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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 131 100 it is the complementary color RGB 149 124 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 131 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 131 100 shade: RGB 111 131 95, RGB 128 149 114, RGB 145 167 133, RGB 162 185 152 and RGB 179 203 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 131 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 131 100 shade: RGB 106 131 100, RGB 89 113 81, RGB 72 95 62, RGB 55 77 43 and RGB 38 59 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 131 100 shade: RGB 105 129 99, RGB 113 129 99, RGB 121 129 99, RGB 129 129 99 and RGB 129 121 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 131 100 shade: RGB 105 129 99, RGB 99 129 102, RGB 99 129 110, RGB 99 129 118 and RGB 99 129 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 131 100 shade matches the following richer shades: RGB 105 129 99, RGB 94 148 81, RGB 82 166 62, RGB 71 185 44 and RGB 60 203 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 131 100 shade: RGB 105 129 99, RGB 116 111 118, RGB 128 92 136, RGB 139 73 155 and RGB 151 55 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 131 100 shade: RGB 121 129 99, RGB 113 129 99, RGB 105 129 99, RGB 99 129 101 and RGB 99 129 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 131 100 shade: RGB 67 83 63, RGB 86 106 81, RGB 105 129 99, RGB 125 150 119 and RGB 148 168 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 131 100 shade: RGB 106 131 100, RGB 99 129 129 and RGB 129 99 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 131 100 shade: RGB 106 131 100, RGB 99 105 129 and RGB 129 99 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 131 100 shade: RGB 106 131 100, RGB 99 129 129, RGB 123 99 129 and RGB 129 99 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 131 100 shade: RGB 106 131 100, RGB 99 120 129, RGB 123 99 129 and RGB 129 108 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 24 / 49

HEX #6A8364

RGB 106 131 100

HSL 108.39, 0.13%, 0.45%

LAB 52.08, -15.32, 13.87

 

Complementary color

CMYK 4 / 20 / 0 / 39

HEX #957C9B

RGB 149 124 155

HSL 288.39, 0.13%, 0.55%

LAB 55.25, 15.45, -13.03

 

CMYK 15 / 0 / 27 / 49

HEX #6F835F

RGB 111 131 95

HSL 93.33, 0.16%, 0.44%

LAB 52.33, -14.27, 17.13

 

CMYK 14 / 0 / 23 / 42

HEX #809572

RGB 128 149 114

HSL 96, 0.14%, 0.52%

LAB 59.25, -14.2, 16.07

 

CMYK 13 / 0 / 20 / 35

HEX #91A785

RGB 145 167 133

HSL 98.82, 0.16%, 0.59%

LAB 66.02, -14.13, 15.08

 

CMYK 12 / 0 / 18 / 27

HEX #A2B998

RGB 162 185 152

HSL 101.82, 0.19%, 0.66%

LAB 72.66, -14.07, 14.15

 

CMYK 12 / 0 / 16 / 20

HEX #B3CBAB

RGB 179 203 171

HSL 105, 0.24%, 0.73%

LAB 79.18, -14.03, 13.27

 

CMYK 19 / 0 / 24 / 49

HEX #6A8364

RGB 106 131 100

HSL 108.39, 0.13%, 0.45%

LAB 52.08, -15.32, 13.87

 

CMYK 21 / 0 / 28 / 56

HEX #597151

RGB 89 113 81

HSL 105, 0.16%, 0.38%

LAB 44.98, -15.48, 14.96

 

CMYK 24 / 0 / 35 / 63

HEX #485F3E

RGB 72 95 62

HSL 101.82, 0.21%, 0.31%

LAB 37.68, -15.65, 16.16

 

CMYK 29 / 0 / 44 / 70

HEX #374D2B

RGB 55 77 43

HSL 98.82, 0.28%, 0.24%

LAB 30.14, -15.82, 17.49

 

CMYK 36 / 0 / 59 / 77

HEX #263B18

RGB 38 59 24

HSL 96, 0.42%, 0.16%

LAB 22.32, -15.93, 18.92

 

CMYK 19 / 0 / 23 / 49

HEX #698163

RGB 105 129 99

HSL 108, 0.13%, 0.45%

LAB 51.39, -14.8, 13.47

 

