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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 147 176 it is the complementary color RGB 146 108 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 147 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 147 176 shade: RGB 114 147 171, RGB 131 165 190, RGB 148 183 209, RGB 165 201 228 and RGB 182 219 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 147 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 147 176 shade: RGB 109 147 176, RGB 92 129 157, RGB 75 111 138, RGB 58 93 119 and RGB 41 75 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 147 176 shade: RGB 109 147 176, RGB 109 129 176, RGB 109 111 176, RGB 125 109 176 and RGB 143 109 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 147 176 shade: RGB 109 147 176, RGB 109 129 176, RGB 109 111 176 and RGB 109 109 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 147 176 shade matches the following richer shades: RGB 109 147 176, RGB 90 149 194, RGB 72 152 212, RGB 54 154 230 and RGB 36 157 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 147 176 shade: RGB 109 147 176, RGB 127 144 158, RGB 145 142 140, RGB 163 140 121 and RGB 181 137 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 147 176 shade: RGB 109 176 168, RGB 109 166 176, RGB 109 148 176, RGB 109 130 176 and RGB 109 112 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 147 176 shade: RGB 71 105 132, RGB 85 127 158, RGB 109 147 176, RGB 135 167 190 and RGB 162 186 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 147 176 shade: RGB 109 147 176, RGB 150 109 176 and RGB 175 176 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 147 176 shade: RGB 109 147 176, RGB 176 109 148 and RGB 148 176 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 147 176 shade: RGB 109 147 176, RGB 150 109 176, RGB 176 137 109 and RGB 134 176 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 147 176 shade: RGB 109 147 176, RGB 170 109 176, RGB 176 137 109 and RGB 114 176 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

Complementary color

CMYK 0 / 26 / 46 / 43

HEX #926C4F

RGB 146 108 79

HSL 25.97, 0.3%, 0.44%

LAB 48.76, 11.29, 22.11

 

CMYK 33 / 14 / 0 / 33

HEX #7293AB

RGB 114 147 171

HSL 205.26, 0.25%, 0.56%

LAB 59.33, -5.52, -16.3

 

CMYK 31 / 13 / 0 / 25

HEX #83A5BE

RGB 131 165 190

HSL 205.42, 0.31%, 0.63%

LAB 66.1, -5.65, -16.63

 

CMYK 29 / 12 / 0 / 18

HEX #94B7D1

RGB 148 183 209

HSL 205.57, 0.4%, 0.7%

LAB 72.74, -5.76, -16.96

 

CMYK 28 / 12 / 0 / 11

HEX #A5C9E4

RGB 165 201 228

HSL 205.71, 0.54%, 0.77%

LAB 79.26, -5.87, -17.3

 

CMYK 26 / 11 / 0 / 3

HEX #B6DBF7

RGB 182 219 247

HSL 205.85, 0.8%, 0.84%

LAB 85.67, -5.96, -17.65

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 41 / 18 / 0 / 38

HEX #5C819D

RGB 92 129 157

HSL 205.85, 0.26%, 0.49%

LAB 52.3, -5.41, -19.08

 

CMYK 46 / 20 / 0 / 46

HEX #4B6F8A

RGB 75 111 138

HSL 205.71, 0.3%, 0.42%

LAB 45.22, -5.12, -18.83

 

CMYK 51 / 22 / 0 / 53

HEX #3A5D77

RGB 58 93 119

HSL 205.57, 0.34%, 0.35%

LAB 37.95, -4.74, -18.59

 

CMYK 59 / 25 / 0 / 61

HEX #294B64

RGB 41 75 100

HSL 205.42, 0.42%, 0.28%

LAB 30.46, -4.18, -18.37

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 38 / 27 / 0 / 31

HEX #6D81B0

RGB 109 129 176

HSL 222.09, 0.3%, 0.56%

LAB 54.12, 4.73, -27.17

 

CMYK 38 / 37 / 0 / 31

HEX #6D6FB0

RGB 109 111 176

HSL 238.21, 0.3%, 0.56%

LAB 49.2, 15.52, -34.84

 

CMYK 29 / 38 / 0 / 31

HEX #7D6DB0

RGB 125 109 176

HSL 254.33, 0.3%, 0.56%

LAB 50.02, 21.34, -33.46

 

CMYK 19 / 38 / 0 / 31

HEX #8F6DB0

RGB 143 109 176

HSL 270.45, 0.3%, 0.56%

LAB 51.74, 26.81, -30.65

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 38 / 27 / 0 / 31

HEX #6D81B0

RGB 109 129 176

HSL 222.09, 0.3%, 0.56%

LAB 54.12, 4.73, -27.17

 

CMYK 38 / 37 / 0 / 31

HEX #6D6FB0

RGB 109 111 176

HSL 238.21, 0.3%, 0.56%

LAB 49.2, 15.52, -34.84

 

CMYK 38 / 38 / 0 / 31

HEX #6D6DB0

RGB 109 109 176

HSL 240, 0.3%, 0.56%

LAB 48.66, 16.73, -35.68

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 54 / 23 / 0 / 24

HEX #5A95C2

RGB 90 149 194

HSL 205.96, 0.46%, 0.56%

LAB 59.49, -6.32, -29.18

 

