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Color name
RGB 109 164 33

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 164 33 it is the complementary color RGB 146 91 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 164 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 164 33 shade: RGB 114 164 28, RGB 131 182 47, RGB 148 200 66, RGB 165 218 85 and RGB 182 236 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 164 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 164 33 shade: RGB 109 164 33, RGB 92 146 14, RGB 75 128 0, RGB 58 110 0 and RGB 41 92 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 164 33 shade: RGB 109 165 33, RGB 145 165 33, RGB 165 149 33, RGB 165 113 33 and RGB 165 78 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 164 33 shade: RGB 109 165 33, RGB 74 165 33, RGB 39 165 33, RGB 33 165 63 and RGB 33 165 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 164 33 shade matches the following richer shades: RGB 109 165 33, RGB 112 181 17 and RGB 115 197 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 164 33 shade: RGB 109 165 33, RGB 107 148 49, RGB 104 132 65, RGB 102 116 82 and RGB 99 100 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 164 33 shade: RGB 165 149 33, RGB 145 165 33, RGB 110 165 33, RGB 75 165 33 and RGB 40 165 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 164 33 shade: RGB 64 96 19, RGB 87 130 26, RGB 109 165 33, RGB 132 199 40 and RGB 152 216 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 164 33 shade: RGB 109 164 33, RGB 33 165 114 and RGB 165 33 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 164 33 shade: RGB 109 164 33, RGB 33 110 165 and RGB 165 33 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 164 33 shade: RGB 109 164 33, RGB 33 165 114, RGB 88 33 165 and RGB 165 33 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 164 33 shade: RGB 109 164 33, RGB 33 165 154, RGB 88 33 165 and RGB 165 33 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 80 / 36

HEX #6DA421

RGB 109 164 33

HSL 85.19, 0.66%, 0.39%

LAB 61.58, -37.71, 56.95

 

Complementary color

CMYK 34 / 59 / 0 / 13

HEX #925BDE

RGB 146 91 222

HSL 265.19, 0.66%, 0.61%

LAB 50.53, 48.98, -58.91

 

CMYK 30 / 0 / 83 / 36

HEX #72A41C

RGB 114 164 28

HSL 82.06, 0.71%, 0.38%

LAB 61.84, -36.02, 58.72

 

CMYK 28 / 0 / 74 / 29

HEX #83B62F

RGB 131 182 47

HSL 82.67, 0.59%, 0.45%

LAB 68.38, -36.64, 59.28

 

CMYK 26 / 0 / 67 / 22

HEX #94C842

RGB 148 200 66

HSL 83.28, 0.55%, 0.52%

LAB 74.82, -37.07, 59.04

 

CMYK 24 / 0 / 61 / 15

HEX #A5DA55

RGB 165 218 85

HSL 83.91, 0.64%, 0.59%

LAB 81.18, -37.35, 58.36

 

CMYK 23 / 0 / 56 / 7

HEX #B6EC68

RGB 182 236 104

HSL 84.55, 0.78%, 0.67%

LAB 87.45, -37.55, 57.46

 

CMYK 34 / 0 / 80 / 36

HEX #6DA421

RGB 109 164 33

HSL 85.19, 0.66%, 0.39%

LAB 61.58, -37.71, 56.95

 

CMYK 37 / 0 / 90 / 43

HEX #5C920E

RGB 92 146 14

HSL 84.55, 0.83%, 0.31%

LAB 54.93, -36.92, 55.53

 

CMYK 41 / 0 / 100 / 50

HEX #4B8000

RGB 75 128 0

HSL 84.84, 1%, 0.25%

LAB 48.18, -35.8, 52.26

 

CMYK 47 / 0 / 100 / 57

HEX #3A6E00

RGB 58 110 0

HSL 88.36, 1%, 0.22%

LAB 41.3, -34.24, 46.55

 

CMYK 55 / 0 / 100 / 64

HEX #295C00

RGB 41 92 0

HSL 93.26, 1%, 0.18%

LAB 34.24, -32.5, 40.7

 

