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Color name
RGB 106 42 214

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 42 214 it is the complementary color RGB 149 213 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 42 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 42 214 shade: RGB 111 42 209, RGB 128 60 228, RGB 145 78 247, RGB 162 96 255 and RGB 179 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 42 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 42 214 shade: RGB 106 42 214, RGB 89 24 195, RGB 72 6 176, RGB 55 0 157 and RGB 38 0 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 42 214 shade: RGB 105 40 214, RGB 152 40 214, RGB 198 40 214, RGB 214 40 182 and RGB 214 40 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 42 214 shade: RGB 105 40 214, RGB 58 40 214 and RGB 40 40 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 42 214 shade matches the following richer shades: RGB 105 40 214 and RGB 100 20 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 42 214 shade: RGB 105 40 214, RGB 110 61 193, RGB 115 82 172, RGB 121 102 152 and RGB 126 123 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 42 214 shade: RGB 40 69 214, RGB 58 40 214, RGB 104 40 214, RGB 150 40 214 and RGB 196 40 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 42 214 shade: RGB 71 27 144, RGB 88 34 179, RGB 105 40 214, RGB 129 75 220 and RGB 153 110 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 42 214 shade: RGB 106 42 214, RGB 214 40 115 and RGB 46 214 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 42 214 shade: RGB 106 42 214, RGB 214 104 40 and RGB 40 214 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 42 214 shade: RGB 106 42 214, RGB 214 40 115, RGB 150 214 40 and RGB 40 214 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 42 214 shade: RGB 106 42 214, RGB 214 40 63, RGB 150 214 40 and RGB 40 214 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 80 / 0 / 16

HEX #6A2AD6

RGB 106 42 214

HSL 262.33, 0.68%, 0.5%

LAB 37.07, 63.14, -76.45

 

Complementary color

CMYK 30 / 0 / 81 / 16

HEX #95D529

RGB 149 213 41

HSL 82.33, 0.68%, 0.5%

LAB 78.54, -43.78, 70.94

 

CMYK 47 / 80 / 0 / 18

HEX #6F2AD1

RGB 111 42 209

HSL 264.79, 0.67%, 0.49%

LAB 37.19, 62.55, -73.34

 

CMYK 44 / 74 / 0 / 11

HEX #803CE4

RGB 128 60 228

HSL 264.29, 0.76%, 0.56%

LAB 43.39, 62.3, -73.99

 

CMYK 41 / 68 / 0 / 3

HEX #914EF7

RGB 145 78 247

HSL 263.79, 0.91%, 0.64%

LAB 49.72, 61.61, -74.29

 

CMYK 36 / 62 / 0 / 0

HEX #A260FF

RGB 162 96 255

HSL 264.91, 1%, 0.69%

LAB 55.35, 57.99, -69.52

 

CMYK 30 / 55 / 0 / 0

HEX #B372FF

RGB 179 114 255

HSL 267.66, 1%, 0.72%

LAB 60.64, 52.48, -60.92

 

CMYK 50 / 80 / 0 / 16

HEX #6A2AD6

RGB 106 42 214

HSL 262.33, 0.68%, 0.5%

LAB 37.07, 63.14, -76.45

 

CMYK 54 / 88 / 0 / 24

HEX #5918C3

RGB 89 24 195

HSL 262.81, 0.78%, 0.43%

LAB 31.15, 62.66, -75.2

 

CMYK 59 / 97 / 0 / 31

HEX #4806B0

RGB 72 6 176

HSL 263.29, 0.93%, 0.36%

LAB 25.69, 60.77, -73.03

 

CMYK 65 / 100 / 0 / 38

HEX #37009D

RGB 55 0 157

HSL 261.02, 1%, 0.31%

LAB 21.01, 56.48, -69.34

 

CMYK 72 / 100 / 0 / 46

HEX #26008A

RGB 38 0 138

HSL 256.52, 1%, 0.27%

LAB 16.73, 50.96, -64.7

 

