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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 140 82 it is the complementary color RGB 147 115 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 140 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 140 82 shade: RGB 113 140 77, RGB 130 158 96, RGB 147 176 115, RGB 164 194 134 and RGB 181 212 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 140 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 140 82 shade: RGB 108 140 82, RGB 91 122 63, RGB 74 104 44, RGB 57 86 25 and RGB 40 68 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 140 82 shade: RGB 109 141 83, RGB 124 141 83, RGB 140 141 83, RGB 141 126 83 and RGB 141 110 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 140 82 shade: RGB 109 141 83, RGB 93 141 83, RGB 83 141 88, RGB 83 141 104 and RGB 83 141 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 140 82 shade matches the following richer shades: RGB 109 141 83, RGB 107 159 64, RGB 105 177 46, RGB 103 195 28 and RGB 101 213 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 140 82 shade: RGB 109 141 83, RGB 111 123 101, RGB 112 105 119, RGB 114 86 137 and RGB 116 68 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 140 82 shade: RGB 140 141 83, RGB 124 141 83, RGB 109 141 83, RGB 93 141 83 and RGB 83 141 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 140 82 shade: RGB 69 89 52, RGB 89 115 67, RGB 109 141 83, RGB 129 164 101 and RGB 150 179 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 140 82 shade: RGB 108 140 82, RGB 83 141 126 and RGB 141 83 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 140 82 shade: RGB 108 140 82, RGB 83 109 141 and RGB 141 83 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 140 82 shade: RGB 108 140 82, RGB 83 141 126, RGB 115 83 141 and RGB 141 83 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 140 82 shade: RGB 108 140 82, RGB 83 138 141, RGB 115 83 141 and RGB 141 85 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 41 / 45

HEX #6C8C52

RGB 108 140 82

HSL 93.1, 0.26%, 0.44%

LAB 54.61, -22.17, 27.38

 

Complementary color

CMYK 15 / 34 / 0 / 32

HEX #9373AD

RGB 147 115 173

HSL 273.1, 0.26%, 0.56%

LAB 53.47, 23.9, -26.18

 

CMYK 19 / 0 / 45 / 45

HEX #718C4D

RGB 113 140 77

HSL 85.71, 0.29%, 0.43%

LAB 54.87, -20.87, 30.48

 

CMYK 18 / 0 / 39 / 38

HEX #829E60

RGB 130 158 96

HSL 87.1, 0.24%, 0.5%

LAB 61.69, -20.86, 29.24

 

CMYK 16 / 0 / 35 / 31

HEX #93B073

RGB 147 176 115

HSL 88.52, 0.28%, 0.57%

LAB 68.38, -20.83, 28.07

 

CMYK 15 / 0 / 31 / 24

HEX #A4C286

RGB 164 194 134

HSL 90, 0.33%, 0.64%

LAB 74.95, -20.78, 26.95

 

CMYK 15 / 0 / 28 / 17

HEX #B5D499

RGB 181 212 153

HSL 91.53, 0.41%, 0.72%

LAB 81.41, -20.72, 25.89

 

CMYK 23 / 0 / 41 / 45

HEX #6C8C52

RGB 108 140 82

HSL 93.1, 0.26%, 0.44%

LAB 54.61, -22.17, 27.38

 

CMYK 25 / 0 / 48 / 52

HEX #5B7A3F

RGB 91 122 63

HSL 91.53, 0.32%, 0.36%

LAB 47.63, -22.23, 28.65

 

CMYK 29 / 0 / 58 / 59

HEX #4A682C

RGB 74 104 44

HSL 90, 0.41%, 0.29%

LAB 40.47, -22.22, 29.92

 

CMYK 34 / 0 / 71 / 66

HEX #395619

RGB 57 86 25

HSL 88.52, 0.55%, 0.22%

LAB 33.13, -22.05, 30.96

 

CMYK 41 / 0 / 91 / 73

HEX #284406

RGB 40 68 6

HSL 87.1, 0.84%, 0.15%

LAB 25.56, -21.56, 31.15

 

CMYK 23 / 0 / 41 / 45

HEX #6D8D53

RGB 109 141 83

HSL 93.1, 0.26%, 0.44%

LAB 55, -22.15, 27.34

 

