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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 190 126 it is the complementary color RGB 149 65 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 190 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 190 126 shade: RGB 111 190 121, RGB 128 208 140, RGB 145 226 159, RGB 162 244 178 and RGB 179 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 190 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 190 126 shade: RGB 106 190 126, RGB 89 172 107, RGB 72 154 88, RGB 55 136 69 and RGB 38 118 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 190 126 shade: RGB 106 189 126, RGB 108 189 106, RGB 131 189 106, RGB 153 189 106 and RGB 176 189 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 190 126 shade: RGB 106 189 126, RGB 106 189 148, RGB 106 189 171, RGB 106 185 189 and RGB 106 163 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 190 126 shade matches the following richer shades: RGB 106 189 126, RGB 88 206 116, RGB 71 224 107 and RGB 54 241 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 190 126 shade: RGB 106 189 126, RGB 123 172 135, RGB 140 155 144, RGB 158 137 153 and RGB 175 120 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 190 126 shade: RGB 131 189 106, RGB 108 189 106, RGB 106 189 125, RGB 106 189 147 and RGB 106 189 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 190 126 shade: RGB 65 148 84, RGB 77 176 101, RGB 106 189 126, RGB 134 202 150 and RGB 163 214 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 190 126 shade: RGB 106 190 126, RGB 106 153 189 and RGB 189 106 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 190 126 shade: RGB 106 190 126, RGB 125 106 189 and RGB 189 125 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 190 126 shade: RGB 106 190 126, RGB 106 153 189, RGB 189 106 170 and RGB 189 142 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 190 126 shade: RGB 106 190 126, RGB 106 128 189, RGB 189 106 170 and RGB 189 167 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 34 / 25

HEX #6ABE7E

RGB 106 190 126

HSL 134.29, 0.39%, 0.58%

LAB 70.45, -39.46, 24.59

 

Complementary color

CMYK 0 / 56 / 13 / 42

HEX #954181

RGB 149 65 129

HSL 314.29, 0.39%, 0.42%

LAB 40.82, 43.51, -19.52

 

CMYK 42 / 0 / 36 / 25

HEX #6FBE79

RGB 111 190 121

HSL 127.59, 0.38%, 0.59%

LAB 70.59, -38.86, 27.44

 

CMYK 38 / 0 / 33 / 18

HEX #80D08C

RGB 128 208 140

HSL 129, 0.46%, 0.66%

LAB 77.04, -38.62, 26.25

 

CMYK 36 / 0 / 30 / 11

HEX #91E29F

RGB 145 226 159

HSL 130.37, 0.58%, 0.73%

LAB 83.4, -38.36, 25.14

 

CMYK 34 / 0 / 27 / 4

HEX #A2F4B2

RGB 162 244 178

HSL 131.71, 0.79%, 0.8%

LAB 89.67, -38.1, 24.08

 

CMYK 30 / 0 / 23 / 0

HEX #B3FFC5

RGB 179 255 197

HSL 134.21, 1%, 0.85%

LAB 93.94, -34.66, 20.41

 

CMYK 44 / 0 / 34 / 25

HEX #6ABE7E

RGB 106 190 126

HSL 134.29, 0.39%, 0.58%

LAB 70.45, -39.46, 24.59

 

CMYK 48 / 0 / 38 / 33

HEX #59AC6B

RGB 89 172 107

HSL 133.01, 0.33%, 0.51%

LAB 63.91, -39.66, 25.85

 

CMYK 53 / 0 / 43 / 40

HEX #489A58

RGB 72 154 88

HSL 131.71, 0.36%, 0.44%

LAB 57.26, -39.77, 27.2

 

CMYK 60 / 0 / 49 / 47

HEX #378845

RGB 55 136 69

HSL 130.37, 0.42%, 0.37%

LAB 50.51, -39.72, 28.65

 

CMYK 68 / 0 / 58 / 54

HEX #267632

RGB 38 118 50

HSL 129, 0.51%, 0.31%

LAB 43.65, -39.35, 30.15

 

CMYK 44 / 0 / 33 / 26

HEX #6ABD7E

RGB 106 189 126

HSL 134.46, 0.39%, 0.58%

LAB 70.15, -39.02, 24.18

 

