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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 65 211 it is the complementary color RGB 150 190 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 65 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 65 211 shade: RGB 110 65 206, RGB 127 83 225, RGB 144 101 244, RGB 161 119 255 and RGB 178 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 65 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 65 211 shade: RGB 105 65 211, RGB 88 47 192, RGB 71 29 173, RGB 54 11 154 and RGB 37 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 65 211 shade: RGB 104 64 210, RGB 144 64 210, RGB 183 64 210, RGB 210 64 198 and RGB 210 64 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 65 211 shade: RGB 104 64 210, RGB 65 64 210 and RGB 64 64 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 65 211 shade matches the following richer shades: RGB 104 64 210, RGB 96 45 229 and RGB 87 27 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 65 211 shade: RGB 104 64 210, RGB 113 83 191, RGB 121 102 172, RGB 130 121 153 and RGB 139 140 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 65 211 shade: RGB 64 103 210, RGB 64 64 210, RGB 103 64 210, RGB 142 64 210 and RGB 181 64 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 65 211 shade: RGB 69 36 156, RGB 84 44 189, RGB 104 64 210, RGB 131 98 218 and RGB 157 131 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 65 211 shade: RGB 105 65 211, RGB 210 64 142 and RGB 84 210 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 65 211 shade: RGB 105 65 211, RGB 210 103 64 and RGB 64 210 103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 65 211 shade: RGB 105 65 211, RGB 210 64 142, RGB 171 210 64 and RGB 64 210 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 65 211 shade: RGB 105 65 211, RGB 210 64 98, RGB 171 210 64 and RGB 64 210 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 69 / 0 / 17

HEX #6941D3

RGB 105 65 211

HSL 256.44, 0.62%, 0.54%

LAB 40.39, 51.71, -69.27

 

Complementary color

CMYK 21 / 0 / 77 / 25

HEX #96BE2C

RGB 150 190 44

HSL 76.44, 0.62%, 0.46%

LAB 71.89, -33.01, 64.02

 

CMYK 47 / 68 / 0 / 19

HEX #6E41CE

RGB 110 65 206

HSL 259.15, 0.59%, 0.53%

LAB 40.49, 51.19, -66.2

 

CMYK 44 / 63 / 0 / 12

HEX #7F53E1

RGB 127 83 225

HSL 258.59, 0.7%, 0.6%

LAB 47.15, 50.01, -66.17

 

CMYK 41 / 59 / 0 / 4

HEX #9065F4

RGB 144 101 244

HSL 258.04, 0.87%, 0.68%

LAB 53.78, 48.8, -66.04

 

CMYK 37 / 53 / 0 / 0

HEX #A177FF

RGB 161 119 255

HSL 258.53, 1%, 0.73%

LAB 59.88, 45.57, -62.23

 

CMYK 30 / 46 / 0 / 0

HEX #B289FF

RGB 178 137 255

HSL 260.85, 1%, 0.77%

LAB 65.42, 39.78, -53.31

 

CMYK 50 / 69 / 0 / 17

HEX #6941D3

RGB 105 65 211

HSL 256.44, 0.62%, 0.54%

LAB 40.39, 51.71, -69.27

 

CMYK 54 / 76 / 0 / 25

HEX #582FC0

RGB 88 47 192

HSL 256.97, 0.61%, 0.47%

LAB 33.8, 52.84, -69.08

 

CMYK 59 / 83 / 0 / 32

HEX #471DAD

RGB 71 29 173

HSL 257.5, 0.71%, 0.4%

LAB 27.4, 53.48, -68.41

 

CMYK 65 / 93 / 0 / 40

HEX #360B9A

RGB 54 11 154

HSL 258.04, 0.87%, 0.32%

LAB 21.42, 52.92, -66.81

 

CMYK 73 / 100 / 0 / 47

HEX #250087

RGB 37 0 135

HSL 256.44, 1%, 0.26%

LAB 16.22, 50.16, -63.67

 

