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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 48 105 it is the complementary color RGB 148 207 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 48 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 48 105 shade: RGB 112 48 100, RGB 129 66 119, RGB 146 84 138, RGB 163 102 157 and RGB 180 120 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 48 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 48 105 shade: RGB 107 48 105, RGB 90 30 86, RGB 73 12 67, RGB 56 0 48 and RGB 39 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 48 105 shade: RGB 105 47 103, RGB 105 47 87, RGB 105 47 72, RGB 105 47 56 and RGB 105 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 48 105 shade: RGB 105 47 103, RGB 91 47 105, RGB 76 47 105, RGB 60 47 105 and RGB 47 47 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 48 105 shade matches the following richer shades: RGB 105 47 103, RGB 117 35 115, RGB 130 22 126 and RGB 142 10 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 48 105 shade: RGB 105 47 103, RGB 93 59 92, RGB 80 72 80, RGB 68 84 68 and RGB 56 96 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 48 105 shade: RGB 76 47 105, RGB 92 47 105, RGB 105 47 103, RGB 105 47 88 and RGB 105 47 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 48 105 shade: RGB 48 21 47, RGB 77 34 75, RGB 105 47 103, RGB 134 60 131 and RGB 162 73 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 48 105 shade: RGB 107 48 105, RGB 105 60 47 and RGB 47 105 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 48 105 shade: RGB 107 48 105, RGB 103 105 47 and RGB 47 103 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 48 105 shade: RGB 107 48 105, RGB 105 60 47, RGB 47 105 49 and RGB 47 92 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 48 105 shade: RGB 107 48 105, RGB 105 78 47, RGB 47 105 49 and RGB 47 74 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 2 / 58

HEX #6B3069

RGB 107 48 105

HSL 302.03, 0.38%, 0.3%

LAB 30.06, 34.89, -21.69

 

Complementary color

CMYK 29 / 0 / 28 / 19

HEX #94CF96

RGB 148 207 150

HSL 122.03, 0.38%, 0.7%

LAB 77.95, -30.16, 22.42

 

CMYK 0 / 57 / 11 / 56

HEX #703064

RGB 112 48 100

HSL 311.25, 0.4%, 0.31%

LAB 30.59, 35.53, -17.59

 

CMYK 0 / 49 / 8 / 49

HEX #814277

RGB 129 66 119

HSL 309.52, 0.32%, 0.38%

LAB 37.65, 34.86, -18.48

 

CMYK 0 / 42 / 5 / 43

HEX #92548A

RGB 146 84 138

HSL 307.74, 0.27%, 0.45%

LAB 44.64, 34.07, -19.16

 

CMYK 0 / 37 / 4 / 36

HEX #A3669D

RGB 163 102 157

HSL 305.9, 0.25%, 0.52%

LAB 51.52, 33.28, -19.72

 

CMYK 0 / 33 / 2 / 29

HEX #B478B0

RGB 180 120 176

HSL 304, 0.29%, 0.59%

LAB 58.29, 32.52, -20.2

 

CMYK 0 / 55 / 2 / 58

HEX #6B3069

RGB 107 48 105

HSL 302.03, 0.38%, 0.3%

LAB 30.06, 34.89, -21.69

 

CMYK 0 / 67 / 4 / 65

HEX #5A1E56

RGB 90 30 86

HSL 304, 0.5%, 0.24%

LAB 22.91, 35.28, -20.67

 

CMYK 0 / 84 / 8 / 71

HEX #490C43

RGB 73 12 67

HSL 305.9, 0.72%, 0.17%

LAB 15.93, 34.73, -18.92

 

CMYK 0 / 100 / 14 / 78

HEX #380030

RGB 56 0 48

HSL 308.57, 1%, 0.11%

LAB 9.43, 32.09, -15.78

 

CMYK 0 / 100 / 26 / 85

HEX #27001D

RGB 39 0 29

HSL 315.38, 1%, 0.08%

LAB 4.7, 22.44, -8.91

 

CMYK 0 / 55 / 2 / 59

HEX #692F67

RGB 105 47 103

HSL 302.07, 0.38%, 0.3%

LAB 29.45, 34.41, -21.37

 

