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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 107 42 it is the complementary color RGB 146 148 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 107 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 107 42 shade: RGB 114 107 37, RGB 131 125 56, RGB 148 143 75, RGB 165 161 94 and RGB 182 179 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 107 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 107 42 shade: RGB 109 107 42, RGB 92 89 23, RGB 75 71 4, RGB 58 53 0 and RGB 41 35 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 107 42 shade: RGB 110 108 42, RGB 110 89 42, RGB 110 71 42, RGB 110 53 42 and RGB 110 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 107 42 shade: RGB 110 108 42, RGB 94 110 42, RGB 75 110 42, RGB 57 110 42 and RGB 42 110 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 107 42 shade matches the following richer shades: RGB 110 108 42, RGB 122 119 30, RGB 134 131 18 and RGB 147 143 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 107 42 shade: RGB 110 108 42, RGB 97 96 55, RGB 85 84 67, RGB 73 73 79 and RGB 60 61 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 107 42 shade: RGB 110 72 42, RGB 110 89 42, RGB 110 107 42, RGB 94 110 42 and RGB 76 110 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 107 42 shade: RGB 50 49 19, RGB 80 78 31, RGB 110 108 42, RGB 139 137 54 and RGB 169 166 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 107 42 shade: RGB 109 107 42, RGB 42 110 54 and RGB 80 42 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 107 42 shade: RGB 109 107 42, RGB 42 110 107 and RGB 107 42 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 107 42 shade: RGB 109 107 42, RGB 42 110 54, RGB 42 45 110 and RGB 110 42 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 107 42 shade: RGB 109 107 42, RGB 42 110 74, RGB 42 45 110 and RGB 110 42 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 61 / 57

HEX #6D6B2A

RGB 109 107 42

HSL 58.21, 0.44%, 0.3%

LAB 44.14, -8.51, 35.85

 

Complementary color

CMYK 31 / 31 / 0 / 16

HEX #9294D5

RGB 146 148 213

HSL 238.21, 0.44%, 0.7%

LAB 63.42, 14.18, -33.46

 

CMYK 0 / 6 / 68 / 55

HEX #726B25

RGB 114 107 37

HSL 54.55, 0.51%, 0.3%

LAB 44.56, -6.54, 38.84

 

CMYK 0 / 5 / 57 / 49

HEX #837D38

RGB 131 125 56

HSL 55.2, 0.4%, 0.37%

LAB 51.59, -7.37, 37.8

 

CMYK 0 / 3 / 49 / 42

HEX #948F4B

RGB 148 143 75

HSL 55.89, 0.33%, 0.44%

LAB 58.46, -8, 36.57

 

CMYK 0 / 2 / 43 / 35

HEX #A5A15E

RGB 165 161 94

HSL 56.62, 0.28%, 0.51%

LAB 65.2, -8.49, 35.31

 

CMYK 0 / 2 / 38 / 29

HEX #B6B371

RGB 182 179 113

HSL 57.39, 0.32%, 0.58%

LAB 71.81, -8.89, 34.09

 

CMYK 0 / 2 / 61 / 57

HEX #6D6B2A

RGB 109 107 42

HSL 58.21, 0.44%, 0.3%

LAB 44.14, -8.51, 35.85

 

CMYK 0 / 3 / 75 / 64

HEX #5C5917

RGB 92 89 23

HSL 57.39, 0.6%, 0.23%

LAB 36.9, -7.6, 36.63

 

CMYK 0 / 5 / 95 / 71

HEX #4B4704

RGB 75 71 4

HSL 56.62, 0.9%, 0.15%

LAB 29.44, -6.33, 36.43

 

CMYK 0 / 9 / 100 / 77

HEX #3A3500

RGB 58 53 0

HSL 54.83, 1%, 0.11%

LAB 21.75, -4.37, 30.26

 

CMYK 0 / 15 / 100 / 84

HEX #292300

RGB 41 35 0

HSL 51.22, 1%, 0.08%

LAB 13.67, -2.05, 20.09

 

CMYK 0 / 2 / 62 / 57

HEX #6E6C2A

RGB 110 108 42

HSL 58.24, 0.45%, 0.3%

LAB 44.53, -8.61, 36.31

 

