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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 82 115 it is the complementary color RGB 150 173 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 82 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 82 115 shade: RGB 110 82 110, RGB 127 100 129, RGB 144 118 148, RGB 161 136 167 and RGB 178 154 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 82 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 82 115 shade: RGB 105 82 115, RGB 88 64 96, RGB 71 46 77, RGB 54 28 58 and RGB 37 10 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 82 115 shade: RGB 106 82 116, RGB 115 82 116, RGB 116 82 108, RGB 116 82 99 and RGB 116 82 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 82 115 shade: RGB 106 82 116, RGB 96 82 116, RGB 87 82 116 and RGB 82 82 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 82 115 shade matches the following richer shades: RGB 106 82 116, RGB 112 66 132, RGB 118 50 148, RGB 125 34 164 and RGB 131 18 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 82 115 shade: RGB 106 82 116, RGB 99 98 100, RGB 93 114 84, RGB 87 130 68 and RGB 80 146 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 82 115 shade: RGB 87 82 116, RGB 96 82 116, RGB 105 82 116, RGB 114 82 116 and RGB 116 82 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 82 115 shade: RGB 62 48 68, RGB 84 65 92, RGB 106 82 116, RGB 128 99 140 and RGB 148 121 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 82 115 shade: RGB 105 82 115, RGB 116 82 86 and RGB 82 116 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 82 115 shade: RGB 105 82 115, RGB 116 105 82 and RGB 82 116 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 82 115 shade: RGB 105 82 115, RGB 116 82 86, RGB 93 116 82 and RGB 82 116 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 82 115 shade: RGB 105 82 115, RGB 116 88 82, RGB 93 116 82 and RGB 82 110 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 29 / 0 / 55

HEX #695273

RGB 105 82 115

HSL 281.82, 0.17%, 0.39%

LAB 38.33, 16.2, -15.22

 

Complementary color

CMYK 13 / 0 / 19 / 32

HEX #96AD8C

RGB 150 173 140

HSL 101.82, 0.17%, 0.61%

LAB 68.22, -14.24, 14.34

 

CMYK 0 / 25 / 0 / 57

HEX #6E526E

RGB 110 82 110

HSL 300, 0.15%, 0.38%

LAB 38.68, 16.95, -11.54

 

CMYK 2 / 22 / 0 / 49

HEX #7F6481

RGB 127 100 129

HSL 295.86, 0.13%, 0.45%

LAB 45.92, 16.3, -11.99

 

CMYK 3 / 20 / 0 / 42

HEX #907694

RGB 144 118 148

HSL 292, 0.12%, 0.52%

LAB 52.98, 15.73, -12.43

 

CMYK 4 / 19 / 0 / 35

HEX #A188A7

RGB 161 136 167

HSL 288.39, 0.15%, 0.59%

LAB 59.87, 15.22, -12.86

 

CMYK 4 / 17 / 0 / 27

HEX #B29ABA

RGB 178 154 186

HSL 285, 0.19%, 0.67%

LAB 66.61, 14.75, -13.27

 

CMYK 9 / 29 / 0 / 55

HEX #695273

RGB 105 82 115

HSL 281.82, 0.17%, 0.39%

LAB 38.33, 16.2, -15.22

 

CMYK 8 / 33 / 0 / 62

HEX #584060

RGB 88 64 96

HSL 285, 0.2%, 0.31%

LAB 30.85, 16.92, -14.9

 

CMYK 8 / 40 / 0 / 70

HEX #472E4D

RGB 71 46 77

HSL 288.39, 0.25%, 0.24%

LAB 23.1, 17.75, -14.58

 

CMYK 7 / 52 / 0 / 77

HEX #361C3A

RGB 54 28 58

HSL 292, 0.35%, 0.17%

LAB 15.06, 18.67, -14.19

 

CMYK 5 / 74 / 0 / 85

HEX #250A27

RGB 37 10 39

HSL 295.86, 0.59%, 0.1%

LAB 6.84, 19.2, -13.4

 

CMYK 9 / 29 / 0 / 55

HEX #6A5274

RGB 106 82 116

HSL 282.35, 0.17%, 0.39%

LAB 38.48, 16.79, -15.6

 

