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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 14 149 it is the complementary color RGB 149 241 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 14 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 14 149 shade: RGB 111 14 144, RGB 128 32 163, RGB 145 50 182, RGB 162 68 201 and RGB 179 86 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 14 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 14 149 shade: RGB 106 14 149, RGB 89 0 130, RGB 72 0 111, RGB 55 0 92 and RGB 38 0 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 14 149 shade: RGB 106 13 149, RGB 142 13 149, RGB 149 13 119, RGB 149 13 82 and RGB 149 13 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 14 149 shade: RGB 106 13 149, RGB 69 13 149, RGB 33 13 149 and RGB 13 13 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 14 149 shade matches the following richer shades: RGB 106 13 149 and RGB 110 0 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 14 149 shade: RGB 106 13 149, RGB 101 27 136, RGB 96 40 122, RGB 91 53 109 and RGB 87 66 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 14 149 shade: RGB 31 13 149, RGB 68 13 149, RGB 104 13 149, RGB 140 13 149 and RGB 149 13 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 14 149 shade: RGB 52 6 73, RGB 79 10 111, RGB 106 13 149, RGB 133 17 187 and RGB 159 20 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 14 149 shade: RGB 106 14 149, RGB 149 13 31 and RGB 13 149 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 14 149 shade: RGB 106 14 149, RGB 149 104 13 and RGB 13 149 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 14 149 shade: RGB 106 14 149, RGB 149 13 31, RGB 59 149 13 and RGB 13 149 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 14 149 shade: RGB 106 14 149, RGB 149 36 13, RGB 59 149 13 and RGB 13 126 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 91 / 0 / 42

HEX #6A0E95

RGB 106 14 149

HSL 280.89, 0.83%, 0.32%

LAB 28.24, 56.78, -52.25

 

Complementary color

CMYK 38 / 0 / 56 / 5

HEX #95F16A

RGB 149 241 106

HSL 100.89, 0.83%, 0.68%

LAB 87.16, -50.83, 55.79

 

CMYK 23 / 90 / 0 / 44

HEX #6F0E90

RGB 111 14 144

HSL 284.77, 0.82%, 0.31%

LAB 28.66, 56.55, -48.44

 

CMYK 21 / 80 / 0 / 36

HEX #8020A3

RGB 128 32 163

HSL 283.97, 0.67%, 0.38%

LAB 34.53, 58.44, -50.4

 

CMYK 20 / 73 / 0 / 29

HEX #9132B6

RGB 145 50 182

HSL 283.18, 0.57%, 0.45%

LAB 40.7, 59.12, -51.64

 

CMYK 19 / 66 / 0 / 21

HEX #A244C9

RGB 162 68 201

HSL 282.41, 0.55%, 0.53%

LAB 47.02, 59.11, -52.45

 

CMYK 19 / 61 / 0 / 14

HEX #B356DC

RGB 179 86 220

HSL 281.64, 0.66%, 0.6%

LAB 53.39, 58.72, -52.98

 

CMYK 29 / 91 / 0 / 42

HEX #6A0E95

RGB 106 14 149

HSL 280.89, 0.83%, 0.32%

LAB 28.24, 56.78, -52.25

 

CMYK 32 / 100 / 0 / 49

HEX #590082

RGB 89 0 130

HSL 281.08, 1%, 0.25%

LAB 22.78, 53.33, -49.44

 

CMYK 35 / 100 / 0 / 56

HEX #48006F

RGB 72 0 111

HSL 278.92, 1%, 0.22%

LAB 18.03, 47.19, -45.15

 

CMYK 40 / 100 / 0 / 64

HEX #37005C

RGB 55 0 92

HSL 275.87, 1%, 0.18%

LAB 13.14, 40.87, -40.73

 

CMYK 48 / 100 / 0 / 71

HEX #260049

RGB 38 0 73

HSL 271.23, 1%, 0.14%

LAB 8.07, 34.34, -36.15

 

