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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 114 26 it is the complementary color RGB 148 141 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 114 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 114 26 shade: RGB 112 114 21, RGB 129 132 40, RGB 146 150 59, RGB 163 168 78 and RGB 180 186 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 114 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 114 26 shade: RGB 107 114 26, RGB 90 96 7, RGB 73 78 0, RGB 56 60 0 and RGB 39 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 114 26 shade: RGB 105 112 25, RGB 112 95 25, RGB 112 72 25, RGB 112 48 25 and RGB 112 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 114 26 shade: RGB 105 112 25, RGB 81 112 25, RGB 58 112 25, RGB 35 112 25 and RGB 25 112 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 114 26 shade matches the following richer shades: RGB 105 112 25, RGB 114 123 14 and RGB 124 134 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 114 26 shade: RGB 105 112 25, RGB 95 101 36, RGB 86 89 47, RGB 77 78 58 and RGB 67 67 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 114 26 shade: RGB 112 71 25, RGB 112 94 25, RGB 106 112 25, RGB 83 112 25 and RGB 60 112 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 114 26 shade: RGB 42 44 10, RGB 73 78 17, RGB 105 112 25, RGB 136 145 33 and RGB 168 179 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 114 26 shade: RGB 107 114 26, RGB 25 112 48 and RGB 83 25 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 114 26 shade: RGB 107 114 26, RGB 25 106 112 and RGB 112 25 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 114 26 shade: RGB 107 114 26, RGB 25 112 48, RGB 31 25 112 and RGB 112 25 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 114 26 shade: RGB 107 114 26, RGB 25 112 74, RGB 31 25 112 and RGB 112 25 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 77 / 55

HEX #6B721A

RGB 107 114 26

HSL 64.77, 0.63%, 0.27%

LAB 45.95, -14.36, 44.64

 

Complementary color

CMYK 35 / 38 / 0 / 10

HEX #948DE5

RGB 148 141 229

HSL 244.77, 0.63%, 0.73%

LAB 62.51, 22.96, -43.76

 

CMYK 2 / 0 / 82 / 55

HEX #707215

RGB 112 114 21

HSL 61.29, 0.69%, 0.26%

LAB 46.36, -12.26, 46.9

 

CMYK 2 / 0 / 70 / 48

HEX #818428

RGB 129 132 40

HSL 61.96, 0.53%, 0.34%

LAB 53.3, -13.25, 46.96

 

CMYK 3 / 0 / 61 / 41

HEX #92963B

RGB 146 150 59

HSL 62.64, 0.44%, 0.41%

LAB 60.1, -14, 46.25

 

CMYK 3 / 0 / 54 / 34

HEX #A3A84E

RGB 163 168 78

HSL 63.33, 0.37%, 0.48%

LAB 66.78, -14.57, 45.22

 

CMYK 3 / 0 / 48 / 27

HEX #B4BA61

RGB 180 186 97

HSL 64.04, 0.39%, 0.55%

LAB 73.34, -15.01, 44.07

 

CMYK 6 / 0 / 77 / 55

HEX #6B721A

RGB 107 114 26

HSL 64.77, 0.63%, 0.27%

LAB 45.95, -14.36, 44.64

 

CMYK 6 / 0 / 93 / 62

HEX #5A6007

RGB 90 96 7

HSL 64.04, 0.86%, 0.2%

LAB 38.82, -13.25, 43.63

 

CMYK 6 / 0 / 100 / 69

HEX #494E00

RGB 73 78 0

HSL 63.85, 1%, 0.15%

LAB 31.5, -11.67, 39.5

 

CMYK 7 / 0 / 100 / 76

HEX #383C00

RGB 56 60 0

HSL 64, 1%, 0.12%

LAB 23.91, -9.79, 32.43

 

CMYK 7 / 0 / 100 / 84

HEX #272A00

RGB 39 42 0

HSL 64.29, 1%, 0.08%

LAB 15.94, -7.82, 22.97

 

CMYK 6 / 0 / 78 / 56

HEX #697019

RGB 105 112 25

HSL 64.83, 0.64%, 0.27%

LAB 45.17, -14.25, 44.21

 

