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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 198 162 it is the complementary color RGB 148 57 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 198 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 198 162 shade: RGB 112 198 157, RGB 129 216 176, RGB 146 234 195, RGB 163 252 214 and RGB 180 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 198 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 198 162 shade: RGB 107 198 162, RGB 90 180 143, RGB 73 162 124, RGB 56 144 105 and RGB 39 126 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 198 162 shade: RGB 108 197 162, RGB 108 197 138, RGB 108 197 113, RGB 126 197 108 and RGB 150 197 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 198 162 shade: RGB 108 197 162, RGB 108 197 186, RGB 108 184 197, RGB 108 160 197 and RGB 108 136 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 198 162 shade matches the following richer shades: RGB 108 197 162, RGB 91 214 165, RGB 75 230 169 and RGB 58 247 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 198 162 shade: RGB 108 197 162, RGB 124 181 158, RGB 141 164 155, RGB 157 148 152 and RGB 174 131 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 198 162 shade: RGB 108 197 114, RGB 108 197 138, RGB 108 197 161, RGB 108 197 185 and RGB 108 185 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 198 162 shade: RGB 62 160 122, RGB 78 186 143, RGB 108 197 162, RGB 137 209 181 and RGB 167 220 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 198 162 shade: RGB 107 198 162, RGB 108 126 197 and RGB 197 126 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 198 162 shade: RGB 107 198 162, RGB 161 108 197 and RGB 197 161 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 198 162 shade: RGB 107 198 162, RGB 108 126 197, RGB 197 108 144 and RGB 197 179 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 198 162 shade: RGB 107 198 162, RGB 117 108 197, RGB 197 108 144 and RGB 188 197 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 18 / 22

HEX #6BC6A2

RGB 107 198 162

HSL 156.26, 0.44%, 0.6%

LAB 73.63, -35.68, 9.68

 

Complementary color

CMYK 0 / 61 / 37 / 42

HEX #94395D

RGB 148 57 93

HSL 336.26, 0.44%, 0.4%

LAB 37.86, 41.88, -1.57

 

CMYK 43 / 0 / 21 / 22

HEX #70C69D

RGB 112 198 157

HSL 151.4, 0.43%, 0.61%

LAB 73.72, -35.43, 12.54

 

CMYK 40 / 0 / 19 / 15

HEX #81D8B0

RGB 129 216 176

HSL 152.41, 0.53%, 0.68%

LAB 80.13, -35.2, 11.57

 

CMYK 38 / 0 / 17 / 8

HEX #92EAC3

RGB 146 234 195

HSL 153.41, 0.68%, 0.75%

LAB 86.45, -34.97, 10.66

 

CMYK 35 / 0 / 15 / 1

HEX #A3FCD6

RGB 163 252 214

HSL 154.38, 0.94%, 0.81%

LAB 92.69, -34.74, 9.81

 

CMYK 29 / 0 / 9 / 0

HEX #B4FFE9

RGB 180 255 233

HSL 162.4, 1%, 0.85%

LAB 94.78, -27.51, 3.13

 

CMYK 46 / 0 / 18 / 22

HEX #6BC6A2

RGB 107 198 162

HSL 156.26, 0.44%, 0.6%

LAB 73.63, -35.68, 9.68

 

CMYK 50 / 0 / 21 / 29

HEX #5AB48F

RGB 90 180 143

HSL 155.33, 0.38%, 0.53%

LAB 67.13, -35.84, 10.7

 

CMYK 55 / 0 / 23 / 36

HEX #49A27C

RGB 73 162 124

HSL 154.38, 0.38%, 0.46%

LAB 60.53, -35.94, 11.82

 

CMYK 61 / 0 / 27 / 44

HEX #389069

RGB 56 144 105

HSL 153.41, 0.44%, 0.39%

LAB 53.82, -35.93, 13.05

 

CMYK 69 / 0 / 32 / 51

HEX #277E56

RGB 39 126 86

HSL 152.41, 0.53%, 0.32%

LAB 47.01, -35.72, 14.45

 

CMYK 45 / 0 / 18 / 23

HEX #6CC5A2

RGB 108 197 162

HSL 156.4, 0.43%, 0.6%

LAB 73.37, -34.96, 9.33

 