CMYK 29 / 91 / 0 / 42

HEX #6A0D95

RGB 106 13 149

HSL 281.03, 0.84%, 0.32%

LAB 28.17, 56.99, -52.36

 

CMYK 5 / 91 / 0 / 42

HEX #8E0D95

RGB 142 13 149

HSL 296.91, 0.84%, 0.32%

LAB 34.41, 62.88, -41.96

 

CMYK 0 / 91 / 20 / 42

HEX #950D77

RGB 149 13 119

HSL 313.24, 0.84%, 0.32%

LAB 34, 59.79, -23.88

 

CMYK 0 / 91 / 45 / 42

HEX #950D52

RGB 149 13 82

HSL 329.56, 0.84%, 0.32%

LAB 32.45, 55.6, -2.43

 

CMYK 0 / 91 / 69 / 42

HEX #950D2E

RGB 149 13 46

HSL 345.44, 0.84%, 0.32%

LAB 31.52, 53, 20.05

 

CMYK 29 / 91 / 0 / 42

HEX #6A0D95

RGB 106 13 149

HSL 281.03, 0.84%, 0.32%

LAB 28.17, 56.99, -52.36

 

CMYK 54 / 91 / 0 / 42

HEX #450D95

RGB 69 13 149

HSL 264.71, 0.84%, 0.32%

LAB 22.73, 52.38, -61.5

 

CMYK 78 / 91 / 0 / 42

HEX #210D95

RGB 33 13 149

HSL 248.82, 0.84%, 0.32%

LAB 19.15, 49.74, -67.56

 

CMYK 91 / 91 / 0 / 42

HEX #0D0D95

RGB 13 13 149

HSL 240, 0.84%, 0.32%

LAB 18.11, 49.07, -69.3

 

CMYK 29 / 91 / 0 / 42

HEX #6A0D95

RGB 106 13 149

HSL 281.03, 0.84%, 0.32%

LAB 28.17, 56.99, -52.36

 

CMYK 32 / 100 / 0 / 36

HEX #6E00A2

RGB 110 0 162

HSL 280.74, 1%, 0.32%

LAB 29.22, 62.39, -58.57

 

CMYK 29 / 91 / 0 / 42

HEX #6A0D95

RGB 106 13 149

HSL 281.03, 0.84%, 0.32%

LAB 28.17, 56.99, -52.36

 

CMYK 26 / 80 / 0 / 47

HEX #651B88

RGB 101 27 136

HSL 280.73, 0.67%, 0.32%

LAB 27.65, 49.48, -45.19

 

CMYK 21 / 67 / 0 / 52

HEX #60287A

RGB 96 40 122

HSL 280.98, 0.51%, 0.32%

LAB 27.87, 39.6, -36.08

 

CMYK 17 / 51 / 0 / 57

HEX #5B356D

RGB 91 53 109

HSL 280.71, 0.35%, 0.32%

LAB 29.09, 27.88, -25.92

 

CMYK 9 / 31 / 0 / 62

HEX #574260

RGB 87 66 96

HSL 282, 0.19%, 0.32%

LAB 31.27, 15.28, -14.26

 

CMYK 79 / 91 / 0 / 42

HEX #1F0D95

RGB 31 13 149

HSL 247.94, 0.84%, 0.32%

LAB 19.01, 49.65, -67.79

 

CMYK 54 / 91 / 0 / 42

HEX #440D95

RGB 68 13 149

HSL 264.26, 0.84%, 0.32%

LAB 22.61, 52.28, -61.71

 

CMYK 30 / 91 / 0 / 42

HEX #680D95

RGB 104 13 149

HSL 280.15, 0.84%, 0.32%

LAB 27.85, 56.7, -52.91

 

CMYK 6 / 91 / 0 / 42

HEX #8C0D95

RGB 140 13 149

HSL 296.03, 0.84%, 0.32%

LAB 34.05, 62.53, -42.56

 

CMYK 0 / 91 / 18 / 42

HEX #950D7A

RGB 149 13 122

HSL 311.91, 0.84%, 0.32%

LAB 34.15, 60.19, -25.54

 

