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Color name
RGB 108 243 153

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 243 153 it is the complementary color RGB 147 12 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 243 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 243 153 shade: RGB 113 243 148, RGB 130 255 167, RGB 147 255 186, RGB 164 255 205 and RGB 181 255 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 243 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 243 153 shade: RGB 108 243 153, RGB 91 225 134, RGB 74 207 115, RGB 57 189 96 and RGB 40 171 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 243 153 shade: RGB 108 243 153, RGB 108 243 117, RGB 136 243 108, RGB 172 243 108 and RGB 208 243 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 243 153 shade: RGB 108 243 153, RGB 108 243 189, RGB 108 243 226, RGB 108 224 243 and RGB 108 187 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 243 153 shade matches the following richer shades: RGB 108 243 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 243 153 shade: RGB 108 243 153, RGB 121 230 157, RGB 134 217 162, RGB 147 204 166 and RGB 159 191 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 243 153 shade: RGB 135 243 108, RGB 108 243 117, RGB 108 243 153, RGB 108 243 189 and RGB 108 243 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 243 153 shade: RGB 32 236 100, RGB 70 240 127, RGB 108 243 153, RGB 146 246 180 and RGB 185 249 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 243 153 shade: RGB 108 243 153, RGB 108 171 243 and RGB 243 108 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 243 153 shade: RGB 108 243 153, RGB 153 108 243 and RGB 243 153 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 243 153 shade: RGB 108 243 153, RGB 108 171 243, RGB 243 108 198 and RGB 243 180 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 243 153 shade: RGB 108 243 153, RGB 108 131 243, RGB 243 108 198 and RGB 243 220 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

Complementary color

CMYK 0 / 92 / 31 / 42

HEX #930C66

RGB 147 12 102

HSL 320, 0.85%, 0.31%

LAB 32.76, 57.39, -15.01

 

CMYK 53 / 0 / 39 / 5

HEX #71F394

RGB 113 243 148

HSL 136.15, 0.84%, 0.7%

LAB 86.87, -56.03, 35.15

 

CMYK 49 / 0 / 35 / 0

HEX #82FFA7

RGB 130 255 167

HSL 137.76, 1%, 0.75%

LAB 91.26, -53.54, 31.58

 

CMYK 42 / 0 / 27 / 0

HEX #93FFBA

RGB 147 255 186

HSL 141.67, 1%, 0.79%

LAB 92.25, -45.8, 23.44

 

CMYK 36 / 0 / 20 / 0

HEX #A4FFCD

RGB 164 255 205

HSL 147.03, 1%, 0.82%

LAB 93.37, -37.59, 15.41

 

CMYK 29 / 0 / 12 / 0

HEX #B5FFE0

RGB 181 255 224

HSL 154.86, 1%, 0.85%

LAB 94.62, -29.03, 7.54

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 60 / 0 / 40 / 12

HEX #5BE186

RGB 91 225 134

HSL 139.25, 0.69%, 0.62%

LAB 80.63, -56.26, 33.85

 

CMYK 64 / 0 / 44 / 19

HEX #4ACF73

RGB 74 207 115

HSL 138.5, 0.58%, 0.55%

LAB 74.39, -56.02, 35.26

 

CMYK 70 / 0 / 49 / 26

HEX #39BD60

RGB 57 189 96

HSL 137.73, 0.54%, 0.48%

LAB 68.1, -55.53, 36.76

 

CMYK 77 / 0 / 55 / 33

HEX #28AB4D

RGB 40 171 77

HSL 136.95, 0.62%, 0.41%

LAB 61.75, -54.66, 38.3

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 56 / 0 / 52 / 5

HEX #6CF375

RGB 108 243 117

HSL 124, 0.85%, 0.69%

LAB 86.29, -61.76, 49.36

 

CMYK 44 / 0 / 56 / 5

HEX #88F36C

RGB 136 243 108

HSL 107.56, 0.85%, 0.69%

LAB 87.2, -55.39, 54.8

 

CMYK 29 / 0 / 56 / 5

HEX #ACF36C

RGB 172 243 108

HSL 91.56, 0.85%, 0.69%

LAB 88.9, -43.82, 57.21

 

CMYK 14 / 0 / 56 / 5

HEX #D0F36C

RGB 208 243 108

HSL 75.56, 0.85%, 0.69%

LAB 91.05, -30.68, 60.24

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 56 / 0 / 22 / 5

HEX #6CF3BD

RGB 108 243 189

HSL 156, 0.85%, 0.69%

LAB 87.47, -49.42, 15.02

 

CMYK 56 / 0 / 7 / 5

HEX #6CF3E2

RGB 108 243 226

HSL 172.44, 0.85%, 0.69%

LAB 88.34, -40.91, -2.99

 

