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Color name
RGB 108 41 13

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 41 13 it is the complementary color RGB 147 214 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 41 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 41 13 shade: RGB 113 41 8, RGB 130 59 27, RGB 147 77 46, RGB 164 95 65 and RGB 181 113 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 41 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 41 13 shade: RGB 108 41 13, RGB 91 23 0, RGB 74 5 0, RGB 57 0 0 and RGB 40 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 41 13 shade: RGB 109 41 12, RGB 109 15 12 and RGB 109 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 41 13 shade: RGB 109 41 12, RGB 109 67 12, RGB 109 93 12, RGB 99 109 12 and RGB 73 109 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 41 13 shade matches the following richer shades: RGB 109 41 12 and RGB 119 37 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 41 13 shade: RGB 109 41 12, RGB 99 45 22, RGB 89 49 32, RGB 79 53 42 and RGB 69 57 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 41 13 shade: RGB 109 12 37, RGB 109 14 12, RGB 109 40 12, RGB 109 66 12 and RGB 109 91 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 41 13 shade: RGB 35 13 4, RGB 72 27 8, RGB 109 41 12, RGB 146 55 17 and RGB 183 69 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 41 13 shade: RGB 108 41 13, RGB 62 109 12 and RGB 12 24 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 41 13 shade: RGB 108 41 13, RGB 12 109 40 and RGB 40 12 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 41 13 shade: RGB 108 41 13, RGB 62 109 12, RGB 12 82 109 and RGB 59 12 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 41 13 shade: RGB 108 41 13, RGB 33 109 12, RGB 12 82 109 and RGB 88 12 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 88 / 58

HEX #6C290D

RGB 108 41 13

HSL 17.68, 0.79%, 0.24%

LAB 26.17, 28.33, 31.72

 

Complementary color

CMYK 39 / 12 / 0 / 5

HEX #93D6F2

RGB 147 214 242

HSL 197.68, 0.79%, 0.76%

LAB 82.22, -14.15, -20.4

 

CMYK 0 / 64 / 93 / 56

HEX #712908

RGB 113 41 8

HSL 18.86, 0.87%, 0.24%

LAB 27.06, 30.26, 35.01

 

CMYK 0 / 55 / 79 / 49

HEX #823B1B

RGB 130 59 27

HSL 18.64, 0.66%, 0.31%

LAB 33.88, 28.4, 33.29

 

CMYK 0 / 48 / 69 / 42

HEX #934D2E

RGB 147 77 46

HSL 18.42, 0.52%, 0.38%

LAB 40.75, 26.67, 31.11

 

CMYK 0 / 42 / 60 / 36

HEX #A45F41

RGB 164 95 65

HSL 18.18, 0.43%, 0.45%

LAB 47.57, 25.14, 29.09

 

CMYK 0 / 38 / 54 / 29

HEX #B57154

RGB 181 113 84

HSL 17.94, 0.4%, 0.52%

LAB 54.32, 23.81, 27.28

 

CMYK 0 / 62 / 88 / 58

HEX #6C290D

RGB 108 41 13

HSL 17.68, 0.79%, 0.24%

LAB 26.17, 28.33, 31.72

 

CMYK 0 / 75 / 100 / 64

HEX #5B1700

RGB 91 23 0

HSL 15.16, 1%, 0.18%

LAB 19.38, 29.99, 29.06

 

CMYK 0 / 93 / 100 / 71

HEX #4A0500

RGB 74 5 0

HSL 4.05, 1%, 0.15%

LAB 13.01, 30.8, 20.28

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 62 / 89 / 57

HEX #6D290C

RGB 109 41 12

HSL 17.94, 0.8%, 0.24%

LAB 26.34, 28.72, 32.42

 

CMYK 0 / 86 / 89 / 57

HEX #6D0F0C

RGB 109 15 12

HSL 1.86, 0.8%, 0.24%

LAB 22.37, 39.54, 28.54

 

CMYK 0 / 89 / 89 / 57

HEX #6D0C0C

RGB 109 12 12

HSL 0, 0.8%, 0.24%

LAB 22.09, 40.33, 28.24

 

CMYK 0 / 62 / 89 / 57

HEX #6D290C

RGB 109 41 12

HSL 17.94, 0.8%, 0.24%

LAB 26.34, 28.72, 32.42

 

CMYK 0 / 39 / 89 / 57

HEX #6D430C

RGB 109 67 12

HSL 34.02, 0.8%, 0.24%

LAB 32.46, 13.65, 37.69

 

CMYK 0 / 15 / 89 / 57

HEX #6D5D0C

RGB 109 93 12

HSL 50.1, 0.8%, 0.24%

LAB 39.76, -2.06, 43.82

 

CMYK 9 / 0 / 89 / 57

HEX #636D0C

RGB 99 109 12

HSL 66.19, 0.8%, 0.24%

LAB 43.68, -15.95, 46.71

 

CMYK 33 / 0 / 89 / 57

HEX #496D0C

RGB 73 109 12

HSL 82.27, 0.8%, 0.24%

LAB 41.81, -27.53, 44.39

 

CMYK 0 / 62 / 89 / 57

HEX #6D290C

RGB 109 41 12

HSL 17.94, 0.8%, 0.24%

LAB 26.34, 28.72, 32.42

 

CMYK 0 / 69 / 98 / 53

HEX #772502

RGB 119 37 2

HSL 17.95, 0.97%, 0.24%

LAB 27.43, 34.44, 38.23

 

CMYK 0 / 62 / 89 / 57

HEX #6D290C

RGB 109 41 12

HSL 17.94, 0.8%, 0.24%

LAB 26.34, 28.72, 32.42

 

