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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 13 109 it is the complementary color RGB 148 242 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 13 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 13 109 shade: RGB 112 13 104, RGB 129 31 123, RGB 146 49 142, RGB 163 67 161 and RGB 180 85 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 13 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 13 109 shade: RGB 107 13 109, RGB 90 0 90, RGB 73 0 71, RGB 56 0 52 and RGB 39 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 13 109 shade: RGB 107 12 109, RGB 109 12 85, RGB 109 12 59, RGB 109 12 33 and RGB 109 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 13 109 shade: RGB 107 12 109, RGB 81 12 109, RGB 55 12 109, RGB 29 12 109 and RGB 12 12 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 13 109 shade matches the following richer shades: RGB 107 12 109 and RGB 117 2 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 13 109 shade: RGB 107 12 109, RGB 98 22 99, RGB 88 32 89, RGB 79 42 79 and RGB 69 52 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 13 109 shade: RGB 54 12 109, RGB 80 12 109, RGB 106 12 109, RGB 109 12 86 and RGB 109 12 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 13 109 shade: RGB 35 4 35, RGB 71 8 72, RGB 107 12 109, RGB 143 17 146 and RGB 180 21 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 13 109 shade: RGB 107 13 109, RGB 109 28 12 and RGB 12 109 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 13 109 shade: RGB 107 13 109, RGB 109 106 12 and RGB 12 109 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 13 109 shade: RGB 107 13 109, RGB 109 28 12, RGB 16 109 12 and RGB 12 93 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 13 109 shade: RGB 107 13 109, RGB 109 57 12, RGB 16 109 12 and RGB 12 64 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 88 / 0 / 57

HEX #6B0D6D

RGB 107 13 109

HSL 298.75, 0.79%, 0.24%

LAB 25.31, 49.54, -31.76

 

Complementary color

CMYK 39 / 0 / 40 / 5

HEX #94F292

RGB 148 242 146

HSL 118.75, 0.79%, 0.76%

LAB 87.91, -46.55, 37.75

 

CMYK 0 / 88 / 7 / 56

HEX #700D68

RGB 112 13 104

HSL 304.85, 0.79%, 0.25%

LAB 25.96, 49.75, -27.43

 

CMYK 0 / 76 / 5 / 49

HEX #811F7B

RGB 129 31 123

HSL 303.67, 0.61%, 0.31%

LAB 31.98, 51.58, -29.84

 

CMYK 0 / 66 / 3 / 43

HEX #92318E

RGB 146 49 142

HSL 302.47, 0.5%, 0.38%

LAB 38.31, 52.17, -31.45

 

CMYK 0 / 59 / 1 / 36

HEX #A343A1

RGB 163 67 161

HSL 301.25, 0.42%, 0.45%

LAB 44.76, 52.1, -32.56

 

CMYK 0 / 53 / 0 / 29

HEX #B455B4

RGB 180 85 180

HSL 300, 0.39%, 0.52%

LAB 51.26, 51.68, -33.39

 

CMYK 2 / 88 / 0 / 57

HEX #6B0D6D

RGB 107 13 109

HSL 298.75, 0.79%, 0.24%

LAB 25.31, 49.54, -31.76

 

CMYK 0 / 100 / 0 / 65

HEX #5A005A

RGB 90 0 90

HSL 300, 1%, 0.18%

LAB 19.69, 45.94, -28.45

 

CMYK 0 / 100 / 3 / 71

HEX #490047

RGB 73 0 71

HSL 301.64, 1%, 0.14%

LAB 14.8, 39.49, -23.5

 

CMYK 0 / 100 / 7 / 78

HEX #380034

RGB 56 0 52

HSL 304.29, 1%, 0.11%

LAB 9.71, 32.76, -18.28

 

CMYK 0 / 100 / 15 / 85

HEX #270021

RGB 39 0 33

HSL 309.23, 1%, 0.08%

LAB 4.89, 23.45, -11.77

 

CMYK 2 / 89 / 0 / 57

HEX #6B0C6D

RGB 107 12 109

HSL 298.76, 0.8%, 0.24%

LAB 25.24, 49.77, -31.88

 

