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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 130 23 it is the complementary color RGB 146 125 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 130 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 130 23 shade: RGB 114 130 18, RGB 131 148 37, RGB 148 166 56, RGB 165 184 75 and RGB 182 202 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 130 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 130 23 shade: RGB 109 130 23, RGB 92 112 4, RGB 75 94 0, RGB 58 76 0 and RGB 41 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 130 23 shade: RGB 109 130 22, RGB 130 122 22, RGB 130 93 22, RGB 130 64 22 and RGB 130 35 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 130 23 shade: RGB 109 130 22, RGB 80 130 22, RGB 51 130 22, RGB 22 130 23 and RGB 22 130 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 130 23 shade matches the following richer shades: RGB 109 130 22 and RGB 116 142 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 130 23 shade: RGB 109 130 22, RGB 101 117 35, RGB 93 105 47, RGB 86 92 60 and RGB 78 80 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 130 23 shade: RGB 130 92 22, RGB 130 121 22, RGB 110 130 22, RGB 81 130 22 and RGB 53 130 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 130 23 shade: RGB 50 59 10, RGB 79 94 16, RGB 109 130 22, RGB 138 165 29 and RGB 167 200 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 130 23 shade: RGB 109 130 23, RGB 22 130 64 and RGB 106 22 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 130 23 shade: RGB 109 130 23, RGB 22 110 130 and RGB 130 22 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 130 23 shade: RGB 109 130 23, RGB 22 130 64, RGB 42 22 130 and RGB 130 22 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 130 23 shade: RGB 109 130 23, RGB 22 130 96, RGB 42 22 130 and RGB 130 22 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 82 / 49

HEX #6D8217

RGB 109 130 23

HSL 71.78, 0.7%, 0.3%

LAB 51.01, -22.02, 50.35

 

Complementary color

CMYK 37 / 46 / 0 / 9

HEX #927DE8

RGB 146 125 232

HSL 251.78, 0.7%, 0.7%

LAB 58.61, 32.5, -51.61

 

CMYK 12 / 0 / 86 / 49

HEX #728212

RGB 114 130 18

HSL 68.57, 0.76%, 0.29%

LAB 51.37, -19.98, 52.19

 

CMYK 11 / 0 / 75 / 42

HEX #839425

RGB 131 148 37

HSL 69.19, 0.6%, 0.36%

LAB 58.17, -20.9, 52.94

 

CMYK 11 / 0 / 66 / 35

HEX #94A638

RGB 148 166 56

HSL 69.82, 0.5%, 0.44%

LAB 64.85, -21.58, 52.67

 

CMYK 10 / 0 / 59 / 28

HEX #A5B84B

RGB 165 184 75

HSL 70.46, 0.43%, 0.51%

LAB 71.41, -22.09, 51.91

 

CMYK 10 / 0 / 53 / 21

HEX #B6CA5E

RGB 182 202 94

HSL 71.11, 0.5%, 0.58%

LAB 77.87, -22.48, 50.91

 

CMYK 16 / 0 / 82 / 49

HEX #6D8217

RGB 109 130 23

HSL 71.78, 0.7%, 0.3%

LAB 51.01, -22.02, 50.35

 

CMYK 18 / 0 / 96 / 56

HEX #5C7004

RGB 92 112 4

HSL 71.11, 0.93%, 0.23%

LAB 44.05, -21, 48.62

 

CMYK 20 / 0 / 100 / 63

HEX #4B5E00

RGB 75 94 0

HSL 72.13, 1%, 0.18%

LAB 36.93, -19.53, 43.64

 

CMYK 24 / 0 / 100 / 70

HEX #3A4C00

RGB 58 76 0

HSL 74.21, 1%, 0.15%

LAB 29.58, -17.92, 37.52

 

CMYK 29 / 0 / 100 / 77

HEX #293A00

RGB 41 58 0

HSL 77.59, 1%, 0.11%

LAB 21.94, -16.27, 29.99

 