CMYK 0 / 15 / 78 / 56

HEX #705F19

RGB 112 95 25

HSL 48.28, 0.64%, 0.27%

LAB 40.73, -1.25, 40.22

 

CMYK 0 / 36 / 78 / 56

HEX #704819

RGB 112 72 25

HSL 32.41, 0.64%, 0.27%

LAB 34.29, 12.59, 33.86

 

CMYK 0 / 57 / 78 / 56

HEX #703019

RGB 112 48 25

HSL 15.86, 0.64%, 0.27%

LAB 28.46, 26.72, 27.77

 

CMYK 0 / 78 / 78 / 56

HEX #701919

RGB 112 25 25

HSL 0, 0.64%, 0.27%

LAB 24.35, 37.67, 23.26

 

CMYK 6 / 0 / 78 / 56

HEX #697019

RGB 105 112 25

HSL 64.83, 0.64%, 0.27%

LAB 45.17, -14.25, 44.21

 

CMYK 28 / 0 / 78 / 56

HEX #517019

RGB 81 112 25

HSL 81.38, 0.64%, 0.27%

LAB 43.37, -24.99, 41.86

 

CMYK 48 / 0 / 78 / 56

HEX #3A7019

RGB 58 112 25

HSL 97.24, 0.64%, 0.27%

LAB 42.09, -33.9, 40.17

 

CMYK 69 / 0 / 78 / 56

HEX #237019

RGB 35 112 25

HSL 113.1, 0.64%, 0.27%

LAB 41.24, -40.57, 39.05

 

CMYK 78 / 0 / 65 / 56

HEX #197027

RGB 25 112 39

HSL 129.66, 0.64%, 0.27%

LAB 41.12, -41.11, 32.68

 

CMYK 6 / 0 / 78 / 56

HEX #697019

RGB 105 112 25

HSL 64.83, 0.64%, 0.27%

LAB 45.17, -14.25, 44.21

 

CMYK 7 / 0 / 89 / 52

HEX #727B0E

RGB 114 123 14

HSL 64.95, 0.8%, 0.27%

LAB 49.22, -16.43, 51.36

 

CMYK 7 / 0 / 98 / 47

HEX #7C8603

RGB 124 134 3

HSL 64.58, 0.96%, 0.27%

LAB 53.32, -17.9, 57.06

 

CMYK 6 / 0 / 78 / 56

HEX #697019

RGB 105 112 25

HSL 64.83, 0.64%, 0.27%

LAB 45.17, -14.25, 44.21

 

CMYK 6 / 0 / 64 / 60

HEX #5F6524

RGB 95 101 36

HSL 65.54, 0.47%, 0.27%

LAB 41, -12.12, 35

 

CMYK 3 / 0 / 47 / 65

HEX #56592F

RGB 86 89 47

HSL 64.29, 0.31%, 0.27%

LAB 36.61, -8.34, 23.82

 

CMYK 1 / 0 / 26 / 69

HEX #4D4E3A

RGB 77 78 58

HSL 63, 0.15%, 0.27%

LAB 32.55, -4.29, 11.74

 

CMYK 4 / 4 / 0 / 73

HEX #434346

RGB 67 67 70

HSL 240, 0.02%, 0.27%

LAB 28.51, 0.68, -1.82

 

CMYK 0 / 37 / 78 / 56

HEX #704719

RGB 112 71 25

HSL 31.72, 0.64%, 0.27%

LAB 34.03, 13.19, 33.59

 

CMYK 0 / 16 / 78 / 56

HEX #705E19

RGB 112 94 25

HSL 47.59, 0.64%, 0.27%

LAB 40.44, -0.66, 39.94

 

CMYK 5 / 0 / 78 / 56

HEX #6A7019

RGB 106 112 25

HSL 64.14, 0.64%, 0.27%

LAB 45.25, -13.79, 44.32

 

CMYK 26 / 0 / 78 / 56

HEX #537019

RGB 83 112 25

HSL 80, 0.64%, 0.27%

LAB 43.5, -24.14, 42.04

 

