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Color name
RGB 108 126 25

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 126 25 it is the complementary color RGB 147 129 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 126 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 126 25 shade: RGB 113 126 20, RGB 130 144 39, RGB 147 162 58, RGB 164 180 77 and RGB 181 198 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 126 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 126 25 shade: RGB 108 126 25, RGB 91 108 6, RGB 74 90 0, RGB 57 72 0 and RGB 40 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 126 25 shade: RGB 109 127 25, RGB 127 118 25, RGB 127 90 25, RGB 127 63 25 and RGB 127 35 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 126 25 shade: RGB 109 127 25, RGB 81 127 25, RGB 54 127 25, RGB 26 127 25 and RGB 25 127 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 126 25 shade matches the following richer shades: RGB 109 127 25, RGB 117 140 12 and RGB 125 152 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 126 25 shade: RGB 109 127 25, RGB 101 115 37, RGB 93 102 50, RGB 85 90 62 and RGB 77 78 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 126 25 shade: RGB 127 90 25, RGB 127 117 25, RGB 110 127 25, RGB 83 127 25 and RGB 55 127 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 126 25 shade: RGB 50 58 11, RGB 79 93 18, RGB 109 127 25, RGB 139 162 32 and RGB 168 196 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 126 25 shade: RGB 108 126 25, RGB 25 127 62 and RGB 103 25 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 126 25 shade: RGB 108 126 25, RGB 25 110 127 and RGB 127 25 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 126 25 shade: RGB 108 126 25, RGB 25 127 62, RGB 42 25 127 and RGB 127 25 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 126 25 shade: RGB 108 126 25, RGB 25 127 93, RGB 42 25 127 and RGB 127 25 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 80 / 51

HEX #6C7E19

RGB 108 126 25

HSL 70.69, 0.67%, 0.3%

LAB 49.71, -20.32, 48.52

 

Complementary color

CMYK 36 / 44 / 0 / 10

HEX #9381E6

RGB 147 129 230

HSL 250.69, 0.67%, 0.7%

LAB 59.54, 29.9, -49.01

 

CMYK 10 / 0 / 84 / 51

HEX #717E14

RGB 113 126 20

HSL 67.36, 0.73%, 0.29%

LAB 50.08, -18.28, 50.51

 

CMYK 10 / 0 / 73 / 44

HEX #829027

RGB 130 144 39

HSL 68, 0.57%, 0.36%

LAB 56.92, -19.18, 50.98

 

CMYK 9 / 0 / 64 / 36

HEX #93A23A

RGB 147 162 58

HSL 68.65, 0.47%, 0.43%

LAB 63.63, -19.84, 50.52

 

CMYK 9 / 0 / 57 / 29

HEX #A4B44D

RGB 164 180 77

HSL 69.32, 0.41%, 0.5%

LAB 70.23, -20.34, 49.65

 

CMYK 9 / 0 / 52 / 22

HEX #B5C660

RGB 181 198 96

HSL 70, 0.47%, 0.58%

LAB 76.71, -20.73, 48.6

 

CMYK 14 / 0 / 80 / 51

HEX #6C7E19

RGB 108 126 25

HSL 70.69, 0.67%, 0.3%

LAB 49.71, -20.32, 48.52

 

CMYK 16 / 0 / 94 / 58

HEX #5B6C06

RGB 91 108 6

HSL 70, 0.89%, 0.22%

LAB 42.71, -19.31, 47.06

 

CMYK 18 / 0 / 100 / 65

HEX #4A5A00

RGB 74 90 0

HSL 70.67, 1%, 0.18%

LAB 35.53, -17.87, 42.55

 

CMYK 21 / 0 / 100 / 72

HEX #394800

RGB 57 72 0

HSL 72.5, 1%, 0.14%

LAB 28.13, -16.21, 36.32

 

CMYK 26 / 0 / 100 / 79

HEX #283600

RGB 40 54 0

HSL 75.56, 1%, 0.11%

LAB 20.4, -14.52, 28.29

 

CMYK 14 / 0 / 80 / 50

HEX #6D7F19

RGB 109 127 25

HSL 70.59, 0.67%, 0.3%

LAB 50.1, -20.39, 48.9

 

