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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 218 112 it is the complementary color RGB 147 37 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 218 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 218 112 shade: RGB 113 218 107, RGB 130 236 126, RGB 147 254 145, RGB 164 255 164 and RGB 181 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 218 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 218 112 shade: RGB 108 218 112, RGB 91 200 93, RGB 74 182 74, RGB 57 164 55 and RGB 40 146 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 218 112 shade: RGB 108 218 112, RGB 133 218 108, RGB 163 218 108, RGB 193 218 108 and RGB 218 213 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 218 112 shade: RGB 108 218 112, RGB 108 218 141, RGB 108 218 171, RGB 108 218 201 and RGB 108 205 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 218 112 shade matches the following richer shades: RGB 108 218 112, RGB 93 233 98 and RGB 78 247 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 218 112 shade: RGB 108 218 112, RGB 122 203 125, RGB 137 188 139, RGB 152 173 153 and RGB 167 158 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 218 112 shade: RGB 163 218 108, RGB 133 218 108, RGB 108 218 111, RGB 108 218 141 and RGB 108 218 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 218 112 shade: RGB 48 195 54, RGB 75 210 80, RGB 108 218 112, RGB 141 226 144 and RGB 174 234 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 218 112 shade: RGB 108 218 112, RGB 108 192 218 and RGB 218 108 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 218 112 shade: RGB 108 218 112, RGB 111 108 218 and RGB 218 111 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 218 112 shade: RGB 108 218 112, RGB 108 192 218, RGB 218 108 214 and RGB 218 133 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 218 112 shade: RGB 108 218 112, RGB 108 159 218, RGB 218 108 214 and RGB 218 166 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

Complementary color

CMYK 0 / 75 / 3 / 42

HEX #93258F

RGB 147 37 143

HSL 302.18, 0.6%, 0.36%

LAB 36.95, 57.05, -34.19

 

CMYK 48 / 0 / 51 / 15

HEX #71DA6B

RGB 113 218 107

HSL 116.76, 0.6%, 0.64%

LAB 78.88, -52.16, 45.08

 

CMYK 45 / 0 / 47 / 7

HEX #82EC7E

RGB 130 236 126

HSL 117.82, 0.74%, 0.71%

LAB 85.12, -52.12, 43.83

 

CMYK 42 / 0 / 43 / 0

HEX #93FE91

RGB 147 254 145

HSL 118.9, 0.98%, 0.78%

LAB 91.29, -52, 42.6

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA4

RGB 164 255 164

HSL 120, 1%, 0.82%

LAB 92.62, -44.63, 35.14

 

CMYK 29 / 0 / 28 / 0

HEX #B5FFB7

RGB 181 255 183

HSL 121.62, 1%, 0.85%

LAB 93.78, -36.41, 27.32

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 55 / 0 / 54 / 22

HEX #5BC85D

RGB 91 200 93

HSL 121.1, 0.5%, 0.57%

LAB 72.44, -52.77, 43.77

 

CMYK 59 / 0 / 59 / 29

HEX #4AB64A

RGB 74 182 74

HSL 120, 0.43%, 0.5%

LAB 66.06, -52.47, 45.03

 

CMYK 65 / 0 / 66 / 36

HEX #39A437

RGB 57 164 55

HSL 118.9, 0.5%, 0.43%

LAB 59.61, -51.86, 46.13

 

CMYK 73 / 0 / 75 / 43

HEX #289224

RGB 40 146 36

HSL 117.82, 0.6%, 0.36%

LAB 53.1, -50.74, 46.83

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 39 / 0 / 50 / 15

HEX #85DA6C

RGB 133 218 108

HSL 106.36, 0.6%, 0.64%

LAB 79.73, -46.09, 45.84

 

CMYK 25 / 0 / 50 / 15

HEX #A3DA6C

RGB 163 218 108

HSL 90, 0.6%, 0.64%

LAB 81.3, -35.9, 48.1

 

CMYK 11 / 0 / 50 / 15

HEX #C1DA6C

RGB 193 218 108

HSL 73.64, 0.6%, 0.64%

LAB 83.21, -24.63, 50.85

 

CMYK 0 / 2 / 50 / 15

HEX #DAD56C

RGB 218 213 108

HSL 57.27, 0.6%, 0.64%

LAB 83.74, -12.23, 51.94

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 50 / 0 / 35 / 15

HEX #6CDA8D

RGB 108 218 141

HSL 138, 0.6%, 0.64%

LAB 79.19, -48.31, 28.48

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAAB

RGB 108 218 171

HSL 154.36, 0.6%, 0.64%

LAB 79.77, -42.5, 13.59

 

CMYK 50 / 0 / 8 / 15

HEX #6CDAC9

RGB 108 218 201

HSL 170.73, 0.6%, 0.64%

LAB 80.49, -35.66, -1.32

 

CMYK 50 / 6 / 0 / 15

HEX #6CCDDA

RGB 108 205 218

HSL 187.09, 0.6%, 0.64%

LAB 77.23, -25.07, -15.27

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 60 / 0 / 58 / 9

HEX #5DE962

RGB 93 233 98

HSL 122.14, 0.76%, 0.64%

LAB 82.64, -63.89, 53.54

 