CMYK 34 / 0 / 80 / 35

HEX #6DA521

RGB 109 165 33

HSL 85.45, 0.67%, 0.39%

LAB 61.89, -38.15, 57.24

 

CMYK 12 / 0 / 80 / 35

HEX #91A521

RGB 145 165 33

HSL 69.09, 0.67%, 0.39%

LAB 64.19, -23.57, 60.19

 

CMYK 0 / 10 / 80 / 35

HEX #A59521

RGB 165 149 33

HSL 52.73, 0.67%, 0.39%

LAB 61.31, -6.43, 58.24

 

CMYK 0 / 32 / 80 / 35

HEX #A57121

RGB 165 113 33

HSL 36.36, 0.67%, 0.39%

LAB 51.75, 13.57, 49.55

 

CMYK 0 / 53 / 80 / 35

HEX #A54E21

RGB 165 78 33

HSL 20.45, 0.67%, 0.39%

LAB 43.59, 32.99, 41.81

 

CMYK 34 / 0 / 80 / 35

HEX #6DA521

RGB 109 165 33

HSL 85.45, 0.67%, 0.39%

LAB 61.89, -38.15, 57.24

 

CMYK 55 / 0 / 80 / 35

HEX #4AA521

RGB 74 165 33

HSL 101.36, 0.67%, 0.39%

LAB 60.32, -49.72, 55.21

 

CMYK 76 / 0 / 80 / 35

HEX #27A521

RGB 39 165 33

HSL 117.27, 0.67%, 0.39%

LAB 59.39, -57.38, 54

 

CMYK 80 / 0 / 62 / 35

HEX #21A53F

RGB 33 165 63

HSL 133.64, 0.67%, 0.39%

LAB 59.52, -55.43, 42.32

 

CMYK 80 / 0 / 40 / 35

HEX #21A563

RGB 33 165 99

HSL 150, 0.67%, 0.39%

LAB 60.01, -49.64, 24.7

 

CMYK 34 / 0 / 80 / 35

HEX #6DA521

RGB 109 165 33

HSL 85.45, 0.67%, 0.39%

LAB 61.89, -38.15, 57.24

 

CMYK 38 / 0 / 91 / 29

HEX #70B511

RGB 112 181 17

HSL 85.24, 0.83%, 0.39%

LAB 66.93, -44.48, 65.4

 

CMYK 42 / 0 / 99 / 23

HEX #73C501

RGB 115 197 1

HSL 85.1, 0.99%, 0.39%

LAB 71.95, -50.23, 71.45

 

CMYK 34 / 0 / 80 / 35

HEX #6DA521

RGB 109 165 33

HSL 85.45, 0.67%, 0.39%

LAB 61.89, -38.15, 57.24

 

CMYK 28 / 0 / 67 / 42

HEX #6B9431

RGB 107 148 49

HSL 84.85, 0.5%, 0.39%

LAB 56.61, -30.13, 46.1

 

CMYK 21 / 0 / 51 / 48

HEX #688441

RGB 104 132 65

HSL 85.07, 0.34%, 0.39%

LAB 51.64, -21.87, 32.71

 

CMYK 12 / 0 / 29 / 55

HEX #667452

RGB 102 116 82

HSL 84.71, 0.17%, 0.39%

LAB 46.88, -11.77, 17.11

 

CMYK 1 / 0 / 2 / 61

HEX #636462

RGB 99 100 98

HSL 90, 0.01%, 0.39%

LAB 42.23, -0.8, 0.99

 

CMYK 0 / 10 / 80 / 35

HEX #A59521

RGB 165 149 33

HSL 52.73, 0.67%, 0.39%

LAB 61.31, -6.43, 58.24

 

CMYK 12 / 0 / 80 / 35

HEX #91A521

RGB 145 165 33

HSL 69.09, 0.67%, 0.39%

LAB 64.19, -23.57, 60.19

 

CMYK 33 / 0 / 80 / 35

HEX #6EA521

RGB 110 165 33

HSL 85, 0.67%, 0.39%

LAB 61.94, -37.77, 57.31

 

CMYK 55 / 0 / 80 / 35

HEX #4BA521

RGB 75 165 33

HSL 100.91, 0.67%, 0.39%

LAB 60.35, -49.44, 55.25

 