CMYK 0 / 7 / 80 / 50

HEX #7F7619

RGB 127 118 25

HSL 54.71, 0.67%, 0.3%

LAB 48.93, -7.26, 48.4

 

CMYK 0 / 29 / 80 / 50

HEX #7F5A19

RGB 127 90 25

HSL 38.24, 0.67%, 0.3%

LAB 41.05, 8.94, 41.12

 

CMYK 0 / 50 / 80 / 50

HEX #7F3F19

RGB 127 63 25

HSL 22.35, 0.67%, 0.3%

LAB 34.27, 24.8, 34.56

 

CMYK 0 / 72 / 80 / 50

HEX #7F2319

RGB 127 35 25

HSL 5.88, 0.67%, 0.3%

LAB 28.86, 38.91, 29.04

 

CMYK 14 / 0 / 80 / 50

HEX #6D7F19

RGB 109 127 25

HSL 70.59, 0.67%, 0.3%

LAB 50.1, -20.39, 48.9

 

CMYK 36 / 0 / 80 / 50

HEX #517F19

RGB 81 127 25

HSL 87.06, 0.67%, 0.3%

LAB 48.26, -32.15, 46.52

 

CMYK 57 / 0 / 80 / 50

HEX #367F19

RGB 54 127 25

HSL 102.94, 0.67%, 0.3%

LAB 47.02, -41.34, 44.91

 

CMYK 80 / 0 / 80 / 50

HEX #1A7F19

RGB 26 127 25

HSL 119.41, 0.67%, 0.3%

LAB 46.27, -47.55, 43.93

 

CMYK 80 / 0 / 60 / 50

HEX #197F33

RGB 25 127 51

HSL 135.29, 0.67%, 0.3%

LAB 46.48, -44.94, 32.92

 

CMYK 14 / 0 / 80 / 50

HEX #6D7F19

RGB 109 127 25

HSL 70.59, 0.67%, 0.3%

LAB 50.1, -20.39, 48.9

 

CMYK 16 / 0 / 91 / 45

HEX #758C0C

RGB 117 140 12

HSL 70.78, 0.84%, 0.3%

LAB 54.62, -23.91, 56.29

 

CMYK 18 / 0 / 100 / 40

HEX #7D9800

RGB 125 152 0

HSL 70.66, 1%, 0.3%

LAB 58.8, -26.6, 61.73

 

CMYK 14 / 0 / 80 / 50

HEX #6D7F19

RGB 109 127 25

HSL 70.59, 0.67%, 0.3%

LAB 50.1, -20.39, 48.9

 

CMYK 12 / 0 / 68 / 55

HEX #657325

RGB 101 115 37

HSL 70.77, 0.51%, 0.3%

LAB 45.85, -16.96, 39.87

 

CMYK 9 / 0 / 51 / 60

HEX #5D6632

RGB 93 102 50

HSL 70.38, 0.34%, 0.3%

LAB 41.31, -12.25, 28.03

 

CMYK 6 / 0 / 31 / 65

HEX #555A3E

RGB 85 90 62

HSL 70.71, 0.18%, 0.3%

LAB 37.1, -7.3, 15.56

 

CMYK 1 / 0 / 5 / 69

HEX #4D4E4A

RGB 77 78 74

HSL 75, 0.03%, 0.3%

LAB 32.96, -1.26, 2.22

 

CMYK 0 / 29 / 80 / 50

HEX #7F5A19

RGB 127 90 25

HSL 38.24, 0.67%, 0.3%

LAB 41.05, 8.94, 41.12

 

CMYK 0 / 8 / 80 / 50

HEX #7F7519

RGB 127 117 25

HSL 54.12, 0.67%, 0.3%

LAB 48.64, -6.7, 48.14

 

CMYK 13 / 0 / 80 / 50

HEX #6E7F19

RGB 110 127 25

HSL 70, 0.67%, 0.3%

LAB 50.17, -19.95, 48.99

 

CMYK 35 / 0 / 80 / 50

HEX #537F19

RGB 83 127 25

HSL 85.88, 0.67%, 0.3%

LAB 48.37, -31.37, 46.67

 

