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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 97 174 it is the complementary color RGB 149 158 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 97 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 97 174 shade: RGB 111 97 169, RGB 128 115 188, RGB 145 133 207, RGB 162 151 226 and RGB 179 169 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 97 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 97 174 shade: RGB 106 97 174, RGB 89 79 155, RGB 72 61 136, RGB 55 43 117 and RGB 38 25 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 97 174 shade: RGB 105 96 173, RGB 126 96 173, RGB 147 96 173, RGB 167 96 173 and RGB 173 96 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 97 174 shade: RGB 105 96 173 and RGB 96 96 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 97 174 shade matches the following richer shades: RGB 105 96 173, RGB 90 77 192, RGB 76 58 212, RGB 61 38 231 and RGB 46 19 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 97 174 shade: RGB 105 96 173, RGB 120 116 154, RGB 135 135 134, RGB 150 154 115 and RGB 165 174 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 97 174 shade: RGB 96 128 173, RGB 96 108 173, RGB 105 96 173, RGB 126 96 173 and RGB 146 96 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 97 174 shade: RGB 70 63 123, RGB 86 77 151, RGB 105 96 173, RGB 131 124 187 and RGB 157 151 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 97 174 shade: RGB 106 97 174, RGB 173 96 149 and RGB 118 173 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 97 174 shade: RGB 106 97 174, RGB 173 105 96 and RGB 96 173 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 97 174 shade: RGB 106 97 174, RGB 173 96 149, RGB 164 173 96 and RGB 96 173 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 97 174 shade: RGB 106 97 174, RGB 173 96 126, RGB 164 173 96 and RGB 96 173 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 44 / 0 / 32

HEX #6A61AE

RGB 106 97 174

HSL 247.01, 0.32%, 0.53%

LAB 45.18, 22.68, -40.03

 

Complementary color

CMYK 6 / 0 / 49 / 38

HEX #959E51

RGB 149 158 81

HSL 67.01, 0.32%, 0.47%

LAB 62.88, -14.96, 38.85

 

CMYK 34 / 43 / 0 / 34

HEX #6F61A9

RGB 111 97 169

HSL 251.67, 0.3%, 0.52%

LAB 45.35, 22.65, -36.8

 

CMYK 32 / 39 / 0 / 26

HEX #8073BC

RGB 128 115 188

HSL 250.68, 0.35%, 0.59%

LAB 52.38, 21.78, -36.67

 

CMYK 30 / 36 / 0 / 19

HEX #9185CF

RGB 145 133 207

HSL 249.73, 0.44%, 0.67%

LAB 59.25, 21.02, -36.6

 

CMYK 28 / 33 / 0 / 11

HEX #A297E2

RGB 162 151 226

HSL 248.8, 0.56%, 0.74%

LAB 65.99, 20.35, -36.58

 

CMYK 27 / 31 / 0 / 4

HEX #B3A9F5

RGB 179 169 245

HSL 247.89, 0.79%, 0.81%

LAB 72.6, 19.75, -36.59

 

CMYK 39 / 44 / 0 / 32

HEX #6A61AE

RGB 106 97 174

HSL 247.01, 0.32%, 0.53%

LAB 45.18, 22.68, -40.03

 

CMYK 43 / 49 / 0 / 39

HEX #594F9B

RGB 89 79 155

HSL 247.89, 0.32%, 0.46%

LAB 37.99, 23.79, -40.27

 

CMYK 47 / 55 / 0 / 47

HEX #483D88

RGB 72 61 136

HSL 248.8, 0.38%, 0.39%

LAB 30.62, 25.11, -40.57

 

CMYK 53 / 63 / 0 / 54

HEX #372B75

RGB 55 43 117

HSL 249.73, 0.46%, 0.31%

LAB 23.08, 26.68, -40.88

 

CMYK 61 / 74 / 0 / 62

HEX #261962

RGB 38 25 98

HSL 250.68, 0.59%, 0.24%

LAB 15.43, 28.49, -41.06

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 27 / 45 / 0 / 32

HEX #7E60AD

RGB 126 96 173

HSL 263.38, 0.32%, 0.53%

LAB 46.74, 28.61, -36.86

 

CMYK 15 / 45 / 0 / 32

HEX #9360AD

RGB 147 96 173

HSL 279.74, 0.32%, 0.53%

LAB 48.99, 34.84, -33.16

 

CMYK 3 / 45 / 0 / 32

HEX #A760AD

RGB 167 96 173

HSL 295.32, 0.32%, 0.53%

LAB 51.38, 40.92, -29.25

 

CMYK 0 / 45 / 9 / 32

HEX #AD609E

RGB 173 96 158

HSL 311.69, 0.32%, 0.53%

LAB 51.52, 40.03, -20.2

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 53 / 60 / 0 / 25

HEX #5A4DC0

RGB 90 77 192

HSL 246.78, 0.48%, 0.53%

LAB 40.06, 36.63, -58.85

 

CMYK 64 / 73 / 0 / 17

HEX #4C3AD4

RGB 76 58 212

HSL 247.01, 0.64%, 0.53%

LAB 36.59, 51.57, -76.19

 

CMYK 74 / 84 / 0 / 9

HEX #3D26E7

RGB 61 38 231

HSL 247.15, 0.8%, 0.53%

LAB 34.29, 65.18, -90.92

 

