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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 214 219 it is the complementary color RGB 148 41 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 214 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 214 219 shade: RGB 112 214 214, RGB 129 232 233, RGB 146 250 252, RGB 163 255 255 and RGB 180 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 214 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 214 219 shade: RGB 107 214 219, RGB 90 196 200, RGB 73 178 181, RGB 56 160 162 and RGB 39 142 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 214 219 shade: RGB 107 214 219, RGB 107 183 219, RGB 107 153 219, RGB 107 123 219 and RGB 121 107 219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 214 219 shade: RGB 107 214 219, RGB 107 183 219, RGB 107 153 219, RGB 107 123 219 and RGB 107 107 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 214 219 shade matches the following richer shades: RGB 107 214 219, RGB 92 227 234 and RGB 77 241 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 214 219 shade: RGB 107 214 219, RGB 122 200 204, RGB 136 187 189, RGB 151 173 174 and RGB 166 160 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 214 219 shade: RGB 107 219 163, RGB 107 219 193, RGB 107 215 219, RGB 107 185 219 and RGB 107 155 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 214 219 shade: RGB 47 189 196, RGB 73 205 211, RGB 107 214 219, RGB 140 223 227 and RGB 173 232 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 214 219 shade: RGB 107 214 219, RGB 133 107 219 and RGB 219 178 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 214 219 shade: RGB 107 214 219, RGB 219 107 215 and RGB 215 219 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 214 219 shade: RGB 107 214 219, RGB 133 107 219, RGB 219 110 107 and RGB 193 219 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 214 219 shade: RGB 107 214 219, RGB 166 107 219, RGB 219 110 107 and RGB 159 219 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

Complementary color

CMYK 0 / 72 / 76 / 42

HEX #942924

RGB 148 41 36

HSL 2.68, 0.61%, 0.36%

LAB 34, 44.21, 29.27

 

CMYK 48 / 0 / 0 / 16

HEX #70D6D6

RGB 112 214 214

HSL 180, 0.55%, 0.64%

LAB 79.84, -29.65, -9.2

 

CMYK 45 / 0 / 0 / 9

HEX #81E8E9

RGB 129 232 233

HSL 180.58, 0.7%, 0.71%

LAB 86.14, -29.7, -9.84

 

CMYK 42 / 1 / 0 / 1

HEX #92FAFC

RGB 146 250 252

HSL 181.13, 0.95%, 0.78%

LAB 92.36, -29.71, -10.44

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 55 / 2 / 0 / 22

HEX #5AC4C8

RGB 90 196 200

HSL 182.18, 0.5%, 0.57%

LAB 73.43, -29.22, -11.29

 

CMYK 60 / 2 / 0 / 29

HEX #49B2B5

RGB 73 178 181

HSL 181.67, 0.43%, 0.5%

LAB 66.97, -28.91, -10.58

 

CMYK 65 / 1 / 0 / 36

HEX #38A0A2

RGB 56 160 162

HSL 181.13, 0.49%, 0.43%

LAB 60.42, -28.45, -9.8

 

CMYK 73 / 1 / 0 / 44

HEX #278E8F

RGB 39 142 143

HSL 180.58, 0.57%, 0.36%

LAB 53.77, -27.76, -8.93

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 51 / 16 / 0 / 14

HEX #6BB7DB

RGB 107 183 219

HSL 199.29, 0.61%, 0.64%

LAB 70.94, -13.73, -25.35

 

CMYK 51 / 30 / 0 / 14

HEX #6B99DB

RGB 107 153 219

HSL 215.36, 0.61%, 0.64%

LAB 62.53, 2.86, -38.38

 

CMYK 51 / 44 / 0 / 14

HEX #6B7BDB

RGB 107 123 219

HSL 231.43, 0.61%, 0.64%

LAB 54.46, 20.61, -51.12

 

CMYK 45 / 51 / 0 / 14

HEX #796BDB

RGB 121 107 219

HSL 247.5, 0.61%, 0.64%

LAB 51.49, 33.37, -55.8

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 51 / 16 / 0 / 14

HEX #6BB7DB

RGB 107 183 219

HSL 199.29, 0.61%, 0.64%

LAB 70.94, -13.73, -25.35

 

CMYK 51 / 30 / 0 / 14

HEX #6B99DB

RGB 107 153 219

HSL 215.36, 0.61%, 0.64%

LAB 62.53, 2.86, -38.38

 

CMYK 51 / 44 / 0 / 14

HEX #6B7BDB

RGB 107 123 219

HSL 231.43, 0.61%, 0.64%

LAB 54.46, 20.61, -51.12

 

CMYK 51 / 51 / 0 / 14

HEX #6B6BDB

RGB 107 107 219

HSL 240, 0.61%, 0.64%

LAB 50.4, 30.29, -57.61

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 61 / 3 / 0 / 8

HEX #5CE3EA

RGB 92 227 234

HSL 182.96, 0.77%, 0.64%

LAB 83.52, -34.34, -14.4

 

