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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 94 148 it is the complementary color RGB 148 161 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 94 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 94 148 shade: RGB 112 94 143, RGB 129 112 162, RGB 146 130 181, RGB 163 148 200 and RGB 180 166 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 94 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 94 148 shade: RGB 107 94 148, RGB 90 76 129, RGB 73 58 110, RGB 56 40 91 and RGB 39 22 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 94 148 shade: RGB 106 93 146, RGB 120 93 146, RGB 134 93 146, RGB 146 93 143 and RGB 146 93 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 94 148 shade: RGB 106 93 146 and RGB 93 93 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 94 148 shade matches the following richer shades: RGB 106 93 146, RGB 96 74 165, RGB 86 54 185, RGB 76 35 204 and RGB 65 15 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 94 148 shade: RGB 106 93 146, RGB 116 112 126, RGB 126 132 107, RGB 136 151 88 and RGB 146 171 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 94 148 shade: RGB 93 109 146, RGB 93 95 146, RGB 105 93 146, RGB 119 93 146 and RGB 133 93 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 94 148 shade: RGB 69 61 95, RGB 87 77 121, RGB 106 93 146, RGB 127 115 165 and RGB 150 140 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 94 148 shade: RGB 107 94 148, RGB 146 93 123 and RGB 102 146 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 94 148 shade: RGB 107 94 148, RGB 146 105 93 and RGB 93 146 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 94 148 shade: RGB 107 94 148, RGB 146 93 123, RGB 133 146 93 and RGB 93 146 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 94 148 shade: RGB 107 94 148, RGB 146 93 107, RGB 133 146 93 and RGB 93 146 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 36 / 0 / 42

HEX #6B5E94

RGB 107 94 148

HSL 254.44, 0.22%, 0.47%

LAB 43.17, 17.62, -27.79

 

Complementary color

CMYK 8 / 0 / 34 / 37

HEX #94A16B

RGB 148 161 107

HSL 74.44, 0.22%, 0.53%

LAB 64.04, -13.84, 26.64

 

CMYK 22 / 34 / 0 / 44

HEX #705E8F

RGB 112 94 143

HSL 262.04, 0.21%, 0.46%

LAB 43.41, 17.93, -24.38

 

CMYK 20 / 31 / 0 / 36

HEX #8170A2

RGB 129 112 162

HSL 260.4, 0.21%, 0.54%

LAB 50.53, 17.27, -24.48

 

CMYK 19 / 28 / 0 / 29

HEX #9282B5

RGB 146 130 181

HSL 258.82, 0.26%, 0.61%

LAB 57.48, 16.69, -24.61

 

CMYK 19 / 26 / 0 / 22

HEX #A394C8

RGB 163 148 200

HSL 257.31, 0.32%, 0.68%

LAB 64.27, 16.17, -24.78

 

CMYK 18 / 24 / 0 / 14

HEX #B4A6DB

RGB 180 166 219

HSL 255.85, 0.42%, 0.75%

LAB 70.93, 15.69, -24.97

 

CMYK 28 / 36 / 0 / 42

HEX #6B5E94

RGB 107 94 148

HSL 254.44, 0.22%, 0.47%

LAB 43.17, 17.62, -27.79

 

CMYK 30 / 41 / 0 / 49

HEX #5A4C81

RGB 90 76 129

HSL 255.85, 0.26%, 0.4%

LAB 35.84, 18.43, -27.84

 

CMYK 34 / 47 / 0 / 57

HEX #493A6E

RGB 73 58 110

HSL 257.31, 0.31%, 0.33%

LAB 28.3, 19.4, -27.95

 

CMYK 38 / 56 / 0 / 64

HEX #38285B

RGB 56 40 91

HSL 258.82, 0.39%, 0.26%

LAB 20.49, 20.56, -28.13

 

CMYK 46 / 69 / 0 / 72

HEX #271648

RGB 39 22 72

HSL 260.4, 0.53%, 0.18%

LAB 12.44, 21.91, -28.31

 

