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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 105 30 it is the complementary color RGB 146 150 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 105 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 105 30 shade: RGB 114 105 25, RGB 131 123 44, RGB 148 141 63, RGB 165 159 82 and RGB 182 177 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 105 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 105 30 shade: RGB 109 105 30, RGB 92 87 11, RGB 75 69 0, RGB 58 51 0 and RGB 41 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 105 30 shade: RGB 108 104 29, RGB 108 82 29, RGB 108 61 29, RGB 108 40 29 and RGB 108 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 105 30 shade: RGB 108 104 29, RGB 90 108 29, RGB 69 108 29, RGB 48 108 29 and RGB 29 108 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 105 30 shade matches the following richer shades: RGB 108 104 29, RGB 119 114 18 and RGB 130 124 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 105 30 shade: RGB 108 104 29, RGB 96 94 40, RGB 85 84 51, RGB 74 74 63 and RGB 63 64 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 105 30 shade: RGB 108 61 29, RGB 108 81 29, RGB 108 102 29, RGB 92 108 29 and RGB 71 108 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 105 30 shade: RGB 43 41 11, RGB 75 72 20, RGB 108 104 29, RGB 140 135 38 and RGB 172 166 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 105 30 shade: RGB 109 105 30, RGB 29 108 40 and RGB 71 29 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 105 30 shade: RGB 109 105 30, RGB 29 108 102 and RGB 102 29 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 105 30 shade: RGB 109 105 30, RGB 29 108 40, RGB 29 34 108 and RGB 108 29 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 105 30 shade: RGB 109 105 30, RGB 29 108 63, RGB 29 34 108 and RGB 108 29 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 72 / 57

HEX #6D691E

RGB 109 105 30

HSL 56.96, 0.57%, 0.27%

LAB 43.43, -8.21, 40.66

 

Complementary color

CMYK 35 / 33 / 0 / 12

HEX #9296E1

RGB 146 150 225

HSL 236.96, 0.57%, 0.73%

LAB 64.45, 16.16, -38.51

 

CMYK 0 / 8 / 78 / 55

HEX #726919

RGB 114 105 25

HSL 53.93, 0.64%, 0.27%

LAB 43.87, -6.09, 43.28

 

CMYK 0 / 6 / 66 / 49

HEX #837B2C

RGB 131 123 44

HSL 54.48, 0.5%, 0.34%

LAB 50.89, -7.17, 42.8

 

CMYK 0 / 5 / 57 / 42

HEX #948D3F

RGB 148 141 63

HSL 55.06, 0.4%, 0.41%

LAB 57.76, -7.99, 41.78

 

CMYK 0 / 4 / 50 / 35

HEX #A59F52

RGB 165 159 82

HSL 55.66, 0.34%, 0.48%

LAB 64.49, -8.63, 40.6

 

CMYK 0 / 3 / 45 / 29

HEX #B6B165

RGB 182 177 101

HSL 56.3, 0.36%, 0.55%

LAB 71.1, -9.15, 39.37

 

CMYK 0 / 4 / 72 / 57

HEX #6D691E

RGB 109 105 30

HSL 56.96, 0.57%, 0.27%

LAB 43.43, -8.21, 40.66

 

CMYK 0 / 5 / 88 / 64

HEX #5C570B

RGB 92 87 11

HSL 56.3, 0.79%, 0.2%

LAB 36.21, -6.99, 40.41

 

CMYK 0 / 8 / 100 / 71

HEX #4B4500

RGB 75 69 0

HSL 55.2, 1%, 0.15%

LAB 28.78, -5.29, 37.53

 

CMYK 0 / 12 / 100 / 77

HEX #3A3300

RGB 58 51 0

HSL 52.76, 1%, 0.11%

LAB 21.08, -3.09, 29.54

 

CMYK 0 / 20 / 100 / 84

HEX #292100

RGB 41 33 0

HSL 48.29, 1%, 0.08%

LAB 12.98, -0.67, 19.17

 

CMYK 0 / 4 / 73 / 58

HEX #6C681D

RGB 108 104 29

HSL 56.96, 0.58%, 0.27%

LAB 43.03, -8.17, 40.66

 