CMYK 68 / 0 / 66 / 3

HEX #4EF754

RGB 78 247 84

HSL 122.13, 0.91%, 0.64%

LAB 86.4, -73.01, 63.5

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 40 / 0 / 38 / 20

HEX #7ACB7D

RGB 122 203 125

HSL 122.22, 0.44%, 0.64%

LAB 75.03, -40.66, 31.32

 

CMYK 27 / 0 / 26 / 26

HEX #89BC8B

RGB 137 188 139

HSL 122.35, 0.28%, 0.64%

LAB 71.66, -26.55, 19.53

 

CMYK 12 / 0 / 12 / 32

HEX #98AD99

RGB 152 173 153

HSL 122.86, 0.11%, 0.64%

LAB 68.65, -11.19, 7.83

 

CMYK 0 / 5 / 0 / 35

HEX #A79EA7

RGB 167 158 167

HSL 300, 0.05%, 0.64%

LAB 66.1, 4.95, -3.51

 

CMYK 25 / 0 / 50 / 15

HEX #A3DA6C

RGB 163 218 108

HSL 90, 0.6%, 0.64%

LAB 81.3, -35.9, 48.1

 

CMYK 39 / 0 / 50 / 15

HEX #85DA6C

RGB 133 218 108

HSL 106.36, 0.6%, 0.64%

LAB 79.73, -46.09, 45.84

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA6F

RGB 108 218 111

HSL 121.64, 0.6%, 0.64%

LAB 78.74, -52.99, 42.94

 

CMYK 50 / 0 / 35 / 15

HEX #6CDA8D

RGB 108 218 141

HSL 138, 0.6%, 0.64%

LAB 79.19, -48.31, 28.48

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAAA

RGB 108 218 170

HSL 153.82, 0.6%, 0.64%

LAB 79.75, -42.71, 14.09

 

CMYK 75 / 0 / 72 / 24

HEX #30C336

RGB 48 195 54

HSL 122.45, 0.6%, 0.48%

LAB 69.42, -63.99, 56.83

 

CMYK 64 / 0 / 62 / 18

HEX #4BD250

RGB 75 210 80

HSL 122.22, 0.6%, 0.56%

LAB 74.93, -61.66, 52.48

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 38 / 0 / 36 / 11

HEX #8DE290

RGB 141 226 144

HSL 122.12, 0.59%, 0.72%

LAB 82.95, -42.03, 32.19

 

CMYK 26 / 0 / 25 / 8

HEX #AEEAB0

RGB 174 234 176

HSL 122, 0.59%, 0.8%

LAB 87.47, -30.08, 22.18

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 50 / 12 / 0 / 15

HEX #6CC0DA

RGB 108 192 218

HSL 194.18, 0.6%, 0.64%

LAB 73.51, -18.5, -20.88

 

CMYK 0 / 50 / 32 / 15

HEX #DA6C94

RGB 218 108 148

HSL 338.18, 0.6%, 0.64%

LAB 59.68, 47.3, -1.5

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 49 / 50 / 0 / 15

HEX #6F6CDA

RGB 111 108 218

HSL 241.64, 0.6%, 0.64%

LAB 50.88, 30.24, -56.25

 

CMYK 0 / 49 / 50 / 15

HEX #DA6F6C

RGB 218 111 108

HSL 1.64, 0.6%, 0.64%

LAB 59.3, 41.5, 21.09

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 50 / 12 / 0 / 15

HEX #6CC0DA

RGB 108 192 218

HSL 194.18, 0.6%, 0.64%

LAB 73.51, -18.5, -20.88

 

CMYK 0 / 50 / 2 / 15

HEX #DA6CD6

RGB 218 108 214

HSL 302.18, 0.6%, 0.64%

LAB 62.07, 57.22, -35.55

 

CMYK 0 / 39 / 50 / 15

HEX #DA856C

RGB 218 133 108

HSL 13.64, 0.6%, 0.64%

LAB 63.97, 30.03, 27.3

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA70

RGB 108 218 112

HSL 122.18, 0.6%, 0.64%

LAB 78.75, -52.85, 42.47

 

CMYK 50 / 27 / 0 / 15

HEX #6C9FDA

RGB 108 159 218

HSL 212.18, 0.6%, 0.64%

LAB 64.2, -0.63, -35.21

 

CMYK 0 / 50 / 2 / 15

HEX #DA6CD6

RGB 218 108 214

HSL 302.18, 0.6%, 0.64%

LAB 62.07, 57.22, -35.55

 

CMYK 0 / 24 / 50 / 15

HEX #DAA66C

RGB 218 166 108

HSL 31.64, 0.6%, 0.64%

LAB 71.73, 12.28, 37.28

 

Description

Color code: RGB 108 218 112 | qconv.com Color code: RGB 108 218 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 218 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 218 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 49 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 49% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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