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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 198 252 it is the complementary color RGB 149 57 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 198 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 198 252 shade: RGB 111 198 247, RGB 128 216 255, RGB 145 234 255, RGB 162 252 255 and RGB 179 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 198 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 198 252 shade: RGB 106 198 252, RGB 89 180 233, RGB 72 162 214, RGB 55 144 195 and RGB 38 126 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 198 252 shade: RGB 105 197 251, RGB 105 158 251, RGB 105 118 251, RGB 131 105 251 and RGB 170 105 251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 198 252 shade: RGB 105 197 251, RGB 105 158 251, RGB 105 118 251 and RGB 105 105 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 198 252 shade matches the following richer shades: RGB 105 197 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 198 252 shade: RGB 105 197 251, RGB 117 194 239, RGB 129 191 227, RGB 142 187 214 and RGB 154 184 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 198 252 shade: RGB 105 251 227, RGB 105 237 251, RGB 105 198 251, RGB 105 158 251 and RGB 105 119 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 198 252 shade: RGB 24 166 250, RGB 64 182 251, RGB 105 197 251, RGB 145 213 252 and RGB 185 228 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 198 252 shade: RGB 106 198 252, RGB 188 105 251 and RGB 251 247 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 198 252 shade: RGB 106 198 252, RGB 251 105 198 and RGB 198 251 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 198 252 shade: RGB 106 198 252, RGB 188 105 251, RGB 251 158 105 and RGB 168 251 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 198 252 shade: RGB 106 198 252, RGB 232 105 251, RGB 251 158 105 and RGB 124 251 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 21 / 0 / 1

HEX #6AC6FC

RGB 106 198 252

HSL 202.19, 0.96%, 0.7%

LAB 76.36, -12.18, -34.86

 

Complementary color

CMYK 0 / 62 / 98 / 42

HEX #953903

RGB 149 57 3

HSL 22.19, 0.96%, 0.3%

LAB 36.6, 36.55, 46.75

 

CMYK 55 / 20 / 0 / 3

HEX #6FC6F7

RGB 111 198 247

HSL 201.62, 0.89%, 0.7%

LAB 76.36, -12.69, -32.16

 

CMYK 50 / 15 / 0 / 0

HEX #80D8FF

RGB 128 216 255

HSL 198.43, 1%, 0.75%

LAB 82.34, -16.22, -27.2

 

CMYK 43 / 8 / 0 / 0

HEX #91EAFF

RGB 145 234 255

HSL 191.45, 1%, 0.78%

LAB 88.01, -21.43, -18.52

 

CMYK 36 / 1 / 0 / 0

HEX #A2FCFF

RGB 162 252 255

HSL 181.94, 1%, 0.82%

LAB 93.68, -26.08, -9.96

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 58 / 21 / 0 / 1

HEX #6AC6FC

RGB 106 198 252

HSL 202.19, 0.96%, 0.7%

LAB 76.36, -12.18, -34.86

 

CMYK 62 / 23 / 0 / 9

HEX #59B4E9

RGB 89 180 233

HSL 202.08, 0.77%, 0.63%

LAB 69.93, -11.5, -34.61

 

CMYK 66 / 24 / 0 / 16

HEX #48A2D6

RGB 72 162 214

HSL 201.97, 0.63%, 0.56%

LAB 63.4, -10.64, -34.34

 

CMYK 72 / 26 / 0 / 24

HEX #3790C3

RGB 55 144 195

HSL 201.86, 0.56%, 0.49%

LAB 56.78, -9.54, -34.06

 

CMYK 78 / 28 / 0 / 31

HEX #267EB0

RGB 38 126 176

HSL 201.74, 0.64%, 0.42%

LAB 50.06, -8.11, -33.73

 

CMYK 58 / 22 / 0 / 2

HEX #69C5FB

RGB 105 197 251

HSL 202.19, 0.95%, 0.7%

LAB 76.01, -12.14, -34.87

 

CMYK 58 / 37 / 0 / 2

HEX #699EFB

RGB 105 158 251

HSL 218.22, 0.95%, 0.7%

LAB 65.3, 9.55, -51.64

 

CMYK 58 / 53 / 0 / 2

HEX #6976FB

RGB 105 118 251

HSL 234.66, 0.95%, 0.7%

LAB 55, 33.34, -68.12

 

CMYK 48 / 58 / 0 / 2

HEX #8369FB

RGB 131 105 251

HSL 250.68, 0.95%, 0.7%

LAB 53.91, 45.84, -69.77

 

CMYK 32 / 58 / 0 / 2

HEX #AA69FB

RGB 170 105 251

HSL 266.71, 0.95%, 0.7%

LAB 57.67, 54.14, -63.53

 

CMYK 58 / 22 / 0 / 2

HEX #69C5FB

RGB 105 197 251

HSL 202.19, 0.95%, 0.7%

LAB 76.01, -12.14, -34.87

 

CMYK 58 / 37 / 0 / 2

HEX #699EFB

RGB 105 158 251

HSL 218.22, 0.95%, 0.7%

LAB 65.3, 9.55, -51.64

 

CMYK 58 / 53 / 0 / 2

HEX #6976FB

RGB 105 118 251

HSL 234.66, 0.95%, 0.7%

LAB 55, 33.34, -68.12

 

CMYK 58 / 58 / 0 / 2

HEX #6969FB

RGB 105 105 251

HSL 240, 0.95%, 0.7%

LAB 51.92, 41.09, -73.1

 

CMYK 58 / 22 / 0 / 2

HEX #69C5FB

RGB 105 197 251

HSL 202.19, 0.95%, 0.7%

LAB 76.01, -12.14, -34.87

 

CMYK 58 / 22 / 0 / 2

HEX #69C5FB

RGB 105 197 251

HSL 202.19, 0.95%, 0.7%

LAB 76.01, -12.14, -34.87

 