CMYK 12 / 0 / 41 / 45

HEX #7C8D53

RGB 124 141 83

HSL 77.59, 0.26%, 0.44%

LAB 56.05, -16.17, 28.9

 

CMYK 1 / 0 / 41 / 45

HEX #8C8D53

RGB 140 141 83

HSL 61.03, 0.26%, 0.44%

LAB 57.32, -9.49, 30.78

 

CMYK 0 / 11 / 41 / 45

HEX #8D7E53

RGB 141 126 83

HSL 44.48, 0.26%, 0.44%

LAB 53.18, -0.75, 25.5

 

CMYK 0 / 22 / 41 / 45

HEX #8D6E53

RGB 141 110 83

HSL 27.93, 0.26%, 0.44%

LAB 48.81, 8.43, 19.75

 

CMYK 23 / 0 / 41 / 45

HEX #6D8D53

RGB 109 141 83

HSL 93.1, 0.26%, 0.44%

LAB 55, -22.15, 27.34

 

CMYK 34 / 0 / 41 / 45

HEX #5D8D53

RGB 93 141 83

HSL 109.66, 0.26%, 0.44%

LAB 54.03, -28.09, 25.9

 

CMYK 41 / 0 / 38 / 45

HEX #538D58

RGB 83 141 88

HSL 125.17, 0.26%, 0.44%

LAB 53.59, -30.65, 22.48

 

CMYK 41 / 0 / 26 / 45

HEX #538D68

RGB 83 141 104

HSL 141.72, 0.26%, 0.44%

LAB 53.91, -27.62, 13.9

 

CMYK 41 / 0 / 16 / 45

HEX #538D77

RGB 83 141 119

HSL 157.24, 0.26%, 0.44%

LAB 54.26, -24.36, 5.81

 

CMYK 23 / 0 / 41 / 45

HEX #6D8D53

RGB 109 141 83

HSL 93.1, 0.26%, 0.44%

LAB 55, -22.15, 27.34

 

CMYK 33 / 0 / 60 / 38

HEX #6B9F40

RGB 107 159 64

HSL 92.84, 0.43%, 0.44%

LAB 60.15, -33.92, 43.25

 

CMYK 41 / 0 / 74 / 31

HEX #69B12E

RGB 105 177 46

HSL 92.98, 0.59%, 0.44%

LAB 65.47, -43.98, 56.32

 

CMYK 47 / 0 / 86 / 24

HEX #67C31C

RGB 103 195 28

HSL 93.05, 0.75%, 0.44%

LAB 70.87, -52.72, 66.46

 

CMYK 53 / 0 / 95 / 16

HEX #65D50A

RGB 101 213 10

HSL 93.1, 0.91%, 0.44%

LAB 76.3, -60.41, 73.76

 

CMYK 23 / 0 / 41 / 45

HEX #6D8D53

RGB 109 141 83

HSL 93.1, 0.26%, 0.44%

LAB 55, -22.15, 27.34

 

CMYK 10 / 0 / 18 / 52

HEX #6F7B65

RGB 111 123 101

HSL 92.73, 0.1%, 0.44%

LAB 50.08, -8.82, 10.55

 

CMYK 6 / 12 / 0 / 53

HEX #706977

RGB 112 105 119

HSL 270, 0.06%, 0.44%

LAB 45.47, 5.63, -6.81

 

CMYK 17 / 37 / 0 / 46

HEX #725689

RGB 114 86 137

HSL 272.94, 0.23%, 0.44%

LAB 41.28, 22, -24.06

 

CMYK 25 / 56 / 0 / 39

HEX #74449B

RGB 116 68 155

HSL 273.1, 0.39%, 0.44%

LAB 38.22, 37.59, -39.73

 

CMYK 1 / 0 / 41 / 45

HEX #8C8D53

RGB 140 141 83

HSL 61.03, 0.26%, 0.44%

LAB 57.32, -9.49, 30.78

 

CMYK 12 / 0 / 41 / 45

HEX #7C8D53

RGB 124 141 83

HSL 77.59, 0.26%, 0.44%

LAB 56.05, -16.17, 28.9

 

CMYK 23 / 0 / 41 / 45

HEX #6D8D53

RGB 109 141 83

HSL 93.1, 0.26%, 0.44%

LAB 55, -22.15, 27.34

 