CMYK 0 / 24 / 73 / 58

HEX #6C521D

RGB 108 82 29

HSL 40.25, 0.58%, 0.27%

LAB 36.58, 4.79, 34.09

 

CMYK 0 / 44 / 73 / 58

HEX #6C3D1D

RGB 108 61 29

HSL 24.3, 0.58%, 0.27%

LAB 30.91, 17.6, 27.99

 

CMYK 0 / 63 / 73 / 58

HEX #6C281D

RGB 108 40 29

HSL 8.35, 0.58%, 0.27%

LAB 26.14, 29.57, 22.57

 

CMYK 0 / 73 / 73 / 58

HEX #6C1D1D

RGB 108 29 29

HSL 0, 0.58%, 0.27%

LAB 24.18, 34.84, 20.25

 

CMYK 0 / 4 / 73 / 58

HEX #6C681D

RGB 108 104 29

HSL 56.96, 0.58%, 0.27%

LAB 43.03, -8.17, 40.66

 

CMYK 17 / 0 / 73 / 58

HEX #5A6C1D

RGB 90 108 29

HSL 73.67, 0.58%, 0.27%

LAB 42.74, -18.74, 39.87

 

CMYK 36 / 0 / 73 / 58

HEX #456C1D

RGB 69 108 29

HSL 89.62, 0.58%, 0.27%

LAB 41.34, -27.69, 37.99

 

CMYK 56 / 0 / 73 / 58

HEX #306C1D

RGB 48 108 29

HSL 105.57, 0.58%, 0.27%

LAB 40.32, -35.14, 36.61

 

CMYK 73 / 0 / 71 / 58

HEX #1D6C1F

RGB 29 108 31

HSL 121.52, 0.58%, 0.27%

LAB 39.72, -39.82, 34.92

 

CMYK 0 / 4 / 73 / 58

HEX #6C681D

RGB 108 104 29

HSL 56.96, 0.58%, 0.27%

LAB 43.03, -8.17, 40.66

 

CMYK 0 / 4 / 85 / 53

HEX #777212

RGB 119 114 18

HSL 57.03, 0.74%, 0.27%

LAB 46.97, -9.07, 48.6

 

CMYK 0 / 5 / 95 / 49

HEX #827C07

RGB 130 124 7

HSL 57.07, 0.9%, 0.27%

LAB 50.89, -9.68, 54.69

 

CMYK 0 / 4 / 73 / 58

HEX #6C681D

RGB 108 104 29

HSL 56.96, 0.58%, 0.27%

LAB 43.03, -8.17, 40.66

 

CMYK 0 / 2 / 58 / 62

HEX #605E28

RGB 96 94 40

HSL 57.86, 0.41%, 0.27%

LAB 38.98, -7.32, 30.73

 

CMYK 0 / 1 / 40 / 67

HEX #555433

RGB 85 84 51

HSL 58.24, 0.25%, 0.27%

LAB 35.03, -5.34, 19.45

 

CMYK 0 / 0 / 15 / 71

HEX #4A4A3F

RGB 74 74 63

HSL 60, 0.08%, 0.27%

LAB 31.14, -2.25, 6.58

 

CMYK 15 / 14 / 0 / 71

HEX #3F404A

RGB 63 64 74

HSL 234.55, 0.08%, 0.27%

LAB 27.35, 1.99, -6.2

 

CMYK 0 / 44 / 73 / 58

HEX #6C3D1D

RGB 108 61 29

HSL 24.3, 0.58%, 0.27%

LAB 30.91, 17.6, 27.99

 

CMYK 0 / 25 / 73 / 58

HEX #6C511D

RGB 108 81 29

HSL 39.49, 0.58%, 0.27%

LAB 36.29, 5.4, 33.79

 

CMYK 0 / 6 / 73 / 58

HEX #6C661D

RGB 108 102 29

HSL 55.44, 0.58%, 0.27%

LAB 42.43, -7.03, 40.06

 

CMYK 15 / 0 / 73 / 58

HEX #5C6C1D

RGB 92 108 29

HSL 72.15, 0.58%, 0.27%

LAB 42.9, -17.84, 40.07

 