CMYK 0 / 55 / 17 / 59

HEX #692F57

RGB 105 47 87

HSL 318.62, 0.38%, 0.3%

LAB 28.71, 31.44, -12.15

 

CMYK 0 / 55 / 31 / 59

HEX #692F48

RGB 105 47 72

HSL 334.14, 0.38%, 0.3%

LAB 28.13, 29.04, -3.16

 

CMYK 0 / 55 / 47 / 59

HEX #692F38

RGB 105 47 56

HSL 350.69, 0.38%, 0.3%

LAB 27.63, 26.92, 6.75

 

CMYK 0 / 55 / 55 / 59

HEX #692F2F

RGB 105 47 47

HSL 0, 0.38%, 0.3%

LAB 27.41, 25.95, 12.41

 

CMYK 0 / 55 / 2 / 59

HEX #692F67

RGB 105 47 103

HSL 302.07, 0.38%, 0.3%

LAB 29.45, 34.41, -21.37

 

CMYK 13 / 55 / 0 / 59

HEX #5B2F69

RGB 91 47 105

HSL 285.52, 0.38%, 0.3%

LAB 27.51, 30.48, -25.85

 

CMYK 28 / 55 / 0 / 59

HEX #4C2F69

RGB 76 47 105

HSL 270, 0.38%, 0.3%

LAB 25.53, 25.94, -29.11

 

CMYK 43 / 55 / 0 / 59

HEX #3C2F69

RGB 60 47 105

HSL 253.45, 0.38%, 0.3%

LAB 23.72, 21.38, -32.11

 

CMYK 55 / 55 / 0 / 59

HEX #2F2F69

RGB 47 47 105

HSL 240, 0.38%, 0.3%

LAB 22.5, 18.06, -34.13

 

CMYK 0 / 55 / 2 / 59

HEX #692F67

RGB 105 47 103

HSL 302.07, 0.38%, 0.3%

LAB 29.45, 34.41, -21.37

 

CMYK 0 / 70 / 2 / 54

HEX #752373

RGB 117 35 115

HSL 301.46, 0.54%, 0.3%

LAB 29.97, 45.77, -28.1

 

CMYK 0 / 83 / 3 / 49

HEX #82167E

RGB 130 22 126

HSL 302.22, 0.71%, 0.3%

LAB 31.41, 54.97, -32.63

 

CMYK 0 / 93 / 3 / 44

HEX #8E0A8A

RGB 142 10 138

HSL 301.82, 0.87%, 0.3%

LAB 33.57, 61.56, -36.54

 

CMYK 0 / 55 / 2 / 59

HEX #692F67

RGB 105 47 103

HSL 302.07, 0.38%, 0.3%

LAB 29.45, 34.41, -21.37

 

CMYK 0 / 37 / 1 / 64

HEX #5D3B5C

RGB 93 59 92

HSL 301.76, 0.22%, 0.3%

LAB 29.98, 21.02, -13.6

 

CMYK 0 / 10 / 0 / 69

HEX #504850

RGB 80 72 80

HSL 300, 0.05%, 0.3%

LAB 31.62, 5.04, -3.54

 

CMYK 19 / 0 / 19 / 67

HEX #445444

RGB 68 84 68

HSL 120, 0.11%, 0.3%

LAB 33.96, -9.84, 7.32

 

CMYK 42 / 0 / 41 / 62

HEX #386039

RGB 56 96 57

HSL 121.5, 0.26%, 0.3%

LAB 36.93, -23.14, 17.97

 

CMYK 28 / 55 / 0 / 59

HEX #4C2F69

RGB 76 47 105

HSL 270, 0.38%, 0.3%

LAB 25.53, 25.94, -29.11

 

CMYK 12 / 55 / 0 / 59

HEX #5C2F69

RGB 92 47 105

HSL 286.55, 0.38%, 0.3%

LAB 27.65, 30.79, -25.62

 

CMYK 0 / 55 / 2 / 59

HEX #692F67

RGB 105 47 103

HSL 302.07, 0.38%, 0.3%

LAB 29.45, 34.41, -21.37

 