CMYK 50 / 70 / 0 / 18

HEX #6840D2

RGB 104 64 210

HSL 256.44, 0.62%, 0.54%

LAB 40.02, 51.78, -69.31

 

CMYK 31 / 70 / 0 / 18

HEX #9040D2

RGB 144 64 210

HSL 272.88, 0.62%, 0.54%

LAB 44.59, 59.07, -61.67

 

CMYK 13 / 70 / 0 / 18

HEX #B740D2

RGB 183 64 210

HSL 288.9, 0.62%, 0.54%

LAB 49.96, 67.08, -52.74

 

CMYK 0 / 70 / 6 / 18

HEX #D240C6

RGB 210 64 198

HSL 304.93, 0.62%, 0.54%

LAB 53.43, 71, -40.08

 

CMYK 0 / 70 / 24 / 18

HEX #D2409F

RGB 210 64 159

HSL 320.96, 0.62%, 0.54%

LAB 51.69, 65.48, -20.04

 

CMYK 50 / 70 / 0 / 18

HEX #6840D2

RGB 104 64 210

HSL 256.44, 0.62%, 0.54%

LAB 40.02, 51.78, -69.31

 

CMYK 69 / 70 / 0 / 18

HEX #4140D2

RGB 65 64 210

HSL 240.41, 0.62%, 0.54%

LAB 36.83, 46.33, -74.67

 

CMYK 70 / 70 / 0 / 18

HEX #4040D2

RGB 64 64 210

HSL 240, 0.62%, 0.54%

LAB 36.76, 46.22, -74.77

 

CMYK 50 / 70 / 0 / 18

HEX #6840D2

RGB 104 64 210

HSL 256.44, 0.62%, 0.54%

LAB 40.02, 51.78, -69.31

 

CMYK 58 / 80 / 0 / 10

HEX #602DE5

RGB 96 45 229

HSL 256.63, 0.78%, 0.54%

LAB 37.88, 64.68, -83.74

 

CMYK 65 / 89 / 0 / 3

HEX #571BF8

RGB 87 27 248

HSL 256.29, 0.94%, 0.54%

LAB 37.09, 74.7, -95.84

 

CMYK 50 / 70 / 0 / 18

HEX #6840D2

RGB 104 64 210

HSL 256.44, 0.62%, 0.54%

LAB 40.02, 51.78, -69.31

 

CMYK 41 / 57 / 0 / 25

HEX #7153BF

RGB 113 83 191

HSL 256.67, 0.46%, 0.54%

LAB 43.45, 37.69, -52.7

 

CMYK 30 / 41 / 0 / 33

HEX #7966AC

RGB 121 102 172

HSL 256.29, 0.3%, 0.54%

LAB 47.68, 23.31, -34.82

 

CMYK 15 / 21 / 0 / 40

HEX #827999

RGB 130 121 153

HSL 256.88, 0.14%, 0.54%

LAB 52.64, 10.16, -15.98

 

CMYK 1 / 0 / 4 / 45

HEX #8B8C86

RGB 139 140 134

HSL 70, 0.03%, 0.54%

LAB 58.01, -1.52, 3.07

 

CMYK 70 / 51 / 0 / 18

HEX #4067D2

RGB 64 103 210

HSL 223.97, 0.62%, 0.54%

LAB 46.24, 22.02, -59.33

 

CMYK 70 / 70 / 0 / 18

HEX #4040D2

RGB 64 64 210

HSL 240, 0.62%, 0.54%

LAB 36.76, 46.22, -74.77

 

CMYK 51 / 70 / 0 / 18

HEX #6740D2

RGB 103 64 210

HSL 256.03, 0.62%, 0.54%

LAB 39.92, 51.62, -69.47

 

CMYK 32 / 70 / 0 / 18

HEX #8E40D2

RGB 142 64 210

HSL 272.05, 0.62%, 0.54%

LAB 44.33, 58.67, -62.09

 

