGB 109 21 217, RGB 218 106 21 and RGB 21 218 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 21 217 shade: RGB 109 21 217, RGB 218 21 93, RGB 132 218 21 and RGB 21 218 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 21 217 shade: RGB 109 21 217, RGB 218 21 34, RGB 132 218 21 and RGB 21 218 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 90 / 0 / 15

HEX #6D15D9

RGB 109 21 217

HSL 266.94, 0.82%, 0.47%

LAB 35.59, 70.49, -80.6

 

Complementary color

CMYK 38 / 0 / 84 / 8

HEX #92EA26

RGB 146 234 38

HSL 86.94, 0.82%, 0.53%

LAB 84.53, -53.63, 76.9

 

CMYK 46 / 90 / 0 / 17

HEX #7215D4

RGB 114 21 212

HSL 269.21, 0.82%, 0.46%

LAB 35.73, 69.86, -77.47

 

CMYK 43 / 83 / 0 / 9

HEX #8327E7

RGB 131 39 231

HSL 268.75, 0.8%, 0.53%

LAB 41.29, 71.31, -79.13

 

CMYK 41 / 77 / 0 / 2

HEX #9439FA

RGB 148 57 250

HSL 268.29, 0.95%, 0.6%

LAB 47.14, 71.78, -80.17

 

CMYK 35 / 71 / 0 / 0

HEX #A54BFF

RGB 165 75 255

HSL 270, 1%, 0.65%

LAB 52.12, 68.42, -74.74

 

CMYK 29 / 64 / 0 / 0

HEX #B65DFF

RGB 182 93 255

HSL 272.96, 1%, 0.68%

LAB 57.07, 63.62, -66.63

 

CMYK 50 / 90 / 0 / 15

HEX #6D15D9

RGB 109 21 217

HSL 266.94, 0.82%, 0.47%

LAB 35.59, 70.49, -80.6

 

CMYK 54 / 98 / 0 / 22

HEX #5C03C6

RGB 92 3 198

HSL 267.38, 0.97%, 0.39%

LAB 30.44, 67.83, -78.13

 

CMYK 58 / 100 / 0 / 30

HEX #4B00B3

RGB 75 0 179

HSL 265.14, 1%, 0.35%

LAB 26.01, 62.86, -74.28

 

CMYK 64 / 100 / 0 / 37

HEX #3A00A0

RGB 58 0 160

HSL 261.75, 1%, 0.31%

LAB 21.72, 57.37, -69.98

 

CMYK 71 / 100 / 0 / 45

HEX #29008D

RGB 41 0 141

HSL 257.45, 1%, 0.28%

LAB 17.43, 51.85, -65.41

 

CMYK 50 / 90 / 0 / 15

HEX #6D15DA

RGB 109 21 218

HSL 266.8, 0.82%, 0.47%

LAB 35.69, 70.71, -81.01

 

CMYK 26 / 90 / 0 / 15

HEX #A215DA

RGB 162 21 218

HSL 282.94, 0.82%, 0.47%

LAB 43.18, 76.9, -68.43

 

CMYK 1 / 90 / 0 / 15

HEX #D715DA

RGB 215 21 218

HSL 299.09, 0.82%, 0.47%

LAB 51.89, 85.01, -53.94

 

CMYK 0 / 90 / 23 / 15

HEX #DA15A7

RGB 218 21 167

HSL 315.53, 0.82%, 0.47%

LAB 49.78, 78.77, -27.62

 

CMYK 0 / 90 / 48 / 15

HEX #DA1572

RGB 218 21 114

HSL 331.68, 0.82%, 0.47%

LAB 47.82, 73.52, 1.43

 

CMYK 50 / 90 / 0 / 15

HEX #6D15DA

RGB 109 21 218

HSL 266.8, 0.82%, 0.47%

LAB 35.69, 70.71, -81.01

 

CMYK 74 / 90 / 0 / 15

HEX #3815DA

RGB 56 21 218

HSL 250.66, 0.82%, 0.47%

LAB 30.49, 67.09, -89.78

 

CMYK 90 / 90 / 0 / 15

HEX #1515DA

RGB 21 21 218

HSL 240, 0.82%, 0.47%

LAB 28.79, 66.07, -92.67

 

CMYK 50 / 90 / 0 / 15

HEX #6D15DA

RGB 109 21 218

HSL 266.8, 0.82%, 0.47%

LAB 35.69, 70.71, -81.01

 

CMYK 55 / 99 / 0 / 7

HEX #6B02ED

RGB 107 2 237

HSL 266.81, 0.98%, 0.47%

LAB 36.52, 77.64, -90.5

 

CMYK 50 / 90 / 0 / 15

HEX #6D15DA

RGB 109 21 218

HSL 266.8, 0.82%, 0.47%

LAB 35.69, 70.71, -81.01

 

CMYK 44 / 80 / 0 / 22

HEX #6F28C6

RGB 111 40 198

HSL 266.96, 0.66%, 0.47%

LAB 35.93, 60.63, -69

 

CMYK 37 / 66 / 0 / 30

HEX #713CB3

RGB 113 60 179

HSL 266.72, 0.5%, 0.47%

LAB 37.84, 47.22, -54.71

 

