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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 191 147 it is the complementary color RGB 146 64 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 191 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 191 147 shade: RGB 114 191 142, RGB 131 209 161, RGB 148 227 180, RGB 165 245 199 and RGB 182 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 191 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 191 147 shade: RGB 109 191 147, RGB 92 173 128, RGB 75 155 109, RGB 58 137 90 and RGB 41 119 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 191 147 shade: RGB 109 191 147, RGB 109 191 125, RGB 115 191 109, RGB 137 191 109 and RGB 159 191 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 191 147 shade: RGB 109 191 147, RGB 109 191 169, RGB 109 191 191, RGB 109 169 191 and RGB 109 147 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 191 147 shade matches the following richer shades: RGB 109 191 147, RGB 92 208 146, RGB 75 225 144 and RGB 58 241 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 191 147 shade: RGB 109 191 147, RGB 126 174 148, RGB 143 157 149, RGB 160 140 151 and RGB 177 123 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 191 147 shade: RGB 116 191 109, RGB 109 191 124, RGB 109 191 146, RGB 109 191 168 and RGB 109 191 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 191 147 shade: RGB 66 151 106, RGB 81 178 126, RGB 109 191 147, RGB 138 203 168 and RGB 167 216 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 191 147 shade: RGB 109 191 147, RGB 109 138 191 and RGB 191 113 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 191 147 shade: RGB 109 191 147, RGB 146 109 191 and RGB 191 146 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 191 147 shade: RGB 109 191 147, RGB 109 138 191, RGB 191 109 154 and RGB 191 162 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 191 147 shade: RGB 109 191 147, RGB 109 113 191, RGB 191 109 154 and RGB 191 187 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

Complementary color

CMYK 0 / 56 / 26 / 43

HEX #92406C

RGB 146 64 108

HSL 327.8, 0.39%, 0.41%

LAB 39.34, 39.77, -8.83

 

CMYK 40 / 0 / 26 / 25

HEX #72BF8E

RGB 114 191 142

HSL 141.82, 0.38%, 0.6%

LAB 71.41, -34.65, 17.4

 

CMYK 37 / 0 / 23 / 18

HEX #83D1A1

RGB 131 209 161

HSL 143.08, 0.46%, 0.67%

LAB 77.87, -34.38, 16.36

 

CMYK 35 / 0 / 21 / 11

HEX #94E3B4

RGB 148 227 180

HSL 144.3, 0.59%, 0.74%

LAB 84.24, -34.12, 15.39

 

CMYK 33 / 0 / 19 / 4

HEX #A5F5C7

RGB 165 245 199

HSL 145.5, 0.8%, 0.8%

LAB 90.52, -33.87, 14.48

 

CMYK 29 / 0 / 15 / 0

HEX #B6FFDA

RGB 182 255 218

HSL 149.59, 1%, 0.86%

LAB 94.54, -29.91, 10.52

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 47 / 0 / 26 / 32

HEX #5CAD80

RGB 92 173 128

HSL 146.67, 0.33%, 0.52%

LAB 64.74, -35.3, 15.6

 

CMYK 52 / 0 / 30 / 39

HEX #4B9B6D

RGB 75 155 109

HSL 145.5, 0.35%, 0.45%

LAB 58.08, -35.49, 16.79

 

CMYK 58 / 0 / 34 / 46

HEX #3A895A

RGB 58 137 90

HSL 144.3, 0.41%, 0.38%

LAB 51.3, -35.57, 18.11

 

CMYK 66 / 0 / 40 / 53

HEX #297747

RGB 41 119 71

HSL 143.08, 0.49%, 0.31%

LAB 44.4, -35.47, 19.58

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 43 / 0 / 35 / 25

HEX #6DBF7D

RGB 109 191 125

HSL 131.71, 0.39%, 0.59%

LAB 70.87, -39.22, 25.69

 

CMYK 40 / 0 / 43 / 25

HEX #73BF6D

RGB 115 191 109

HSL 115.61, 0.39%, 0.59%

LAB 70.88, -39.97, 34.1

 

CMYK 28 / 0 / 43 / 25

HEX #89BF6D

RGB 137 191 109

HSL 99.51, 0.39%, 0.59%

LAB 72.02, -32.61, 35.78

 

CMYK 17 / 0 / 43 / 25

HEX #9FBF6D

RGB 159 191 109

HSL 83.41, 0.39%, 0.59%

LAB 73.37, -24.51, 37.78

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 43 / 0 / 12 / 25

HEX #6DBFA9

RGB 109 191 169

HSL 163.9, 0.39%, 0.59%

LAB 71.81, -30.3, 3.29

 

CMYK 43 / 0 / 0 / 25

HEX #6DBFBF

RGB 109 191 191

HSL 180, 0.39%, 0.59%

LAB 72.41, -24.96, -7.83

 

CMYK 43 / 12 / 0 / 25

HEX #6DA9BF

RGB 109 169 191

HSL 196.1, 0.39%, 0.59%

LAB 66.05, -13.62, -17.37

 

CMYK 43 / 23 / 0 / 25

HEX #6D93BF

RGB 109 147 191

HSL 212.2, 0.39%, 0.59%

LAB 59.78, -1.47, -26.96

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 56 / 0 / 30 / 18

HEX #5CD092

RGB 92 208 146

HSL 147.93, 0.55%, 0.59%

LAB 75.74, -47.02, 21.1

 

