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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 125 72 it is the complementary color RGB 146 130 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 125 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 125 72 shade: RGB 114 125 67, RGB 131 143 86, RGB 148 161 105, RGB 165 179 124 and RGB 182 197 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 125 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 125 72 shade: RGB 109 125 72, RGB 92 107 53, RGB 75 89 34, RGB 58 71 15 and RGB 41 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 125 72 shade: RGB 110 126 72, RGB 124 126 72, RGB 126 113 72, RGB 126 99 72 and RGB 126 84 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 125 72 shade: RGB 110 126 72, RGB 95 126 72, RGB 81 126 72, RGB 72 126 78 and RGB 72 126 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 125 72 shade matches the following richer shades: RGB 110 126 72, RGB 116 142 56, RGB 122 158 40, RGB 129 174 24 and RGB 135 190 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 125 72 shade: RGB 110 126 72, RGB 103 110 88, RGB 97 94 104, RGB 90 78 120 and RGB 84 61 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 125 72 shade: RGB 126 113 72, RGB 124 126 72, RGB 110 126 72, RGB 95 126 72 and RGB 81 126 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 125 72 shade: RGB 64 73 42, RGB 87 100 57, RGB 110 126 72, RGB 132 152 87 and RGB 152 171 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 125 72 shade: RGB 109 125 72, RGB 72 126 99 and RGB 120 72 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 125 72 shade: RGB 109 125 72, RGB 72 110 126 and RGB 126 72 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 125 72 shade: RGB 109 125 72, RGB 72 126 99, RGB 88 72 126 and RGB 126 72 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 125 72 shade: RGB 109 125 72, RGB 72 126 115, RGB 88 72 126 and RGB 126 72 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 42 / 51

HEX #6D7D48

RGB 109 125 72

HSL 78.11, 0.27%, 0.39%

LAB 49.96, -15.26, 26.93

 

Complementary color

CMYK 20 / 29 / 0 / 28

HEX #9282B7

RGB 146 130 183

HSL 258.11, 0.27%, 0.61%

LAB 57.55, 17.16, -25.63

 

CMYK 9 / 0 / 46 / 51

HEX #727D43

RGB 114 125 67

HSL 71.38, 0.3%, 0.38%

LAB 50.28, -13.76, 30.14

 

CMYK 8 / 0 / 40 / 44

HEX #838F56

RGB 131 143 86

HSL 72.63, 0.25%, 0.45%

LAB 57.21, -13.97, 28.88

 

CMYK 8 / 0 / 35 / 37

HEX #94A169

RGB 148 161 105

HSL 73.93, 0.23%, 0.52%

LAB 64, -14.11, 27.67

 

CMYK 8 / 0 / 31 / 30

HEX #A5B37C

RGB 165 179 124

HSL 75.27, 0.27%, 0.59%

LAB 70.66, -14.22, 26.53

 

CMYK 8 / 0 / 27 / 23

HEX #B6C58F

RGB 182 197 143

HSL 76.67, 0.32%, 0.67%

LAB 77.2, -14.29, 25.44

 

CMYK 13 / 0 / 42 / 51

HEX #6D7D48

RGB 109 125 72

HSL 78.11, 0.27%, 0.39%

LAB 49.96, -15.26, 26.93

 

CMYK 14 / 0 / 50 / 58

HEX #5C6B35

RGB 92 107 53

HSL 76.67, 0.34%, 0.31%

LAB 42.84, -15.11, 28.22

 

CMYK 16 / 0 / 62 / 65

HEX #4B5922

RGB 75 89 34

HSL 75.27, 0.45%, 0.24%

LAB 35.51, -14.84, 29.45

 

CMYK 18 / 0 / 79 / 72

HEX #3A470F

RGB 58 71 15

HSL 73.93, 0.65%, 0.17%

LAB 27.95, -14.33, 30.23

 

CMYK 23 / 0 / 100 / 79

HEX #293500

RGB 41 53 0

HSL 73.58, 1%, 0.1%

LAB 20.11, -13.44, 28

 

CMYK 13 / 0 / 43 / 51

HEX #6E7E48

RGB 110 126 72

HSL 77.78, 0.27%, 0.39%

LAB 50.34, -15.38, 27.43

 

