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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 50 88 it is the complementary color RGB 149 205 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 50 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 50 88 shade: RGB 111 50 83, RGB 128 68 102, RGB 145 86 121, RGB 162 104 140 and RGB 179 122 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 50 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 50 88 shade: RGB 106 50 88, RGB 89 32 69, RGB 72 14 50, RGB 55 0 31 and RGB 38 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 50 88 shade: RGB 107 50 89, RGB 107 50 73, RGB 107 50 58 and RGB 107 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 50 88 shade: RGB 107 50 89, RGB 107 50 104, RGB 95 50 107, RGB 79 50 107 and RGB 64 50 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 50 88 shade matches the following richer shades: RGB 107 50 89, RGB 120 37 93, RGB 133 25 98 and RGB 145 12 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 50 88 shade: RGB 107 50 89, RGB 94 63 84, RGB 81 76 80, RGB 69 88 75 and RGB 56 101 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 50 88 shade: RGB 95 50 107, RGB 107 50 104, RGB 107 50 89, RGB 107 50 74 and RGB 107 50 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 50 88 shade: RGB 51 24 42, RGB 79 37 65, RGB 107 50 89, RGB 135 63 112 and RGB 163 76 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 50 88 shade: RGB 106 50 88, RGB 107 79 50 and RGB 50 107 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 50 88 shade: RGB 106 50 88, RGB 89 107 50 and RGB 50 89 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 50 88 shade: RGB 106 50 88, RGB 107 79 50, RGB 50 107 68 and RGB 50 78 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 50 88 shade: RGB 106 50 88, RGB 107 97 50, RGB 50 107 68 and RGB 50 61 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 17 / 58

HEX #6A3258

RGB 106 50 88

HSL 319.29, 0.36%, 0.31%

LAB 29.54, 30.3, -11.52

 

Complementary color

CMYK 27 / 0 / 19 / 20

HEX #95CDA7

RGB 149 205 167

HSL 139.29, 0.36%, 0.69%

LAB 77.78, -25.82, 13.17

 

CMYK 0 / 55 / 25 / 56

HEX #6F3253

RGB 111 50 83

HSL 327.54, 0.38%, 0.32%

LAB 30.12, 31.25, -7.31

 

CMYK 0 / 47 / 20 / 50

HEX #804466

RGB 128 68 102

HSL 326, 0.31%, 0.38%

LAB 37.27, 30.42, -8.46

 

CMYK 0 / 41 / 17 / 43

HEX #915679

RGB 145 86 121

HSL 324.41, 0.26%, 0.45%

LAB 44.31, 29.57, -9.38

 

CMYK 0 / 36 / 14 / 36

HEX #A2688C

RGB 162 104 140

HSL 322.76, 0.24%, 0.52%

LAB 51.24, 28.75, -10.15

 

CMYK 0 / 32 / 11 / 30

HEX #B37A9F

RGB 179 122 159

HSL 321.05, 0.27%, 0.59%

LAB 58.04, 27.99, -10.82

 

CMYK 0 / 53 / 17 / 58

HEX #6A3258

RGB 106 50 88

HSL 319.29, 0.36%, 0.31%

LAB 29.54, 30.3, -11.52

 

CMYK 0 / 64 / 22 / 65

HEX #592045

RGB 89 32 69

HSL 321.05, 0.47%, 0.24%

LAB 22.25, 30.94, -10.24

 

CMYK 0 / 81 / 31 / 72

HEX #480E32

RGB 72 14 50

HSL 322.76, 0.67%, 0.17%

LAB 15.07, 30.9, -8.2

 

CMYK 0 / 100 / 44 / 78

HEX #37001F

RGB 55 0 31

HSL 326.18, 1%, 0.11%

LAB 8.23, 29.4, -4.81

 

CMYK 0 / 100 / 68 / 85

HEX #26000C

RGB 38 0 12

HSL 341.05, 1%, 0.07%

LAB 3.96, 18.38, 1.3

 

CMYK 0 / 53 / 17 / 58

HEX #6B3259

RGB 107 50 89

HSL 318.95, 0.36%, 0.31%

LAB 29.73, 30.83, -11.86

 

