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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 117 181 it is the complementary color RGB 146 138 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 117 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 117 181 shade: RGB 114 117 176, RGB 131 135 195, RGB 148 153 214, RGB 165 171 233 and RGB 182 189 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 117 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 117 181 shade: RGB 109 117 181, RGB 92 99 162, RGB 75 81 143, RGB 58 63 124 and RGB 41 45 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 117 181 shade: RGB 109 117 181, RGB 120 109 181, RGB 140 109 181, RGB 159 109 181 and RGB 179 109 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 117 181 shade: RGB 109 117 181 and RGB 109 109 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 117 181 shade matches the following richer shades: RGB 109 117 181, RGB 91 103 199, RGB 73 89 217, RGB 55 75 234 and RGB 38 62 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 117 181 shade: RGB 109 117 181, RGB 126 131 163, RGB 144 144 146, RGB 162 158 128 and RGB 180 172 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 117 181 shade: RGB 109 156 181, RGB 109 136 181, RGB 109 117 181, RGB 120 109 181 and RGB 139 109 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 117 181 shade: RGB 69 77 138, RGB 83 92 165, RGB 109 117 181, RGB 136 143 195 and RGB 164 169 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 117 181 shade: RGB 109 117 181, RGB 181 109 175 and RGB 146 181 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 117 181 shade: RGB 109 117 181, RGB 181 109 117 and RGB 117 181 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 117 181 shade: RGB 109 117 181, RGB 181 109 175, RGB 181 173 109 and RGB 109 181 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 117 181 shade: RGB 109 117 181, RGB 181 109 153, RGB 181 173 109 and RGB 109 181 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

Complementary color

CMYK 0 / 5 / 49 / 43

HEX #928A4A

RGB 146 138 74

HSL 53.33, 0.33%, 0.43%

LAB 56.86, -6.24, 35.11

 

CMYK 35 / 34 / 0 / 31

HEX #7275B0

RGB 114 117 176

HSL 237.1, 0.28%, 0.57%

LAB 51.19, 13.31, -31.69

 

CMYK 33 / 31 / 0 / 24

HEX #8387C3

RGB 131 135 195

HSL 236.25, 0.35%, 0.64%

LAB 58.13, 12.69, -31.67

 

CMYK 31 / 29 / 0 / 16

HEX #9499D6

RGB 148 153 214

HSL 235.45, 0.45%, 0.71%

LAB 64.91, 12.15, -31.69

 

CMYK 29 / 27 / 0 / 9

HEX #A5ABE9

RGB 165 171 233

HSL 234.71, 0.61%, 0.78%

LAB 71.56, 11.67, -31.76

 

CMYK 28 / 25 / 0 / 1

HEX #B6BDFC

RGB 182 189 252

HSL 234, 0.92%, 0.85%

LAB 78.09, 11.24, -31.85

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 43 / 39 / 0 / 36

HEX #5C63A2

RGB 92 99 162

HSL 234, 0.28%, 0.5%

LAB 43.96, 14.13, -34.97

 

CMYK 48 / 43 / 0 / 44

HEX #4B518F

RGB 75 81 143

HSL 234.71, 0.31%, 0.43%

LAB 36.68, 15.14, -35.18

 

CMYK 53 / 49 / 0 / 51

HEX #3A3F7C

RGB 58 63 124

HSL 235.45, 0.36%, 0.36%

LAB 29.18, 16.42, -35.47

 

CMYK 61 / 57 / 0 / 59

HEX #292D69

RGB 41 45 105

HSL 236.25, 0.44%, 0.29%

LAB 21.46, 18.1, -35.83

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 34 / 40 / 0 / 29

HEX #786DB5

RGB 120 109 181

HSL 249.17, 0.33%, 0.57%

LAB 49.82, 21.21, -36.71

 

CMYK 23 / 40 / 0 / 29

HEX #8C6DB5

RGB 140 109 181

HSL 265.83, 0.33%, 0.57%

LAB 51.67, 27.08, -33.68

 

CMYK 12 / 40 / 0 / 29

HEX #9F6DB5

RGB 159 109 181

HSL 281.67, 0.33%, 0.57%

LAB 53.65, 32.91, -30.44

 

CMYK 1 / 40 / 0 / 29

HEX #B36DB5

RGB 179 109 181

HSL 298.33, 0.33%, 0.57%

LAB 55.94, 39.17, -26.69

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 40 / 40 / 0 / 29

HEX #6D6DB5

RGB 109 109 181

HSL 240, 0.33%, 0.57%

LAB 48.91, 18.16, -38.19

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 54 / 48 / 0 / 22

HEX #5B67C7

RGB 91 103 199

HSL 233.33, 0.49%, 0.57%

LAB 47.04, 23.05, -51.65

 

CMYK 66 / 59 / 0 / 15

HEX #4959D9

RGB 73 89 217

HSL 233.33, 0.65%, 0.57%

LAB 43.61, 34.61, -67.56

 

