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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 197 221 it is the complementary color RGB 146 58 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 197 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 197 221 shade: RGB 114 197 216, RGB 131 215 235, RGB 148 233 254, RGB 165 251 255 and RGB 182 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 197 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 197 221 shade: RGB 109 197 221, RGB 92 179 202, RGB 75 161 183, RGB 58 143 164 and RGB 41 125 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 197 221 shade: RGB 110 197 221, RGB 110 167 221, RGB 110 137 221, RGB 112 110 221 and RGB 142 110 221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 197 221 shade: RGB 110 197 221, RGB 110 167 221, RGB 110 137 221 and RGB 110 110 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 197 221 shade matches the following richer shades: RGB 110 197 221, RGB 95 205 235 and RGB 81 213 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 197 221 shade: RGB 110 197 221, RGB 124 189 206, RGB 139 180 192, RGB 153 172 177 and RGB 168 164 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 197 221 shade: RGB 110 221 184, RGB 110 221 213, RGB 110 198 221, RGB 110 169 221 and RGB 110 139 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 197 221 shade: RGB 47 168 201, RGB 76 184 213, RGB 110 197 221, RGB 143 210 228 and RGB 177 224 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 197 221 shade: RGB 109 197 221, RGB 154 110 221 and RGB 221 198 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 197 221 shade: RGB 109 197 221, RGB 221 110 198 and RGB 198 221 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 197 221 shade: RGB 109 197 221, RGB 154 110 221, RGB 221 132 110 and RGB 176 221 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 197 221 shade: RGB 109 197 221, RGB 187 110 221, RGB 221 132 110 and RGB 143 221 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 11 / 0 / 13

HEX #6DC5DD

RGB 109 197 221

HSL 192.86, 0.62%, 0.65%

LAB 75.08, -20.01, -20.13

 

Complementary color

CMYK 0 / 60 / 77 / 43

HEX #923A22

RGB 146 58 34

HSL 12.86, 0.62%, 0.35%

LAB 36.47, 35.73, 33.02

 

CMYK 47 / 9 / 0 / 15

HEX #72C5D8

RGB 114 197 216

HSL 191.18, 0.57%, 0.65%

LAB 75.12, -20.26, -17.34

 

CMYK 44 / 9 / 0 / 8

HEX #83D7EB

RGB 131 215 235

HSL 191.54, 0.72%, 0.72%

LAB 81.52, -20.39, -17.8

 

CMYK 42 / 8 / 0 / 0

HEX #94E9FE

RGB 148 233 254

HSL 191.89, 0.98%, 0.79%

LAB 87.84, -20.48, -18.24

 

CMYK 35 / 2 / 0 / 0

HEX #A5FBFF

RGB 165 251 255

HSL 182.67, 1%, 0.82%

LAB 93.54, -24.84, -10.14

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 51 / 11 / 0 / 13

HEX #6DC5DD

RGB 109 197 221

HSL 192.86, 0.62%, 0.65%

LAB 75.08, -20.01, -20.13

 

CMYK 54 / 11 / 0 / 21

HEX #5CB3CA

RGB 92 179 202

HSL 192.55, 0.51%, 0.58%

LAB 68.59, -19.73, -19.67

 

CMYK 59 / 12 / 0 / 28

HEX #4BA1B7

RGB 75 161 183

HSL 192.22, 0.43%, 0.51%

LAB 62, -19.34, -19.19

 

CMYK 65 / 13 / 0 / 36

HEX #3A8FA4

RGB 58 143 164

HSL 191.89, 0.48%, 0.44%

LAB 55.3, -18.79, -18.66

 

CMYK 72 / 14 / 0 / 43

HEX #297D91

RGB 41 125 145

HSL 191.54, 0.56%, 0.36%

LAB 48.49, -18.01, -18.08

 

CMYK 50 / 11 / 0 / 13

HEX #6EC5DD

RGB 110 197 221

HSL 192.97, 0.62%, 0.65%

LAB 75.12, -19.79, -20.06

 

CMYK 50 / 24 / 0 / 13

HEX #6EA7DD

RGB 110 167 221

HSL 209.19, 0.62%, 0.65%

LAB 66.65, -3.77, -33.05

 