CMYK 51 / 19 / 0 / 6

HEX #75C2EF

RGB 117 194 239

HSL 202.13, 0.79%, 0.7%

LAB 75.2, -11.64, -29.63

 

CMYK 43 / 16 / 0 / 11

HEX #81BFE3

RGB 129 191 227

HSL 202.04, 0.64%, 0.7%

LAB 74.49, -10.58, -24.18

 

CMYK 34 / 13 / 0 / 16

HEX #8EBBD6

RGB 142 187 214

HSL 202.5, 0.47%, 0.7%

LAB 73.64, -8.4, -18.36

 

CMYK 24 / 9 / 0 / 21

HEX #9AB8CA

RGB 154 184 202

HSL 202.5, 0.31%, 0.7%

LAB 73.16, -6.15, -12.46

 

CMYK 58 / 0 / 10 / 2

HEX #69FBE3

RGB 105 251 227

HSL 170.14, 0.95%, 0.7%

LAB 90.57, -44.76, -0.26

 

CMYK 58 / 6 / 0 / 2

HEX #69EDFB

RGB 105 237 251

HSL 185.75, 0.95%, 0.7%

LAB 87.26, -32.19, -17.7

 

CMYK 58 / 21 / 0 / 2

HEX #69C6FB

RGB 105 198 251

HSL 201.78, 0.95%, 0.7%

LAB 76.29, -12.67, -34.44

 

CMYK 58 / 37 / 0 / 2

HEX #699EFB

RGB 105 158 251

HSL 218.22, 0.95%, 0.7%

LAB 65.3, 9.55, -51.64

 

CMYK 58 / 53 / 0 / 2

HEX #6977FB

RGB 105 119 251

HSL 234.25, 0.95%, 0.7%

LAB 55.24, 32.74, -67.72

 

CMYK 90 / 34 / 0 / 2

HEX #18A6FA

RGB 24 166 250

HSL 202.3, 0.96%, 0.54%

LAB 65.25, -5.07, -51.3

 

CMYK 75 / 27 / 0 / 2

HEX #40B6FB

RGB 64 182 251

HSL 202.14, 0.96%, 0.62%

LAB 70.53, -10.37, -43.49

 

CMYK 58 / 22 / 0 / 2

HEX #69C5FB

RGB 105 197 251

HSL 202.19, 0.95%, 0.7%

LAB 76.01, -12.14, -34.87

 

CMYK 42 / 15 / 0 / 1

HEX #91D5FC

RGB 145 213 252

HSL 201.87, 0.95%, 0.78%

LAB 82.18, -11.55, -25.77

 

CMYK 27 / 10 / 0 / 1

HEX #B9E4FD

RGB 185 228 253

HSL 202.06, 0.94%, 0.86%

LAB 88.4, -8.39, -16.68

 

CMYK 58 / 21 / 0 / 1

HEX #6AC6FC

RGB 106 198 252

HSL 202.19, 0.96%, 0.7%

LAB 76.36, -12.18, -34.86

 

CMYK 25 / 58 / 0 / 2

HEX #BC69FB

RGB 188 105 251

HSL 274.11, 0.95%, 0.7%

LAB 59.67, 58.27, -60.21

 

CMYK 0 / 2 / 58 / 2

HEX #FBF769

RGB 251 247 105

HSL 58.36, 0.95%, 0.7%

LAB 95.18, -15.98, 67.02

 

CMYK 58 / 21 / 0 / 1

HEX #6AC6FC

RGB 106 198 252

HSL 202.19, 0.96%, 0.7%

LAB 76.36, -12.18, -34.86

 

CMYK 0 / 58 / 21 / 2

HEX #FB69C6

RGB 251 105 198

HSL 321.78, 0.95%, 0.7%

LAB 65.51, 65.41, -20.87

 

CMYK 21 / 0 / 58 / 2

HEX #C6FB69

RGB 198 251 105

HSL 81.78, 0.95%, 0.7%

LAB 92.58, -38.32, 63.11

 

CMYK 58 / 21 / 0 / 1

HEX #6AC6FC

RGB 106 198 252

HSL 202.19, 0.96%, 0.7%

LAB 76.36, -12.18, -34.86

 

CMYK 25 / 58 / 0 / 2

HEX #BC69FB

RGB 188 105 251

HSL 274.11, 0.95%, 0.7%

LAB 59.67, 58.27, -60.21

 

CMYK 0 / 37 / 58 / 2

HEX #FB9E69

RGB 251 158 105

HSL 21.78, 0.95%, 0.7%

LAB 73.53, 29.62, 41.9

 

CMYK 33 / 0 / 58 / 2

HEX #A8FB69

RGB 168 251 105

HSL 94.11, 0.95%, 0.7%

LAB 90.93, -48.88, 60.8

 

CMYK 58 / 21 / 0 / 1

HEX #6AC6FC

RGB 106 198 252

HSL 202.19, 0.96%, 0.7%

LAB 76.36, -12.18, -34.86

 

CMYK 8 / 58 / 0 / 2

HEX #E869FB

RGB 232 105 251

HSL 292.19, 0.95%, 0.7%

LAB 65.14, 68.78, -51.17

 

CMYK 0 / 37 / 58 / 2

HEX #FB9E69

RGB 251 158 105

HSL 21.78, 0.95%, 0.7%

LAB 73.53, 29.62, 41.9

 

CMYK 51 / 0 / 58 / 2

HEX #7CFB69

RGB 124 251 105

HSL 112.19, 0.95%, 0.7%

LAB 89.06, -62.13, 58.16

 

Description

Color code: RGB 106 198 252 | qconv.com Color code: RGB 106 198 252 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 198 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 198 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 21 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 21% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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