CMYK 0 / 19 / 62 / 57

HEX #6E592A

RGB 110 89 42

HSL 41.47, 0.45%, 0.3%

LAB 38.94, 2.48, 30

 

CMYK 0 / 35 / 62 / 57

HEX #6E472A

RGB 110 71 42

HSL 25.59, 0.45%, 0.3%

LAB 33.96, 13.41, 24.08

 

CMYK 0 / 52 / 62 / 57

HEX #6E352A

RGB 110 53 42

HSL 9.71, 0.45%, 0.3%

LAB 29.48, 24.17, 18.51

 

CMYK 0 / 62 / 62 / 57

HEX #6E2A2A

RGB 110 42 42

HSL 0, 0.45%, 0.3%

LAB 27.12, 30.24, 15.48

 

CMYK 0 / 2 / 62 / 57

HEX #6E6C2A

RGB 110 108 42

HSL 58.24, 0.45%, 0.3%

LAB 44.53, -8.61, 36.31

 

CMYK 15 / 0 / 62 / 57

HEX #5E6E2A

RGB 94 110 42

HSL 74.12, 0.45%, 0.3%

LAB 43.8, -17, 35.12

 

CMYK 32 / 0 / 62 / 57

HEX #4B6E2A

RGB 75 110 42

HSL 90.88, 0.45%, 0.3%

LAB 42.48, -25.07, 33.28

 

CMYK 48 / 0 / 62 / 57

HEX #396E2A

RGB 57 110 42

HSL 106.76, 0.45%, 0.3%

LAB 41.51, -31.74, 31.92

 

CMYK 62 / 0 / 58 / 57

HEX #2A6E2E

RGB 42 110 46

HSL 123.53, 0.45%, 0.3%

LAB 40.96, -35.71, 29.06

 

CMYK 0 / 2 / 62 / 57

HEX #6E6C2A

RGB 110 108 42

HSL 58.24, 0.45%, 0.3%

LAB 44.53, -8.61, 36.31

 

CMYK 0 / 2 / 75 / 52

HEX #7A771E

RGB 122 119 30

HSL 58.04, 0.61%, 0.3%

LAB 48.79, -9.93, 46.3

 

CMYK 0 / 2 / 87 / 47

HEX #868312

RGB 134 131 18

HSL 58.45, 0.76%, 0.3%

LAB 53.32, -11.38, 54.51

 

CMYK 0 / 3 / 97 / 42

HEX #938F05

RGB 147 143 5

HSL 58.31, 0.93%, 0.3%

LAB 57.9, -12.1, 61.04

 

CMYK 0 / 2 / 62 / 57

HEX #6E6C2A

RGB 110 108 42

HSL 58.24, 0.45%, 0.3%

LAB 44.53, -8.61, 36.31

 

CMYK 0 / 1 / 43 / 62

HEX #616037

RGB 97 96 55

HSL 58.57, 0.28%, 0.3%

LAB 39.89, -6.42, 23.53

 

CMYK 0 / 1 / 21 / 67

HEX #555443

RGB 85 84 67

HSL 56.67, 0.12%, 0.3%

LAB 35.36, -2.88, 10.11

 

CMYK 8 / 8 / 0 / 69

HEX #49494F

RGB 73 73 79

HSL 240, 0.04%, 0.3%

LAB 31.22, 1.36, -3.57

 

CMYK 35 / 34 / 0 / 64

HEX #3C3D5C

RGB 60 61 92

HSL 238.13, 0.21%, 0.3%

LAB 26.94, 7.9, -18.6

 

CMYK 0 / 35 / 62 / 57

HEX #6E482A

RGB 110 72 42

HSL 26.47, 0.45%, 0.3%

LAB 34.23, 12.8, 24.4

 

CMYK 0 / 19 / 62 / 57

HEX #6E592A

RGB 110 89 42

HSL 41.47, 0.45%, 0.3%

LAB 38.94, 2.48, 30

 

CMYK 0 / 3 / 62 / 57

HEX #6E6B2A

RGB 110 107 42

HSL 57.35, 0.45%, 0.3%

LAB 44.23, -8.04, 35.98

 

CMYK 15 / 0 / 62 / 57

HEX #5E6E2A

RGB 94 110 42

HSL 74.12, 0.45%, 0.3%

LAB 43.8, -17, 35.12

 