CMYK 2 / 0 / 43 / 51

HEX #7C7E48

RGB 124 126 72

HSL 62.22, 0.27%, 0.39%

LAB 51.47, -9.41, 29.09

 

CMYK 0 / 10 / 43 / 51

HEX #7E7148

RGB 126 113 72

HSL 45.56, 0.27%, 0.39%

LAB 47.9, -1.2, 24.59

 

CMYK 0 / 21 / 43 / 51

HEX #7E6348

RGB 126 99 72

HSL 30, 0.27%, 0.39%

LAB 43.98, 6.98, 19.48

 

CMYK 0 / 33 / 43 / 51

HEX #7E5448

RGB 126 84 72

HSL 13.33, 0.27%, 0.39%

LAB 39.99, 15.92, 14.12

 

CMYK 13 / 0 / 43 / 51

HEX #6E7E48

RGB 110 126 72

HSL 77.78, 0.27%, 0.39%

LAB 50.34, -15.38, 27.43

 

CMYK 25 / 0 / 43 / 51

HEX #5F7E48

RGB 95 126 72

HSL 94.44, 0.27%, 0.39%

LAB 49.28, -21.47, 25.86

 

CMYK 36 / 0 / 43 / 51

HEX #517E48

RGB 81 126 72

HSL 110, 0.27%, 0.39%

LAB 48.43, -26.74, 24.61

 

CMYK 43 / 0 / 38 / 51

HEX #487E4E

RGB 72 126 78

HSL 126.67, 0.27%, 0.39%

LAB 48.07, -28.8, 20.67

 

CMYK 43 / 0 / 26 / 51

HEX #487E5D

RGB 72 126 93

HSL 143.33, 0.27%, 0.39%

LAB 48.37, -25.88, 12.46

 

CMYK 13 / 0 / 43 / 51

HEX #6E7E48

RGB 110 126 72

HSL 77.78, 0.27%, 0.39%

LAB 50.34, -15.38, 27.43

 

CMYK 18 / 0 / 61 / 44

HEX #748E38

RGB 116 142 56

HSL 78.14, 0.43%, 0.39%

LAB 55.43, -22.94, 41.82

 

CMYK 23 / 0 / 75 / 38

HEX #7A9E28

RGB 122 158 40

HSL 78.31, 0.6%, 0.39%

LAB 60.56, -29.47, 53.95

 

CMYK 26 / 0 / 86 / 32

HEX #81AE18

RGB 129 174 24

HSL 78, 0.76%, 0.39%

LAB 65.75, -34.81, 63.45

 

CMYK 29 / 0 / 96 / 25

HEX #87BE08

RGB 135 190 8

HSL 78.13, 0.92%, 0.39%

LAB 70.87, -39.97, 70.28

 

CMYK 13 / 0 / 43 / 51

HEX #6E7E48

RGB 110 126 72

HSL 77.78, 0.27%, 0.39%

LAB 50.34, -15.38, 27.43

 

CMYK 6 / 0 / 20 / 57

HEX #676E58

RGB 103 110 88

HSL 79.09, 0.11%, 0.39%

LAB 45.28, -6.96, 11.4

 

CMYK 7 / 10 / 0 / 59

HEX #615E68

RGB 97 94 104

HSL 258, 0.05%, 0.39%

LAB 40.49, 3.33, -5.26

 

CMYK 25 / 35 / 0 / 53

HEX #5A4E78

RGB 90 78 120

HSL 257.14, 0.21%, 0.39%

LAB 35.94, 14.73, -22.12

 

CMYK 38 / 55 / 0 / 47

HEX #543D88

RGB 84 61 136

HSL 258.4, 0.38%, 0.39%

LAB 31.81, 28.15, -38.6

 

CMYK 0 / 10 / 43 / 51

HEX #7E7148

RGB 126 113 72

HSL 45.56, 0.27%, 0.39%

LAB 47.9, -1.2, 24.59

 

CMYK 2 / 0 / 43 / 51

HEX #7C7E48

RGB 124 126 72

HSL 62.22, 0.27%, 0.39%

LAB 51.47, -9.41, 29.09

 

CMYK 13 / 0 / 43 / 51

HEX #6E7E48

RGB 110 126 72

HSL 77.78, 0.27%, 0.39%

LAB 50.34, -15.38, 27.43

 