CMYK 57 / 0 / 80 / 50

HEX #377F19

RGB 55 127 25

HSL 102.35, 0.67%, 0.3%

LAB 47.05, -41.05, 44.96

 

CMYK 14 / 0 / 81 / 77

HEX #323A0B

RGB 50 58 11

HSL 70.21, 0.68%, 0.14%

LAB 22.75, -11, 26.58

 

CMYK 15 / 0 / 81 / 64

HEX #4F5D12

RGB 79 93 18

HSL 71.2, 0.68%, 0.22%

LAB 36.99, -16.39, 38.33

 

CMYK 14 / 0 / 80 / 50

HEX #6D7F19

RGB 109 127 25

HSL 70.59, 0.67%, 0.3%

LAB 50.1, -20.39, 48.9

 

CMYK 14 / 0 / 80 / 36

HEX #8BA220

RGB 139 162 32

HSL 70.62, 0.67%, 0.38%

LAB 62.87, -24.69, 59.13

 

CMYK 14 / 0 / 81 / 23

HEX #A8C426

RGB 168 196 38

HSL 70.63, 0.68%, 0.46%

LAB 74.79, -28.78, 68.84

 

CMYK 14 / 0 / 80 / 51

HEX #6C7E19

RGB 108 126 25

HSL 70.69, 0.67%, 0.3%

LAB 49.71, -20.32, 48.52

 

CMYK 80 / 0 / 51 / 50

HEX #197F3E

RGB 25 127 62

HSL 141.76, 0.67%, 0.3%

LAB 46.62, -43.22, 27.37

 

CMYK 19 / 80 / 0 / 50

HEX #67197F

RGB 103 25 127

HSL 285.88, 0.67%, 0.3%

LAB 27.05, 48.68, -40.5

 

CMYK 14 / 0 / 80 / 51

HEX #6C7E19

RGB 108 126 25

HSL 70.69, 0.67%, 0.3%

LAB 49.71, -20.32, 48.52

 

CMYK 80 / 13 / 0 / 50

HEX #196E7F

RGB 25 110 127

HSL 190, 0.67%, 0.3%

LAB 42.6, -18.06, -16.42

 

CMYK 0 / 80 / 13 / 50

HEX #7F196E

RGB 127 25 110

HSL 310, 0.67%, 0.3%

LAB 30.24, 50.94, -24.36

 

CMYK 14 / 0 / 80 / 51

HEX #6C7E19

RGB 108 126 25

HSL 70.69, 0.67%, 0.3%

LAB 49.71, -20.32, 48.52

 

CMYK 80 / 0 / 51 / 50

HEX #197F3E

RGB 25 127 62

HSL 141.76, 0.67%, 0.3%

LAB 46.62, -43.22, 27.37

 

CMYK 67 / 80 / 0 / 50

HEX #2A197F

RGB 42 25 127

HSL 250, 0.67%, 0.3%

LAB 18.88, 38.63, -54.17

 

CMYK 0 / 80 / 29 / 50

HEX #7F195A

RGB 127 25 90

HSL 321.76, 0.67%, 0.3%

LAB 29.27, 48.11, -12.9

 

CMYK 14 / 0 / 80 / 51

HEX #6C7E19

RGB 108 126 25

HSL 70.69, 0.67%, 0.3%

LAB 49.71, -20.32, 48.52

 

CMYK 80 / 0 / 27 / 50

HEX #197F5D

RGB 25 127 93

HSL 160, 0.67%, 0.3%

LAB 47.2, -36.66, 10.61

 

CMYK 67 / 80 / 0 / 50

HEX #2A197F

RGB 42 25 127

HSL 250, 0.67%, 0.3%

LAB 18.88, 38.63, -54.17

 

CMYK 0 / 80 / 54 / 50

HEX #7F193B

RGB 127 25 59

HSL 340, 0.67%, 0.3%

LAB 28.18, 44.76, 6.09

 

Description

Color code: RGB 108 126 25 | qconv.com Color code: RGB 108 126 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 126 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 126 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 80 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 80% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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