CMYK 45 / 0 / 30 / 23

HEX #6CC58A

RGB 108 197 138

HSL 140.22, 0.43%, 0.6%

LAB 72.86, -39.83, 21.5

 

CMYK 45 / 0 / 43 / 23

HEX #6CC571

RGB 108 197 113

HSL 123.37, 0.43%, 0.6%

LAB 72.44, -44.08, 33.99

 

CMYK 36 / 0 / 45 / 23

HEX #7EC56C

RGB 126 197 108

HSL 107.87, 0.43%, 0.6%

LAB 73.19, -39.23, 37.65

 

CMYK 24 / 0 / 45 / 23

HEX #96C56C

RGB 150 197 108

HSL 91.69, 0.43%, 0.6%

LAB 74.51, -30.88, 39.59

 

CMYK 45 / 0 / 18 / 23

HEX #6CC5A2

RGB 108 197 162

HSL 156.4, 0.43%, 0.6%

LAB 73.37, -34.96, 9.33

 

CMYK 45 / 0 / 6 / 23

HEX #6CC5BA

RGB 108 197 186

HSL 172.58, 0.43%, 0.6%

LAB 73.98, -29.4, -2.8

 

CMYK 45 / 7 / 0 / 23

HEX #6CB8C5

RGB 108 184 197

HSL 188.76, 0.43%, 0.6%

LAB 70.53, -20.11, -13.94

 

CMYK 45 / 19 / 0 / 23

HEX #6CA0C5

RGB 108 160 197

HSL 204.94, 0.43%, 0.6%

LAB 63.64, -7.32, -24.4

 

CMYK 45 / 31 / 0 / 23

HEX #6C88C5

RGB 108 136 197

HSL 221.12, 0.43%, 0.6%

LAB 56.91, 6.39, -34.82

 

CMYK 45 / 0 / 18 / 23

HEX #6CC5A2

RGB 108 197 162

HSL 156.4, 0.43%, 0.6%

LAB 73.37, -34.96, 9.33

 

CMYK 57 / 0 / 23 / 16

HEX #5BD6A5

RGB 91 214 165

HSL 156.1, 0.6%, 0.6%

LAB 77.9, -45.82, 14.05

 

CMYK 67 / 0 / 27 / 10

HEX #4BE6A9

RGB 75 230 169

HSL 156.39, 0.76%, 0.6%

LAB 82.35, -54.44, 18.13

 

CMYK 77 / 0 / 30 / 3

HEX #3AF7AC

RGB 58 247 172

HSL 156.19, 0.92%, 0.6%

LAB 87.19, -62.6, 23.23

 

CMYK 45 / 0 / 18 / 23

HEX #6CC5A2

RGB 108 197 162

HSL 156.4, 0.43%, 0.6%

LAB 73.37, -34.96, 9.33

 

CMYK 31 / 0 / 13 / 29

HEX #7CB59E

RGB 124 181 158

HSL 155.79, 0.28%, 0.6%

LAB 69.33, -23.59, 5.82

 

CMYK 14 / 0 / 5 / 36

HEX #8DA49B

RGB 141 164 155

HSL 156.52, 0.11%, 0.6%

LAB 65.42, -9.85, 1.96

 

CMYK 0 / 6 / 3 / 38

HEX #9D9498

RGB 157 148 152

HSL 333.33, 0.04%, 0.6%

LAB 62.18, 4.06, -0.92

 

CMYK 0 / 25 / 15 / 32

HEX #AE8394

RGB 174 131 148

HSL 336.28, 0.21%, 0.6%

LAB 59.31, 19.23, -2.66

 

CMYK 45 / 0 / 42 / 23

HEX #6CC572

RGB 108 197 114

HSL 124.04, 0.43%, 0.6%

LAB 72.45, -43.93, 33.5

 

CMYK 45 / 0 / 30 / 23

HEX #6CC58A

RGB 108 197 138

HSL 140.22, 0.43%, 0.6%

LAB 72.86, -39.83, 21.5

 

CMYK 45 / 0 / 18 / 23

HEX #6CC5A1

RGB 108 197 161

HSL 155.73, 0.43%, 0.6%

LAB 73.35, -35.18, 9.83

 