CMYK 69 / 3 / 0 / 3

HEX #4DF1F8

RGB 77 241 248

HSL 182.46, 0.92%, 0.64%

LAB 87.61, -39.1, -15.66

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 40 / 2 / 0 / 20

HEX #7AC8CC

RGB 122 200 204

HSL 182.93, 0.45%, 0.64%

LAB 75.95, -22.96, -9.57

 

CMYK 28 / 1 / 0 / 26

HEX #88BBBD

RGB 136 187 189

HSL 182.26, 0.29%, 0.64%

LAB 72.53, -16.14, -6.42

 

CMYK 13 / 1 / 0 / 32

HEX #97ADAE

RGB 151 173 174

HSL 182.61, 0.12%, 0.64%

LAB 69.13, -7.37, -3.09

 

CMYK 0 / 4 / 4 / 35

HEX #A6A09F

RGB 166 160 159

HSL 8.57, 0.04%, 0.64%

LAB 66.33, 1.99, 1.28

 

CMYK 51 / 0 / 26 / 14

HEX #6BDBA3

RGB 107 219 163

HSL 150, 0.61%, 0.64%

LAB 79.86, -44.83, 17.93

 

CMYK 51 / 0 / 12 / 14

HEX #6BDBC1

RGB 107 219 193

HSL 166.07, 0.61%, 0.64%

LAB 80.54, -38.26, 3.01

 

CMYK 51 / 2 / 0 / 14

HEX #6BD7DB

RGB 107 215 219

HSL 182.14, 0.61%, 0.64%

LAB 80.09, -29.9, -11.52

 

CMYK 51 / 16 / 0 / 14

HEX #6BB9DB

RGB 107 185 219

HSL 198.21, 0.61%, 0.64%

LAB 71.51, -14.78, -24.48

 

CMYK 51 / 29 / 0 / 14

HEX #6B9BDB

RGB 107 155 219

HSL 214.29, 0.61%, 0.64%

LAB 63.08, 1.72, -37.51

 

CMYK 76 / 4 / 0 / 23

HEX #2FBDC4

RGB 47 189 196

HSL 182.82, 0.61%, 0.48%

LAB 70.17, -33.51, -14.11

 

CMYK 65 / 3 / 0 / 17

HEX #49CDD3

RGB 73 205 211

HSL 182.61, 0.61%, 0.56%

LAB 75.94, -33.39, -13.55

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 38 / 2 / 0 / 11

HEX #8CDFE3

RGB 140 223 227

HSL 182.76, 0.61%, 0.72%

LAB 83.91, -24.17, -9.93

 

CMYK 26 / 1 / 0 / 8

HEX #ADE8EB

RGB 173 232 235

HSL 182.9, 0.61%, 0.8%

LAB 88.25, -17.88, -7.52

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 39 / 51 / 0 / 14

HEX #856BDB

RGB 133 107 219

HSL 253.93, 0.61%, 0.64%

LAB 52.53, 36.19, -54.08

 

CMYK 0 / 19 / 51 / 14

HEX #DBB26B

RGB 219 178 107

HSL 38.04, 0.61%, 0.64%

LAB 74.8, 6.2, 41.65

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 0 / 51 / 2 / 14

HEX #DB6BD7

RGB 219 107 215

HSL 302.14, 0.61%, 0.64%

LAB 62.07, 58.15, -36.11

 

CMYK 2 / 0 / 51 / 14

HEX #D7DB6B

RGB 215 219 107

HSL 62.14, 0.61%, 0.64%

LAB 85.08, -16.52, 53.92

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 39 / 51 / 0 / 14

HEX #856BDB

RGB 133 107 219

HSL 253.93, 0.61%, 0.64%

LAB 52.53, 36.19, -54.08

 

CMYK 0 / 50 / 51 / 14

HEX #DB6E6B

RGB 219 110 107

HSL 1.61, 0.61%, 0.64%

LAB 59.23, 42.28, 21.58

 

CMYK 12 / 0 / 51 / 14

HEX #C1DB6B

RGB 193 219 107

HSL 73.93, 0.61%, 0.64%

LAB 83.48, -25.2, 51.63

 

CMYK 51 / 2 / 0 / 14

HEX #6BD6DB

RGB 107 214 219

HSL 182.68, 0.61%, 0.64%

LAB 79.8, -29.42, -11.95

 

CMYK 24 / 51 / 0 / 14

HEX #A66BDB

RGB 166 107 219

HSL 271.61, 0.61%, 0.64%

LAB 55.82, 44.55, -48.63

 

CMYK 0 / 50 / 51 / 14

HEX #DB6E6B

RGB 219 110 107

HSL 1.61, 0.61%, 0.64%

LAB 59.23, 42.28, 21.58

 

CMYK 27 / 0 / 51 / 14

HEX #9FDB6B

RGB 159 219 107

HSL 92.14, 0.61%, 0.64%

LAB 81.34, -37.89, 48.57

 

Description

Color code: RGB 107 214 219 | qconv.com Color code: RGB 107 214 219 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 214 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 214 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 2 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 2% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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