CMYK 50 / 38 / 0 / 13

HEX #6E89DD

RGB 110 137 221

HSL 225.41, 0.62%, 0.65%

LAB 58.44, 13.51, -45.91

 

CMYK 49 / 50 / 0 / 13

HEX #706EDD

RGB 112 110 221

HSL 241.08, 0.62%, 0.65%

LAB 51.63, 30.17, -56.75

 

CMYK 36 / 50 / 0 / 13

HEX #8E6EDD

RGB 142 110 221

HSL 257.3, 0.62%, 0.65%

LAB 54.16, 37.2, -52.56

 

CMYK 50 / 11 / 0 / 13

HEX #6EC5DD

RGB 110 197 221

HSL 192.97, 0.62%, 0.65%

LAB 75.12, -19.79, -20.06

 

CMYK 50 / 24 / 0 / 13

HEX #6EA7DD

RGB 110 167 221

HSL 209.19, 0.62%, 0.65%

LAB 66.65, -3.77, -33.05

 

CMYK 50 / 38 / 0 / 13

HEX #6E89DD

RGB 110 137 221

HSL 225.41, 0.62%, 0.65%

LAB 58.44, 13.51, -45.91

 

CMYK 50 / 50 / 0 / 13

HEX #6E6EDD

RGB 110 110 221

HSL 240, 0.62%, 0.65%

LAB 51.48, 29.73, -56.99

 

CMYK 50 / 11 / 0 / 13

HEX #6EC5DD

RGB 110 197 221

HSL 192.97, 0.62%, 0.65%

LAB 75.12, -19.79, -20.06

 

CMYK 60 / 13 / 0 / 8

HEX #5FCDEB

RGB 95 205 235

HSL 192.86, 0.78%, 0.65%

LAB 77.34, -22.85, -24.28

 

CMYK 67 / 14 / 0 / 2

HEX #51D5F9

RGB 81 213 249

HSL 192.86, 0.93%, 0.65%

LAB 79.71, -24.94, -28.16

 

CMYK 50 / 11 / 0 / 13

HEX #6EC5DD

RGB 110 197 221

HSL 192.97, 0.62%, 0.65%

LAB 75.12, -19.79, -20.06

 

CMYK 40 / 8 / 0 / 19

HEX #7CBDCE

RGB 124 189 206

HSL 192.44, 0.46%, 0.65%

LAB 72.98, -16.33, -15.09

 

CMYK 28 / 6 / 0 / 25

HEX #8BB4C0

RGB 139 180 192

HSL 193.58, 0.3%, 0.65%

LAB 70.83, -10.88, -10.58

 

CMYK 14 / 3 / 0 / 31

HEX #99ACB1

RGB 153 172 177

HSL 192.5, 0.13%, 0.65%

LAB 69.08, -5.54, -4.81

 

CMYK 0 / 2 / 3 / 34

HEX #A8A4A3

RGB 168 164 163

HSL 12, 0.03%, 0.65%

LAB 67.67, 1.25, 1.02

 

CMYK 50 / 0 / 17 / 13

HEX #6EDDB8

RGB 110 221 184

HSL 160, 0.62%, 0.65%

LAB 81.01, -40.54, 8.48

 

CMYK 50 / 0 / 4 / 13

HEX #6EDDD5

RGB 110 221 213

HSL 175.68, 0.62%, 0.65%

LAB 81.75, -33.66, -5.85

 

CMYK 50 / 10 / 0 / 13

HEX #6EC6DD

RGB 110 198 221

HSL 192.43, 0.62%, 0.65%

LAB 75.4, -20.3, -19.63

 

CMYK 50 / 24 / 0 / 13

HEX #6EA9DD

RGB 110 169 221

HSL 208.11, 0.62%, 0.65%

LAB 67.21, -4.88, -32.18

 

CMYK 50 / 37 / 0 / 13

HEX #6E8BDD

RGB 110 139 221

HSL 224.32, 0.62%, 0.65%

LAB 58.97, 12.33, -45.06

 