CMYK 34 / 0 / 41 / 45

HEX #5D8D53

RGB 93 141 83

HSL 109.66, 0.26%, 0.44%

LAB 54.03, -28.09, 25.9

 

CMYK 41 / 0 / 38 / 45

HEX #538D57

RGB 83 141 87

HSL 124.14, 0.26%, 0.44%

LAB 53.58, -30.82, 23.01

 

CMYK 22 / 0 / 42 / 65

HEX #455934

RGB 69 89 52

HSL 92.43, 0.26%, 0.28%

LAB 35.32, -15.2, 18.97

 

CMYK 23 / 0 / 42 / 55

HEX #597343

RGB 89 115 67

HSL 92.5, 0.26%, 0.36%

LAB 45.35, -18.83, 23.53

 

CMYK 23 / 0 / 41 / 45

HEX #6D8D53

RGB 109 141 83

HSL 93.1, 0.26%, 0.44%

LAB 55, -22.15, 27.34

 

CMYK 21 / 0 / 38 / 36

HEX #81A465

RGB 129 164 101

HSL 93.33, 0.26%, 0.52%

LAB 63.47, -23.58, 28.87

 

CMYK 16 / 0 / 29 / 30

HEX #96B37F

RGB 150 179 127

HSL 93.46, 0.25%, 0.6%

LAB 69.65, -19.45, 23.38

 

CMYK 23 / 0 / 41 / 45

HEX #6C8C52

RGB 108 140 82

HSL 93.1, 0.26%, 0.44%

LAB 54.61, -22.17, 27.38

 

CMYK 41 / 0 / 11 / 45

HEX #538D7E

RGB 83 141 126

HSL 164.48, 0.26%, 0.44%

LAB 54.44, -22.71, 2.05

 

CMYK 0 / 41 / 6 / 45

HEX #8D5384

RGB 141 83 132

HSL 309.31, 0.26%, 0.44%

LAB 43.53, 31.82, -17.29

 

CMYK 23 / 0 / 41 / 45

HEX #6C8C52

RGB 108 140 82

HSL 93.1, 0.26%, 0.44%

LAB 54.61, -22.17, 27.38

 

CMYK 41 / 23 / 0 / 45

HEX #536D8D

RGB 83 109 141

HSL 213.1, 0.26%, 0.44%

LAB 45.22, -0.81, -20.57

 

CMYK 0 / 41 / 23 / 45

HEX #8D536D

RGB 141 83 109

HSL 333.1, 0.26%, 0.44%

LAB 42.69, 27.83, -4.52

 

CMYK 23 / 0 / 41 / 45

HEX #6C8C52

RGB 108 140 82

HSL 93.1, 0.26%, 0.44%

LAB 54.61, -22.17, 27.38

 

CMYK 41 / 0 / 11 / 45

HEX #538D7E

RGB 83 141 126

HSL 164.48, 0.26%, 0.44%

LAB 54.44, -22.71, 2.05

 

CMYK 18 / 41 / 0 / 45

HEX #73538D

RGB 115 83 141

HSL 273.1, 0.26%, 0.44%

LAB 40.82, 25.1, -27.18

 

CMYK 0 / 41 / 31 / 45

HEX #8D5361

RGB 141 83 97

HSL 345.52, 0.26%, 0.44%

LAB 42.33, 26.02, 2.32

 

CMYK 23 / 0 / 41 / 45

HEX #6C8C52

RGB 108 140 82

HSL 93.1, 0.26%, 0.44%

LAB 54.61, -22.17, 27.38

 

CMYK 41 / 2 / 0 / 45

HEX #538A8D

RGB 83 138 141

HSL 183.1, 0.26%, 0.44%

LAB 53.96, -17.31, -7.33

 

CMYK 18 / 41 / 0 / 45

HEX #73538D

RGB 115 83 141

HSL 273.1, 0.26%, 0.44%

LAB 40.82, 25.1, -27.18

 

CMYK 0 / 40 / 41 / 45

HEX #8D5553

RGB 141 85 83

HSL 2.07, 0.26%, 0.44%

LAB 42.44, 23.01, 11.07

 

Description

Color code: RGB 108 140 82 | qconv.com Color code: RGB 108 140 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 140 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 140 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 41 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 41% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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