CMYK 43 / 0 / 44 / 26

HEX #6CBD6A

RGB 108 189 106

HSL 118.55, 0.39%, 0.58%

LAB 69.91, -41.69, 34.33

 

CMYK 31 / 0 / 44 / 26

HEX #83BD6A

RGB 131 189 106

HSL 101.93, 0.39%, 0.58%

LAB 71.05, -34.18, 36.01

 

CMYK 19 / 0 / 44 / 26

HEX #99BD6A

RGB 153 189 106

HSL 86.02, 0.39%, 0.58%

LAB 72.37, -26.18, 37.95

 

CMYK 7 / 0 / 44 / 26

HEX #B0BD6A

RGB 176 189 106

HSL 69.4, 0.39%, 0.58%

LAB 73.98, -17.22, 40.31

 

CMYK 44 / 0 / 33 / 26

HEX #6ABD7E

RGB 106 189 126

HSL 134.46, 0.39%, 0.58%

LAB 70.15, -39.02, 24.18

 

CMYK 44 / 0 / 22 / 26

HEX #6ABD94

RGB 106 189 148

HSL 150.36, 0.39%, 0.58%

LAB 70.59, -34.76, 12.96

 

CMYK 44 / 0 / 10 / 26

HEX #6ABDAB

RGB 106 189 171

HSL 166.99, 0.39%, 0.58%

LAB 71.15, -29.64, 1.22

 

CMYK 44 / 2 / 0 / 26

HEX #6AB9BD

RGB 106 185 189

HSL 182.89, 0.39%, 0.58%

LAB 70.48, -23.2, -9.62

 

CMYK 44 / 14 / 0 / 26

HEX #6AA3BD

RGB 106 163 189

HSL 198.8, 0.39%, 0.58%

LAB 64.11, -11.7, -19.23

 

CMYK 44 / 0 / 33 / 26

HEX #6ABD7E

RGB 106 189 126

HSL 134.46, 0.39%, 0.58%

LAB 70.15, -39.02, 24.18

 

CMYK 57 / 0 / 44 / 19

HEX #58CE74

RGB 88 206 116

HSL 134.24, 0.55%, 0.58%

LAB 74.49, -52.5, 34.97

 

CMYK 68 / 0 / 52 / 12

HEX #47E06B

RGB 71 224 107

HSL 134.12, 0.71%, 0.58%

LAB 79.45, -63.92, 45.49

 

CMYK 78 / 0 / 59 / 5

HEX #36F162

RGB 54 241 98

HSL 134.12, 0.87%, 0.58%

LAB 84.27, -73.18, 55.22

 

CMYK 44 / 0 / 33 / 26

HEX #6ABD7E

RGB 106 189 126

HSL 134.46, 0.39%, 0.58%

LAB 70.15, -39.02, 24.18

 

CMYK 28 / 0 / 22 / 33

HEX #7BAC87

RGB 123 172 135

HSL 134.69, 0.23%, 0.58%

LAB 66.11, -24.05, 13.89

 

CMYK 10 / 0 / 7 / 39

HEX #8C9B90

RGB 140 155 144

HSL 136, 0.07%, 0.58%

LAB 62.53, -7.53, 3.94

 

CMYK 0 / 13 / 3 / 38

HEX #9E8999

RGB 158 137 153

HSL 314.29, 0.1%, 0.58%

LAB 59.4, 10.82, -5.58

 

CMYK 0 / 31 / 7 / 31

HEX #AF78A2

RGB 175 120 162

HSL 314.18, 0.26%, 0.58%

LAB 57.23, 28.24, -13.82

 

CMYK 31 / 0 / 44 / 26

HEX #83BD6A

RGB 131 189 106

HSL 101.93, 0.39%, 0.58%

LAB 71.05, -34.18, 36.01

 

CMYK 43 / 0 / 44 / 26

HEX #6CBD6A

RGB 108 189 106

HSL 118.55, 0.39%, 0.58%

LAB 69.91, -41.69, 34.33

 

CMYK 44 / 0 / 34 / 26

HEX #6ABD7D

RGB 106 189 125

HSL 133.73, 0.39%, 0.58%

LAB 70.13, -39.2, 24.69

 