CMYK 0 / 53 / 32 / 58

HEX #6B3249

RGB 107 50 73

HSL 335.79, 0.36%, 0.31%

LAB 29.13, 28.26, -2.3

 

CMYK 0 / 53 / 46 / 58

HEX #6B323A

RGB 107 50 58

HSL 351.58, 0.36%, 0.31%

LAB 28.68, 26.26, 6.94

 

CMYK 0 / 53 / 53 / 58

HEX #6B3232

RGB 107 50 50

HSL 0, 0.36%, 0.31%

LAB 28.48, 25.38, 11.93

 

CMYK 0 / 53 / 17 / 58

HEX #6B3259

RGB 107 50 89

HSL 318.95, 0.36%, 0.31%

LAB 29.73, 30.83, -11.86

 

CMYK 0 / 53 / 3 / 58

HEX #6B3268

RGB 107 50 104

HSL 303.16, 0.36%, 0.31%

LAB 30.42, 33.61, -20.49

 

CMYK 11 / 53 / 0 / 58

HEX #5F326B

RGB 95 50 107

HSL 287.37, 0.36%, 0.31%

LAB 28.84, 30.44, -25

 

CMYK 26 / 53 / 0 / 58

HEX #4F326B

RGB 79 50 107

HSL 270.53, 0.36%, 0.31%

LAB 26.75, 25.51, -28.44

 

CMYK 40 / 53 / 0 / 58

HEX #40326B

RGB 64 50 107

HSL 254.74, 0.36%, 0.31%

LAB 25.05, 21.12, -31.24

 

CMYK 0 / 53 / 17 / 58

HEX #6B3259

RGB 107 50 89

HSL 318.95, 0.36%, 0.31%

LAB 29.73, 30.83, -11.86

 

CMYK 0 / 69 / 23 / 53

HEX #78255D

RGB 120 37 93

HSL 319.52, 0.53%, 0.31%

LAB 29.68, 42.12, -14.35

 

CMYK 0 / 81 / 26 / 48

HEX #851962

RGB 133 25 98

HSL 319.44, 0.68%, 0.31%

LAB 30.79, 50.7, -15.68

 

CMYK 0 / 92 / 30 / 43

HEX #910C66

RGB 145 12 102

HSL 319.4, 0.85%, 0.31%

LAB 32.35, 56.94, -15.67

 

CMYK 0 / 53 / 17 / 58

HEX #6B3259

RGB 107 50 89

HSL 318.95, 0.36%, 0.31%

LAB 29.73, 30.83, -11.86

 

CMYK 0 / 33 / 11 / 63

HEX #5E3F54

RGB 94 63 84

HSL 319.35, 0.2%, 0.31%

LAB 30.82, 17.26, -7.15

 

CMYK 0 / 6 / 1 / 68

HEX #514C50

RGB 81 76 80

HSL 312, 0.03%, 0.31%

LAB 32.91, 2.92, -1.63

 

CMYK 22 / 0 / 15 / 65

HEX #45584B

RGB 69 88 75

HSL 138.95, 0.12%, 0.31%

LAB 35.5, -10.3, 5.15

 

CMYK 45 / 0 / 31 / 60

HEX #386546

RGB 56 101 70

HSL 138.67, 0.29%, 0.31%

LAB 38.88, -23.15, 12.83

 

CMYK 11 / 53 / 0 / 58

HEX #5F326B

RGB 95 50 107

HSL 287.37, 0.36%, 0.31%

LAB 28.84, 30.44, -25

 

CMYK 0 / 53 / 3 / 58

HEX #6B3268

RGB 107 50 104

HSL 303.16, 0.36%, 0.31%

LAB 30.42, 33.61, -20.49

 

CMYK 0 / 53 / 17 / 58

HEX #6B3259

RGB 107 50 89

HSL 318.95, 0.36%, 0.31%

LAB 29.73, 30.83, -11.86

 

CMYK 0 / 53 / 31 / 58

HEX #6B324A

RGB 107 50 74

HSL 334.74, 0.36%, 0.31%

LAB 29.16, 28.4, -2.91

 