CMYK 46 / 0 / 78 / 56

HEX #3C7019

RGB 60 112 25

HSL 95.86, 0.64%, 0.27%

LAB 42.18, -33.2, 40.3

 

CMYK 5 / 0 / 77 / 83

HEX #2A2C0A

RGB 42 44 10

HSL 63.53, 0.63%, 0.11%

LAB 17.06, -6.57, 20.36

 

CMYK 6 / 0 / 78 / 69

HEX #494E11

RGB 73 78 17

HSL 64.92, 0.64%, 0.19%

LAB 31.59, -10.89, 33.38

 

CMYK 6 / 0 / 78 / 56

HEX #697019

RGB 105 112 25

HSL 64.83, 0.64%, 0.27%

LAB 45.17, -14.25, 44.21

 

CMYK 6 / 0 / 77 / 43

HEX #889121

RGB 136 145 33

HSL 64.82, 0.63%, 0.35%

LAB 57.65, -17.35, 53.98

 

CMYK 6 / 0 / 78 / 30

HEX #A8B328

RGB 168 179 40

HSL 64.75, 0.63%, 0.43%

LAB 69.98, -20.41, 63.96

 

CMYK 6 / 0 / 77 / 55

HEX #6B721A

RGB 107 114 26

HSL 64.77, 0.63%, 0.27%

LAB 45.95, -14.36, 44.64

 

CMYK 78 / 0 / 57 / 56

HEX #197030

RGB 25 112 48

HSL 135.86, 0.64%, 0.27%

LAB 41.23, -39.84, 28.22

 

CMYK 26 / 78 / 0 / 56

HEX #531970

RGB 83 25 112

HSL 280, 0.64%, 0.27%

LAB 22.67, 41.3, -38.17

 

CMYK 6 / 0 / 77 / 55

HEX #6B721A

RGB 107 114 26

HSL 64.77, 0.63%, 0.27%

LAB 45.95, -14.36, 44.64

 

CMYK 78 / 5 / 0 / 56

HEX #196A70

RGB 25 106 112

HSL 184.14, 0.64%, 0.27%

LAB 40.71, -21.02, -10.21

 

CMYK 0 / 78 / 5 / 56

HEX #70196A

RGB 112 25 106

HSL 304.14, 0.64%, 0.27%

LAB 27.24, 46.71, -26.69

 

CMYK 6 / 0 / 77 / 55

HEX #6B721A

RGB 107 114 26

HSL 64.77, 0.63%, 0.27%

LAB 45.95, -14.36, 44.64

 

CMYK 78 / 0 / 57 / 56

HEX #197030

RGB 25 112 48

HSL 135.86, 0.64%, 0.27%

LAB 41.23, -39.84, 28.22

 

CMYK 72 / 78 / 0 / 56

HEX #1F1970

RGB 31 25 112

HSL 244.14, 0.64%, 0.27%

LAB 16.29, 32.36, -48.86

 

CMYK 0 / 78 / 21 / 56

HEX #701959

RGB 112 25 89

HSL 315.86, 0.64%, 0.27%

LAB 26.34, 44, -17.01

 

CMYK 6 / 0 / 77 / 55

HEX #6B721A

RGB 107 114 26

HSL 64.77, 0.63%, 0.27%

LAB 45.95, -14.36, 44.64

 

CMYK 78 / 0 / 34 / 56

HEX #19704A

RGB 25 112 74

HSL 153.79, 0.64%, 0.27%

LAB 41.67, -34.79, 14.1

 

CMYK 72 / 78 / 0 / 56

HEX #1F1970

RGB 31 25 112

HSL 244.14, 0.64%, 0.27%

LAB 16.29, 32.36, -48.86

 

CMYK 0 / 78 / 44 / 56

HEX #70193F

RGB 112 25 63

HSL 333.79, 0.64%, 0.27%

LAB 25.26, 40.62, -1.21

 

Description

Color code: RGB 107 114 26 | qconv.com Color code: RGB 107 114 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 114 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 114 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 77 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 77% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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