CMYK 44 / 0 / 22 / 26

HEX #6ABD93

RGB 106 189 147

HSL 149.64, 0.39%, 0.58%

LAB 70.57, -34.97, 13.47

 

CMYK 44 / 0 / 10 / 26

HEX #6ABDAA

RGB 106 189 170

HSL 166.27, 0.39%, 0.58%

LAB 71.12, -29.88, 1.73

 

CMYK 56 / 0 / 43 / 42

HEX #419454

RGB 65 148 84

HSL 133.73, 0.39%, 0.42%

LAB 55.01, -39.73, 26.39

 

CMYK 56 / 0 / 43 / 31

HEX #4DB065

RGB 77 176 101

HSL 134.55, 0.39%, 0.5%

LAB 64.62, -45.53, 29.87

 

CMYK 44 / 0 / 33 / 26

HEX #6ABD7E

RGB 106 189 126

HSL 134.46, 0.39%, 0.58%

LAB 70.15, -39.02, 24.18

 

CMYK 34 / 0 / 26 / 21

HEX #86CA96

RGB 134 202 150

HSL 134.12, 0.39%, 0.66%

LAB 75.77, -32.27, 19.3

 

CMYK 24 / 0 / 18 / 16

HEX #A3D6AF

RGB 163 214 175

HSL 134.12, 0.38%, 0.74%

LAB 81.28, -24.23, 13.97

 

CMYK 44 / 0 / 34 / 25

HEX #6ABE7E

RGB 106 190 126

HSL 134.29, 0.39%, 0.58%

LAB 70.45, -39.46, 24.59

 

CMYK 44 / 19 / 0 / 26

HEX #6A99BD

RGB 106 153 189

HSL 206.02, 0.39%, 0.58%

LAB 61.24, -6.2, -23.61

 

CMYK 0 / 44 / 37 / 26

HEX #BD6A78

RGB 189 106 120

HSL 349.88, 0.39%, 0.58%

LAB 54.54, 34.61, 6.89

 

CMYK 44 / 0 / 34 / 25

HEX #6ABE7E

RGB 106 190 126

HSL 134.29, 0.39%, 0.58%

LAB 70.45, -39.46, 24.59

 

CMYK 34 / 44 / 0 / 26

HEX #7D6ABD

RGB 125 106 189

HSL 253.73, 0.39%, 0.58%

LAB 49.91, 26.57, -41.16

 

CMYK 0 / 34 / 44 / 26

HEX #BD7D6A

RGB 189 125 106

HSL 13.73, 0.39%, 0.58%

LAB 58.53, 22.62, 20.55

 

CMYK 44 / 0 / 34 / 25

HEX #6ABE7E

RGB 106 190 126

HSL 134.29, 0.39%, 0.58%

LAB 70.45, -39.46, 24.59

 

CMYK 44 / 19 / 0 / 26

HEX #6A99BD

RGB 106 153 189

HSL 206.02, 0.39%, 0.58%

LAB 61.24, -6.2, -23.61

 

CMYK 0 / 44 / 10 / 26

HEX #BD6AAA

RGB 189 106 170

HSL 313.73, 0.39%, 0.58%

LAB 56.12, 41.97, -19.98

 

CMYK 0 / 25 / 44 / 26

HEX #BD8E6A

RGB 189 142 106

HSL 26.02, 0.39%, 0.58%

LAB 62.68, 13.2, 26.08

 

CMYK 44 / 0 / 34 / 25

HEX #6ABE7E

RGB 106 190 126

HSL 134.29, 0.39%, 0.58%

LAB 70.45, -39.46, 24.59

 

CMYK 44 / 32 / 0 / 26

HEX #6A80BD

RGB 106 128 189

HSL 224.1, 0.39%, 0.58%

LAB 54.21, 8.25, -34.49

 

CMYK 0 / 44 / 10 / 26

HEX #BD6AAA

RGB 189 106 170

HSL 313.73, 0.39%, 0.58%

LAB 56.12, 41.97, -19.98

 

CMYK 0 / 12 / 44 / 26

HEX #BDA76A

RGB 189 167 106

HSL 44.1, 0.39%, 0.58%

LAB 69.11, -0.44, 34.42

 

Description

Color code: RGB 106 190 126 | qconv.com Color code: RGB 106 190 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 190 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 190 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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