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Color name
RGB 107 63 237

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 63 237 it is the complementary color RGB 148 192 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 63 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 63 237 shade: RGB 112 63 232, RGB 129 81 251, RGB 146 99 255, RGB 163 117 255 and RGB 180 135 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 63 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 63 237 shade: RGB 107 63 237, RGB 90 45 218, RGB 73 27 199, RGB 56 9 180 and RGB 39 0 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 63 237 shade: RGB 107 63 237, RGB 154 63 237, RGB 201 63 237, RGB 237 63 226 and RGB 237 63 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 63 237 shade: RGB 107 63 237 and RGB 63 63 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 63 237 shade matches the following richer shades: RGB 107 63 237 and RGB 99 46 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 63 237 shade: RGB 107 63 237, RGB 115 80 220, RGB 124 97 203, RGB 132 114 186 and RGB 141 131 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 63 237 shade: RGB 63 112 237, RGB 63 66 237, RGB 107 63 237, RGB 153 63 237 and RGB 199 63 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 63 237 shade: RGB 64 18 199, RGB 78 25 233, RGB 107 63 237, RGB 136 101 240 and RGB 165 139 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 63 237 shade: RGB 107 63 237, RGB 237 63 159 and RGB 89 237 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 63 237 shade: RGB 107 63 237, RGB 237 107 63 and RGB 63 237 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 63 237 shade: RGB 107 63 237, RGB 237 63 159, RGB 193 237 63 and RGB 63 237 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 63 237 shade: RGB 107 63 237, RGB 237 63 107, RGB 193 237 63 and RGB 63 237 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

Complementary color

CMYK 23 / 0 / 91 / 25

HEX #94C012

RGB 148 192 18

HSL 75.17, 0.83%, 0.41%

LAB 72.25, -35.6, 70.44

 

CMYK 52 / 73 / 0 / 9

HEX #703FE8

RGB 112 63 232

HSL 257.4, 0.79%, 0.58%

LAB 42.5, 59.54, -77.79

 

CMYK 49 / 68 / 0 / 2

HEX #8151FB

RGB 129 81 251

HSL 256.94, 0.96%, 0.65%

LAB 48.9, 58.42, -77.92

 

CMYK 43 / 61 / 0 / 0

HEX #9263FF

RGB 146 99 255

HSL 258.08, 1%, 0.69%

LAB 54.3, 53.2, -71.3

 

CMYK 36 / 54 / 0 / 0

HEX #A375FF

RGB 163 117 255

HSL 260, 1%, 0.73%

LAB 59.64, 47.13, -62.6

 

CMYK 29 / 47 / 0 / 0

HEX #B487FF

RGB 180 135 255

HSL 262.5, 1%, 0.76%

LAB 65.16, 41.41, -53.7

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 59 / 79 / 0 / 15

HEX #5A2DDA

RGB 90 45 218

HSL 255.61, 0.7%, 0.52%

LAB 36.2, 61.12, -80.24

 

CMYK 63 / 86 / 0 / 22

HEX #491BC7

RGB 73 27 199

HSL 256.05, 0.76%, 0.44%

LAB 30.22, 61.34, -79.16

 

CMYK 69 / 95 / 0 / 29

HEX #3809B4

RGB 56 9 180

HSL 256.49, 0.9%, 0.37%

LAB 24.74, 60.19, -77.05

 

CMYK 76 / 100 / 0 / 37

HEX #2700A1

RGB 39 0 161

HSL 254.53, 1%, 0.32%

LAB 20.06, 56.8, -73.4

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 35 / 73 / 0 / 7

HEX #9A3FED

RGB 154 63 237

HSL 271.38, 0.83%, 0.59%

LAB 47.67, 67.44, -71.97

 

CMYK 15 / 73 / 0 / 7

HEX #C93FED

RGB 201 63 237

HSL 287.59, 0.83%, 0.59%

LAB 54.12, 76.02, -61.23

 

CMYK 0 / 73 / 5 / 7

HEX #ED3FE2

RGB 237 63 226

HSL 303.79, 0.83%, 0.59%

LAB 59.02, 81.41, -46.9

 

CMYK 0 / 73 / 24 / 7

HEX #ED3FB3

RGB 237 63 179

HSL 320, 0.83%, 0.59%

LAB 56.89, 75.04, -23.38

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 73 / 73 / 0 / 7

HEX #3F3FED

RGB 63 63 237

HSL 240, 0.83%, 0.59%

LAB 39.12, 55.37, -86.33

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 61 / 82 / 0 / 0

HEX #632EFE

RGB 99 46 254

HSL 255.29, 0.99%, 0.59%

LAB 40.84, 71.1, -92.96

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 48 / 64 / 0 / 14

HEX #7350DC

RGB 115 80 220

HSL 255, 0.67%, 0.59%

LAB 45.01, 47.95, -66.86

 