CMYK 76 / 68 / 0 / 8

HEX #374BEA

RGB 55 75 234

HSL 233.3, 0.81%, 0.57%

LAB 40.87, 46.92, -81.75

 

CMYK 85 / 75 / 0 / 1

HEX #263EFC

RGB 38 62 252

HSL 233.27, 0.97%, 0.57%

LAB 39.39, 59.12, -94.36

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 23 / 20 / 0 / 36

HEX #7E83A3

RGB 126 131 163

HSL 231.89, 0.17%, 0.57%

LAB 55.39, 5.34, -17.62

 

CMYK 1 / 1 / 0 / 43

HEX #909092

RGB 144 144 146

HSL 240, 0.01%, 0.57%

LAB 59.84, 0.4, -1.07

 

CMYK 0 / 2 / 21 / 36

HEX #A29E80

RGB 162 158 128

HSL 52.94, 0.15%, 0.57%

LAB 64.72, -3.66, 16.23

 

CMYK 0 / 4 / 39 / 29

HEX #B4AC6E

RGB 180 172 110

HSL 53.14, 0.32%, 0.57%

LAB 69.71, -6.36, 32.92

 

CMYK 40 / 14 / 0 / 29

HEX #6D9CB5

RGB 109 156 181

HSL 200.83, 0.33%, 0.57%

LAB 61.97, -9.28, -17.98

 

CMYK 40 / 25 / 0 / 29

HEX #6D88B5

RGB 109 136 181

HSL 217.5, 0.33%, 0.57%

LAB 56.28, 2.04, -26.69

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 34 / 40 / 0 / 29

HEX #786DB5

RGB 120 109 181

HSL 249.17, 0.33%, 0.57%

LAB 49.82, 21.21, -36.71

 

CMYK 23 / 40 / 0 / 29

HEX #8B6DB5

RGB 139 109 181

HSL 265, 0.33%, 0.57%

LAB 51.57, 26.78, -33.84

 

CMYK 50 / 44 / 0 / 46

HEX #454D8A

RGB 69 77 138

HSL 233.04, 0.33%, 0.41%

LAB 34.82, 14.58, -35.11

 

CMYK 50 / 44 / 0 / 35

HEX #535CA5

RGB 83 92 165

HSL 233.41, 0.33%, 0.49%

LAB 41.55, 17.17, -40.6

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 30 / 27 / 0 / 24

HEX #888FC3

RGB 136 143 195

HSL 232.88, 0.33%, 0.65%

LAB 60.62, 9.51, -27.77

 

CMYK 22 / 19 / 0 / 18

HEX #A4A9D1

RGB 164 169 209

HSL 233.33, 0.33%, 0.73%

LAB 70.09, 6.75, -20.88

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 0 / 40 / 3 / 29

HEX #B56DAF

RGB 181 109 175

HSL 305, 0.33%, 0.57%

LAB 55.94, 38.68, -23.22

 

CMYK 19 / 0 / 40 / 29

HEX #92B56D

RGB 146 181 109

HSL 89.17, 0.33%, 0.57%

LAB 69.66, -24.52, 32.87

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 0 / 40 / 35 / 29

HEX #B56D75

RGB 181 109 117

HSL 353.33, 0.33%, 0.57%

LAB 54.08, 29.59, 7.85

 

CMYK 35 / 0 / 40 / 29

HEX #75B56D

RGB 117 181 109

HSL 113.33, 0.33%, 0.57%

LAB 67.97, -34.81, 30.36

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 0 / 40 / 3 / 29

HEX #B56DAF

RGB 181 109 175

HSL 305, 0.33%, 0.57%

LAB 55.94, 38.68, -23.22

 

CMYK 0 / 4 / 40 / 29

HEX #B5AD6D

RGB 181 173 109

HSL 53.33, 0.33%, 0.57%

LAB 70.05, -6.6, 33.9

 

CMYK 40 / 0 / 36 / 29

HEX #6DB573

RGB 109 181 115

HSL 125, 0.33%, 0.57%

LAB 67.68, -36.42, 26.74

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 0 / 40 / 15 / 29

HEX #B56D99

RGB 181 109 153

HSL 323.33, 0.33%, 0.57%

LAB 55.14, 34.85, -11.69

 

CMYK 0 / 4 / 40 / 29

HEX #B5AD6D

RGB 181 173 109

HSL 53.33, 0.33%, 0.57%

LAB 70.05, -6.6, 33.9

 

CMYK 40 / 0 / 25 / 29

HEX #6DB588

RGB 109 181 136

HSL 142.5, 0.33%, 0.57%

LAB 68.08, -32.61, 15.98

 

Description

Color code: RGB 109 117 181 | qconv.com Color code: RGB 109 117 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 117 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 117 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 35 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 35% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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