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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 217 99 it is the complementary color RGB 148 38 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 217 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 217 99 shade: RGB 112 217 94, RGB 129 235 113, RGB 146 253 132, RGB 163 255 151 and RGB 180 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 217 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 217 99 shade: RGB 107 217 99, RGB 90 199 80, RGB 73 181 61, RGB 56 163 42 and RGB 39 145 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 217 99 shade: RGB 107 217 98, RGB 138 217 98, RGB 170 217 98, RGB 202 217 98 and RGB 217 199 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 217 99 shade: RGB 107 217 98, RGB 98 217 122, RGB 98 217 154, RGB 98 217 186 and RGB 98 215 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 217 99 shade matches the following richer shades: RGB 107 217 98, RGB 93 232 83 and RGB 79 248 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 217 99 shade: RGB 107 217 98, RGB 120 201 114, RGB 134 185 130, RGB 147 170 146 and RGB 161 154 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 217 99 shade: RGB 171 217 98, RGB 140 217 98, RGB 108 217 98, RGB 98 217 120 and RGB 98 217 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 217 99 shade: RGB 55 188 45, RGB 75 209 65, RGB 107 217 98, RGB 138 225 132 and RGB 170 233 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 217 99 shade: RGB 107 217 99, RGB 98 203 217 and RGB 217 98 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 217 99 shade: RGB 107 217 99, RGB 98 108 217 and RGB 217 98 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 217 99 shade: RGB 107 217 99, RGB 98 203 217, RGB 207 98 217 and RGB 217 112 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 217 99 shade: RGB 107 217 99, RGB 98 167 217, RGB 207 98 217 and RGB 217 148 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 54 / 15

HEX #6BD963

RGB 107 217 99

HSL 115.93, 0.61%, 0.62%

LAB 78.26, -54.41, 48.05

 

Complementary color

CMYK 5 / 76 / 0 / 39

HEX #94269C

RGB 148 38 156

HSL 295.93, 0.61%, 0.38%

LAB 37.99, 59.16, -40.44

 

CMYK 48 / 0 / 57 / 15

HEX #70D95E

RGB 112 217 94

HSL 111.22, 0.62%, 0.61%

LAB 78.39, -53.62, 50.55

 

CMYK 45 / 0 / 52 / 8

HEX #81EB71

RGB 129 235 113

HSL 112.13, 0.75%, 0.68%

LAB 84.63, -53.67, 49.38

 

CMYK 42 / 0 / 48 / 1

HEX #92FD84

RGB 146 253 132

HSL 113.06, 0.97%, 0.75%

LAB 90.79, -53.63, 48.18

 

CMYK 36 / 0 / 41 / 0

HEX #A3FF97

RGB 163 255 151

HSL 113.08, 1%, 0.8%

LAB 92.37, -46.83, 41.21

 

CMYK 29 / 0 / 33 / 0

HEX #B4FFAA

RGB 180 255 170

HSL 112.94, 1%, 0.83%

LAB 93.51, -38.75, 33.47

 

CMYK 51 / 0 / 54 / 15

HEX #6BD963

RGB 107 217 99

HSL 115.93, 0.61%, 0.62%

LAB 78.26, -54.41, 48.05

 

CMYK 55 / 0 / 60 / 22

HEX #5AC750

RGB 90 199 80

HSL 114.96, 0.52%, 0.55%

LAB 71.96, -54.2, 49.22

 

CMYK 60 / 0 / 66 / 29

HEX #49B53D

RGB 73 181 61

HSL 114, 0.5%, 0.47%

LAB 65.59, -53.74, 50.23

 

CMYK 66 / 0 / 74 / 36

HEX #38A32A

RGB 56 163 42

HSL 113.06, 0.59%, 0.4%

LAB 59.16, -52.9, 50.85

 

CMYK 73 / 0 / 84 / 43

HEX #279117

RGB 39 145 23

HSL 112.13, 0.73%, 0.33%

LAB 52.67, -51.46, 50.66

 

CMYK 51 / 0 / 55 / 15

HEX #6BD962

RGB 107 217 98

HSL 115.46, 0.61%, 0.62%

LAB 78.25, -54.53, 48.5

 