CMYK 27 / 36 / 0 / 43

HEX #6A5D92

RGB 106 93 146

HSL 254.72, 0.22%, 0.47%

LAB 42.72, 17.4, -27.3

 

CMYK 18 / 36 / 0 / 43

HEX #785D92

RGB 120 93 146

HSL 270.57, 0.22%, 0.47%

LAB 44.08, 21.89, -25.07

 

CMYK 8 / 36 / 0 / 43

HEX #865D92

RGB 134 93 146

HSL 286.42, 0.22%, 0.47%

LAB 45.6, 26.51, -22.61

 

CMYK 0 / 36 / 2 / 43

HEX #925D8F

RGB 146 93 143

HSL 303.4, 0.22%, 0.47%

LAB 46.87, 29.95, -18.73

 

CMYK 0 / 36 / 12 / 43

HEX #925D81

RGB 146 93 129

HSL 319.25, 0.22%, 0.47%

LAB 46.34, 27.33, -11.14

 

CMYK 27 / 36 / 0 / 43

HEX #6A5D92

RGB 106 93 146

HSL 254.72, 0.22%, 0.47%

LAB 42.72, 17.4, -27.3

 

CMYK 36 / 36 / 0 / 43

HEX #5D5D92

RGB 93 93 146

HSL 240, 0.22%, 0.47%

LAB 41.58, 13.43, -29.16

 

CMYK 27 / 36 / 0 / 43

HEX #6A5D92

RGB 106 93 146

HSL 254.72, 0.22%, 0.47%

LAB 42.72, 17.4, -27.3

 

CMYK 42 / 55 / 0 / 35

HEX #604AA5

RGB 96 74 165

HSL 254.51, 0.38%, 0.47%

LAB 38.02, 31.6, -46.18

 

CMYK 54 / 71 / 0 / 27

HEX #5636B9

RGB 86 54 185

HSL 254.66, 0.55%, 0.47%

LAB 34.23, 47, -64.26

 

CMYK 63 / 83 / 0 / 20

HEX #4C23CC

RGB 76 35 204

HSL 254.56, 0.71%, 0.47%

LAB 32.03, 60.02, -79.07

 

CMYK 71 / 93 / 0 / 13

HEX #410FDF

RGB 65 15 223

HSL 254.42, 0.87%, 0.47%

LAB 31.33, 70.15, -91.25

 

CMYK 27 / 36 / 0 / 43

HEX #6A5D92

RGB 106 93 146

HSL 254.72, 0.22%, 0.47%

LAB 42.72, 17.4, -27.3

 

CMYK 8 / 11 / 0 / 51

HEX #74707E

RGB 116 112 126

HSL 257.14, 0.06%, 0.47%

LAB 48.02, 4.46, -7.16

 

CMYK 5 / 0 / 19 / 48

HEX #7E846B

RGB 126 132 107

HSL 74.4, 0.1%, 0.47%

LAB 54.03, -6.9, 12.77

 

CMYK 10 / 0 / 42 / 41

HEX #889758

RGB 136 151 88

HSL 74.29, 0.26%, 0.47%

LAB 59.95, -15.89, 31.37

 

CMYK 15 / 0 / 60 / 33

HEX #92AB44

RGB 146 171 68

HSL 74.56, 0.43%, 0.47%

LAB 66.25, -24.01, 48.94

 

CMYK 36 / 25 / 0 / 43

HEX #5D6D92

RGB 93 109 146

HSL 221.89, 0.22%, 0.47%

LAB 46.1, 3.57, -22.14

 

CMYK 36 / 35 / 0 / 43

HEX #5D5F92

RGB 93 95 146

HSL 237.74, 0.22%, 0.47%

LAB 42.13, 12.18, -28.3

 

CMYK 28 / 36 / 0 / 43

HEX #695D92

RGB 105 93 146

HSL 253.58, 0.22%, 0.47%

LAB 42.62, 17.08, -27.45

 

CMYK 18 / 36 / 0 / 43

HEX #775D92

RGB 119 93 146

HSL 269.43, 0.22%, 0.47%

LAB 43.98, 21.56, -25.24

 

