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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 135 103 it is the complementary color RGB 146 120 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 135 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 135 103 shade: RGB 114 135 98, RGB 131 153 117, RGB 148 171 136, RGB 165 189 155 and RGB 182 207 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 135 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 135 103 shade: RGB 109 135 103, RGB 92 117 84, RGB 75 99 65, RGB 58 81 46 and RGB 41 63 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 135 103 shade: RGB 110 135 104, RGB 118 135 104, RGB 126 135 104, RGB 135 135 104 and RGB 135 127 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 135 103 shade: RGB 110 135 104, RGB 104 135 106, RGB 104 135 115, RGB 104 135 123 and RGB 104 135 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 135 103 shade matches the following richer shades: RGB 110 135 104, RGB 97 154 84, RGB 85 174 65, RGB 73 193 46 and RGB 61 212 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 135 103 shade: RGB 110 135 104, RGB 122 116 123, RGB 134 96 143, RGB 146 77 162 and RGB 158 57 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 135 103 shade: RGB 127 135 104, RGB 118 135 104, RGB 110 135 104, RGB 104 135 106 and RGB 104 135 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 135 103 shade: RGB 72 88 68, RGB 91 112 86, RGB 110 135 104, RGB 131 155 125 and RGB 153 173 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 135 103 shade: RGB 109 135 103, RGB 104 135 135 and RGB 135 104 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 135 103 shade: RGB 109 135 103, RGB 104 110 135 and RGB 135 104 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 135 103 shade: RGB 109 135 103, RGB 104 135 135, RGB 129 104 135 and RGB 135 104 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 135 103 shade: RGB 109 135 103, RGB 104 126 135, RGB 129 104 135 and RGB 135 113 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 24 / 47

HEX #6D8767

RGB 109 135 103

HSL 108.75, 0.13%, 0.47%

LAB 53.56, -15.8, 14.22

 

Complementary color

CMYK 4 / 21 / 0 / 40

HEX #927898

RGB 146 120 152

HSL 288.75, 0.13%, 0.53%

LAB 53.83, 16.1, -13.46

 

CMYK 16 / 0 / 27 / 47

HEX #728762

RGB 114 135 98

HSL 94.05, 0.16%, 0.46%

LAB 53.8, -14.76, 17.46

 

CMYK 14 / 0 / 24 / 40

HEX #839975

RGB 131 153 117

HSL 96.67, 0.15%, 0.53%

LAB 60.69, -14.68, 16.4

 

CMYK 13 / 0 / 20 / 33

HEX #94AB88

RGB 148 171 136

HSL 99.43, 0.17%, 0.6%

LAB 67.43, -14.61, 15.41

 

CMYK 13 / 0 / 18 / 26

HEX #A5BD9B

RGB 165 189 155

HSL 102.35, 0.2%, 0.67%

LAB 74.04, -14.55, 14.49

 

CMYK 12 / 0 / 16 / 19

HEX #B6CFAE

RGB 182 207 174

HSL 105.45, 0.26%, 0.75%

LAB 80.53, -14.5, 13.62

 

CMYK 19 / 0 / 24 / 47

HEX #6D8767

RGB 109 135 103

HSL 108.75, 0.13%, 0.47%

LAB 53.56, -15.8, 14.22

 

CMYK 21 / 0 / 28 / 54

HEX #5C7554

RGB 92 117 84

HSL 105.45, 0.16%, 0.39%

LAB 46.5, -15.96, 15.3

 

CMYK 24 / 0 / 34 / 61

HEX #4B6341

RGB 75 99 65

HSL 102.35, 0.21%, 0.32%

LAB 39.24, -16.13, 16.5

 

CMYK 28 / 0 / 43 / 68

HEX #3A512E

RGB 58 81 46

HSL 99.43, 0.28%, 0.25%

LAB 31.77, -16.31, 17.81

 

CMYK 35 / 0 / 57 / 75

HEX #293F1B

RGB 41 63 27

HSL 96.67, 0.4%, 0.18%

LAB 24.02, -16.43, 19.23

 

CMYK 19 / 0 / 23 / 47

HEX #6E8768

RGB 110 135 104

HSL 108.39, 0.13%, 0.47%

LAB 53.65, -15.24, 13.78

 