CMYK 66 / 28 / 0 / 17

HEX #4898D4

RGB 72 152 212

HSL 205.71, 0.62%, 0.56%

LAB 60.42, -5.7, -37.89

 

CMYK 77 / 33 / 0 / 10

HEX #369AE6

RGB 54 154 230

HSL 205.91, 0.78%, 0.56%

LAB 61.32, -3.12, -46.52

 

CMYK 86 / 37 / 0 / 2

HEX #249DF9

RGB 36 157 249

HSL 205.92, 0.95%, 0.56%

LAB 62.78, 0.4, -54.67

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 20 / 9 / 0 / 38

HEX #7F909E

RGB 127 144 158

HSL 207.1, 0.14%, 0.56%

LAB 58.91, -2.95, -9.44

 

CMYK 0 / 2 / 3 / 43

HEX #918E8C

RGB 145 142 140

HSL 24, 0.02%, 0.56%

LAB 59.21, 0.73, 1.45

 

CMYK 0 / 14 / 26 / 36

HEX #A38C79

RGB 163 140 121

HSL 27.14, 0.19%, 0.56%

LAB 59.82, 5.62, 13.35

 

CMYK 0 / 24 / 43 / 29

HEX #B58967

RGB 181 137 103

HSL 26.15, 0.35%, 0.56%

LAB 60.51, 12.34, 24.72

 

CMYK 38 / 0 / 5 / 31

HEX #6DB0A8

RGB 109 176 168

HSL 172.84, 0.3%, 0.56%

LAB 67.37, -23.15, -2.63

 

CMYK 38 / 6 / 0 / 31

HEX #6DA6B0

RGB 109 166 176

HSL 188.96, 0.3%, 0.56%

LAB 64.69, -15.99, -11.07

 

CMYK 38 / 16 / 0 / 31

HEX #6D94B0

RGB 109 148 176

HSL 205.07, 0.3%, 0.56%

LAB 59.49, -6.19, -18.91

 

CMYK 38 / 26 / 0 / 31

HEX #6D82B0

RGB 109 130 176

HSL 221.19, 0.3%, 0.56%

LAB 54.4, 4.14, -26.74

 

CMYK 38 / 36 / 0 / 31

HEX #6D70B0

RGB 109 112 176

HSL 237.31, 0.3%, 0.56%

LAB 49.46, 14.91, -34.42

 

CMYK 46 / 20 / 0 / 48

HEX #476984

RGB 71 105 132

HSL 206.56, 0.3%, 0.4%

LAB 42.93, -4.46, -18.77

 

CMYK 46 / 20 / 0 / 38

HEX #557F9E

RGB 85 127 158

HSL 205.48, 0.3%, 0.48%

LAB 51.36, -5.85, -21.14

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 29 / 12 / 0 / 25

HEX #87A7BE

RGB 135 167 190

HSL 205.09, 0.3%, 0.64%

LAB 66.9, -5.56, -15.39

 

CMYK 21 / 9 / 0 / 20

HEX #A2BACD

RGB 162 186 205

HSL 206.51, 0.3%, 0.72%

LAB 74.32, -4.06, -12.31

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 15 / 38 / 0 / 31

HEX #966DB0

RGB 150 109 176

HSL 276.72, 0.3%, 0.56%

LAB 52.46, 29, -29.47

 

CMYK 1 / 0 / 38 / 31

HEX #AFB06D

RGB 175 176 109

HSL 60.9, 0.3%, 0.56%

LAB 70.36, -10.61, 34.2

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 0 / 38 / 16 / 31

HEX #B06D94

RGB 176 109 148

HSL 325.07, 0.3%, 0.56%

LAB 54.35, 32.28, -10.01

 

CMYK 16 / 0 / 38 / 31

HEX #94B06D

RGB 148 176 109

HSL 85.07, 0.3%, 0.56%

LAB 68.35, -21.28, 31.21

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 15 / 38 / 0 / 31

HEX #966DB0

RGB 150 109 176

HSL 276.72, 0.3%, 0.56%

LAB 52.46, 29, -29.47

 

CMYK 0 / 22 / 38 / 31

HEX #B0896D

RGB 176 137 109

HSL 25.07, 0.3%, 0.56%

LAB 60.09, 10.97, 20.71

 

CMYK 24 / 0 / 38 / 31

HEX #86B06D

RGB 134 176 109

HSL 97.61, 0.3%, 0.56%

LAB 67.44, -26.52, 29.86

 

CMYK 38 / 16 / 0 / 31

HEX #6D93B0

RGB 109 147 176

HSL 205.97, 0.3%, 0.56%

LAB 59.21, -5.63, -19.35

 

CMYK 3 / 38 / 0 / 31

HEX #AA6DB0

RGB 170 109 176

HSL 294.63, 0.3%, 0.56%

LAB 54.68, 35.35, -25.86

 

CMYK 0 / 22 / 38 / 31

HEX #B0896D

RGB 176 137 109

HSL 25.07, 0.3%, 0.56%

LAB 60.09, 10.97, 20.71

 

CMYK 35 / 0 / 38 / 31

HEX #72B06D

RGB 114 176 109

HSL 115.52, 0.3%, 0.56%

LAB 66.31, -33.49, 28.17

 

Description

Color code: RGB 109 147 176 | qconv.com Color code: RGB 109 147 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 147 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 147 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 16 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 16% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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