CMYK 0 / 55 / 16 / 59

HEX #692F58

RGB 105 47 88

HSL 317.59, 0.38%, 0.3%

LAB 28.75, 31.62, -12.74

 

CMYK 0 / 55 / 31 / 59

HEX #692F48

RGB 105 47 72

HSL 334.14, 0.38%, 0.3%

LAB 28.13, 29.04, -3.16

 

CMYK 0 / 56 / 2 / 81

HEX #30152F

RGB 48 21 47

HSL 302.22, 0.39%, 0.14%

LAB 11.76, 18.4, -11.52

 

CMYK 0 / 56 / 3 / 70

HEX #4D224B

RGB 77 34 75

HSL 302.79, 0.39%, 0.22%

LAB 20.94, 26.89, -16.51

 

CMYK 0 / 55 / 2 / 59

HEX #692F67

RGB 105 47 103

HSL 302.07, 0.38%, 0.3%

LAB 29.45, 34.41, -21.37

 

CMYK 0 / 55 / 2 / 47

HEX #863C83

RGB 134 60 131

HSL 302.43, 0.38%, 0.38%

LAB 37.73, 41.83, -25.73

 

CMYK 0 / 55 / 2 / 36

HEX #A2499F

RGB 162 73 159

HSL 302.02, 0.38%, 0.46%

LAB 45.57, 48.63, -30.13

 

CMYK 0 / 55 / 2 / 58

HEX #6B3069

RGB 107 48 105

HSL 302.03, 0.38%, 0.3%

LAB 30.06, 34.89, -21.69

 

CMYK 0 / 43 / 55 / 59

HEX #693C2F

RGB 105 60 47

HSL 13.45, 0.38%, 0.3%

LAB 30.5, 18.29, 16.5

 

CMYK 55 / 0 / 20 / 59

HEX #2F6954

RGB 47 105 84

HSL 158.28, 0.38%, 0.3%

LAB 40.16, -24.56, 6.1

 

CMYK 0 / 55 / 2 / 58

HEX #6B3069

RGB 107 48 105

HSL 302.03, 0.38%, 0.3%

LAB 30.06, 34.89, -21.69

 

CMYK 2 / 0 / 55 / 59

HEX #67692F

RGB 103 105 47

HSL 62.07, 0.38%, 0.3%

LAB 43.05, -9.71, 31.92

 

CMYK 55 / 2 / 0 / 59

HEX #2F6769

RGB 47 103 105

HSL 182.07, 0.38%, 0.3%

LAB 40.12, -17.68, -6.76

 

CMYK 0 / 55 / 2 / 58

HEX #6B3069

RGB 107 48 105

HSL 302.03, 0.38%, 0.3%

LAB 30.06, 34.89, -21.69

 

CMYK 0 / 43 / 55 / 59

HEX #693C2F

RGB 105 60 47

HSL 13.45, 0.38%, 0.3%

LAB 30.5, 18.29, 16.5

 

CMYK 55 / 0 / 53 / 59

HEX #2F6931

RGB 47 105 49

HSL 122.07, 0.38%, 0.3%

LAB 39.46, -31.71, 25.67

 

CMYK 55 / 12 / 0 / 59

HEX #2F5C69

RGB 47 92 105

HSL 193.45, 0.38%, 0.3%

LAB 36.52, -11.43, -12.19

 

CMYK 0 / 55 / 2 / 58

HEX #6B3069

RGB 107 48 105

HSL 302.03, 0.38%, 0.3%

LAB 30.06, 34.89, -21.69

 

CMYK 0 / 26 / 55 / 59

HEX #694E2F

RGB 105 78 47

HSL 32.07, 0.38%, 0.3%

LAB 35.32, 7.24, 22.65

 

CMYK 55 / 0 / 53 / 59

HEX #2F6931

RGB 47 105 49

HSL 122.07, 0.38%, 0.3%

LAB 39.46, -31.71, 25.67

 

CMYK 55 / 30 / 0 / 59

HEX #2F4A69

RGB 47 74 105

HSL 212.07, 0.38%, 0.3%

LAB 30.69, -0.3, -21.15

 

Description

Color code: RGB 107 48 105 | qconv.com Color code: RGB 107 48 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 48 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 48 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 2 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 2% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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