CMYK 82 / 92 / 0 / 2

HEX #2E13FB

RGB 46 19 251

HSL 246.98, 0.97%, 0.53%

LAB 34.01, 75.63, -102.74

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 22 / 25 / 0 / 40

HEX #78749A

RGB 120 116 154

HSL 246.32, 0.16%, 0.53%

LAB 50.47, 10, -19.95

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 3 / 0 / 25 / 40

HEX #969A73

RGB 150 154 115

HSL 66.15, 0.16%, 0.53%

LAB 62.37, -8.18, 20.05

 

CMYK 5 / 0 / 45 / 32

HEX #A5AE5F

RGB 165 174 95

HSL 66.84, 0.33%, 0.53%

LAB 68.82, -15.19, 39.3

 

CMYK 45 / 26 / 0 / 32

HEX #6080AD

RGB 96 128 173

HSL 215.06, 0.32%, 0.53%

LAB 52.89, 0.9, -27.42

 

CMYK 45 / 38 / 0 / 32

HEX #606CAD

RGB 96 108 173

HSL 230.65, 0.32%, 0.53%

LAB 47.27, 12.95, -36.19

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 27 / 45 / 0 / 32

HEX #7E60AD

RGB 126 96 173

HSL 263.38, 0.32%, 0.53%

LAB 46.74, 28.61, -36.86

 

CMYK 16 / 45 / 0 / 32

HEX #9260AD

RGB 146 96 173

HSL 278.96, 0.32%, 0.53%

LAB 48.88, 34.53, -33.35

 

CMYK 43 / 49 / 0 / 52

HEX #463F7B

RGB 70 63 123

HSL 247, 0.32%, 0.36%

LAB 30.13, 19.19, -33.28

 

CMYK 43 / 49 / 0 / 41

HEX #564D97

RGB 86 77 151

HSL 247.3, 0.32%, 0.45%

LAB 36.97, 23.06, -39.51

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 30 / 34 / 0 / 27

HEX #837CBB

RGB 131 124 187

HSL 246.67, 0.32%, 0.61%

LAB 54.9, 17.06, -32.14

 

CMYK 22 / 25 / 0 / 21

HEX #9D97C9

RGB 157 151 201

HSL 247.2, 0.32%, 0.69%

LAB 64.58, 12.81, -24.91

 

CMYK 39 / 44 / 0 / 32

HEX #6A61AE

RGB 106 97 174

HSL 247.01, 0.32%, 0.53%

LAB 45.18, 22.68, -40.03

 

CMYK 0 / 45 / 14 / 32

HEX #AD6095

RGB 173 96 149

HSL 318.7, 0.32%, 0.53%

LAB 51.17, 38.49, -15.42

 

CMYK 32 / 0 / 45 / 32

HEX #76AD60

RGB 118 173 96

HSL 102.86, 0.32%, 0.53%

LAB 65.42, -32.64, 33.87

 

CMYK 39 / 44 / 0 / 32

HEX #6A61AE

RGB 106 97 174

HSL 247.01, 0.32%, 0.53%

LAB 45.18, 22.68, -40.03

 

CMYK 0 / 39 / 45 / 32

HEX #AD6960

RGB 173 105 96

HSL 7.01, 0.32%, 0.53%

LAB 51.65, 26.18, 16.64

 

CMYK 45 / 0 / 39 / 32

HEX #60AD69

RGB 96 173 105

HSL 127.01, 0.32%, 0.53%

LAB 64.48, -38.43, 27.72

 

CMYK 39 / 44 / 0 / 32

HEX #6A61AE

RGB 106 97 174

HSL 247.01, 0.32%, 0.53%

LAB 45.18, 22.68, -40.03

 

CMYK 0 / 45 / 14 / 32

HEX #AD6095

RGB 173 96 149

HSL 318.7, 0.32%, 0.53%

LAB 51.17, 38.49, -15.42

 

CMYK 5 / 0 / 45 / 32

HEX #A4AD60

RGB 164 173 96

HSL 67.01, 0.32%, 0.53%

LAB 68.48, -14.98, 38.35

 

CMYK 45 / 0 / 30 / 32

HEX #60AD79

RGB 96 173 121

HSL 139.48, 0.32%, 0.53%

LAB 64.77, -35.57, 19.49

 

CMYK 39 / 44 / 0 / 32

HEX #6A61AE

RGB 106 97 174

HSL 247.01, 0.32%, 0.53%

LAB 45.18, 22.68, -40.03

 

CMYK 0 / 45 / 27 / 32

HEX #AD607E

RGB 173 96 126

HSL 336.62, 0.32%, 0.53%

LAB 50.4, 34.93, -2.93

 

CMYK 5 / 0 / 45 / 32

HEX #A4AD60

RGB 164 173 96

HSL 67.01, 0.32%, 0.53%

LAB 68.48, -14.98, 38.35

 

CMYK 45 / 0 / 17 / 32

HEX #60AD90

RGB 96 173 144

HSL 157.4, 0.32%, 0.53%

LAB 65.27, -30.79, 7.54

 

Description

Color code: RGB 106 97 174 | qconv.com Color code: RGB 106 97 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 97 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 97 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 44 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 44% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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