CMYK 76 / 0 / 80 / 35

HEX #28A521

RGB 40 165 33

HSL 116.82, 0.67%, 0.39%

LAB 59.41, -57.23, 54.03

 

CMYK 33 / 0 / 80 / 62

HEX #406013

RGB 64 96 19

HSL 84.94, 0.67%, 0.23%

LAB 36.93, -24.6, 37.53

 

CMYK 33 / 0 / 80 / 49

HEX #57821A

RGB 87 130 26

HSL 84.81, 0.67%, 0.31%

LAB 49.58, -31.13, 47.55

 

CMYK 34 / 0 / 80 / 35

HEX #6DA521

RGB 109 165 33

HSL 85.45, 0.67%, 0.39%

LAB 61.89, -38.15, 57.24

 

CMYK 34 / 0 / 80 / 22

HEX #84C728

RGB 132 199 40

HSL 85.28, 0.67%, 0.47%

LAB 73.48, -44.06, 66.3

 

CMYK 30 / 0 / 70 / 15

HEX #98D841

RGB 152 216 65

HSL 85.43, 0.66%, 0.55%

LAB 79.71, -42.72, 64.52

 

CMYK 34 / 0 / 80 / 36

HEX #6DA421

RGB 109 164 33

HSL 85.19, 0.66%, 0.39%

LAB 61.58, -37.71, 56.95

 

CMYK 80 / 0 / 31 / 35

HEX #21A572

RGB 33 165 114

HSL 156.82, 0.67%, 0.39%

LAB 60.29, -46.47, 16.89

 

CMYK 0 / 80 / 2 / 35

HEX #A521A2

RGB 165 33 162

HSL 301.36, 0.67%, 0.39%

LAB 40.73, 65.16, -39.52

 

CMYK 34 / 0 / 80 / 36

HEX #6DA421

RGB 109 164 33

HSL 85.19, 0.66%, 0.39%

LAB 61.58, -37.71, 56.95

 

CMYK 80 / 33 / 0 / 35

HEX #216EA5

RGB 33 110 165

HSL 205, 0.67%, 0.39%

LAB 44.51, -3.22, -36.06

 

CMYK 0 / 80 / 33 / 35

HEX #A5216E

RGB 165 33 110

HSL 325, 0.67%, 0.39%

LAB 38.22, 58, -11.45

 

CMYK 34 / 0 / 80 / 36

HEX #6DA421

RGB 109 164 33

HSL 85.19, 0.66%, 0.39%

LAB 61.58, -37.71, 56.95

 

CMYK 80 / 0 / 31 / 35

HEX #21A572

RGB 33 165 114

HSL 156.82, 0.67%, 0.39%

LAB 60.29, -46.47, 16.89

 

CMYK 47 / 80 / 0 / 35

HEX #5821A5

RGB 88 33 165

HSL 265, 0.67%, 0.39%

LAB 29.11, 51.87, -60.7

 

CMYK 0 / 80 / 49 / 35

HEX #A52154

RGB 165 33 84

HSL 336.82, 0.67%, 0.39%

LAB 37.35, 55.37, 3.79

 

CMYK 34 / 0 / 80 / 36

HEX #6DA421

RGB 109 164 33

HSL 85.19, 0.66%, 0.39%

LAB 61.58, -37.71, 56.95

 

CMYK 80 / 0 / 7 / 35

HEX #21A59A

RGB 33 165 154

HSL 175, 0.67%, 0.39%

LAB 61.28, -36.12, -4.06

 

CMYK 47 / 80 / 0 / 35

HEX #5821A5

RGB 88 33 165

HSL 265, 0.67%, 0.39%

LAB 29.11, 51.87, -60.7

 

CMYK 0 / 80 / 73 / 35

HEX #A5212C

RGB 165 33 44

HSL 355, 0.67%, 0.39%

LAB 36.5, 52.73, 28.15

 

Description

Color code: RGB 109 164 33 | qconv.com Color code: RGB 109 164 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 164 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 164 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 80 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 80% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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