CMYK 12 / 0 / 23 / 49

HEX #718163

RGB 113 129 99

HSL 92, 0.13%, 0.45%

LAB 51.96, -11.72, 14.36

 

CMYK 6 / 0 / 23 / 49

HEX #798163

RGB 121 129 99

HSL 76, 0.13%, 0.45%

LAB 52.58, -8.55, 15.31

 

CMYK 0 / 0 / 23 / 49

HEX #818163

RGB 129 129 99

HSL 60, 0.13%, 0.45%

LAB 53.24, -5.31, 16.32

 

CMYK 0 / 6 / 23 / 49

HEX #817963

RGB 129 121 99

HSL 44, 0.13%, 0.45%

LAB 50.97, -0.77, 13.19

 

CMYK 19 / 0 / 23 / 49

HEX #698163

RGB 105 129 99

HSL 108, 0.13%, 0.45%

LAB 51.39, -14.8, 13.47

 

CMYK 23 / 0 / 21 / 49

HEX #638166

RGB 99 129 102

HSL 126, 0.13%, 0.45%

LAB 51.05, -16.46, 11.21

 

CMYK 23 / 0 / 15 / 49

HEX #63816E

RGB 99 129 110

HSL 142, 0.13%, 0.45%

LAB 51.24, -14.86, 6.83

 

CMYK 23 / 0 / 9 / 49

HEX #638176

RGB 99 129 118

HSL 158, 0.13%, 0.45%

LAB 51.45, -13.14, 2.46

 

CMYK 23 / 0 / 2 / 49

HEX #63817E

RGB 99 129 126

HSL 174, 0.13%, 0.45%

LAB 51.68, -11.32, -1.88

 

CMYK 19 / 0 / 23 / 49

HEX #698163

RGB 105 129 99

HSL 108, 0.13%, 0.45%

LAB 51.39, -14.8, 13.47

 

CMYK 36 / 0 / 45 / 42

HEX #5E9451

RGB 94 148 81

HSL 108.36, 0.29%, 0.45%

LAB 56.24, -31.39, 29.83

 

CMYK 51 / 0 / 63 / 35

HEX #52A63E

RGB 82 166 62

HSL 108.46, 0.46%, 0.45%

LAB 61.15, -45.47, 44.97

 

CMYK 62 / 0 / 76 / 27

HEX #47B92C

RGB 71 185 44

HSL 108.51, 0.62%, 0.45%

LAB 66.69, -57.04, 57.77

 

CMYK 70 / 0 / 88 / 20

HEX #3CCB19

RGB 60 203 25

HSL 108.2, 0.78%, 0.45%

LAB 72.06, -66.2, 67.6

 

CMYK 19 / 0 / 23 / 49

HEX #698163

RGB 105 129 99

HSL 108, 0.13%, 0.45%

LAB 51.39, -14.8, 13.47

 

CMYK 2 / 6 / 0 / 54

HEX #746F76

RGB 116 111 118

HSL 282.86, 0.03%, 0.45%

LAB 47.48, 3.35, -3.19

 

CMYK 6 / 32 / 0 / 47

HEX #805C88

RGB 128 92 136

HSL 289.09, 0.19%, 0.45%

LAB 44.26, 22.91, -18.72

 

CMYK 10 / 53 / 0 / 39

HEX #8B499B

RGB 139 73 155

HSL 288.29, 0.36%, 0.45%

LAB 42.19, 41.28, -33.27

 

CMYK 13 / 68 / 0 / 32

HEX #9737AE

RGB 151 55 174

HSL 288.4, 0.52%, 0.45%

LAB 41.79, 56.8, -45.11

 

CMYK 6 / 0 / 23 / 49

HEX #798163

RGB 121 129 99

HSL 76, 0.13%, 0.45%

LAB 52.58, -8.55, 15.31

 

CMYK 12 / 0 / 23 / 49

HEX #718163

RGB 113 129 99

HSL 92, 0.13%, 0.45%

LAB 51.96, -11.72, 14.36

 

CMYK 19 / 0 / 23 / 49

HEX #698163

RGB 105 129 99

HSL 108, 0.13%, 0.45%

LAB 51.39, -14.8, 13.47

 