CMYK 31 / 0 / 62 / 57

HEX #4C6E2A

RGB 76 110 42

HSL 90, 0.45%, 0.3%

LAB 42.54, -24.67, 33.37

 

CMYK 0 / 2 / 62 / 80

HEX #323113

RGB 50 49 19

HSL 58.06, 0.45%, 0.14%

LAB 19.73, -4.68, 19.07

 

CMYK 0 / 2 / 61 / 69

HEX #504E1F

RGB 80 78 31

HSL 57.55, 0.44%, 0.22%

LAB 32.38, -6.38, 27.6

 

CMYK 0 / 2 / 62 / 57

HEX #6E6C2A

RGB 110 108 42

HSL 58.24, 0.45%, 0.3%

LAB 44.53, -8.61, 36.31

 

CMYK 0 / 1 / 61 / 45

HEX #8B8936

RGB 139 137 54

HSL 58.59, 0.44%, 0.38%

LAB 55.73, -10.52, 43.61

 

CMYK 0 / 2 / 62 / 34

HEX #A9A641

RGB 169 166 65

HSL 58.27, 0.44%, 0.46%

LAB 66.59, -11.98, 51.16

 

CMYK 0 / 2 / 61 / 57

HEX #6D6B2A

RGB 109 107 42

HSL 58.21, 0.44%, 0.3%

LAB 44.14, -8.51, 35.85

 

CMYK 62 / 0 / 51 / 57

HEX #2A6E36

RGB 42 110 54

HSL 130.59, 0.45%, 0.3%

LAB 41.07, -34.48, 24.88

 

CMYK 27 / 62 / 0 / 57

HEX #502A6E

RGB 80 42 110

HSL 273.53, 0.45%, 0.3%

LAB 25.22, 31.41, -32.8

 

CMYK 0 / 2 / 61 / 57

HEX #6D6B2A

RGB 109 107 42

HSL 58.21, 0.44%, 0.3%

LAB 44.14, -8.51, 35.85

 

CMYK 62 / 0 / 3 / 57

HEX #2A6E6B

RGB 42 110 107

HSL 177.35, 0.45%, 0.3%

LAB 42.32, -21.92, -4.73

 

CMYK 3 / 62 / 0 / 57

HEX #6B2A6E

RGB 107 42 110

HSL 297.35, 0.45%, 0.3%

LAB 29.18, 38.97, -26.27

 

CMYK 0 / 2 / 61 / 57

HEX #6D6B2A

RGB 109 107 42

HSL 58.21, 0.44%, 0.3%

LAB 44.14, -8.51, 35.85

 

CMYK 62 / 0 / 51 / 57

HEX #2A6E36

RGB 42 110 54

HSL 130.59, 0.45%, 0.3%

LAB 41.07, -34.48, 24.88

 

CMYK 62 / 59 / 0 / 57

HEX #2A2D6E

RGB 42 45 110

HSL 237.35, 0.45%, 0.3%

LAB 21.93, 20.15, -38.31

 

CMYK 0 / 62 / 11 / 57

HEX #6E2A62

RGB 110 42 98

HSL 310.59, 0.45%, 0.3%

LAB 29.04, 37.61, -18.73

 

CMYK 0 / 2 / 61 / 57

HEX #6D6B2A

RGB 109 107 42

HSL 58.21, 0.44%, 0.3%

LAB 44.14, -8.51, 35.85

 

CMYK 62 / 0 / 33 / 57

HEX #2A6E4A

RGB 42 110 74

HSL 148.24, 0.45%, 0.3%

LAB 41.44, -30.59, 13.84

 

CMYK 62 / 59 / 0 / 57

HEX #2A2D6E

RGB 42 45 110

HSL 237.35, 0.45%, 0.3%

LAB 21.93, 20.15, -38.31

 

CMYK 0 / 62 / 29 / 57

HEX #6E2A4E

RGB 110 42 78

HSL 328.24, 0.45%, 0.3%

LAB 28.17, 34.37, -6.97

 

Description

Color code: RGB 109 107 42 | qconv.com Color code: RGB 109 107 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 107 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 107 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 61 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 61% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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