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Color name
RGB 107 220 50

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 220 50 it is the complementary color RGB 148 35 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 220 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 220 50 shade: RGB 112 220 45, RGB 129 238 64, RGB 146 255 83, RGB 163 255 102 and RGB 180 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 220 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 220 50 shade: RGB 107 220 50, RGB 90 202 31, RGB 73 184 12, RGB 56 166 0 and RGB 39 148 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 220 50 shade: RGB 107 220 50, RGB 153 220 50, RGB 198 220 50, RGB 220 195 50 and RGB 220 149 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 220 50 shade: RGB 107 220 50, RGB 61 220 50, RGB 50 220 84, RGB 50 220 130 and RGB 50 220 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 220 50 shade matches the following richer shades: RGB 107 220 50 and RGB 100 239 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 220 50 shade: RGB 107 220 50, RGB 113 200 69, RGB 119 181 88, RGB 126 162 108 and RGB 132 142 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 220 50 shade: RGB 200 220 50, RGB 155 220 50, RGB 109 220 50, RGB 64 220 50 and RGB 50 220 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 220 50 shade: RGB 71 160 27, RGB 87 195 33, RGB 107 220 50, RGB 132 226 85 and RGB 158 232 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 220 50 shade: RGB 107 220 50, RGB 50 220 194 and RGB 220 50 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 220 50 shade: RGB 107 220 50, RGB 50 109 220 and RGB 220 50 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 220 50 shade: RGB 107 220 50, RGB 50 220 194, RGB 160 50 220 and RGB 220 50 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 220 50 shade: RGB 107 220 50, RGB 50 194 220, RGB 160 50 220 and RGB 220 75 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

Complementary color

CMYK 28 / 83 / 0 / 20

HEX #9423CD

RGB 148 35 205

HSL 279.88, 0.71%, 0.47%

LAB 41.07, 69.32, -64.48

 

CMYK 49 / 0 / 80 / 14

HEX #70DC2D

RGB 112 220 45

HSL 97.03, 0.71%, 0.52%

LAB 78.94, -58.69, 69.59

 

CMYK 46 / 0 / 73 / 7

HEX #81EE40

RGB 129 238 64

HSL 97.59, 0.84%, 0.59%

LAB 85.09, -59.32, 69.89

 

CMYK 43 / 0 / 67 / 0

HEX #92FF53

RGB 146 255 83

HSL 98.02, 1%, 0.66%

LAB 90.9, -59.36, 69.31

 

CMYK 36 / 0 / 60 / 0

HEX #A3FF66

RGB 163 255 102

HSL 96.08, 1%, 0.7%

LAB 91.8, -52.45, 62.98

 

CMYK 29 / 0 / 53 / 0

HEX #B4FF79

RGB 180 255 121

HSL 93.58, 1%, 0.74%

LAB 92.84, -44.96, 56.12

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 55 / 0 / 85 / 21

HEX #5ACA1F

RGB 90 202 31

HSL 99.3, 0.73%, 0.46%

LAB 72.57, -58.93, 67.1

 

CMYK 60 / 0 / 93 / 28

HEX #49B80C

RGB 73 184 12

HSL 98.72, 0.88%, 0.38%

LAB 66.31, -57.61, 65

 

CMYK 66 / 0 / 100 / 35

HEX #38A600

RGB 56 166 0

HSL 99.76, 1%, 0.33%

LAB 59.99, -55.75, 61.25

 

CMYK 74 / 0 / 100 / 42

HEX #279400

RGB 39 148 0

HSL 104.19, 1%, 0.29%

LAB 53.61, -53.28, 56.01

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 30 / 0 / 77 / 14

HEX #99DC32

RGB 153 220 50

HSL 83.65, 0.71%, 0.53%

LAB 80.84, -44.92, 70.61

 

CMYK 10 / 0 / 77 / 14

HEX #C6DC32

RGB 198 220 50

HSL 67.76, 0.71%, 0.53%

LAB 83.66, -27.42, 74.24

 

CMYK 0 / 11 / 77 / 14

HEX #DCC332

RGB 220 195 50

HSL 51.18, 0.71%, 0.53%

LAB 78.74, -5.79, 70.43

 

CMYK 0 / 32 / 77 / 14

HEX #DC9532

RGB 220 149 50

HSL 34.94, 0.71%, 0.53%

LAB 67.23, 18.53, 59.75

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 72 / 0 / 77 / 14

HEX #3DDC32

RGB 61 220 50

HSL 116.12, 0.71%, 0.53%

LAB 77.52, -70.06, 66.29

 

CMYK 77 / 0 / 62 / 14

HEX #32DC54

RGB 50 220 84

HSL 132, 0.71%, 0.53%

LAB 77.58, -68.67, 53.61

 

CMYK 77 / 0 / 41 / 14

HEX #32DC82

RGB 50 220 130

HSL 148.24, 0.71%, 0.53%

LAB 78.16, -61.9, 32.47

 

