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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 173 207 it is the complementary color RGB 147 82 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 173 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 173 207 shade: RGB 113 173 202, RGB 130 191 221, RGB 147 209 240, RGB 164 227 255 and RGB 181 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 173 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 173 207 shade: RGB 108 173 207, RGB 91 155 188, RGB 74 137 169, RGB 57 119 150 and RGB 40 101 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 173 207 shade: RGB 108 173 207, RGB 108 146 207, RGB 108 120 207, RGB 123 108 207 and RGB 150 108 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 173 207 shade: RGB 108 173 207, RGB 108 146 207, RGB 108 120 207 and RGB 108 108 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 173 207 shade matches the following richer shades: RGB 108 173 207, RGB 93 178 223, RGB 77 183 238 and RGB 61 188 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 173 207 shade: RGB 108 173 207, RGB 124 168 191, RGB 140 163 176, RGB 155 158 160 and RGB 171 153 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 173 207 shade: RGB 108 207 187, RGB 108 200 207, RGB 108 174 207, RGB 108 148 207 and RGB 108 121 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 173 207 shade: RGB 57 135 176, RGB 77 156 197, RGB 108 173 207, RGB 139 190 217 and RGB 170 208 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 173 207 shade: RGB 108 173 207, RGB 161 108 207 and RGB 207 200 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 173 207 shade: RGB 108 173 207, RGB 207 108 174 and RGB 174 207 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 173 207 shade: RGB 108 173 207, RGB 161 108 207, RGB 207 141 108 and RGB 154 207 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 173 207 shade: RGB 108 173 207, RGB 191 108 207, RGB 207 141 108 and RGB 125 207 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

Complementary color

CMYK 0 / 44 / 67 / 42

HEX #935230

RGB 147 82 48

HSL 20.61, 0.51%, 0.38%

LAB 41.92, 23.99, 31.35

 

CMYK 44 / 14 / 0 / 21

HEX #71ADCA

RGB 113 173 202

HSL 199.55, 0.46%, 0.62%

LAB 67.77, -11.75, -20.84

 

CMYK 41 / 14 / 0 / 13

HEX #82BFDD

RGB 130 191 221

HSL 199.78, 0.57%, 0.69%

LAB 74.34, -11.93, -21.17

 

CMYK 39 / 13 / 0 / 6

HEX #93D1F0

RGB 147 209 240

HSL 200, 0.76%, 0.76%

LAB 80.79, -12.07, -21.5

 

CMYK 36 / 11 / 0 / 0

HEX #A4E3FF

RGB 164 227 255

HSL 198.46, 1%, 0.82%

LAB 87.02, -13.17, -19.92

 

CMYK 29 / 4 / 0 / 0

HEX #B5F5FF

RGB 181 245 255

HSL 188.11, 1%, 0.85%

LAB 92.73, -17.64, -11.27

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 52 / 18 / 0 / 26

HEX #5B9BBC

RGB 91 155 188

HSL 200.41, 0.42%, 0.55%

LAB 61.04, -11.24, -23.41

 

CMYK 56 / 19 / 0 / 34

HEX #4A89A9

RGB 74 137 169

HSL 200.21, 0.39%, 0.48%

LAB 54.25, -10.81, -23.1

 

CMYK 62 / 21 / 0 / 41

HEX #397796

RGB 57 119 150

HSL 200, 0.45%, 0.41%

LAB 47.32, -10.21, -22.77

 

CMYK 69 / 23 / 0 / 49

HEX #286583

RGB 40 101 131

HSL 199.78, 0.53%, 0.34%

LAB 40.24, -9.36, -22.43

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 48 / 29 / 0 / 19

HEX #6C92CF

RGB 108 146 207

HSL 216.97, 0.51%, 0.62%

LAB 60.11, 3.52, -35.45

 

CMYK 48 / 42 / 0 / 19

HEX #6C78CF

RGB 108 120 207

HSL 232.73, 0.51%, 0.62%

LAB 53.09, 18.95, -46.51

 

CMYK 41 / 48 / 0 / 19

HEX #7B6CCF

RGB 123 108 207

HSL 249.09, 0.51%, 0.62%

LAB 51.2, 29.82, -49.44

 

CMYK 28 / 48 / 0 / 19

HEX #966CCF

RGB 150 108 207

HSL 265.45, 0.51%, 0.62%

LAB 53.72, 36.86, -45.28

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 48 / 29 / 0 / 19

HEX #6C92CF

RGB 108 146 207

HSL 216.97, 0.51%, 0.62%

LAB 60.11, 3.52, -35.45

 

CMYK 48 / 42 / 0 / 19

HEX #6C78CF

RGB 108 120 207

HSL 232.73, 0.51%, 0.62%

LAB 53.09, 18.95, -46.51

 

CMYK 48 / 48 / 0 / 19

HEX #6C6CCF

RGB 108 108 207

HSL 240, 0.51%, 0.62%

LAB 50, 26.23, -51.43

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 58 / 20 / 0 / 13

HEX #5DB2DF

RGB 93 178 223

HSL 200.77, 0.67%, 0.62%

LAB 69.11, -12.77, -30.4

 