CMYK 45 / 0 / 6 / 23

HEX #6CC5B9

RGB 108 197 185

HSL 171.91, 0.43%, 0.6%

LAB 73.95, -29.64, -2.3

 

CMYK 45 / 6 / 0 / 23

HEX #6CB9C5

RGB 108 185 197

HSL 188.09, 0.43%, 0.6%

LAB 70.81, -20.62, -13.5

 

CMYK 61 / 0 / 24 / 37

HEX #3EA07A

RGB 62 160 122

HSL 156.73, 0.44%, 0.44%

LAB 59.5, -37.92, 11.44

 

CMYK 58 / 0 / 23 / 27

HEX #4EBA8F

RGB 78 186 143

HSL 156.11, 0.44%, 0.52%

LAB 68.55, -41.28, 12.65

 

CMYK 45 / 0 / 18 / 23

HEX #6CC5A2

RGB 108 197 162

HSL 156.4, 0.43%, 0.6%

LAB 73.37, -34.96, 9.33

 

CMYK 34 / 0 / 13 / 18

HEX #89D1B5

RGB 137 209 181

HSL 156.67, 0.44%, 0.68%

LAB 78.61, -28.61, 6.79

 

CMYK 24 / 0 / 10 / 14

HEX #A7DCC7

RGB 167 220 199

HSL 156.23, 0.43%, 0.76%

LAB 83.72, -21.3, 4.78

 

CMYK 46 / 0 / 18 / 22

HEX #6BC6A2

RGB 107 198 162

HSL 156.26, 0.44%, 0.6%

LAB 73.63, -35.68, 9.68

 

CMYK 45 / 36 / 0 / 23

HEX #6C7EC5

RGB 108 126 197

HSL 227.87, 0.43%, 0.6%

LAB 54.18, 12.33, -39.1

 

CMYK 0 / 36 / 45 / 23

HEX #C57E6C

RGB 197 126 108

HSL 12.13, 0.43%, 0.6%

LAB 59.78, 25.49, 21.25

 

CMYK 46 / 0 / 18 / 22

HEX #6BC6A2

RGB 107 198 162

HSL 156.26, 0.44%, 0.6%

LAB 73.63, -35.68, 9.68

 

CMYK 18 / 45 / 0 / 23

HEX #A16CC5

RGB 161 108 197

HSL 275.73, 0.43%, 0.6%

LAB 54.38, 37.6, -38.46

 

CMYK 0 / 18 / 45 / 23

HEX #C5A16C

RGB 197 161 108

HSL 35.73, 0.43%, 0.6%

LAB 68.35, 6.32, 32.54

 

CMYK 46 / 0 / 18 / 22

HEX #6BC6A2

RGB 107 198 162

HSL 156.26, 0.44%, 0.6%

LAB 73.63, -35.68, 9.68

 

CMYK 45 / 36 / 0 / 23

HEX #6C7EC5

RGB 108 126 197

HSL 227.87, 0.43%, 0.6%

LAB 54.18, 12.33, -39.1

 

CMYK 0 / 45 / 27 / 23

HEX #C56C90

RGB 197 108 144

HSL 335.73, 0.43%, 0.6%

LAB 56.69, 39.59, -3.9

 

CMYK 0 / 9 / 45 / 23

HEX #C5B36C

RGB 197 179 108

HSL 47.87, 0.43%, 0.6%

LAB 73.02, -3.31, 38.47

 

CMYK 46 / 0 / 18 / 22

HEX #6BC6A2

RGB 107 198 162

HSL 156.26, 0.44%, 0.6%

LAB 73.63, -35.68, 9.68

 

CMYK 41 / 45 / 0 / 23

HEX #756CC5

RGB 117 108 197

HSL 246.07, 0.43%, 0.6%

LAB 50.14, 25.47, -45.44

 

CMYK 0 / 45 / 27 / 23

HEX #C56C90

RGB 197 108 144

HSL 335.73, 0.43%, 0.6%

LAB 56.69, 39.59, -3.9

 

CMYK 5 / 0 / 45 / 23

HEX #BCC56C

RGB 188 197 108

HSL 66.07, 0.43%, 0.6%

LAB 77.11, -16.26, 43.38

 

Description

Color code: RGB 107 198 162 | qconv.com Color code: RGB 107 198 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 198 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 198 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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