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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 64 243 it is the complementary color RGB 148 191 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 64 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 64 243 shade: RGB 112 64 238, RGB 129 82 255, RGB 146 100 255, RGB 163 118 255 and RGB 180 136 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 64 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 64 243 shade: RGB 107 64 243, RGB 90 46 224, RGB 73 28 205, RGB 56 10 186 and RGB 39 0 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 64 243 shade: RGB 106 63 242, RGB 154 63 242, RGB 203 63 242, RGB 242 63 233 and RGB 242 63 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 64 243 shade: RGB 106 63 242 and RGB 63 63 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 64 243 shade matches the following richer shades: RGB 106 63 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 64 243 shade: RGB 106 63 242, RGB 114 79 226, RGB 123 96 209, RGB 132 112 193 and RGB 140 129 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 64 243 shade: RGB 63 117 242, RGB 63 69 242, RGB 105 63 242, RGB 153 63 242 and RGB 200 63 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 64 243 shade: RGB 60 13 210, RGB 76 24 240, RGB 106 63 242, RGB 136 102 245 and RGB 166 140 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 64 243 shade: RGB 107 64 243, RGB 242 63 164 and RGB 93 242 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 64 243 shade: RGB 107 64 243, RGB 242 105 63 and RGB 63 242 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 64 243 shade: RGB 107 64 243, RGB 242 63 164, RGB 200 242 63 and RGB 63 242 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 64 243 shade: RGB 107 64 243, RGB 242 63 111, RGB 200 242 63 and RGB 63 242 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 74 / 0 / 5

HEX #6B40F3

RGB 107 64 243

HSL 254.41, 0.88%, 0.6%

LAB 43.16, 61.37, -82.94

 

Complementary color

CMYK 23 / 0 / 94 / 25

HEX #94BF0C

RGB 148 191 12

HSL 74.41, 0.88%, 0.4%

LAB 71.95, -35.25, 71.02

 

CMYK 53 / 73 / 0 / 7

HEX #7040EE

RGB 112 64 238

HSL 256.55, 0.84%, 0.59%

LAB 43.19, 60.68, -80.05

 

CMYK 49 / 68 / 0 / 0

HEX #8152FF

RGB 129 82 255

HSL 256.3, 1%, 0.66%

LAB 49.4, 58.99, -79.34

 

CMYK 43 / 61 / 0 / 0

HEX #9264FF

RGB 146 100 255

HSL 257.81, 1%, 0.7%

LAB 54.5, 52.67, -70.98

 

CMYK 36 / 54 / 0 / 0

HEX #A376FF

RGB 163 118 255

HSL 259.71, 1%, 0.73%

LAB 59.86, 46.58, -62.26

 

CMYK 29 / 47 / 0 / 0

HEX #B488FF

RGB 180 136 255

HSL 262.18, 1%, 0.77%

LAB 65.38, 40.86, -53.35

 

CMYK 56 / 74 / 0 / 5

HEX #6B40F3

RGB 107 64 243

HSL 254.41, 0.88%, 0.6%

LAB 43.16, 61.37, -82.94

 

CMYK 60 / 79 / 0 / 12

HEX #5A2EE0

RGB 90 46 224

HSL 254.83, 0.74%, 0.53%

LAB 36.95, 62.32, -82.45

 

CMYK 64 / 86 / 0 / 20

HEX #491CCD

RGB 73 28 205

HSL 255.25, 0.76%, 0.46%

LAB 31.01, 62.58, -81.35

 

CMYK 70 / 95 / 0 / 27

HEX #380ABA

RGB 56 10 186

HSL 255.68, 0.9%, 0.38%

LAB 25.57, 61.5, -79.24

 

CMYK 77 / 100 / 0 / 35

HEX #2700A7

RGB 39 0 167

HSL 254.01, 1%, 0.33%

LAB 20.91, 58.3, -75.64

 

CMYK 56 / 74 / 0 / 5

HEX #6A3FF2

RGB 106 63 242

HSL 254.41, 0.87%, 0.6%

LAB 42.81, 61.44, -82.95

 

CMYK 36 / 74 / 0 / 5

HEX #9A3FF2

RGB 154 63 242

HSL 270.5, 0.87%, 0.6%

LAB 48.05, 68.57, -74.16

 

CMYK 16 / 74 / 0 / 5

HEX #CB3FF2

RGB 203 63 242

HSL 286.93, 0.87%, 0.6%

LAB 54.72, 77.3, -63.04

 

CMYK 0 / 74 / 4 / 5

HEX #F23FE9

RGB 242 63 233

HSL 303.02, 0.87%, 0.6%

LAB 60.17, 83.48, -48.96

 

CMYK 0 / 74 / 24 / 5

HEX #F23FB9

RGB 242 63 185

HSL 319.11, 0.87%, 0.6%

LAB 57.98, 76.96, -25.11

 

CMYK 56 / 74 / 0 / 5

HEX #6A3FF2

RGB 106 63 242

HSL 254.41, 0.87%, 0.6%

LAB 42.81, 61.44, -82.95

 

CMYK 74 / 74 / 0 / 5

HEX #3F3FF2

RGB 63 63 242

HSL 240, 0.87%, 0.6%

LAB 39.62, 56.94, -88.32

 

CMYK 56 / 74 / 0 / 5

HEX #6A3FF2

RGB 106 63 242

HSL 254.41, 0.87%, 0.6%

LAB 42.81, 61.44, -82.95

 

CMYK 56 / 74 / 0 / 5

HEX #6A3FF2

RGB 106 63 242

HSL 254.41, 0.87%, 0.6%

LAB 42.81, 61.44, -82.95

 