CMYK 56 / 8 / 0 / 5

HEX #6CE0F3

RGB 108 224 243

HSL 188.44, 0.85%, 0.69%

LAB 83.43, -27.6, -19.26

 

CMYK 56 / 23 / 0 / 5

HEX #6CBBF3

RGB 108 187 243

HSL 204.89, 0.85%, 0.69%

LAB 73.02, -8.61, -35.18

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 47 / 0 / 32 / 10

HEX #79E69D

RGB 121 230 157

HSL 139.82, 0.69%, 0.69%

LAB 83.49, -47.2, 26.12

 

CMYK 38 / 0 / 25 / 15

HEX #86D9A2

RGB 134 217 162

HSL 140.24, 0.52%, 0.69%

LAB 80.35, -37, 19.3

 

CMYK 28 / 0 / 19 / 20

HEX #93CCA6

RGB 147 204 166

HSL 140, 0.36%, 0.69%

LAB 77.37, -26.16, 13.11

 

CMYK 17 / 0 / 11 / 25

HEX #9FBFAA

RGB 159 191 170

HSL 140.63, 0.2%, 0.69%

LAB 74.53, -14.95, 7.02

 

CMYK 44 / 0 / 56 / 5

HEX #87F36C

RGB 135 243 108

HSL 108, 0.85%, 0.69%

LAB 87.16, -55.69, 54.74

 

CMYK 56 / 0 / 52 / 5

HEX #6CF375

RGB 108 243 117

HSL 124, 0.85%, 0.69%

LAB 86.29, -61.76, 49.36

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 56 / 0 / 22 / 5

HEX #6CF3BD

RGB 108 243 189

HSL 156, 0.85%, 0.69%

LAB 87.47, -49.42, 15.02

 

CMYK 56 / 0 / 7 / 5

HEX #6CF3E1

RGB 108 243 225

HSL 172, 0.85%, 0.69%

LAB 88.32, -41.16, -2.5

 

CMYK 86 / 0 / 58 / 7

HEX #20EC64

RGB 32 236 100

HSL 140, 0.84%, 0.53%

LAB 82.5, -73.52, 52.21

 

CMYK 71 / 0 / 47 / 6

HEX #46F07F

RGB 70 240 127

HSL 140.12, 0.85%, 0.61%

LAB 84.56, -66.69, 42.27

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 41 / 0 / 27 / 4

HEX #92F6B4

RGB 146 246 180

HSL 140.4, 0.85%, 0.77%

LAB 89.54, -43.25, 22.76

 

CMYK 26 / 0 / 17 / 2

HEX #B9F9CE

RGB 185 249 206

HSL 139.69, 0.84%, 0.85%

LAB 92.8, -28.42, 14.25

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 56 / 30 / 0 / 5

HEX #6CABF3

RGB 108 171 243

HSL 212, 0.85%, 0.69%

LAB 68.6, 0.2, -42.08

 

CMYK 0 / 56 / 52 / 5

HEX #F36C75

RGB 243 108 117

HSL 356, 0.85%, 0.69%

LAB 62.56, 52.61, 20.96

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 37 / 56 / 0 / 5

HEX #996CF3

RGB 153 108 243

HSL 260, 0.85%, 0.69%

LAB 56.06, 46.69, -61.77

 

CMYK 0 / 37 / 56 / 5

HEX #F3996C

RGB 243 153 108

HSL 20, 0.85%, 0.69%

LAB 71.5, 29.3, 37.59

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 56 / 30 / 0 / 5

HEX #6CABF3

RGB 108 171 243

HSL 212, 0.85%, 0.69%

LAB 68.6, 0.2, -42.08

 

CMYK 0 / 56 / 19 / 5

HEX #F36CC6

RGB 243 108 198

HSL 320, 0.85%, 0.69%

LAB 64.85, 61.8, -21.98

 

CMYK 0 / 26 / 56 / 5

HEX #F3B46C

RGB 243 180 108

HSL 32, 0.85%, 0.69%

LAB 77.74, 15.07, 45.3

 

CMYK 56 / 0 / 37 / 5

HEX #6CF399

RGB 108 243 153

HSL 140, 0.85%, 0.69%

LAB 86.8, -56.34, 32.52

 

CMYK 56 / 46 / 0 / 5

HEX #6C83F3

RGB 108 131 243

HSL 229.78, 0.85%, 0.69%

LAB 57.93, 23.55, -58.95

 

CMYK 0 / 56 / 19 / 5

HEX #F36CC6

RGB 243 108 198

HSL 320, 0.85%, 0.69%

LAB 64.85, 61.8, -21.98

 

CMYK 0 / 9 / 56 / 5

HEX #F3DC6C

RGB 243 220 108

HSL 49.78, 0.85%, 0.69%

LAB 87.64, -5.63, 57.02

 

Description

Color code: RGB 108 243 153 | qconv.com Color code: RGB 108 243 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 243 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 243 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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