CMYK 13 / 0 / 23 / 47

HEX #768768

RGB 118 135 104

HSL 92.9, 0.13%, 0.47%

LAB 54.22, -12.19, 14.66

 

CMYK 7 / 0 / 23 / 47

HEX #7E8768

RGB 126 135 104

HSL 77.42, 0.13%, 0.47%

LAB 54.83, -9.06, 15.6

 

CMYK 0 / 0 / 23 / 47

HEX #878768

RGB 135 135 104

HSL 60, 0.13%, 0.47%

LAB 55.56, -5.45, 16.73

 

CMYK 0 / 6 / 23 / 47

HEX #877F68

RGB 135 127 104

HSL 44.52, 0.13%, 0.47%

LAB 53.31, -0.95, 13.62

 

CMYK 19 / 0 / 23 / 47

HEX #6E8768

RGB 110 135 104

HSL 108.39, 0.13%, 0.47%

LAB 53.65, -15.24, 13.78

 

CMYK 23 / 0 / 21 / 47

HEX #68876A

RGB 104 135 106

HSL 123.87, 0.13%, 0.47%

LAB 53.29, -17.09, 12.08

 

CMYK 23 / 0 / 15 / 47

HEX #688773

RGB 104 135 115

HSL 141.29, 0.13%, 0.47%

LAB 53.5, -15.31, 7.19

 

CMYK 23 / 0 / 9 / 47

HEX #68877B

RGB 104 135 123

HSL 156.77, 0.13%, 0.47%

LAB 53.71, -13.61, 2.86

 

CMYK 23 / 0 / 2 / 47

HEX #688784

RGB 104 135 132

HSL 174.19, 0.13%, 0.47%

LAB 53.96, -11.59, -1.99

 

CMYK 19 / 0 / 23 / 47

HEX #6E8768

RGB 110 135 104

HSL 108.39, 0.13%, 0.47%

LAB 53.65, -15.24, 13.78

 

CMYK 37 / 0 / 45 / 40

HEX #619A54

RGB 97 154 84

HSL 108.86, 0.29%, 0.47%

LAB 58.31, -32.73, 30.9

 

CMYK 51 / 0 / 63 / 32

HEX #55AE41

RGB 85 174 65

HSL 108.99, 0.46%, 0.47%

LAB 63.82, -47.48, 46.66

 

CMYK 62 / 0 / 76 / 24

HEX #49C12E

RGB 73 193 46

HSL 108.98, 0.62%, 0.47%

LAB 69.29, -59.21, 59.67

 

CMYK 71 / 0 / 88 / 17

HEX #3DD41A

RGB 61 212 26

HSL 108.71, 0.78%, 0.47%

LAB 74.92, -68.77, 69.9

 

CMYK 19 / 0 / 23 / 47

HEX #6E8768

RGB 110 135 104

HSL 108.39, 0.13%, 0.47%

LAB 53.65, -15.24, 13.78

 

CMYK 1 / 6 / 0 / 52

HEX #7A747B

RGB 122 116 123

HSL 291.43, 0.03%, 0.47%

LAB 49.57, 3.7, -3.03

 

CMYK 6 / 33 / 0 / 44

HEX #86608F

RGB 134 96 143

HSL 288.51, 0.2%, 0.47%

LAB 46.2, 24.11, -19.88

 

CMYK 10 / 52 / 0 / 36

HEX #924DA2

RGB 146 77 162

HSL 288.71, 0.36%, 0.47%

LAB 44.27, 42.62, -34.1

 

CMYK 13 / 69 / 0 / 29

HEX #9E39B5

RGB 158 57 181

HSL 288.87, 0.52%, 0.47%

LAB 43.55, 58.91, -46.37

 

CMYK 6 / 0 / 23 / 47

HEX #7F8768

RGB 127 135 104

HSL 75.48, 0.13%, 0.47%

LAB 54.91, -8.66, 15.72

 

CMYK 13 / 0 / 23 / 47

HEX #768768

RGB 118 135 104

HSL 92.9, 0.13%, 0.47%

LAB 54.22, -12.19, 14.66

 

CMYK 19 / 0 / 23 / 47

HEX #6E8768

RGB 110 135 104

HSL 108.39, 0.13%, 0.47%

LAB 53.65, -15.24, 13.78

 