CMYK 39 / 52 / 0 / 20

HEX #7C61CB

RGB 124 97 203

HSL 255.28, 0.5%, 0.59%

LAB 48.44, 35.45, -51.55

 

CMYK 29 / 39 / 0 / 27

HEX #8472BA

RGB 132 114 186

HSL 255, 0.34%, 0.59%

LAB 52.38, 23.01, -35.49

 

CMYK 17 / 22 / 0 / 34

HEX #8D83A9

RGB 141 131 169

HSL 255.79, 0.18%, 0.59%

LAB 56.84, 11.69, -18.76

 

CMYK 73 / 53 / 0 / 7

HEX #3F70ED

RGB 63 112 237

HSL 223.1, 0.83%, 0.59%

LAB 50.4, 25.94, -67.86

 

CMYK 73 / 72 / 0 / 7

HEX #3F42ED

RGB 63 66 237

HSL 238.97, 0.83%, 0.59%

LAB 39.69, 53.74, -85.37

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 35 / 73 / 0 / 7

HEX #993FED

RGB 153 63 237

HSL 271.03, 0.83%, 0.59%

LAB 47.55, 67.27, -72.18

 

CMYK 16 / 73 / 0 / 7

HEX #C73FED

RGB 199 63 237

HSL 286.9, 0.83%, 0.59%

LAB 53.83, 75.63, -61.71

 

CMYK 68 / 91 / 0 / 22

HEX #4012C7

RGB 64 18 199

HSL 255.25, 0.83%, 0.43%

LAB 28.5, 63.39, -82.03

 

CMYK 67 / 89 / 0 / 9

HEX #4E19E9

RGB 78 25 233

HSL 255.29, 0.83%, 0.51%

LAB 34.39, 70.97, -91.85

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 43 / 58 / 0 / 6

HEX #8865F0

RGB 136 101 240

HSL 255.11, 0.82%, 0.67%

LAB 52.77, 46.04, -65.48

 

CMYK 32 / 43 / 0 / 4

HEX #A58BF4

RGB 165 139 244

HSL 254.86, 0.83%, 0.75%

LAB 64.16, 32.53, -49.35

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 0 / 73 / 33 / 7

HEX #ED3F9F

RGB 237 63 159

HSL 326.9, 0.83%, 0.59%

LAB 56.15, 72.73, -12.84

 

CMYK 62 / 0 / 73 / 7

HEX #59ED3F

RGB 89 237 63

HSL 111.03, 0.83%, 0.59%

LAB 83.47, -69.34, 68.18

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 0 / 55 / 73 / 7

HEX #ED6B3F

RGB 237 107 63

HSL 15.17, 0.83%, 0.59%

LAB 60.67, 47.54, 48.04

 

CMYK 73 / 0 / 55 / 7

HEX #3FED6B

RGB 63 237 107

HSL 135.17, 0.83%, 0.59%

LAB 83.28, -69.58, 50.08

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 0 / 73 / 33 / 7

HEX #ED3F9F

RGB 237 63 159

HSL 326.9, 0.83%, 0.59%

LAB 56.15, 72.73, -12.84

 

CMYK 19 / 0 / 73 / 7

HEX #C1ED3F

RGB 193 237 63

HSL 75.17, 0.83%, 0.59%

LAB 88.1, -36.7, 74.27

 

CMYK 73 / 0 / 41 / 7

HEX #3FED8D

RGB 63 237 141

HSL 146.9, 0.83%, 0.59%

LAB 83.73, -64.32, 34.29

 

CMYK 55 / 73 / 0 / 7

HEX #6B3FED

RGB 107 63 237

HSL 255.17, 0.83%, 0.59%

LAB 42.45, 60.2, -80.72

 

CMYK 0 / 73 / 55 / 7

HEX #ED3F6B

RGB 237 63 107

HSL 344.83, 0.83%, 0.59%

LAB 54.68, 68.02, 15.88

 

CMYK 19 / 0 / 73 / 7

HEX #C1ED3F

RGB 193 237 63

HSL 75.17, 0.83%, 0.59%

LAB 88.1, -36.7, 74.27

 

CMYK 73 / 0 / 19 / 7

HEX #3FEDC1

RGB 63 237 193

HSL 164.83, 0.83%, 0.59%

LAB 84.73, -53.46, 8.9

 

Description

Color code: RGB 107 63 237 | qconv.com Color code: RGB 107 63 237 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 63 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 63 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 73 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 73% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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