CMYK 16 / 0 / 83 / 49

HEX #6D8216

RGB 109 130 22

HSL 71.67, 0.71%, 0.3%

LAB 51.01, -22.06, 50.64

 

CMYK 0 / 6 / 83 / 49

HEX #827A16

RGB 130 122 22

HSL 55.56, 0.71%, 0.3%

LAB 50.36, -8.19, 50.74

 

CMYK 0 / 28 / 83 / 49

HEX #825D16

RGB 130 93 22

HSL 39.44, 0.71%, 0.3%

LAB 42.2, 8.47, 43.52

 

CMYK 0 / 51 / 83 / 49

HEX #824016

RGB 130 64 22

HSL 23.33, 0.71%, 0.3%

LAB 34.94, 25.43, 36.84

 

CMYK 0 / 73 / 83 / 49

HEX #822316

RGB 130 35 22

HSL 7.22, 0.71%, 0.3%

LAB 29.43, 39.86, 31.54

 

CMYK 16 / 0 / 83 / 49

HEX #6D8216

RGB 109 130 22

HSL 71.67, 0.71%, 0.3%

LAB 51.01, -22.06, 50.64

 

CMYK 38 / 0 / 83 / 49

HEX #508216

RGB 80 130 22

HSL 87.78, 0.71%, 0.3%

LAB 49.17, -34.05, 48.29

 

CMYK 61 / 0 / 83 / 49

HEX #338216

RGB 51 130 22

HSL 103.89, 0.71%, 0.3%

LAB 47.91, -43.51, 46.68

 

CMYK 83 / 0 / 82 / 49

HEX #168217

RGB 22 130 23

HSL 120.56, 0.71%, 0.3%

LAB 47.23, -49.24, 45.49

 

CMYK 83 / 0 / 60 / 49

HEX #168234

RGB 22 130 52

HSL 136.67, 0.71%, 0.3%

LAB 47.47, -46.26, 33.58

 

CMYK 16 / 0 / 83 / 49

HEX #6D8216

RGB 109 130 22

HSL 71.67, 0.71%, 0.3%

LAB 51.01, -22.06, 50.64

 

CMYK 18 / 0 / 93 / 44

HEX #748E0A

RGB 116 142 10

HSL 71.82, 0.87%, 0.3%

LAB 55.16, -25.38, 57.04

 

CMYK 16 / 0 / 83 / 49

HEX #6D8216

RGB 109 130 22

HSL 71.67, 0.71%, 0.3%

LAB 51.01, -22.06, 50.64

 

CMYK 14 / 0 / 70 / 54

HEX #657523

RGB 101 117 35

HSL 71.71, 0.54%, 0.3%

LAB 46.46, -18.17, 41.37

 

CMYK 11 / 0 / 55 / 59

HEX #5D692F

RGB 93 105 47

HSL 72.41, 0.38%, 0.3%

LAB 42.21, -14.24, 30.72

 

CMYK 7 / 0 / 35 / 64

HEX #565C3C

RGB 86 92 60

HSL 71.25, 0.21%, 0.3%

LAB 37.77, -8.34, 17.67

 

CMYK 2 / 0 / 10 / 69

HEX #4E5048

RGB 78 80 72

HSL 75, 0.05%, 0.3%

LAB 33.62, -2.49, 4.43

 

CMYK 0 / 29 / 83 / 49

HEX #825C16

RGB 130 92 22

HSL 38.89, 0.71%, 0.3%

LAB 41.94, 9.07, 43.28

 

CMYK 0 / 7 / 83 / 49

HEX #827916

RGB 130 121 22

HSL 55, 0.71%, 0.3%

LAB 50.07, -7.64, 50.49

 

CMYK 15 / 0 / 83 / 49

HEX #6E8216

RGB 110 130 22

HSL 71.11, 0.71%, 0.3%

LAB 51.08, -21.62, 50.73

 

CMYK 38 / 0 / 83 / 49

HEX #518216

RGB 81 130 22

HSL 87.22, 0.71%, 0.3%

LAB 49.22, -33.67, 48.36

 