CMYK 14 / 70 / 0 / 18

HEX #B540D2

RGB 181 64 210

HSL 288.08, 0.62%, 0.54%

LAB 49.67, 66.66, -53.22

 

CMYK 56 / 77 / 0 / 39

HEX #45249C

RGB 69 36 156

HSL 256.5, 0.63%, 0.38%

LAB 26.53, 45.32, -59.55

 

CMYK 56 / 77 / 0 / 26

HEX #542CBD

RGB 84 44 189

HSL 256.55, 0.62%, 0.46%

LAB 32.61, 52.89, -69.28

 

CMYK 50 / 70 / 0 / 18

HEX #6840D2

RGB 104 64 210

HSL 256.44, 0.62%, 0.54%

LAB 40.02, 51.78, -69.31

 

CMYK 40 / 55 / 0 / 15

HEX #8362DA

RGB 131 98 218

HSL 256.5, 0.62%, 0.62%

LAB 50.24, 40.63, -57.19

 

CMYK 31 / 42 / 0 / 11

HEX #9D83E2

RGB 157 131 226

HSL 256.42, 0.62%, 0.7%

LAB 60.69, 30.38, -44.92

 

CMYK 50 / 69 / 0 / 17

HEX #6941D3

RGB 105 65 211

HSL 256.44, 0.62%, 0.54%

LAB 40.39, 51.71, -69.27

 

CMYK 0 / 70 / 32 / 18

HEX #D2408E

RGB 210 64 142

HSL 327.95, 0.62%, 0.54%

LAB 51.06, 63.41, -10.9

 

CMYK 60 / 0 / 70 / 18

HEX #54D240

RGB 84 210 64

HSL 111.78, 0.62%, 0.54%

LAB 75.04, -61.22, 59.19

 

CMYK 50 / 69 / 0 / 17

HEX #6941D3

RGB 105 65 211

HSL 256.44, 0.62%, 0.54%

LAB 40.39, 51.71, -69.27

 

CMYK 0 / 51 / 70 / 18

HEX #D26740

RGB 210 103 64

HSL 16.03, 0.62%, 0.54%

LAB 55.86, 39.38, 41.07

 

CMYK 70 / 0 / 51 / 18

HEX #40D267

RGB 64 210 103

HSL 136.03, 0.62%, 0.54%

LAB 74.93, -60.79, 41.82

 

CMYK 50 / 69 / 0 / 17

HEX #6941D3

RGB 105 65 211

HSL 256.44, 0.62%, 0.54%

LAB 40.39, 51.71, -69.27

 

CMYK 0 / 70 / 32 / 18

HEX #D2408E

RGB 210 64 142

HSL 327.95, 0.62%, 0.54%

LAB 51.06, 63.41, -10.9

 

CMYK 19 / 0 / 70 / 18

HEX #ABD240

RGB 171 210 64

HSL 76.03, 0.62%, 0.54%

LAB 79.11, -32.89, 64.65

 

CMYK 70 / 0 / 37 / 18

HEX #40D284

RGB 64 210 132

HSL 147.95, 0.62%, 0.54%

LAB 75.36, -55.92, 27.79

 

CMYK 50 / 69 / 0 / 17

HEX #6941D3

RGB 105 65 211

HSL 256.44, 0.62%, 0.54%

LAB 40.39, 51.71, -69.27

 

CMYK 0 / 70 / 53 / 18

HEX #D24062

RGB 210 64 98

HSL 346.03, 0.62%, 0.54%

LAB 49.8, 59.13, 13.8

 

CMYK 19 / 0 / 70 / 18

HEX #ABD240

RGB 171 210 64

HSL 76.03, 0.62%, 0.54%

LAB 79.11, -32.89, 64.65

 

CMYK 70 / 0 / 16 / 18

HEX #40D2B0

RGB 64 210 176

HSL 166.03, 0.62%, 0.54%

LAB 76.26, -46.28, 5.76

 

Description

Color code: RGB 105 65 211 | qconv.com Color code: RGB 105 65 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 65 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 65 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 69 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 69% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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