CMYK 36 / 0 / 55 / 15

HEX #8AD962

RGB 138 217 98

HSL 99.83, 0.61%, 0.62%

LAB 79.56, -45.19, 50.38

 

CMYK 22 / 0 / 55 / 15

HEX #AAD962

RGB 170 217 98

HSL 83.7, 0.61%, 0.62%

LAB 81.32, -33.89, 52.88

 

CMYK 7 / 0 / 55 / 15

HEX #CAD962

RGB 202 217 98

HSL 67.56, 0.61%, 0.62%

LAB 83.48, -21.48, 55.92

 

CMYK 0 / 8 / 55 / 15

HEX #D9C762

RGB 217 199 98

HSL 50.92, 0.61%, 0.62%

LAB 79.89, -6.36, 52.1

 

CMYK 51 / 0 / 55 / 15

HEX #6BD962

RGB 107 217 98

HSL 115.46, 0.61%, 0.62%

LAB 78.25, -54.53, 48.5

 

CMYK 55 / 0 / 44 / 15

HEX #62D97A

RGB 98 217 122

HSL 132.1, 0.61%, 0.62%

LAB 78.24, -53.52, 36.83

 

CMYK 55 / 0 / 29 / 15

HEX #62D99A

RGB 98 217 154

HSL 148.24, 0.61%, 0.62%

LAB 78.78, -47.86, 21.12

 

CMYK 55 / 0 / 14 / 15

HEX #62D9BA

RGB 98 217 186

HSL 164.37, 0.61%, 0.62%

LAB 79.48, -40.93, 5.17

 

CMYK 55 / 1 / 0 / 15

HEX #62D7D9

RGB 98 215 217

HSL 181.01, 0.61%, 0.62%

LAB 79.73, -32.22, -11.01

 

CMYK 51 / 0 / 55 / 15

HEX #6BD962

RGB 107 217 98

HSL 115.46, 0.61%, 0.62%

LAB 78.25, -54.53, 48.5

 

CMYK 60 / 0 / 64 / 9

HEX #5DE853

RGB 93 232 83

HSL 115.97, 0.76%, 0.62%

LAB 82.2, -65.12, 59.44

 

CMYK 68 / 0 / 73 / 3

HEX #4FF843

RGB 79 248 67

HSL 116.02, 0.93%, 0.62%

LAB 86.6, -74.55, 69.9

 

CMYK 51 / 0 / 55 / 15

HEX #6BD962

RGB 107 217 98

HSL 115.46, 0.61%, 0.62%

LAB 78.25, -54.53, 48.5

 

CMYK 40 / 0 / 43 / 21

HEX #78C972

RGB 120 201 114

HSL 115.86, 0.45%, 0.62%

LAB 74.18, -42.06, 35.82

 

CMYK 28 / 0 / 30 / 27

HEX #86B982

RGB 134 185 130

HSL 115.64, 0.28%, 0.62%

LAB 70.44, -27.64, 22.67

 

CMYK 14 / 0 / 14 / 33

HEX #93AA92

RGB 147 170 146

HSL 117.5, 0.12%, 0.62%

LAB 67.3, -12.68, 9.72

 

CMYK 0 / 4 / 0 / 37

HEX #A19AA1

RGB 161 154 161

HSL 300, 0.04%, 0.62%

LAB 64.37, 3.87, -2.75

 

CMYK 21 / 0 / 55 / 15

HEX #ABD962

RGB 171 217 98

HSL 83.19, 0.61%, 0.62%

LAB 81.38, -33.51, 52.96

 

CMYK 35 / 0 / 55 / 15

HEX #8CD962

RGB 140 217 98

HSL 98.82, 0.61%, 0.62%

LAB 79.66, -44.53, 50.52

 

CMYK 50 / 0 / 55 / 15

HEX #6CD962

RGB 108 217 98

HSL 114.96, 0.61%, 0.62%

LAB 78.28, -54.26, 48.55

 

CMYK 55 / 0 / 45 / 15

HEX #62D978

RGB 98 217 120

HSL 131.09, 0.61%, 0.62%

LAB 78.22, -53.83, 37.79

 