CMYK 0 / 89 / 22 / 57

HEX #6D0C55

RGB 109 12 85

HSL 314.85, 0.8%, 0.24%

LAB 24.23, 46.44, -17.68

 

CMYK 0 / 89 / 46 / 57

HEX #6D0C3B

RGB 109 12 59

HSL 330.93, 0.8%, 0.24%

LAB 23.1, 43.29, -1.71

 

CMYK 0 / 89 / 70 / 57

HEX #6D0C21

RGB 109 12 33

HSL 347.01, 0.8%, 0.24%

LAB 22.39, 41.21, 15.38

 

CMYK 0 / 89 / 89 / 57

HEX #6D0C0C

RGB 109 12 12

HSL 0, 0.8%, 0.24%

LAB 22.09, 40.33, 28.24

 

CMYK 2 / 89 / 0 / 57

HEX #6B0C6D

RGB 107 12 109

HSL 298.76, 0.8%, 0.24%

LAB 25.24, 49.77, -31.88

 

CMYK 26 / 89 / 0 / 57

HEX #510C6D

RGB 81 12 109

HSL 282.68, 0.8%, 0.24%

LAB 20.5, 44.85, -39.75

 

CMYK 50 / 89 / 0 / 57

HEX #370C6D

RGB 55 12 109

HSL 266.6, 0.8%, 0.24%

LAB 16.4, 40.78, -46.63

 

CMYK 73 / 89 / 0 / 57

HEX #1D0C6D

RGB 29 12 109

HSL 250.52, 0.8%, 0.24%

LAB 13.4, 37.99, -51.68

 

CMYK 89 / 89 / 0 / 57

HEX #0C0C6D

RGB 12 12 109

HSL 240, 0.8%, 0.24%

LAB 12.26, 36.98, -53.62

 

CMYK 2 / 89 / 0 / 57

HEX #6B0C6D

RGB 107 12 109

HSL 298.76, 0.8%, 0.24%

LAB 25.24, 49.77, -31.88

 

CMYK 2 / 98 / 0 / 53

HEX #750277

RGB 117 2 119

HSL 298.97, 0.97%, 0.24%

LAB 27.18, 55.22, -35.09

 

CMYK 2 / 89 / 0 / 57

HEX #6B0C6D

RGB 107 12 109

HSL 298.76, 0.8%, 0.24%

LAB 25.24, 49.77, -31.88

 

CMYK 1 / 78 / 0 / 61

HEX #621663

RGB 98 22 99

HSL 299.22, 0.64%, 0.24%

LAB 23.91, 43.17, -27.59

 

CMYK 1 / 64 / 0 / 65

HEX #582059

RGB 88 32 89

HSL 298.95, 0.47%, 0.24%

LAB 23.1, 34.3, -22.39

 

CMYK 0 / 47 / 0 / 69

HEX #4F2A4F

RGB 79 42 79

HSL 300, 0.31%, 0.24%

LAB 23.28, 23.66, -15.55

 

CMYK 0 / 25 / 0 / 73

HEX #453445

RGB 69 52 69

HSL 300, 0.14%, 0.24%

LAB 24.16, 11.13, -7.62

 

CMYK 50 / 89 / 0 / 57

HEX #360C6D

RGB 54 12 109

HSL 265.98, 0.8%, 0.24%

LAB 16.26, 40.65, -46.86

 

CMYK 27 / 89 / 0 / 57

HEX #500C6D

RGB 80 12 109

HSL 282.06, 0.8%, 0.24%

LAB 20.33, 44.67, -40.04

 

CMYK 3 / 89 / 0 / 57

HEX #6A0C6D

RGB 106 12 109

HSL 298.14, 0.8%, 0.24%

LAB 25.05, 49.57, -32.19

 

CMYK 0 / 89 / 21 / 57

HEX #6D0C56

RGB 109 12 86

HSL 314.23, 0.8%, 0.24%

LAB 24.28, 46.58, -18.27

 

