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Color name
RGB 107 197 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 197 21 it is the complementary color RGB 148 58 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 197 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 197 21 shade: RGB 112 197 16, RGB 129 215 35, RGB 146 233 54, RGB 163 251 73 and RGB 180 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 197 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 197 21 shade: RGB 107 197 21, RGB 90 179 2, RGB 73 161 0, RGB 56 143 0 and RGB 39 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 197 21 shade: RGB 107 198 20, RGB 155 198 20, RGB 198 193 20, RGB 198 145 20 and RGB 198 97 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 197 21 shade: RGB 107 198 20, RGB 59 198 20, RGB 20 198 29, RGB 20 198 77 and RGB 20 198 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 197 21 shade matches the following richer shades: RGB 107 198 20 and RGB 107 216 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 197 21 shade: RGB 107 198 20, RGB 108 180 38, RGB 108 162 56, RGB 108 145 74 and RGB 109 127 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 197 21 shade: RGB 198 192 20, RGB 157 198 20, RGB 109 198 20, RGB 62 198 20 and RGB 20 198 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 197 21 shade: RGB 67 123 12, RGB 87 161 16, RGB 107 198 20, RGB 127 231 29 and RGB 148 235 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 197 21 shade: RGB 107 197 21, RGB 20 198 145 and RGB 198 20 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 197 21 shade: RGB 107 197 21, RGB 20 109 198 and RGB 198 20 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 197 21 shade: RGB 107 197 21, RGB 20 198 145, RGB 109 20 198 and RGB 198 20 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 197 21 shade: RGB 107 197 21, RGB 20 198 198, RGB 109 20 198 and RGB 198 20 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 89 / 23

HEX #6BC515

RGB 107 197 21

HSL 90.68, 0.81%, 0.43%

LAB 71.63, -52.46, 68.55

 

Complementary color

CMYK 37 / 75 / 0 / 8

HEX #943AEA

RGB 148 58 234

HSL 270.68, 0.81%, 0.57%

LAB 45.99, 67.76, -73.05

 

CMYK 43 / 0 / 92 / 23

HEX #70C510

RGB 112 197 16

HSL 88.18, 0.85%, 0.42%

LAB 71.84, -50.97, 69.6

 

CMYK 40 / 0 / 84 / 16

HEX #81D723

RGB 129 215 35

HSL 88.67, 0.72%, 0.49%

LAB 78.1, -51.88, 71.65

 

CMYK 37 / 0 / 77 / 9

HEX #92E936

RGB 146 233 54

HSL 89.16, 0.8%, 0.56%

LAB 84.31, -52.55, 72.54

 

CMYK 35 / 0 / 71 / 2

HEX #A3FB49

RGB 163 251 73

HSL 89.66, 0.96%, 0.64%

LAB 90.44, -53.02, 72.67

 

CMYK 29 / 0 / 64 / 0

HEX #B4FF5C

RGB 180 255 92

HSL 87.61, 1%, 0.68%

LAB 92.57, -47.54, 68.13

 

CMYK 46 / 0 / 89 / 23

HEX #6BC515

RGB 107 197 21

HSL 90.68, 0.81%, 0.43%

LAB 71.63, -52.46, 68.55

 

CMYK 50 / 0 / 99 / 30

HEX #5AB302

RGB 90 179 2

HSL 90.17, 0.98%, 0.35%

LAB 65.29, -51.29, 65.66

 

CMYK 55 / 0 / 100 / 37

HEX #49A100

RGB 73 161 0

HSL 92.8, 1%, 0.32%

LAB 58.89, -49.66, 60.6

 

CMYK 61 / 0 / 100 / 44

HEX #388F00

RGB 56 143 0

HSL 96.5, 1%, 0.28%

LAB 52.38, -47.79, 55.23

 

CMYK 69 / 0 / 100 / 51

HEX #277D00

RGB 39 125 0

HSL 101.28, 1%, 0.25%

LAB 45.77, -45.58, 49.78

 