CMYK 28 / 50 / 0 / 38

HEX #734F9F

RGB 115 79 159

HSL 267, 0.34%, 0.47%

LAB 40.8, 31.96, -38.04

 

CMYK 16 / 29 / 0 / 45

HEX #75638C

RGB 117 99 140

HSL 266.34, 0.17%, 0.47%

LAB 45.08, 15.83, -19.96

 

CMYK 90 / 81 / 0 / 15

HEX #1529DA

RGB 21 41 218

HSL 233.91, 0.82%, 0.47%

LAB 31.36, 58.37, -88.38

 

CMYK 75 / 90 / 0 / 15

HEX #3615DA

RGB 54 21 218

HSL 250.05, 0.82%, 0.47%

LAB 30.36, 67, -90.02

 

CMYK 51 / 90 / 0 / 15

HEX #6A15DA

RGB 106 21 218

HSL 265.89, 0.82%, 0.47%

LAB 35.33, 70.44, -81.62

 

CMYK 27 / 90 / 0 / 15

HEX #9F15DA

RGB 159 21 218

HSL 282.03, 0.82%, 0.47%

LAB 42.72, 76.49, -69.21

 

CMYK 3 / 90 / 0 / 15

HEX #D315DA

RGB 211 21 218

HSL 297.87, 0.82%, 0.47%

LAB 51.21, 84.35, -55.07

 

CMYK 50 / 90 / 0 / 44

HEX #480E8F

RGB 72 14 143

HSL 266.98, 0.82%, 0.31%

LAB 22.57, 50.93, -58.04

 

CMYK 50 / 91 / 0 / 29

HEX #5A11B4

RGB 90 17 180

HSL 266.87, 0.83%, 0.39%

LAB 29.08, 61, -69.74

 

CMYK 50 / 90 / 0 / 15

HEX #6D15DA

RGB 109 21 218

HSL 266.8, 0.82%, 0.47%

LAB 35.69, 70.71, -81.01

 

CMYK 44 / 80 / 0 / 8

HEX #822EEA

RGB 130 46 234

HSL 266.81, 0.82%, 0.55%

LAB 42.22, 69.57, -79.31

 

CMYK 36 / 65 / 0 / 7

HEX #9954EE

RGB 153 84 238

HSL 266.88, 0.82%, 0.63%

LAB 51.02, 58.01, -67.1

 

CMYK 50 / 90 / 0 / 15

HEX #6D15D9

RGB 109 21 217

HSL 266.94, 0.82%, 0.47%

LAB 35.59, 70.49, -80.6

 

CMYK 0 / 90 / 57 / 15

HEX #DA155D

RGB 218 21 93

HSL 338.07, 0.82%, 0.47%

LAB 47.28, 72.01, 13.62

 

CMYK 90 / 0 / 87 / 15

HEX #15DA1C

RGB 21 218 28

HSL 122.13, 0.82%, 0.47%

LAB 76.31, -75.01, 70.52

 

CMYK 50 / 90 / 0 / 15

HEX #6D15D9

RGB 109 21 217

HSL 266.94, 0.82%, 0.47%

LAB 35.59, 70.49, -80.6

 

CMYK 0 / 51 / 90 / 15

HEX #DA6A15

RGB 218 106 21

HSL 25.89, 0.82%, 0.47%

LAB 57.34, 39.54, 61.17

 

CMYK 90 / 0 / 51 / 15

HEX #15DA6A

RGB 21 218 106

HSL 145.89, 0.82%, 0.47%

LAB 76.89, -67.75, 42.66

 

CMYK 50 / 90 / 0 / 15

HEX #6D15D9

RGB 109 21 217

HSL 266.94, 0.82%, 0.47%

LAB 35.59, 70.49, -80.6

 

CMYK 0 / 90 / 57 / 15

HEX #DA155D

RGB 218 21 93

HSL 338.07, 0.82%, 0.47%

LAB 47.28, 72.01, 13.62

 

CMYK 39 / 0 / 90 / 15

HEX #84DA15

RGB 132 218 21

HSL 86.19, 0.82%, 0.47%

LAB 79.1, -52.48, 75.21

 

CMYK 90 / 0 / 33 / 15

HEX #15DA92

RGB 21 218 146

HSL 158.07, 0.82%, 0.47%

LAB 77.51, -60.47, 23.32

 

CMYK 50 / 90 / 0 / 15

HEX #6D15D9

RGB 109 21 217

HSL 266.94, 0.82%, 0.47%

LAB 35.59, 70.49, -80.6

 

CMYK 0 / 90 / 84 / 15

HEX #DA1522

RGB 218 21 34

HSL 356.04, 0.82%, 0.47%

LAB 46.39, 69.5, 47.41

 

CMYK 39 / 0 / 90 / 15

HEX #84DA15

RGB 132 218 21

HSL 86.19, 0.82%, 0.47%

LAB 79.1, -52.48, 75.21

 

CMYK 90 / 0 / 6 / 15

HEX #15DACD

RGB 21 218 205

HSL 176.04, 0.82%, 0.47%

LAB 78.87, -45.84, -6.03

 

Description

Color code: RGB 109 21 217 | qconv.com Color code: RGB 109 21 217 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 21 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 21 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 90 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 90% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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