CMYK 1 / 29 / 0 / 55

HEX #735274

RGB 115 82 116

HSL 298.24, 0.17%, 0.39%

LAB 39.48, 20.05, -13.98

 

CMYK 0 / 29 / 7 / 55

HEX #74526C

RGB 116 82 108

HSL 314.12, 0.17%, 0.39%

LAB 39.29, 18.8, -9.31

 

CMYK 0 / 29 / 15 / 55

HEX #745263

RGB 116 82 99

HSL 330, 0.17%, 0.39%

LAB 38.98, 17.09, -4.19

 

CMYK 0 / 29 / 22 / 55

HEX #74525A

RGB 116 82 90

HSL 345.88, 0.17%, 0.39%

LAB 38.7, 15.51, 0.99

 

CMYK 9 / 29 / 0 / 55

HEX #6A5274

RGB 106 82 116

HSL 282.35, 0.17%, 0.39%

LAB 38.48, 16.79, -15.6

 

CMYK 17 / 29 / 0 / 55

HEX #605274

RGB 96 82 116

HSL 264.71, 0.17%, 0.39%

LAB 37.45, 13.23, -17.27

 

CMYK 25 / 29 / 0 / 55

HEX #575274

RGB 87 82 116

HSL 248.82, 0.17%, 0.39%

LAB 36.6, 10.12, -18.65

 

CMYK 29 / 29 / 0 / 55

HEX #525274

RGB 82 82 116

HSL 240, 0.17%, 0.39%

LAB 36.16, 8.44, -19.37

 

CMYK 9 / 29 / 0 / 55

HEX #6A5274

RGB 106 82 116

HSL 282.35, 0.17%, 0.39%

LAB 38.48, 16.79, -15.6

 

CMYK 15 / 50 / 0 / 48

HEX #704284

RGB 112 66 132

HSL 281.82, 0.33%, 0.39%

LAB 36, 32.13, -29.28

 

CMYK 20 / 66 / 0 / 42

HEX #763294

RGB 118 50 148

HSL 281.63, 0.49%, 0.39%

LAB 34.54, 45.94, -41.36

 

CMYK 24 / 79 / 0 / 36

HEX #7D22A4

RGB 125 34 164

HSL 282, 0.66%, 0.39%

LAB 34.36, 57.43, -51.3

 

CMYK 27 / 90 / 0 / 29

HEX #8312B4

RGB 131 18 180

HSL 281.85, 0.82%, 0.39%

LAB 35.11, 65.84, -59.62

 

CMYK 9 / 29 / 0 / 55

HEX #6A5274

RGB 106 82 116

HSL 282.35, 0.17%, 0.39%

LAB 38.48, 16.79, -15.6

 

CMYK 1 / 2 / 0 / 61

HEX #636264

RGB 99 98 100

HSL 270, 0.01%, 0.39%

LAB 41.7, 0.81, -1

 

CMYK 18 / 0 / 26 / 55

HEX #5D7254

RGB 93 114 84

HSL 102, 0.15%, 0.39%

LAB 45.64, -13.93, 14.14

 

CMYK 33 / 0 / 48 / 49

HEX #578244

RGB 87 130 68

HSL 101.61, 0.31%, 0.39%

LAB 49.99, -27.1, 28.84

 

CMYK 45 / 0 / 65 / 43

HEX #509233

RGB 80 146 51

HSL 101.68, 0.48%, 0.39%

LAB 54.56, -38.91, 42.58

 

CMYK 25 / 29 / 0 / 55

HEX #575274

RGB 87 82 116

HSL 248.82, 0.17%, 0.39%

LAB 36.6, 10.12, -18.65

 

CMYK 17 / 29 / 0 / 55

HEX #605274

RGB 96 82 116

HSL 264.71, 0.17%, 0.39%

LAB 37.45, 13.23, -17.27

 

CMYK 9 / 29 / 0 / 55

HEX #695274

RGB 105 82 116

HSL 280.59, 0.17%, 0.39%

LAB 38.37, 16.43, -15.77

 