CMYK 50 / 65 / 0 / 11

HEX #724FE2

RGB 114 79 226

HSL 254.29, 0.72%, 0.6%

LAB 45.17, 50.01, -70.02

 

CMYK 41 / 54 / 0 / 18

HEX #7B60D1

RGB 123 96 209

HSL 254.34, 0.55%, 0.6%

LAB 48.49, 37.46, -54.93

 

CMYK 32 / 42 / 0 / 24

HEX #8470C1

RGB 132 112 193

HSL 254.81, 0.4%, 0.6%

LAB 52.22, 26.01, -39.76

 

CMYK 20 / 27 / 0 / 31

HEX #8C81B0

RGB 140 129 176

HSL 254.04, 0.23%, 0.6%

LAB 56.5, 14.17, -23.3

 

CMYK 74 / 52 / 0 / 5

HEX #3F75F2

RGB 63 117 242

HSL 221.9, 0.87%, 0.6%

LAB 52.05, 24.62, -67.98

 

CMYK 74 / 71 / 0 / 5

HEX #3F45F2

RGB 63 69 242

HSL 237.99, 0.87%, 0.6%

LAB 40.77, 53.69, -86.42

 

CMYK 57 / 74 / 0 / 5

HEX #693FF2

RGB 105 63 242

HSL 254.08, 0.87%, 0.6%

LAB 42.72, 61.31, -83.11

 

CMYK 37 / 74 / 0 / 5

HEX #993FF2

RGB 153 63 242

HSL 270.17, 0.87%, 0.6%

LAB 47.93, 68.4, -74.37

 

CMYK 17 / 74 / 0 / 5

HEX #C83FF2

RGB 200 63 242

HSL 285.92, 0.87%, 0.6%

LAB 54.29, 76.74, -63.77

 

CMYK 71 / 94 / 0 / 18

HEX #3C0DD2

RGB 60 13 210

HSL 254.31, 0.88%, 0.44%

LAB 29.16, 67.11, -87.36

 

CMYK 68 / 90 / 0 / 6

HEX #4C18F0

RGB 76 24 240

HSL 254.44, 0.88%, 0.52%

LAB 34.97, 72.86, -94.88

 

CMYK 56 / 74 / 0 / 5

HEX #6A3FF2

RGB 106 63 242

HSL 254.41, 0.87%, 0.6%

LAB 42.81, 61.44, -82.95

 

CMYK 44 / 58 / 0 / 4

HEX #8866F5

RGB 136 102 245

HSL 254.27, 0.88%, 0.68%

LAB 53.31, 46.85, -67.4

 

CMYK 33 / 43 / 0 / 3

HEX #A68CF7

RGB 166 140 247

HSL 254.58, 0.87%, 0.76%

LAB 64.63, 32.98, -50.25

 

CMYK 56 / 74 / 0 / 5

HEX #6B40F3

RGB 107 64 243

HSL 254.41, 0.88%, 0.6%

LAB 43.16, 61.37, -82.94

 

CMYK 0 / 74 / 32 / 5

HEX #F23FA4

RGB 242 63 164

HSL 326.15, 0.87%, 0.6%

LAB 57.18, 74.52, -14.13

 

CMYK 62 / 0 / 74 / 5

HEX #5DF23F

RGB 93 242 63

HSL 109.94, 0.87%, 0.6%

LAB 85.09, -70.13, 69.83

 

CMYK 56 / 74 / 0 / 5

HEX #6B40F3

RGB 107 64 243

HSL 254.41, 0.88%, 0.6%

LAB 43.16, 61.37, -82.94

 

CMYK 0 / 57 / 74 / 5

HEX #F2693F

RGB 242 105 63

HSL 14.08, 0.87%, 0.6%

LAB 61.08, 50.3, 48.71

 

CMYK 74 / 0 / 57 / 5

HEX #3FF269

RGB 63 242 105

HSL 134.08, 0.87%, 0.6%

LAB 84.78, -71.47, 52.77

 

CMYK 56 / 74 / 0 / 5

HEX #6B40F3

RGB 107 64 243

HSL 254.41, 0.88%, 0.6%

LAB 43.16, 61.37, -82.94

 

CMYK 0 / 74 / 32 / 5

HEX #F23FA4

RGB 242 63 164

HSL 326.15, 0.87%, 0.6%

LAB 57.18, 74.52, -14.13

 

CMYK 17 / 0 / 74 / 5

HEX #C8F23F

RGB 200 242 63

HSL 74.08, 0.87%, 0.6%

LAB 89.93, -36.24, 76.17

 

CMYK 74 / 0 / 42 / 5

HEX #3FF28D

RGB 63 242 141

HSL 146.15, 0.87%, 0.6%

LAB 85.24, -66.09, 36.26

 

CMYK 56 / 74 / 0 / 5

HEX #6B40F3

RGB 107 64 243

HSL 254.41, 0.88%, 0.6%

LAB 43.16, 61.37, -82.94

 

CMYK 0 / 74 / 54 / 5

HEX #F23F6F

RGB 242 63 111

HSL 343.91, 0.87%, 0.6%

LAB 55.66, 69.7, 15

 

CMYK 17 / 0 / 74 / 5

HEX #C8F23F

RGB 200 242 63

HSL 74.08, 0.87%, 0.6%

LAB 89.93, -36.24, 76.17

 

CMYK 74 / 0 / 20 / 5

HEX #3FF2C2

RGB 63 242 194

HSL 163.91, 0.87%, 0.6%

LAB 86.23, -55.23, 10.53

 

Description

Color code: RGB 107 64 243 | qconv.com Color code: RGB 107 64 243 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 64 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 64 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 74 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 74% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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