CMYK 68 / 23 / 0 / 7

HEX #4DB7EE

RGB 77 183 238

HSL 200.5, 0.83%, 0.62%

LAB 70.61, -13.47, -36.31

 

CMYK 76 / 26 / 0 / 0

HEX #3DBCFE

RGB 61 188 254

HSL 200.52, 0.99%, 0.62%

LAB 72.3, -12.94, -42.34

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 35 / 12 / 0 / 25

HEX #7CA8BF

RGB 124 168 191

HSL 200.6, 0.34%, 0.62%

LAB 66.56, -9.05, -16.53

 

CMYK 20 / 7 / 0 / 31

HEX #8CA3B0

RGB 140 163 176

HSL 201.67, 0.19%, 0.62%

LAB 65.67, -5.12, -9.4

 

CMYK 3 / 1 / 0 / 37

HEX #9B9EA0

RGB 155 158 160

HSL 204, 0.03%, 0.62%

LAB 64.93, -0.68, -1.42

 

CMYK 0 / 11 / 16 / 33

HEX #AB9990

RGB 171 153 144

HSL 20, 0.14%, 0.62%

LAB 64.53, 5.1, 7.14

 

CMYK 48 / 0 / 10 / 19

HEX #6CCFBB

RGB 108 207 187

HSL 167.88, 0.51%, 0.62%

LAB 76.92, -33.91, 0.97

 

CMYK 48 / 3 / 0 / 19

HEX #6CC8CF

RGB 108 200 207

HSL 184.24, 0.51%, 0.62%

LAB 75.45, -25.52, -12

 

CMYK 48 / 16 / 0 / 19

HEX #6CAECF

RGB 108 174 207

HSL 200, 0.51%, 0.62%

LAB 67.99, -12.11, -23.27

 

CMYK 48 / 29 / 0 / 19

HEX #6C94CF

RGB 108 148 207

HSL 215.76, 0.51%, 0.62%

LAB 60.67, 2.37, -34.58

 

CMYK 48 / 42 / 0 / 19

HEX #6C79CF

RGB 108 121 207

HSL 232.12, 0.51%, 0.62%

LAB 53.35, 18.35, -46.09

 

CMYK 68 / 23 / 0 / 31

HEX #3987B0

RGB 57 135 176

HSL 200.67, 0.51%, 0.46%

LAB 53.31, -10.63, -28.62

 

CMYK 61 / 21 / 0 / 23

HEX #4D9CC5

RGB 77 156 197

HSL 200.5, 0.51%, 0.54%

LAB 61.12, -11.94, -28.39

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 36 / 12 / 0 / 15

HEX #8BBED9

RGB 139 190 217

HSL 200.77, 0.51%, 0.7%

LAB 74.4, -10.06, -18.86

 

CMYK 25 / 8 / 0 / 11

HEX #AAD0E3

RGB 170 208 227

HSL 200, 0.5%, 0.78%

LAB 81.4, -8.3, -13.51

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 22 / 48 / 0 / 19

HEX #A16CCF

RGB 161 108 207

HSL 272.12, 0.51%, 0.62%

LAB 54.87, 39.88, -43.38

 

CMYK 0 / 3 / 48 / 19

HEX #CFC86C

RGB 207 200 108

HSL 55.76, 0.51%, 0.62%

LAB 79.42, -10.11, 46.55

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 0 / 48 / 16 / 19

HEX #CF6CAE

RGB 207 108 174

HSL 320, 0.51%, 0.62%

LAB 59.02, 47.35, -17.65

 

CMYK 16 / 0 / 48 / 19

HEX #AECF6C

RGB 174 207 108

HSL 80, 0.51%, 0.62%

LAB 78.87, -26.66, 45.32

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 22 / 48 / 0 / 19

HEX #A16CCF

RGB 161 108 207

HSL 272.12, 0.51%, 0.62%

LAB 54.87, 39.88, -43.38

 

CMYK 0 / 32 / 48 / 19

HEX #CF8D6C

RGB 207 141 108

HSL 20, 0.51%, 0.62%

LAB 64.48, 21.32, 27.72

 

CMYK 26 / 0 / 48 / 19

HEX #9ACF6C

RGB 154 207 108

HSL 92.12, 0.51%, 0.62%

LAB 77.63, -34.1, 43.51

 

CMYK 48 / 16 / 0 / 19

HEX #6CADCF

RGB 108 173 207

HSL 200.61, 0.51%, 0.62%

LAB 67.71, -11.58, -23.71

 

CMYK 8 / 48 / 0 / 19

HEX #BF6CCF

RGB 191 108 207

HSL 290.3, 0.51%, 0.62%

LAB 58.33, 48.33, -37.71

 

CMYK 0 / 32 / 48 / 19

HEX #CF8D6C

RGB 207 141 108

HSL 20, 0.51%, 0.62%

LAB 64.48, 21.32, 27.72

 

CMYK 40 / 0 / 48 / 19

HEX #7DCF6C

RGB 125 207 108

HSL 109.7, 0.51%, 0.62%

LAB 76.11, -43.92, 41.3

 

Description

Color code: RGB 108 173 207 | qconv.com Color code: RGB 108 173 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 173 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 173 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 16 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 16% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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