CMYK 46 / 0 / 90 / 22

HEX #6BC614

RGB 107 198 20

HSL 90.67, 0.82%, 0.43%

LAB 71.94, -52.87, 68.98

 

CMYK 22 / 0 / 90 / 22

HEX #9BC614

RGB 155 198 20

HSL 74.49, 0.82%, 0.43%

LAB 74.45, -35.5, 72.08

 

CMYK 0 / 3 / 90 / 22

HEX #C6C114

RGB 198 193 20

HSL 58.31, 0.82%, 0.43%

LAB 76.19, -15.07, 74.79

 

CMYK 0 / 27 / 90 / 22

HEX #C69114

RGB 198 145 20

HSL 42.13, 0.82%, 0.43%

LAB 63.6, 10.24, 65

 

CMYK 0 / 51 / 90 / 22

HEX #C66114

RGB 198 97 20

HSL 25.96, 0.82%, 0.43%

LAB 52.52, 36.13, 56.54

 

CMYK 46 / 0 / 90 / 22

HEX #6BC614

RGB 107 198 20

HSL 90.67, 0.82%, 0.43%

LAB 71.94, -52.87, 68.98

 

CMYK 70 / 0 / 90 / 22

HEX #3BC614

RGB 59 198 20

HSL 106.85, 0.82%, 0.43%

LAB 70.43, -64.99, 67.11

 

CMYK 90 / 0 / 85 / 22

HEX #14C61D

RGB 20 198 29

HSL 123.03, 0.82%, 0.43%

LAB 69.91, -69.47, 64.66

 

CMYK 90 / 0 / 61 / 22

HEX #14C64D

RGB 20 198 77

HSL 139.21, 0.82%, 0.43%

LAB 70.23, -65.5, 48.21

 

CMYK 90 / 0 / 37 / 22

HEX #14C67D

RGB 20 198 125

HSL 155.39, 0.82%, 0.43%

LAB 70.88, -57.66, 25.34

 

CMYK 46 / 0 / 90 / 22

HEX #6BC614

RGB 107 198 20

HSL 90.67, 0.82%, 0.43%

LAB 71.94, -52.87, 68.98

 

CMYK 50 / 0 / 99 / 15

HEX #6BD803

RGB 107 216 3

HSL 90.7, 0.97%, 0.43%

LAB 77.43, -59.88, 75.42

 

CMYK 46 / 0 / 90 / 22

HEX #6BC614

RGB 107 198 20

HSL 90.67, 0.82%, 0.43%

LAB 71.94, -52.87, 68.98

 

CMYK 40 / 0 / 79 / 29

HEX #6CB426

RGB 108 180 38

HSL 90.42, 0.65%, 0.43%

LAB 66.5, -44.67, 59.99

 

CMYK 33 / 0 / 65 / 36

HEX #6CA238

RGB 108 162 56

HSL 90.57, 0.49%, 0.43%

LAB 61.06, -35.65, 47.87

 

CMYK 26 / 0 / 49 / 43

HEX #6C914A

RGB 108 145 74

HSL 91.27, 0.32%, 0.43%

LAB 56.02, -25.74, 33.42

 

CMYK 14 / 0 / 28 / 50

HEX #6D7F5B

RGB 109 127 91

HSL 90, 0.17%, 0.43%

LAB 50.9, -13.54, 17.46

 

CMYK 0 / 3 / 90 / 22

HEX #C6C014

RGB 198 192 20

HSL 57.98, 0.82%, 0.43%

LAB 75.92, -14.57, 74.58

 

CMYK 21 / 0 / 90 / 22

HEX #9DC614

RGB 157 198 20

HSL 73.82, 0.82%, 0.43%

LAB 74.58, -34.7, 72.24

 

CMYK 45 / 0 / 90 / 22

HEX #6DC614

RGB 109 198 20

HSL 90, 0.82%, 0.43%

LAB 72.02, -52.24, 69.08

 