CMYK 25 / 0 / 43 / 51

HEX #5F7E48

RGB 95 126 72

HSL 94.44, 0.27%, 0.39%

LAB 49.28, -21.47, 25.86

 

CMYK 36 / 0 / 43 / 51

HEX #517E48

RGB 81 126 72

HSL 110, 0.27%, 0.39%

LAB 48.43, -26.74, 24.61

 

CMYK 12 / 0 / 42 / 71

HEX #40492A

RGB 64 73 42

HSL 77.42, 0.27%, 0.23%

LAB 29.47, -9.71, 17.36

 

CMYK 13 / 0 / 43 / 61

HEX #576439

RGB 87 100 57

HSL 78.14, 0.27%, 0.31%

LAB 40.31, -12.91, 22.74

 

CMYK 13 / 0 / 43 / 51

HEX #6E7E48

RGB 110 126 72

HSL 77.78, 0.27%, 0.39%

LAB 50.34, -15.38, 27.43

 

CMYK 13 / 0 / 43 / 40

HEX #849857

RGB 132 152 87

HSL 78.46, 0.27%, 0.47%

LAB 59.93, -18.16, 31.82

 

CMYK 11 / 0 / 36 / 33

HEX #98AB6D

RGB 152 171 109

HSL 78.39, 0.27%, 0.55%

LAB 67.21, -17.19, 29.78

 

CMYK 13 / 0 / 42 / 51

HEX #6D7D48

RGB 109 125 72

HSL 78.11, 0.27%, 0.39%

LAB 49.96, -15.26, 26.93

 

CMYK 43 / 0 / 21 / 51

HEX #487E63

RGB 72 126 99

HSL 150, 0.27%, 0.39%

LAB 48.51, -24.58, 9.16

 

CMYK 5 / 43 / 0 / 51

HEX #78487E

RGB 120 72 126

HSL 293.33, 0.27%, 0.39%

LAB 38.08, 29.87, -22.25

 

CMYK 13 / 0 / 42 / 51

HEX #6D7D48

RGB 109 125 72

HSL 78.11, 0.27%, 0.39%

LAB 49.96, -15.26, 26.93

 

CMYK 43 / 13 / 0 / 51

HEX #486E7E

RGB 72 110 126

HSL 197.78, 0.27%, 0.39%

LAB 44.28, -8.91, -13.09

 

CMYK 0 / 43 / 13 / 51

HEX #7E486E

RGB 126 72 110

HSL 317.78, 0.27%, 0.39%

LAB 38.19, 28.8, -12.1

 

CMYK 13 / 0 / 42 / 51

HEX #6D7D48

RGB 109 125 72

HSL 78.11, 0.27%, 0.39%

LAB 49.96, -15.26, 26.93

 

CMYK 43 / 0 / 21 / 51

HEX #487E63

RGB 72 126 99

HSL 150, 0.27%, 0.39%

LAB 48.51, -24.58, 9.16

 

CMYK 30 / 43 / 0 / 51

HEX #58487E

RGB 88 72 126

HSL 257.78, 0.27%, 0.39%

LAB 34.43, 19.52, -28.22

 

CMYK 0 / 43 / 21 / 51

HEX #7E4863

RGB 126 72 99

HSL 330, 0.27%, 0.39%

LAB 37.79, 26.9, -5.83

 

CMYK 13 / 0 / 42 / 51

HEX #6D7D48

RGB 109 125 72

HSL 78.11, 0.27%, 0.39%

LAB 49.96, -15.26, 26.93

 

CMYK 43 / 0 / 9 / 51

HEX #487E73

RGB 72 126 115

HSL 167.78, 0.27%, 0.39%

LAB 48.93, -20.76, 0.37

 

CMYK 30 / 43 / 0 / 51

HEX #58487E

RGB 88 72 126

HSL 257.78, 0.27%, 0.39%

LAB 34.43, 19.52, -28.22

 

CMYK 0 / 43 / 34 / 51

HEX #7E4853

RGB 126 72 83

HSL 347.78, 0.27%, 0.39%

LAB 37.29, 24.46, 3.49

 

Description

Color code: RGB 109 125 72 | qconv.com Color code: RGB 109 125 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 125 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 125 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 42 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 42% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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