CMYK 23 / 0 / 22 / 49

HEX #638165

RGB 99 129 101

HSL 124, 0.13%, 0.45%

LAB 51.03, -16.66, 11.75

 

CMYK 23 / 0 / 16 / 49

HEX #63816D

RGB 99 129 109

HSL 140, 0.13%, 0.45%

LAB 51.22, -15.07, 7.37

 

CMYK 19 / 0 / 24 / 67

HEX #43533F

RGB 67 83 63

HSL 108, 0.14%, 0.29%

LAB 33.43, -10.67, 9.7

 

CMYK 19 / 0 / 24 / 58

HEX #566A51

RGB 86 106 81

HSL 108, 0.13%, 0.37%

LAB 42.58, -12.77, 11.62

 

CMYK 19 / 0 / 23 / 49

HEX #698163

RGB 105 129 99

HSL 108, 0.13%, 0.45%

LAB 51.39, -14.8, 13.47

 

CMYK 17 / 0 / 21 / 41

HEX #7D9677

RGB 125 150 119

HSL 108.39, 0.13%, 0.53%

LAB 59.44, -14.98, 13.48

 

CMYK 12 / 0 / 15 / 34

HEX #94A88F

RGB 148 168 143

HSL 108, 0.13%, 0.61%

LAB 66.74, -11.81, 10.59

 

CMYK 19 / 0 / 24 / 49

HEX #6A8364

RGB 106 131 100

HSL 108.39, 0.13%, 0.45%

LAB 52.08, -15.32, 13.87

 

CMYK 23 / 0 / 0 / 49

HEX #638181

RGB 99 129 129

HSL 180, 0.13%, 0.45%

LAB 51.77, -10.62, -3.51

 

CMYK 0 / 23 / 9 / 49

HEX #816375

RGB 129 99 117

HSL 324, 0.13%, 0.45%

LAB 45.46, 15.27, -5.44

 

CMYK 19 / 0 / 24 / 49

HEX #6A8364

RGB 106 131 100

HSL 108.39, 0.13%, 0.45%

LAB 52.08, -15.32, 13.87

 

CMYK 23 / 19 / 0 / 49

HEX #636981

RGB 99 105 129

HSL 228, 0.13%, 0.45%

LAB 44.72, 3.34, -14.06

 

CMYK 0 / 23 / 19 / 49

HEX #816369

RGB 129 99 105

HSL 348, 0.13%, 0.45%

LAB 45.1, 13.1, 1.27

 

CMYK 19 / 0 / 24 / 49

HEX #6A8364

RGB 106 131 100

HSL 108.39, 0.13%, 0.45%

LAB 52.08, -15.32, 13.87

 

CMYK 23 / 0 / 0 / 49

HEX #638181

RGB 99 129 129

HSL 180, 0.13%, 0.45%

LAB 51.77, -10.62, -3.51

 

CMYK 5 / 23 / 0 / 49

HEX #7B6381

RGB 123 99 129

HSL 288, 0.13%, 0.45%

LAB 45.25, 15.45, -13.05

 

CMYK 0 / 23 / 23 / 49

HEX #816363

RGB 129 99 99

HSL 0, 0.13%, 0.45%

LAB 44.93, 12.1, 4.66

 

CMYK 19 / 0 / 24 / 49

HEX #6A8364

RGB 106 131 100

HSL 108.39, 0.13%, 0.45%

LAB 52.08, -15.32, 13.87

 

CMYK 23 / 7 / 0 / 49

HEX #637881

RGB 99 120 129

HSL 198, 0.13%, 0.45%

LAB 49.09, -5.51, -7.47

 

CMYK 5 / 23 / 0 / 49

HEX #7B6381

RGB 123 99 129

HSL 288, 0.13%, 0.45%

LAB 45.25, 15.45, -13.05

 

CMYK 0 / 16 / 23 / 49

HEX #816C63

RGB 129 108 99

HSL 18, 0.13%, 0.45%

LAB 47.36, 6.78, 8.12

 

Description

Color code: RGB 106 131 100 | qconv.com Color code: RGB 106 131 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 131 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 131 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 24 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 24% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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