CMYK 23 / 0 / 21 / 47

HEX #68876A

RGB 104 135 106

HSL 123.87, 0.13%, 0.47%

LAB 53.29, -17.09, 12.08

 

CMYK 23 / 0 / 16 / 47

HEX #688772

RGB 104 135 114

HSL 139.35, 0.13%, 0.47%

LAB 53.48, -15.51, 7.73

 

CMYK 18 / 0 / 23 / 65

HEX #485844

RGB 72 88 68

HSL 108, 0.13%, 0.31%

LAB 35.55, -10.57, 9.59

 

CMYK 19 / 0 / 23 / 56

HEX #5B7056

RGB 91 112 86

HSL 108.46, 0.13%, 0.39%

LAB 44.92, -13.24, 11.95

 

CMYK 19 / 0 / 23 / 47

HEX #6E8768

RGB 110 135 104

HSL 108.39, 0.13%, 0.47%

LAB 53.65, -15.24, 13.78

 

CMYK 15 / 0 / 19 / 39

HEX #839B7D

RGB 131 155 125

HSL 108, 0.13%, 0.55%

LAB 61.44, -14.35, 12.97

 

CMYK 12 / 0 / 14 / 32

HEX #99AD94

RGB 153 173 148

HSL 108, 0.13%, 0.63%

LAB 68.6, -11.75, 10.52

 

CMYK 19 / 0 / 24 / 47

HEX #6D8767

RGB 109 135 103

HSL 108.75, 0.13%, 0.47%

LAB 53.56, -15.8, 14.22

 

CMYK 23 / 0 / 0 / 47

HEX #688787

RGB 104 135 135

HSL 180, 0.13%, 0.47%

LAB 54.05, -10.89, -3.6

 

CMYK 0 / 23 / 10 / 47

HEX #87687A

RGB 135 104 122

HSL 325.16, 0.13%, 0.47%

LAB 47.57, 15.53, -5.25

 

CMYK 19 / 0 / 24 / 47

HEX #6D8767

RGB 109 135 103

HSL 108.75, 0.13%, 0.47%

LAB 53.56, -15.8, 14.22

 

CMYK 23 / 19 / 0 / 47

HEX #686E87

RGB 104 110 135

HSL 228.39, 0.13%, 0.47%

LAB 46.77, 3.54, -14.5

 

CMYK 0 / 23 / 19 / 47

HEX #87686E

RGB 135 104 110

HSL 348.39, 0.13%, 0.47%

LAB 47.21, 13.39, 1.41

 

CMYK 19 / 0 / 24 / 47

HEX #6D8767

RGB 109 135 103

HSL 108.75, 0.13%, 0.47%

LAB 53.56, -15.8, 14.22

 

CMYK 23 / 0 / 0 / 47

HEX #688787

RGB 104 135 135

HSL 180, 0.13%, 0.47%

LAB 54.05, -10.89, -3.6

 

CMYK 4 / 23 / 0 / 47

HEX #816887

RGB 129 104 135

HSL 288.39, 0.13%, 0.47%

LAB 47.39, 15.9, -13.35

 

CMYK 0 / 23 / 23 / 47

HEX #876868

RGB 135 104 104

HSL 0, 0.13%, 0.47%

LAB 47.04, 12.4, 4.77

 

CMYK 19 / 0 / 24 / 47

HEX #6D8767

RGB 109 135 103

HSL 108.75, 0.13%, 0.47%

LAB 53.56, -15.8, 14.22

 

CMYK 23 / 7 / 0 / 47

HEX #687E87

RGB 104 126 135

HSL 197.42, 0.13%, 0.47%

LAB 51.4, -5.83, -7.53

 

CMYK 4 / 23 / 0 / 47

HEX #816887

RGB 129 104 135

HSL 288.39, 0.13%, 0.47%

LAB 47.39, 15.9, -13.35

 

CMYK 0 / 16 / 23 / 47

HEX #877168

RGB 135 113 104

HSL 17.42, 0.13%, 0.47%

LAB 49.45, 7.11, 8.2

 

Description

Color code: RGB 109 135 103 | qconv.com Color code: RGB 109 135 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 135 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 135 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 24 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 24% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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