CMYK 67 / 0 / 36 / 12

HEX #4BE190

RGB 75 225 144

HSL 147.6, 0.71%, 0.59%

LAB 80.38, -57.53, 28.37

 

CMYK 76 / 0 / 41 / 5

HEX #3AF18F

RGB 58 241 143

HSL 147.87, 0.87%, 0.59%

LAB 84.89, -66.02, 34.79

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 28 / 0 / 15 / 32

HEX #7EAE94

RGB 126 174 148

HSL 147.5, 0.23%, 0.59%

LAB 67.16, -21.52, 8.23

 

CMYK 9 / 0 / 5 / 38

HEX #8F9D95

RGB 143 157 149

HSL 145.71, 0.07%, 0.59%

LAB 63.44, -6.57, 2.47

 

CMYK 0 / 13 / 6 / 37

HEX #A08C97

RGB 160 140 151

HSL 327, 0.1%, 0.59%

LAB 60.31, 9.48, -3.08

 

CMYK 0 / 31 / 14 / 31

HEX #B17B98

RGB 177 123 152

HSL 327.78, 0.26%, 0.59%

LAB 57.83, 25.51, -7.13

 

CMYK 39 / 0 / 43 / 25

HEX #74BF6D

RGB 116 191 109

HSL 114.88, 0.39%, 0.59%

LAB 70.93, -39.65, 34.17

 

CMYK 43 / 0 / 35 / 25

HEX #6DBF7C

RGB 109 191 124

HSL 130.98, 0.39%, 0.59%

LAB 70.85, -39.39, 26.2

 

CMYK 43 / 0 / 24 / 25

HEX #6DBF92

RGB 109 191 146

HSL 147.07, 0.39%, 0.59%

LAB 71.27, -35.28, 15.02

 

CMYK 43 / 0 / 12 / 25

HEX #6DBFA8

RGB 109 191 168

HSL 163.17, 0.39%, 0.59%

LAB 71.79, -30.53, 3.8

 

CMYK 43 / 0 / 1 / 25

HEX #6DBFBD

RGB 109 191 189

HSL 178.54, 0.39%, 0.59%

LAB 72.35, -25.47, -6.83

 

CMYK 56 / 0 / 30 / 41

HEX #42976A

RGB 66 151 106

HSL 148.24, 0.39%, 0.43%

LAB 56.42, -36.56, 16.13

 

CMYK 54 / 0 / 29 / 30

HEX #51B27E

RGB 81 178 126

HSL 147.84, 0.39%, 0.51%

LAB 65.82, -40.75, 18.12

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 32 / 0 / 17 / 20

HEX #8ACBA8

RGB 138 203 168

HSL 147.69, 0.38%, 0.67%

LAB 76.64, -28.08, 10.95

 

CMYK 23 / 0 / 13 / 15

HEX #A7D8BD

RGB 167 216 189

HSL 146.94, 0.39%, 0.75%

LAB 82.38, -21.29, 8.15

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 43 / 28 / 0 / 25

HEX #6D8ABF

RGB 109 138 191

HSL 218.78, 0.39%, 0.59%

LAB 57.26, 3.72, -30.86

 

CMYK 0 / 41 / 43 / 25

HEX #BF716D

RGB 191 113 109

HSL 2.93, 0.39%, 0.59%

LAB 56.08, 30.32, 15.51

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 24 / 43 / 0 / 25

HEX #926DBF

RGB 146 109 191

HSL 267.07, 0.39%, 0.59%

LAB 52.74, 31.27, -37.71

 

CMYK 0 / 24 / 43 / 25

HEX #BF926D

RGB 191 146 109

HSL 27.07, 0.39%, 0.59%

LAB 63.95, 12.15, 26.14

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 43 / 28 / 0 / 25

HEX #6D8ABF

RGB 109 138 191

HSL 218.78, 0.39%, 0.59%

LAB 57.26, 3.72, -30.86

 

CMYK 0 / 43 / 19 / 25

HEX #BF6D9A

RGB 191 109 154

HSL 327.07, 0.39%, 0.59%

LAB 56.43, 38.45, -10.19

 

CMYK 0 / 15 / 43 / 25

HEX #BFA26D

RGB 191 162 109

HSL 38.78, 0.39%, 0.59%

LAB 68.04, 3.4, 31.49

 

CMYK 43 / 0 / 23 / 25

HEX #6DBF93

RGB 109 191 147

HSL 147.8, 0.39%, 0.59%

LAB 71.3, -35.07, 14.51

 

CMYK 43 / 41 / 0 / 25

HEX #6D71BF

RGB 109 113 191

HSL 237.07, 0.39%, 0.59%

LAB 50.48, 18.65, -41.49

 

CMYK 0 / 43 / 19 / 25

HEX #BF6D9A

RGB 191 109 154

HSL 327.07, 0.39%, 0.59%

LAB 56.43, 38.45, -10.19

 

CMYK 0 / 2 / 43 / 25

HEX #BFBB6D

RGB 191 187 109

HSL 57.07, 0.39%, 0.59%

LAB 74.65, -9.84, 39.89

 

Description

Color code: RGB 109 191 147 | qconv.com Color code: RGB 109 191 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 191 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 191 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 23 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 23% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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