CMYK 51 / 81 / 0 / 16

HEX #6928D6

RGB 105 40 214

HSL 262.41, 0.69%, 0.5%

LAB 36.7, 63.77, -77.06

 

CMYK 29 / 81 / 0 / 16

HEX #9828D6

RGB 152 40 214

HSL 278.62, 0.69%, 0.5%

LAB 42.84, 70.33, -66.77

 

CMYK 7 / 81 / 0 / 16

HEX #C628D6

RGB 198 40 214

HSL 294.48, 0.69%, 0.5%

LAB 49.95, 78.11, -54.92

 

CMYK 0 / 81 / 15 / 16

HEX #D628B6

RGB 214 40 182

HSL 311.03, 0.69%, 0.5%

LAB 50.91, 76.46, -34.72

 

CMYK 0 / 81 / 36 / 16

HEX #D62888

RGB 214 40 136

HSL 326.9, 0.69%, 0.5%

LAB 49, 71.03, -10.33

 

CMYK 51 / 81 / 0 / 16

HEX #6928D6

RGB 105 40 214

HSL 262.41, 0.69%, 0.5%

LAB 36.7, 63.77, -77.06

 

CMYK 73 / 81 / 0 / 16

HEX #3A28D6

RGB 58 40 214

HSL 246.21, 0.69%, 0.5%

LAB 32.42, 59.33, -84.27

 

CMYK 81 / 81 / 0 / 16

HEX #2828D6

RGB 40 40 214

HSL 240, 0.69%, 0.5%

LAB 31.4, 58.29, -85.99

 

CMYK 51 / 81 / 0 / 16

HEX #6928D6

RGB 105 40 214

HSL 262.41, 0.69%, 0.5%

LAB 36.7, 63.77, -77.06

 

CMYK 57 / 91 / 0 / 8

HEX #6414EA

RGB 100 20 234

HSL 262.43, 0.84%, 0.5%

LAB 36.27, 73.84, -89.24

 

CMYK 51 / 81 / 0 / 16

HEX #6928D6

RGB 105 40 214

HSL 262.41, 0.69%, 0.5%

LAB 36.7, 63.77, -77.06

 

CMYK 43 / 68 / 0 / 24

HEX #6E3DC1

RGB 110 61 193

HSL 262.27, 0.52%, 0.5%

LAB 38.73, 49.76, -61.51

 

CMYK 33 / 52 / 0 / 33

HEX #7352AC

RGB 115 82 172

HSL 262, 0.35%, 0.5%

LAB 42.24, 33.58, -43.47

 

CMYK 20 / 33 / 0 / 40

HEX #796698

RGB 121 102 152

HSL 262.8, 0.2%, 0.5%

LAB 46.76, 18.24, -24.49

 

CMYK 4 / 6 / 0 / 49

HEX #7E7B83

RGB 126 123 131

HSL 262.5, 0.03%, 0.5%

LAB 52.11, 2.75, -3.95

 

CMYK 81 / 68 / 0 / 16

HEX #2845D6

RGB 40 69 214

HSL 230, 0.69%, 0.5%

LAB 37.05, 42.4, -76.66

 

CMYK 73 / 81 / 0 / 16

HEX #3A28D6

RGB 58 40 214

HSL 246.21, 0.69%, 0.5%

LAB 32.42, 59.33, -84.27

 

CMYK 51 / 81 / 0 / 16

HEX #6828D6

RGB 104 40 214

HSL 262.07, 0.69%, 0.5%

LAB 36.59, 63.66, -77.25

 

CMYK 30 / 81 / 0 / 16

HEX #9628D6

RGB 150 40 214

HSL 277.93, 0.69%, 0.5%

LAB 42.55, 70.02, -67.25

 

CMYK 8 / 81 / 0 / 16

HEX #C428D6

RGB 196 40 214

HSL 293.79, 0.69%, 0.5%

LAB 49.63, 77.75, -55.45

 