CMYK 77 / 0 / 20 / 14

HEX #32DCB0

RGB 50 220 176

HSL 164.47, 0.71%, 0.53%

LAB 79.04, -52.15, 9.71

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 58 / 0 / 87 / 6

HEX #64EF1E

RGB 100 239 30

HSL 99.9, 0.87%, 0.53%

LAB 84.24, -69.13, 77.57

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 44 / 0 / 66 / 22

HEX #71C845

RGB 113 200 69

HSL 99.85, 0.54%, 0.53%

LAB 73.06, -49.05, 55.42

 

CMYK 34 / 0 / 51 / 29

HEX #77B558

RGB 119 181 88

HSL 100, 0.39%, 0.53%

LAB 67.78, -36.99, 40.83

 

CMYK 22 / 0 / 33 / 36

HEX #7EA26C

RGB 126 162 108

HSL 100, 0.23%, 0.53%

LAB 62.81, -22.65, 24.19

 

CMYK 7 / 0 / 11 / 44

HEX #848E7F

RGB 132 142 127

HSL 100, 0.06%, 0.53%

LAB 57.83, -6.57, 6.75

 

CMYK 9 / 0 / 77 / 14

HEX #C8DC32

RGB 200 220 50

HSL 67.06, 0.71%, 0.53%

LAB 83.81, -26.61, 74.42

 

CMYK 30 / 0 / 77 / 14

HEX #9BDC32

RGB 155 220 50

HSL 82.94, 0.71%, 0.53%

LAB 80.95, -44.19, 70.75

 

CMYK 50 / 0 / 77 / 14

HEX #6DDC32

RGB 109 220 50

HSL 99.18, 0.71%, 0.53%

LAB 78.85, -59.28, 68.02

 

CMYK 71 / 0 / 77 / 14

HEX #40DC32

RGB 64 220 50

HSL 115.06, 0.71%, 0.53%

LAB 77.58, -69.56, 66.37

 

CMYK 77 / 0 / 63 / 14

HEX #32DC51

RGB 50 220 81

HSL 130.94, 0.71%, 0.53%

LAB 77.55, -69.01, 54.86

 

CMYK 56 / 0 / 83 / 37

HEX #47A01B

RGB 71 160 27

HSL 100.15, 0.71%, 0.37%

LAB 58.57, -49.01, 55.29

 

CMYK 55 / 0 / 83 / 24

HEX #57C321

RGB 87 195 33

HSL 100, 0.71%, 0.45%

LAB 70.29, -57.15, 64.55

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 42 / 0 / 62 / 11

HEX #84E255

RGB 132 226 85

HSL 100, 0.71%, 0.61%

LAB 81.81, -52.13, 58.58

 

CMYK 32 / 0 / 48 / 9

HEX #9EE878

RGB 158 232 120

HSL 99.64, 0.71%, 0.69%

LAB 85.17, -42.52, 47.05

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 77 / 0 / 12 / 14

HEX #32DCC2

RGB 50 220 194

HSL 170.82, 0.71%, 0.53%

LAB 79.48, -47.62, 0.77

 

CMYK 0 / 77 / 20 / 14

HEX #DC32B1

RGB 220 50 177

HSL 315.18, 0.71%, 0.53%

LAB 52.59, 74.61, -29.1

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 77 / 50 / 0 / 14

HEX #326DDC

RGB 50 109 220

HSL 219.18, 0.71%, 0.53%

LAB 47.99, 20.11, -62.22

 

CMYK 0 / 77 / 50 / 14

HEX #DC326D

RGB 220 50 109

HSL 339.18, 0.71%, 0.53%

LAB 50.22, 67.47, 7.98

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 77 / 0 / 12 / 14

HEX #32DCC2

RGB 50 220 194

HSL 170.82, 0.71%, 0.53%

LAB 79.48, -47.62, 0.77

 

CMYK 27 / 77 / 0 / 14

HEX #A032DC

RGB 160 50 220

HSL 278.82, 0.71%, 0.53%

LAB 45.53, 69.68, -65.78

 

CMYK 0 / 77 / 66 / 14

HEX #DC324B

RGB 220 50 75

HSL 351.18, 0.71%, 0.53%

LAB 49.5, 65.23, 27.63

 

CMYK 51 / 0 / 77 / 14

HEX #6BDC32

RGB 107 220 50

HSL 99.88, 0.71%, 0.53%

LAB 78.78, -59.85, 67.93

 

CMYK 77 / 12 / 0 / 14

HEX #32C2DC

RGB 50 194 220

HSL 189.18, 0.71%, 0.53%

LAB 72.51, -28.25, -23.64

 

CMYK 27 / 77 / 0 / 14

HEX #A032DC

RGB 160 50 220

HSL 278.82, 0.71%, 0.53%

LAB 45.53, 69.68, -65.78

 

CMYK 0 / 66 / 77 / 14

HEX #DC4B32

RGB 220 75 50

HSL 8.82, 0.71%, 0.53%

LAB 52.37, 55.31, 45.08

 

Description

Color code: RGB 107 220 50 | qconv.com Color code: RGB 107 220 50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 220 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 220 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 77% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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