CMYK 55 / 0 / 30 / 15

HEX #62D998

RGB 98 217 152

HSL 147.23, 0.61%, 0.62%

LAB 78.75, -48.25, 22.11

 

CMYK 71 / 0 / 76 / 26

HEX #37BC2D

RGB 55 188 45

HSL 115.8, 0.61%, 0.46%

LAB 67.25, -61.29, 57.85

 

CMYK 64 / 0 / 69 / 18

HEX #4BD141

RGB 75 209 65

HSL 115.83, 0.61%, 0.54%

LAB 74.49, -62.78, 58.15

 

CMYK 51 / 0 / 55 / 15

HEX #6BD962

RGB 107 217 98

HSL 115.46, 0.61%, 0.62%

LAB 78.25, -54.53, 48.5

 

CMYK 39 / 0 / 41 / 12

HEX #8AE184

RGB 138 225 132

HSL 116.13, 0.61%, 0.7%

LAB 82.34, -44.32, 37.41

 

CMYK 27 / 0 / 29 / 9

HEX #AAE9A5

RGB 170 233 165

HSL 115.59, 0.61%, 0.78%

LAB 86.77, -32.71, 26.85

 

CMYK 51 / 0 / 54 / 15

HEX #6BD963

RGB 107 217 99

HSL 115.93, 0.61%, 0.62%

LAB 78.26, -54.41, 48.05

 

CMYK 55 / 6 / 0 / 15

HEX #62CBD9

RGB 98 203 217

HSL 187.06, 0.61%, 0.62%

LAB 76.26, -26.41, -16.21

 

CMYK 0 / 55 / 28 / 15

HEX #D9629C

RGB 217 98 156

HSL 330.76, 0.61%, 0.62%

LAB 57.93, 52.83, -8.74

 

CMYK 51 / 0 / 54 / 15

HEX #6BD963

RGB 107 217 99

HSL 115.93, 0.61%, 0.62%

LAB 78.26, -54.41, 48.05

 

CMYK 55 / 50 / 0 / 15

HEX #626CD9

RGB 98 108 217

HSL 234.96, 0.61%, 0.62%

LAB 49.9, 27.2, -57.32

 

CMYK 0 / 55 / 50 / 15

HEX #D9626C

RGB 217 98 108

HSL 354.96, 0.61%, 0.62%

LAB 56.65, 47.56, 17.47

 

CMYK 51 / 0 / 54 / 15

HEX #6BD963

RGB 107 217 99

HSL 115.93, 0.61%, 0.62%

LAB 78.26, -54.41, 48.05

 

CMYK 55 / 6 / 0 / 15

HEX #62CBD9

RGB 98 203 217

HSL 187.06, 0.61%, 0.62%

LAB 76.26, -26.41, -16.21

 

CMYK 5 / 55 / 0 / 15

HEX #CF62D9

RGB 207 98 217

HSL 294.96, 0.61%, 0.62%

LAB 58.98, 59.51, -42.18

 

CMYK 0 / 48 / 55 / 15

HEX #D97062

RGB 217 112 98

HSL 7.06, 0.61%, 0.62%

LAB 59.18, 39.76, 26.6

 

CMYK 51 / 0 / 54 / 15

HEX #6BD963

RGB 107 217 99

HSL 115.93, 0.61%, 0.62%

LAB 78.26, -54.41, 48.05

 

CMYK 55 / 23 / 0 / 15

HEX #62A7D9

RGB 98 167 217

HSL 205.21, 0.61%, 0.62%

LAB 65.94, -7.61, -31.99

 

CMYK 5 / 55 / 0 / 15

HEX #CF62D9

RGB 207 98 217

HSL 294.96, 0.61%, 0.62%

LAB 58.98, 59.51, -42.18

 

CMYK 0 / 32 / 55 / 15

HEX #D99462

RGB 217 148 98

HSL 25.21, 0.61%, 0.62%

LAB 67.14, 20.7, 36.76

 

Description

Color code: RGB 107 217 99 | qconv.com Color code: RGB 107 217 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 217 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 217 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 54 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 54% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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