CMYK 0 / 53 / 45 / 58

HEX #6B323B

RGB 107 50 59

HSL 350.53, 0.36%, 0.31%

LAB 28.7, 26.38, 6.32

 

CMYK 0 / 53 / 18 / 80

HEX #33182A

RGB 51 24 42

HSL 320, 0.36%, 0.15%

LAB 12.76, 16.55, -6.28

 

CMYK 0 / 53 / 18 / 69

HEX #4F2541

RGB 79 37 65

HSL 320, 0.36%, 0.23%

LAB 21.46, 23.87, -8.88

 

CMYK 0 / 53 / 17 / 58

HEX #6B3259

RGB 107 50 89

HSL 318.95, 0.36%, 0.31%

LAB 29.73, 30.83, -11.86

 

CMYK 0 / 53 / 17 / 47

HEX #873F70

RGB 135 63 112

HSL 319.17, 0.36%, 0.39%

LAB 37.62, 37.24, -14.1

 

CMYK 0 / 53 / 17 / 36

HEX #A34C87

RGB 163 76 135

HSL 319.31, 0.36%, 0.47%

LAB 45.23, 43.37, -16.24

 

CMYK 0 / 53 / 17 / 58

HEX #6A3258

RGB 106 50 88

HSL 319.29, 0.36%, 0.31%

LAB 29.54, 30.3, -11.52

 

CMYK 0 / 26 / 53 / 58

HEX #6B4F32

RGB 107 79 50

HSL 30.53, 0.36%, 0.31%

LAB 35.88, 7.87, 21.63

 

CMYK 53 / 0 / 5 / 58

HEX #326B66

RGB 50 107 102

HSL 174.74, 0.36%, 0.31%

LAB 41.46, -20.01, -2.93

 

CMYK 0 / 53 / 17 / 58

HEX #6A3258

RGB 106 50 88

HSL 319.29, 0.36%, 0.31%

LAB 29.54, 30.3, -11.52

 

CMYK 17 / 0 / 53 / 58

HEX #596B32

RGB 89 107 50

HSL 78.95, 0.36%, 0.31%

LAB 42.57, -16.77, 29.47

 

CMYK 53 / 17 / 0 / 58

HEX #32596B

RGB 50 89 107

HSL 198.95, 0.36%, 0.31%

LAB 35.76, -8.25, -14.57

 

CMYK 0 / 53 / 17 / 58

HEX #6A3258

RGB 106 50 88

HSL 319.29, 0.36%, 0.31%

LAB 29.54, 30.3, -11.52

 

CMYK 0 / 26 / 53 / 58

HEX #6B4F32

RGB 107 79 50

HSL 30.53, 0.36%, 0.31%

LAB 35.88, 7.87, 21.63

 

CMYK 53 / 0 / 36 / 58

HEX #326B44

RGB 50 107 68

HSL 138.95, 0.36%, 0.31%

LAB 40.59, -28.36, 16.29

 

CMYK 53 / 27 / 0 / 58

HEX #324E6B

RGB 50 78 107

HSL 210.53, 0.36%, 0.31%

LAB 32.23, -1.42, -20.01

 

CMYK 0 / 53 / 17 / 58

HEX #6A3258

RGB 106 50 88

HSL 319.29, 0.36%, 0.31%

LAB 29.54, 30.3, -11.52

 

CMYK 0 / 9 / 53 / 58

HEX #6B6132

RGB 107 97 50

HSL 49.47, 0.36%, 0.31%

LAB 41.07, -2.95, 28.03

 

CMYK 53 / 0 / 36 / 58

HEX #326B44

RGB 50 107 68

HSL 138.95, 0.36%, 0.31%

LAB 40.59, -28.36, 16.29

 

CMYK 53 / 43 / 0 / 58

HEX #323D6B

RGB 50 61 107

HSL 228.42, 0.36%, 0.31%

LAB 26.95, 9.85, -28.29

 

Description

Color code: RGB 106 50 88 | qconv.com Color code: RGB 106 50 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 50 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 50 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 17 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 17% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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