CMYK 0 / 89 / 44 / 57

HEX #6D0C3D

RGB 109 12 61

HSL 329.69, 0.8%, 0.24%

LAB 23.17, 43.5, -2.99

 

CMYK 0 / 89 / 0 / 86

HEX #230423

RGB 35 4 35

HSL 300, 0.79%, 0.08%

LAB 5.11, 20.02, -13.04

 

CMYK 1 / 89 / 0 / 72

HEX #470848

RGB 71 8 72

HSL 299.06, 0.8%, 0.16%

LAB 15.39, 36.5, -23.28

 

CMYK 2 / 89 / 0 / 57

HEX #6B0C6D

RGB 107 12 109

HSL 298.76, 0.8%, 0.24%

LAB 25.24, 49.77, -31.88

 

CMYK 2 / 88 / 0 / 43

HEX #8F1192

RGB 143 17 146

HSL 298.6, 0.79%, 0.32%

LAB 34.63, 61.9, -39.76

 

CMYK 2 / 89 / 0 / 28

HEX #B415B7

RGB 180 21 183

HSL 298.89, 0.79%, 0.4%

LAB 43.74, 73.76, -47.05

 

CMYK 2 / 88 / 0 / 57

HEX #6B0D6D

RGB 107 13 109

HSL 298.75, 0.79%, 0.24%

LAB 25.31, 49.54, -31.76

 

CMYK 0 / 74 / 89 / 57

HEX #6D1C0C

RGB 109 28 12

HSL 9.9, 0.8%, 0.24%

LAB 24.03, 34.92, 30.22

 

CMYK 89 / 0 / 39 / 57

HEX #0C6D43

RGB 12 109 67

HSL 154.02, 0.8%, 0.24%

LAB 40.28, -36.73, 16.29

 

CMYK 2 / 88 / 0 / 57

HEX #6B0D6D

RGB 107 13 109

HSL 298.75, 0.79%, 0.24%

LAB 25.31, 49.54, -31.76

 

CMYK 0 / 3 / 89 / 57

HEX #6D6A0C

RGB 109 106 12

HSL 58.14, 0.8%, 0.24%

LAB 43.63, -9.55, 47.03

 

CMYK 89 / 0 / 3 / 57

HEX #0C6D6A

RGB 12 109 106

HSL 178.14, 0.8%, 0.24%

LAB 41.31, -25.88, -5.69

 

CMYK 2 / 88 / 0 / 57

HEX #6B0D6D

RGB 107 13 109

HSL 298.75, 0.79%, 0.24%

LAB 25.31, 49.54, -31.76

 

CMYK 0 / 74 / 89 / 57

HEX #6D1C0C

RGB 109 28 12

HSL 9.9, 0.8%, 0.24%

LAB 24.03, 34.92, 30.22

 

CMYK 85 / 0 / 89 / 57

HEX #106D0C

RGB 16 109 12

HSL 117.53, 0.8%, 0.24%

LAB 39.7, -43.84, 41.72

 

CMYK 89 / 15 / 0 / 57

HEX #0C5D6D

RGB 12 93 109

HSL 189.9, 0.8%, 0.24%

LAB 36.01, -16.33, -15.54

 

CMYK 2 / 88 / 0 / 57

HEX #6B0D6D

RGB 107 13 109

HSL 298.75, 0.79%, 0.24%

LAB 25.31, 49.54, -31.76

 

CMYK 0 / 48 / 89 / 57

HEX #6D390C

RGB 109 57 12

HSL 27.84, 0.8%, 0.24%

LAB 29.92, 19.68, 35.52

 

CMYK 85 / 0 / 89 / 57

HEX #106D0C

RGB 16 109 12

HSL 117.53, 0.8%, 0.24%

LAB 39.7, -43.84, 41.72

 

CMYK 89 / 41 / 0 / 57

HEX #0C406D

RGB 12 64 109

HSL 207.84, 0.8%, 0.24%

LAB 26.3, 1.78, -30.71

 

Description

Color code: RGB 107 13 109 | qconv.com Color code: RGB 107 13 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 13 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 13 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 88 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 88% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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