CMYK 2 / 29 / 0 / 55

HEX #725274

RGB 114 82 116

HSL 296.47, 0.17%, 0.39%

LAB 39.37, 19.69, -14.17

 

CMYK 0 / 29 / 6 / 55

HEX #74526D

RGB 116 82 109

HSL 312.35, 0.17%, 0.39%

LAB 39.33, 18.99, -9.88

 

CMYK 9 / 29 / 0 / 73

HEX #3E3044

RGB 62 48 68

HSL 282, 0.17%, 0.23%

LAB 22.14, 10.76, -10.09

 

CMYK 9 / 29 / 0 / 64

HEX #54415C

RGB 84 65 92

HSL 282.22, 0.17%, 0.31%

LAB 30.49, 13.85, -12.92

 

CMYK 9 / 29 / 0 / 55

HEX #6A5274

RGB 106 82 116

HSL 282.35, 0.17%, 0.39%

LAB 38.48, 16.79, -15.6

 

CMYK 9 / 29 / 0 / 45

HEX #80638C

RGB 128 99 140

HSL 282.44, 0.17%, 0.47%

LAB 46.19, 19.61, -18.17

 

CMYK 7 / 24 / 0 / 37

HEX #9479A0

RGB 148 121 160

HSL 281.54, 0.17%, 0.55%

LAB 54.56, 17.89, -16.97

 

CMYK 9 / 29 / 0 / 55

HEX #695273

RGB 105 82 115

HSL 281.82, 0.17%, 0.39%

LAB 38.33, 16.2, -15.22

 

CMYK 0 / 29 / 26 / 55

HEX #745256

RGB 116 82 86

HSL 352.94, 0.17%, 0.39%

LAB 38.58, 14.85, 3.31

 

CMYK 29 / 0 / 21 / 55

HEX #52745C

RGB 82 116 92

HSL 137.65, 0.17%, 0.39%

LAB 45.71, -17.58, 9.41

 

CMYK 9 / 29 / 0 / 55

HEX #695273

RGB 105 82 115

HSL 281.82, 0.17%, 0.39%

LAB 38.33, 16.2, -15.22

 

CMYK 0 / 9 / 29 / 55

HEX #746952

RGB 116 105 82

HSL 40.59, 0.17%, 0.39%

LAB 44.84, 0.42, 14.53

 

CMYK 29 / 0 / 9 / 55

HEX #527469

RGB 82 116 105

HSL 160.59, 0.17%, 0.39%

LAB 46.05, -14.72, 2.17

 

CMYK 9 / 29 / 0 / 55

HEX #695273

RGB 105 82 115

HSL 281.82, 0.17%, 0.39%

LAB 38.33, 16.2, -15.22

 

CMYK 0 / 29 / 26 / 55

HEX #745256

RGB 116 82 86

HSL 352.94, 0.17%, 0.39%

LAB 38.58, 14.85, 3.31

 

CMYK 20 / 0 / 29 / 55

HEX #5D7452

RGB 93 116 82

HSL 100.59, 0.17%, 0.39%

LAB 46.21, -15.38, 16.1

 

CMYK 29 / 0 / 3 / 55

HEX #527470

RGB 82 116 112

HSL 172.94, 0.17%, 0.39%

LAB 46.25, -13.04, -1.71

 

CMYK 9 / 29 / 0 / 55

HEX #695273

RGB 105 82 115

HSL 281.82, 0.17%, 0.39%

LAB 38.33, 16.2, -15.22

 

CMYK 0 / 24 / 29 / 55

HEX #745852

RGB 116 88 82

HSL 10.59, 0.17%, 0.39%

LAB 40.08, 10.58, 7.93

 

CMYK 20 / 0 / 29 / 55

HEX #5D7452

RGB 93 116 82

HSL 100.59, 0.17%, 0.39%

LAB 46.21, -15.38, 16.1

 

CMYK 29 / 5 / 0 / 55

HEX #526E74

RGB 82 110 116

HSL 190.59, 0.17%, 0.39%

LAB 44.53, -8.62, -6.66

 

Description

Color code: RGB 105 82 115 | qconv.com Color code: RGB 105 82 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 82 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 82 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 29 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 29% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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