CMYK 77 / 16 / 0 / 21

HEX #2FA8C9

RGB 47 168 201

HSL 192.86, 0.62%, 0.49%

LAB 64.02, -21.52, -26.22

 

CMYK 64 / 14 / 0 / 16

HEX #4CB8D5

RGB 76 184 213

HSL 192.7, 0.62%, 0.57%

LAB 69.91, -21.99, -23.75

 

CMYK 50 / 11 / 0 / 13

HEX #6EC5DD

RGB 110 197 221

HSL 192.97, 0.62%, 0.65%

LAB 75.12, -19.79, -20.06

 

CMYK 37 / 8 / 0 / 11

HEX #8FD2E4

RGB 143 210 228

HSL 192.71, 0.61%, 0.73%

LAB 80.48, -16.64, -15.58

 

CMYK 25 / 5 / 0 / 7

HEX #B1E0EC

RGB 177 224 236

HSL 192.2, 0.61%, 0.81%

LAB 86.36, -12.47, -10.83

 

CMYK 51 / 11 / 0 / 13

HEX #6DC5DD

RGB 109 197 221

HSL 192.86, 0.62%, 0.65%

LAB 75.08, -20.01, -20.13

 

CMYK 30 / 50 / 0 / 13

HEX #9A6EDD

RGB 154 110 221

HSL 263.78, 0.62%, 0.65%

LAB 55.32, 40.25, -50.63

 

CMYK 0 / 10 / 50 / 13

HEX #DDC66E

RGB 221 198 110

HSL 47.57, 0.62%, 0.65%

LAB 80.12, -3.19, 46.7

 

CMYK 51 / 11 / 0 / 13

HEX #6DC5DD

RGB 109 197 221

HSL 192.86, 0.62%, 0.65%

LAB 75.08, -20.01, -20.13

 

CMYK 0 / 50 / 10 / 13

HEX #DD6EC6

RGB 221 110 198

HSL 312.43, 0.62%, 0.65%

LAB 62.17, 54.45, -26.35

 

CMYK 10 / 0 / 50 / 13

HEX #C6DD6E

RGB 198 221 110

HSL 72.43, 0.62%, 0.65%

LAB 84.4, -23.94, 51.41

 

CMYK 51 / 11 / 0 / 13

HEX #6DC5DD

RGB 109 197 221

HSL 192.86, 0.62%, 0.65%

LAB 75.08, -20.01, -20.13

 

CMYK 30 / 50 / 0 / 13

HEX #9A6EDD

RGB 154 110 221

HSL 263.78, 0.62%, 0.65%

LAB 55.32, 40.25, -50.63

 

CMYK 0 / 40 / 50 / 13

HEX #DD846E

RGB 221 132 110

HSL 11.89, 0.62%, 0.65%

LAB 64.16, 31.91, 26.51

 

CMYK 20 / 0 / 50 / 13

HEX #B0DD6E

RGB 176 221 110

HSL 84.32, 0.62%, 0.65%

LAB 82.95, -32.32, 49.33

 

CMYK 51 / 11 / 0 / 13

HEX #6DC5DD

RGB 109 197 221

HSL 192.86, 0.62%, 0.65%

LAB 75.08, -20.01, -20.13

 

CMYK 15 / 50 / 0 / 13

HEX #BB6EDD

RGB 187 110 221

HSL 281.62, 0.62%, 0.65%

LAB 58.92, 49.01, -44.71

 

CMYK 0 / 40 / 50 / 13

HEX #DD846E

RGB 221 132 110

HSL 11.89, 0.62%, 0.65%

LAB 64.16, 31.91, 26.51

 

CMYK 35 / 0 / 50 / 13

HEX #8FDD6E

RGB 143 221 110

HSL 102.16, 0.62%, 0.65%

LAB 81.11, -43.91, 46.68

 

Description

Color code: RGB 109 197 221 | qconv.com Color code: RGB 109 197 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 197 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 197 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 11 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 11% 0% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - İnternetofis Web Tas...
Link: http://internetofis.com

22% - ICYE Federation | Vo...
Link: http://new.icye.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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