CMYK 69 / 0 / 90 / 22

HEX #3EC614

RGB 62 198 20

HSL 105.84, 0.82%, 0.43%

LAB 70.5, -64.42, 67.19

 

CMYK 90 / 0 / 87 / 22

HEX #14C61A

RGB 20 198 26

HSL 122.02, 0.82%, 0.43%

LAB 69.9, -69.6, 65.31

 

CMYK 46 / 0 / 90 / 52

HEX #437B0C

RGB 67 123 12

HSL 90.27, 0.82%, 0.26%

LAB 46.16, -36.17, 48

 

CMYK 46 / 0 / 90 / 37

HEX #57A110

RGB 87 161 16

HSL 90.62, 0.82%, 0.35%

LAB 59.48, -44.93, 58.88

 

CMYK 46 / 0 / 90 / 22

HEX #6BC614

RGB 107 198 20

HSL 90.67, 0.82%, 0.43%

LAB 71.94, -52.87, 68.98

 

CMYK 45 / 0 / 87 / 9

HEX #7FE71D

RGB 127 231 29

HSL 90.89, 0.81%, 0.51%

LAB 82.78, -58.9, 76.88

 

CMYK 37 / 0 / 72 / 8

HEX #94EB42

RGB 148 235 66

HSL 90.89, 0.81%, 0.59%

LAB 85.05, -52.01, 69.45

 

CMYK 46 / 0 / 89 / 23

HEX #6BC515

RGB 107 197 21

HSL 90.68, 0.81%, 0.43%

LAB 71.63, -52.46, 68.55

 

CMYK 90 / 0 / 27 / 22

HEX #14C691

RGB 20 198 145

HSL 162.13, 0.82%, 0.43%

LAB 71.27, -53.29, 15.24

 

CMYK 0 / 90 / 9 / 22

HEX #C614B4

RGB 198 20 180

HSL 306.07, 0.82%, 0.43%

LAB 46.71, 76.71, -40.36

 

CMYK 46 / 0 / 89 / 23

HEX #6BC515

RGB 107 197 21

HSL 90.68, 0.81%, 0.43%

LAB 71.63, -52.46, 68.55

 

CMYK 90 / 45 / 0 / 22

HEX #146DC6

RGB 20 109 198

HSL 210, 0.82%, 0.43%

LAB 45.86, 9.17, -53.12

 

CMYK 0 / 90 / 45 / 22

HEX #C6146D

RGB 198 20 109

HSL 330, 0.82%, 0.43%

LAB 43.67, 68.62, -2.02

 

CMYK 46 / 0 / 89 / 23

HEX #6BC515

RGB 107 197 21

HSL 90.68, 0.81%, 0.43%

LAB 71.63, -52.46, 68.55

 

CMYK 90 / 0 / 27 / 22

HEX #14C691

RGB 20 198 145

HSL 162.13, 0.82%, 0.43%

LAB 71.27, -53.29, 15.24

 

CMYK 45 / 90 / 0 / 22

HEX #6D14C6

RGB 109 20 198

HSL 270, 0.82%, 0.43%

LAB 33.62, 66.43, -72.8

 

CMYK 0 / 90 / 63 / 22

HEX #C6144A

RGB 198 20 74

HSL 341.8, 0.82%, 0.43%

LAB 42.76, 66.1, 18.67

 

CMYK 46 / 0 / 89 / 23

HEX #6BC515

RGB 107 197 21

HSL 90.68, 0.81%, 0.43%

LAB 71.63, -52.46, 68.55

 

CMYK 90 / 0 / 0 / 22

HEX #14C6C6

RGB 20 198 198

HSL 180, 0.82%, 0.43%

LAB 72.64, -39.09, -11.53

 

CMYK 45 / 90 / 0 / 22

HEX #6D14C6

RGB 109 20 198

HSL 270, 0.82%, 0.43%

LAB 33.62, 66.43, -72.8

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

Description

Color code: RGB 107 197 21 | qconv.com Color code: RGB 107 197 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 197 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 197 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 89% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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