CMYK 59 / 0 / 83 / 49

HEX #358216

RGB 53 130 22

HSL 102.78, 0.71%, 0.3%

LAB 47.98, -42.97, 46.77

 

CMYK 15 / 0 / 83 / 77

HEX #323B0A

RGB 50 59 10

HSL 71.02, 0.71%, 0.14%

LAB 23.09, -11.66, 27.35

 

CMYK 16 / 0 / 83 / 63

HEX #4F5E10

RGB 79 94 16

HSL 71.54, 0.71%, 0.22%

LAB 37.31, -17.04, 39.34

 

CMYK 16 / 0 / 83 / 49

HEX #6D8216

RGB 109 130 22

HSL 71.67, 0.71%, 0.3%

LAB 51.01, -22.06, 50.64

 

CMYK 16 / 0 / 82 / 35

HEX #8AA51D

RGB 138 165 29

HSL 71.91, 0.7%, 0.38%

LAB 63.67, -26.7, 60.66

 

CMYK 17 / 0 / 83 / 22

HEX #A7C823

RGB 167 200 35

HSL 72, 0.7%, 0.46%

LAB 75.85, -31.18, 70.51

 

CMYK 16 / 0 / 82 / 49

HEX #6D8217

RGB 109 130 23

HSL 71.78, 0.7%, 0.3%

LAB 51.01, -22.02, 50.35

 

CMYK 83 / 0 / 51 / 49

HEX #168240

RGB 22 130 64

HSL 143.33, 0.71%, 0.3%

LAB 47.63, -44.38, 27.55

 

CMYK 18 / 83 / 0 / 49

HEX #6A1682

RGB 106 22 130

HSL 286.67, 0.71%, 0.3%

LAB 27.43, 50.85, -41.74

 

CMYK 16 / 0 / 82 / 49

HEX #6D8217

RGB 109 130 23

HSL 71.78, 0.7%, 0.3%

LAB 51.01, -22.02, 50.35

 

CMYK 83 / 15 / 0 / 49

HEX #166E82

RGB 22 110 130

HSL 191.11, 0.71%, 0.3%

LAB 42.66, -17.32, -18.13

 

CMYK 0 / 83 / 15 / 49

HEX #82166E

RGB 130 22 110

HSL 311.11, 0.71%, 0.3%

LAB 30.51, 52.48, -23.9

 

CMYK 16 / 0 / 82 / 49

HEX #6D8217

RGB 109 130 23

HSL 71.78, 0.7%, 0.3%

LAB 51.01, -22.02, 50.35

 

CMYK 83 / 0 / 51 / 49

HEX #168240

RGB 22 130 64

HSL 143.33, 0.71%, 0.3%

LAB 47.63, -44.38, 27.55

 

CMYK 68 / 83 / 0 / 49

HEX #2A1682

RGB 42 22 130

HSL 251.11, 0.71%, 0.3%

LAB 18.7, 41.09, -56.37

 

CMYK 0 / 83 / 32 / 49

HEX #821658

RGB 130 22 88

HSL 323.33, 0.71%, 0.3%

LAB 29.47, 49.52, -11.23

 

CMYK 16 / 0 / 82 / 49

HEX #6D8217

RGB 109 130 23

HSL 71.78, 0.7%, 0.3%

LAB 51.01, -22.02, 50.35

 

CMYK 83 / 0 / 26 / 49

HEX #168260

RGB 22 130 96

HSL 161.11, 0.71%, 0.3%

LAB 48.24, -37.54, 10.3

 

CMYK 68 / 83 / 0 / 49

HEX #2A1682

RGB 42 22 130

HSL 251.11, 0.71%, 0.3%

LAB 18.7, 41.09, -56.37

 

CMYK 0 / 83 / 57 / 49

HEX #821638

RGB 130 22 56

HSL 341.11, 0.71%, 0.3%

LAB 28.39, 46.31, 8.51

 

Description

Color code: RGB 109 130 23 | qconv.com Color code: RGB 109 130 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 130 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 130 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 82 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 82% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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