CMYK 51 / 81 / 0 / 44

HEX #471B90

RGB 71 27 144

HSL 262.56, 0.68%, 0.34%

LAB 24.12, 46.42, -56.11

 

CMYK 51 / 81 / 0 / 30

HEX #5822B3

RGB 88 34 179

HSL 262.34, 0.68%, 0.42%

LAB 30.58, 55.08, -66.69

 

CMYK 51 / 81 / 0 / 16

HEX #6928D6

RGB 105 40 214

HSL 262.41, 0.69%, 0.5%

LAB 36.7, 63.77, -77.06

 

CMYK 41 / 66 / 0 / 14

HEX #814BDC

RGB 129 75 220

HSL 262.34, 0.67%, 0.58%

LAB 45.45, 53.28, -66.08

 

CMYK 33 / 52 / 0 / 11

HEX #996EE3

RGB 153 110 227

HSL 262.05, 0.68%, 0.66%

LAB 55.55, 41.5, -53.64

 

CMYK 50 / 80 / 0 / 16

HEX #6A2AD6

RGB 106 42 214

HSL 262.33, 0.68%, 0.5%

LAB 37.07, 63.14, -76.45

 

CMYK 0 / 81 / 46 / 16

HEX #D62873

RGB 214 40 115

HSL 334.14, 0.69%, 0.5%

LAB 48.32, 69.06, 1.45

 

CMYK 79 / 0 / 81 / 16

HEX #2ED628

RGB 46 214 40

HSL 117.93, 0.69%, 0.5%

LAB 75.34, -71, 67

 

CMYK 50 / 80 / 0 / 16

HEX #6A2AD6

RGB 106 42 214

HSL 262.33, 0.68%, 0.5%

LAB 37.07, 63.14, -76.45

 

CMYK 0 / 51 / 81 / 16

HEX #D66828

RGB 214 104 40

HSL 22.07, 0.69%, 0.5%

LAB 56.44, 39.43, 53.44

 

CMYK 81 / 0 / 51 / 16

HEX #28D668

RGB 40 214 104

HSL 142.07, 0.69%, 0.5%

LAB 75.79, -65.26, 42.31

 

CMYK 50 / 80 / 0 / 16

HEX #6A2AD6

RGB 106 42 214

HSL 262.33, 0.68%, 0.5%

LAB 37.07, 63.14, -76.45

 

CMYK 0 / 81 / 46 / 16

HEX #D62873

RGB 214 40 115

HSL 334.14, 0.69%, 0.5%

LAB 48.32, 69.06, 1.45

 

CMYK 30 / 0 / 81 / 16

HEX #96D628

RGB 150 214 40

HSL 82.07, 0.69%, 0.5%

LAB 78.89, -43.88, 71.53

 

CMYK 81 / 0 / 35 / 16

HEX #28D68B

RGB 40 214 139

HSL 154.14, 0.69%, 0.5%

LAB 76.32, -59.08, 25.38

 

CMYK 50 / 80 / 0 / 16

HEX #6A2AD6

RGB 106 42 214

HSL 262.33, 0.68%, 0.5%

LAB 37.07, 63.14, -76.45

 

CMYK 0 / 81 / 71 / 16

HEX #D6283F

RGB 214 40 63

HSL 352.07, 0.69%, 0.5%

LAB 47.2, 65.69, 31.71

 

CMYK 30 / 0 / 81 / 16

HEX #96D628

RGB 150 214 40

HSL 82.07, 0.69%, 0.5%

LAB 78.89, -43.88, 71.53

 

CMYK 81 / 0 / 11 / 16

HEX #28D6BF

RGB 40 214 191

HSL 172.07, 0.69%, 0.5%

LAB 77.46, -46.79, -0.59

 

Description

Color code: RGB 106 42 214 | qconv.com Color code: RGB 106 42 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 42 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 42 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 80 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 80% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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