CMYK 9 / 36 / 0 / 43

HEX #855D92

RGB 133 93 146

HSL 285.28, 0.22%, 0.47%

LAB 45.48, 26.18, -22.79

 

CMYK 27 / 36 / 0 / 63

HEX #453D5F

RGB 69 61 95

HSL 254.12, 0.22%, 0.31%

LAB 27.92, 11.83, -18.94

 

CMYK 28 / 36 / 0 / 53

HEX #574D79

RGB 87 77 121

HSL 253.64, 0.22%, 0.39%

LAB 35.43, 14.65, -23.57

 

CMYK 27 / 36 / 0 / 43

HEX #6A5D92

RGB 106 93 146

HSL 254.72, 0.22%, 0.47%

LAB 42.72, 17.4, -27.3

 

CMYK 23 / 30 / 0 / 35

HEX #7F73A5

RGB 127 115 165

HSL 254.4, 0.22%, 0.55%

LAB 51.26, 15.58, -25.12

 

CMYK 17 / 23 / 0 / 29

HEX #968CB5

RGB 150 140 181

HSL 254.63, 0.22%, 0.63%

LAB 60.41, 12.21, -20.09

 

CMYK 28 / 36 / 0 / 42

HEX #6B5E94

RGB 107 94 148

HSL 254.44, 0.22%, 0.47%

LAB 43.17, 17.62, -27.79

 

CMYK 0 / 36 / 16 / 43

HEX #925D7B

RGB 146 93 123

HSL 326.04, 0.22%, 0.47%

LAB 46.14, 26.28, -7.84

 

CMYK 30 / 0 / 36 / 43

HEX #66925D

RGB 102 146 93

HSL 109.81, 0.22%, 0.47%

LAB 56.26, -25.76, 23.43

 

CMYK 28 / 36 / 0 / 42

HEX #6B5E94

RGB 107 94 148

HSL 254.44, 0.22%, 0.47%

LAB 43.17, 17.62, -27.79

 

CMYK 0 / 28 / 36 / 43

HEX #92695D

RGB 146 105 93

HSL 13.58, 0.22%, 0.47%

LAB 48.27, 14.74, 13.23

 

CMYK 36 / 0 / 28 / 43

HEX #5D9269

RGB 93 146 105

HSL 133.58, 0.22%, 0.47%

LAB 55.99, -26.72, 16.29

 

CMYK 28 / 36 / 0 / 42

HEX #6B5E94

RGB 107 94 148

HSL 254.44, 0.22%, 0.47%

LAB 43.17, 17.62, -27.79

 

CMYK 0 / 36 / 16 / 43

HEX #925D7B

RGB 146 93 123

HSL 326.04, 0.22%, 0.47%

LAB 46.14, 26.28, -7.84

 

CMYK 9 / 0 / 36 / 43

HEX #85925D

RGB 133 146 93

HSL 74.72, 0.22%, 0.47%

LAB 58.35, -13.83, 26.57

 

CMYK 36 / 0 / 21 / 43

HEX #5D9274

RGB 93 146 116

HSL 146.04, 0.22%, 0.47%

LAB 56.23, -24.51, 10.4

 

CMYK 28 / 36 / 0 / 42

HEX #6B5E94

RGB 107 94 148

HSL 254.44, 0.22%, 0.47%

LAB 43.17, 17.62, -27.79

 

CMYK 0 / 36 / 27 / 43

HEX #925D6B

RGB 146 93 107

HSL 344.15, 0.22%, 0.47%

LAB 45.64, 23.69, 1.09

 

CMYK 9 / 0 / 36 / 43

HEX #85925D

RGB 133 146 93

HSL 74.72, 0.22%, 0.47%

LAB 58.35, -13.83, 26.57

 

CMYK 36 / 0 / 10 / 43

HEX #5D9284

RGB 93 146 132

HSL 164.15, 0.22%, 0.47%

LAB 56.64, -20.94, 1.84

 

Description

Color code: RGB 107 94 148 | qconv.com Color code: RGB 107 94 148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 94 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 94 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 36 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 36% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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