CMYK 0 / 55 / 78 / 61

HEX #632D16

RGB 99 45 22

HSL 17.92, 0.64%, 0.24%

LAB 25.53, 22.6, 25.69

 

CMYK 0 / 45 / 64 / 65

HEX #593120

RGB 89 49 32

HSL 17.89, 0.47%, 0.24%

LAB 25.03, 16.3, 18.58

 

CMYK 0 / 33 / 47 / 69

HEX #4F352A

RGB 79 53 42

HSL 17.84, 0.31%, 0.24%

LAB 24.88, 10.09, 11.61

 

CMYK 0 / 17 / 25 / 73

HEX #453934

RGB 69 57 52

HSL 17.65, 0.14%, 0.24%

LAB 25.07, 4.34, 5.08

 

CMYK 0 / 89 / 66 / 57

HEX #6D0C25

RGB 109 12 37

HSL 344.54, 0.8%, 0.24%

LAB 22.47, 41.46, 12.72

 

CMYK 0 / 87 / 89 / 57

HEX #6D0E0C

RGB 109 14 12

HSL 1.24, 0.8%, 0.24%

LAB 22.27, 39.81, 28.43

 

CMYK 0 / 63 / 89 / 57

HEX #6D280C

RGB 109 40 12

HSL 17.32, 0.8%, 0.24%

LAB 26.14, 29.24, 32.24

 

CMYK 0 / 39 / 89 / 57

HEX #6D420C

RGB 109 66 12

HSL 33.4, 0.8%, 0.24%

LAB 32.2, 14.26, 37.46

 

CMYK 0 / 17 / 89 / 57

HEX #6D5B0C

RGB 109 91 12

HSL 48.87, 0.8%, 0.24%

LAB 39.17, -0.88, 43.33

 

CMYK 0 / 63 / 89 / 86

HEX #230D04

RGB 35 13 4

HSL 17.42, 0.79%, 0.08%

LAB 5.91, 9.72, 7.38

 

CMYK 0 / 63 / 89 / 72

HEX #481B08

RGB 72 27 8

HSL 17.81, 0.8%, 0.16%

LAB 16.4, 20.24, 21.32

 

CMYK 0 / 62 / 89 / 57

HEX #6D290C

RGB 109 41 12

HSL 17.94, 0.8%, 0.24%

LAB 26.34, 28.72, 32.42

 

CMYK 0 / 62 / 88 / 43

HEX #923711

RGB 146 55 17

HSL 17.67, 0.79%, 0.32%

LAB 35.76, 36.62, 40.84

 

CMYK 0 / 62 / 89 / 28

HEX #B74515

RGB 183 69 21

HSL 17.78, 0.79%, 0.4%

LAB 44.77, 44.09, 49.2

 

CMYK 0 / 62 / 88 / 58

HEX #6C290D

RGB 108 41 13

HSL 17.68, 0.79%, 0.24%

LAB 26.17, 28.33, 31.72

 

CMYK 43 / 0 / 89 / 57

HEX #3E6D0C

RGB 62 109 12

HSL 89.07, 0.8%, 0.24%

LAB 41.2, -31.87, 43.61

 

CMYK 89 / 78 / 0 / 57

HEX #0C186D

RGB 12 24 109

HSL 232.58, 0.8%, 0.24%

LAB 14.6, 30.2, -49.73

 

CMYK 0 / 62 / 88 / 58

HEX #6C290D

RGB 108 41 13

HSL 17.68, 0.79%, 0.24%

LAB 26.17, 28.33, 31.72

 

CMYK 89 / 0 / 63 / 57

HEX #0C6D28

RGB 12 109 40

HSL 137.32, 0.8%, 0.24%

LAB 39.86, -41.67, 30.69

 

CMYK 63 / 89 / 0 / 57

HEX #280C6D

RGB 40 12 109

HSL 257.32, 0.8%, 0.24%

LAB 14.5, 38.99, -49.82

 

CMYK 0 / 62 / 88 / 58

HEX #6C290D

RGB 108 41 13

HSL 17.68, 0.79%, 0.24%

LAB 26.17, 28.33, 31.72

 

CMYK 43 / 0 / 89 / 57

HEX #3E6D0C

RGB 62 109 12

HSL 89.07, 0.8%, 0.24%

LAB 41.2, -31.87, 43.61

 

CMYK 89 / 25 / 0 / 57

HEX #0C526D

RGB 12 82 109

HSL 196.7, 0.8%, 0.24%

LAB 32.3, -9.87, -21.27

 

CMYK 46 / 89 / 0 / 57

HEX #3B0C6D

RGB 59 12 109

HSL 269.07, 0.8%, 0.24%

LAB 16.97, 41.33, -45.66

 

CMYK 0 / 62 / 88 / 58

HEX #6C290D

RGB 108 41 13

HSL 17.68, 0.79%, 0.24%

LAB 26.17, 28.33, 31.72

 

CMYK 70 / 0 / 89 / 57

HEX #216D0C

RGB 33 109 12

HSL 107.01, 0.8%, 0.24%

LAB 40.06, -40.77, 42.17

 

CMYK 89 / 25 / 0 / 57

HEX #0C526D

RGB 12 82 109

HSL 196.7, 0.8%, 0.24%

LAB 32.3, -9.87, -21.27

 

CMYK 19 / 89 / 0 / 57

HEX #580C6D

RGB 88 12 109

HSL 287.01, 0.8%, 0.24%

LAB 21.73, 46.1, -37.7

 

Description

Color code: RGB 108 41 13 | qconv.com Color code: RGB 108 41 13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 41 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 41 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 88 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 88% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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