CMYK 29 / 92 / 0 / 71

HEX #340649

RGB 52 6 73

HSL 281.19, 0.85%, 0.15%

LAB 11.56, 33.46, -30.33

 

CMYK 29 / 91 / 0 / 56

HEX #4F0A6F

RGB 79 10 111

HSL 280.99, 0.83%, 0.24%

LAB 20.15, 45.47, -41.64

 

CMYK 29 / 91 / 0 / 42

HEX #6A0D95

RGB 106 13 149

HSL 281.03, 0.84%, 0.32%

LAB 28.17, 56.99, -52.36

 

CMYK 29 / 91 / 0 / 27

HEX #8511BB

RGB 133 17 187

HSL 280.94, 0.83%, 0.4%

LAB 35.94, 67.68, -62.41

 

CMYK 29 / 91 / 0 / 12

HEX #9F14E0

RGB 159 20 224

HSL 280.88, 0.84%, 0.48%

LAB 43.14, 77.78, -71.95

 

CMYK 29 / 91 / 0 / 42

HEX #6A0E95

RGB 106 14 149

HSL 280.89, 0.83%, 0.32%

LAB 28.24, 56.78, -52.25

 

CMYK 0 / 91 / 79 / 42

HEX #950D1F

RGB 149 13 31

HSL 352.06, 0.84%, 0.32%

LAB 31.29, 52.35, 29.39

 

CMYK 91 / 0 / 67 / 42

HEX #0D9531

RGB 13 149 49

HSL 135.88, 0.84%, 0.32%

LAB 53.82, -53.86, 42.17

 

CMYK 29 / 91 / 0 / 42

HEX #6A0E95

RGB 106 14 149

HSL 280.89, 0.83%, 0.32%

LAB 28.24, 56.78, -52.25

 

CMYK 0 / 30 / 91 / 42

HEX #95680D

RGB 149 104 13

HSL 40.15, 0.84%, 0.32%

LAB 47.39, 10.76, 51.61

 

CMYK 91 / 0 / 30 / 42

HEX #0D9568

RGB 13 149 104

HSL 160.15, 0.84%, 0.32%

LAB 54.64, -44.16, 14.63

 

CMYK 29 / 91 / 0 / 42

HEX #6A0E95

RGB 106 14 149

HSL 280.89, 0.83%, 0.32%

LAB 28.24, 56.78, -52.25

 

CMYK 0 / 91 / 79 / 42

HEX #950D1F

RGB 149 13 31

HSL 352.06, 0.84%, 0.32%

LAB 31.29, 52.35, 29.39

 

CMYK 60 / 0 / 91 / 42

HEX #3B950D

RGB 59 149 13

HSL 99.71, 0.84%, 0.32%

LAB 54.51, -48.8, 54.8

 

CMYK 91 / 0 / 12 / 42

HEX #0D9583

RGB 13 149 131

HSL 172.06, 0.84%, 0.32%

LAB 55.3, -37.05, 0.19

 

CMYK 29 / 91 / 0 / 42

HEX #6A0E95

RGB 106 14 149

HSL 280.89, 0.83%, 0.32%

LAB 28.24, 56.78, -52.25

 

CMYK 0 / 76 / 91 / 42

HEX #95240D

RGB 149 36 13

HSL 10.15, 0.84%, 0.32%

LAB 33.31, 45.73, 40.84

 

CMYK 60 / 0 / 91 / 42

HEX #3B950D

RGB 59 149 13

HSL 99.71, 0.84%, 0.32%

LAB 54.51, -48.8, 54.8

 

CMYK 91 / 15 / 0 / 42

HEX #0D7E95

RGB 13 126 149

HSL 190.15, 0.84%, 0.32%

LAB 48.48, -19.99, -20.48

 

Description

Color code: RGB 106 14 149 | qconv.com Color code: RGB 106 14 149 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 14 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 14 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 91 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 91% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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