CMYK 34 / 0 / 73 / 58

HEX #476C1D

RGB 71 108 29

HSL 88.1, 0.58%, 0.27%

LAB 41.46, -26.89, 38.15

 

CMYK 0 / 5 / 74 / 83

HEX #2B290B

RGB 43 41 11

HSL 56.25, 0.59%, 0.11%

LAB 16.12, -3.97, 18.8

 

CMYK 0 / 4 / 73 / 71

HEX #4B4814

RGB 75 72 20

HSL 56.73, 0.58%, 0.19%

LAB 29.86, -6.13, 30.37

 

CMYK 0 / 4 / 73 / 58

HEX #6C681D

RGB 108 104 29

HSL 56.96, 0.58%, 0.27%

LAB 43.03, -8.17, 40.66

 

CMYK 0 / 4 / 73 / 45

HEX #8C8726

RGB 140 135 38

HSL 57.06, 0.57%, 0.35%

LAB 55.12, -9.99, 49.88

 

CMYK 0 / 3 / 73 / 33

HEX #ACA62F

RGB 172 166 47

HSL 57.12, 0.57%, 0.43%

LAB 66.71, -11.73, 58.68

 

CMYK 0 / 4 / 72 / 57

HEX #6D691E

RGB 109 105 30

HSL 56.96, 0.57%, 0.27%

LAB 43.43, -8.21, 40.66

 

CMYK 73 / 0 / 63 / 58

HEX #1D6C28

RGB 29 108 40

HSL 128.35, 0.58%, 0.27%

LAB 39.81, -38.74, 30.71

 

CMYK 34 / 73 / 0 / 58

HEX #471D6C

RGB 71 29 108

HSL 271.9, 0.58%, 0.27%

LAB 21.21, 35.83, -38.03

 

CMYK 0 / 4 / 72 / 57

HEX #6D691E

RGB 109 105 30

HSL 56.96, 0.57%, 0.27%

LAB 43.43, -8.21, 40.66

 

CMYK 73 / 0 / 6 / 58

HEX #1D6C66

RGB 29 108 102

HSL 175.44, 0.58%, 0.27%

LAB 41.13, -24.71, -3.49

 

CMYK 6 / 73 / 0 / 58

HEX #661D6C

RGB 102 29 108

HSL 295.44, 0.58%, 0.27%

LAB 26.12, 43.15, -29.88

 

CMYK 0 / 4 / 72 / 57

HEX #6D691E

RGB 109 105 30

HSL 56.96, 0.57%, 0.27%

LAB 43.43, -8.21, 40.66

 

CMYK 73 / 0 / 63 / 58

HEX #1D6C28

RGB 29 108 40

HSL 128.35, 0.58%, 0.27%

LAB 39.81, -38.74, 30.71

 

CMYK 73 / 69 / 0 / 58

HEX #1D226C

RGB 29 34 108

HSL 236.2, 0.58%, 0.27%

LAB 17.86, 24.79, -43.67

 

CMYK 0 / 73 / 10 / 58

HEX #6C1D61

RGB 108 29 97

HSL 308.35, 0.58%, 0.27%

LAB 26.53, 42.7, -22.01

 

CMYK 0 / 4 / 72 / 57

HEX #6D691E

RGB 109 105 30

HSL 56.96, 0.57%, 0.27%

LAB 43.43, -8.21, 40.66

 

CMYK 73 / 0 / 42 / 58

HEX #1D6C3F

RGB 29 108 63

HSL 145.82, 0.58%, 0.27%

LAB 40.16, -34.83, 18.51

 

CMYK 73 / 69 / 0 / 58

HEX #1D226C

RGB 29 34 108

HSL 236.2, 0.58%, 0.27%

LAB 17.86, 24.79, -43.67

 

CMYK 0 / 73 / 31 / 58

HEX #6C1D4A

RGB 108 29 74

HSL 325.82, 0.58%, 0.27%

LAB 25.45, 39.19, -8.45

 

Description

Color code: RGB 109 105 30 | qconv.com Color code: RGB 109 105 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 105 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 105 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 72 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 72% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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