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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 60 120 it is the complementary color RGB 150 195 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 60 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 60 120 shade: RGB 110 60 115, RGB 127 78 134, RGB 144 96 153, RGB 161 114 172 and RGB 178 132 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 60 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 60 120 shade: RGB 105 60 120, RGB 88 42 101, RGB 71 24 82, RGB 54 6 63 and RGB 37 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 60 120 shade: RGB 103 59 118, RGB 118 59 117, RGB 118 59 101, RGB 118 59 85 and RGB 118 59 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 60 120 shade: RGB 103 59 118, RGB 88 59 118, RGB 72 59 118 and RGB 59 59 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 60 120 shade matches the following richer shades: RGB 103 59 118, RGB 111 45 133, RGB 118 30 147, RGB 125 16 162 and RGB 132 2 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 60 120 shade: RGB 103 59 118, RGB 96 74 104, RGB 89 88 89, RGB 82 103 75 and RGB 75 117 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 60 120 shade: RGB 72 59 118, RGB 88 59 118, RGB 103 59 118, RGB 118 59 117 and RGB 118 59 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 60 120 shade: RGB 55 32 63, RGB 79 45 91, RGB 103 59 118, RGB 128 73 146 and RGB 151 89 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 60 120 shade: RGB 105 60 120, RGB 118 59 62 and RGB 59 118 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 60 120 shade: RGB 105 60 120, RGB 118 103 59 and RGB 59 118 103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 60 120 shade: RGB 105 60 120, RGB 118 59 62, RGB 74 118 59 and RGB 59 118 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 60 120 shade: RGB 105 60 120, RGB 118 74 59, RGB 74 118 59 and RGB 59 103 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 50 / 0 / 53

HEX #693C78

RGB 105 60 120

HSL 285, 0.33%, 0.35%

LAB 33.12, 30.71, -26.42

 

Complementary color

CMYK 23 / 0 / 31 / 24

HEX #96C387

RGB 150 195 135

HSL 105, 0.33%, 0.65%

LAB 74.36, -26.16, 25.47

 

CMYK 4 / 48 / 0 / 55

HEX #6E3C73

RGB 110 60 115

HSL 294.55, 0.31%, 0.34%

LAB 33.53, 31.21, -22.58

 

CMYK 5 / 42 / 0 / 47

HEX #7F4E86

RGB 127 78 134

HSL 292.5, 0.26%, 0.42%

LAB 40.71, 30.38, -23.01

 

CMYK 6 / 37 / 0 / 40

HEX #906099

RGB 144 96 153

HSL 290.53, 0.23%, 0.49%

LAB 47.75, 29.58, -23.36

 

CMYK 6 / 34 / 0 / 33

HEX #A172AC

RGB 161 114 172

HSL 288.62, 0.26%, 0.56%

LAB 54.65, 28.82, -23.67

 

CMYK 7 / 31 / 0 / 25

HEX #B284BF

RGB 178 132 191

HSL 286.78, 0.32%, 0.63%

LAB 61.42, 28.11, -23.97

 

CMYK 13 / 50 / 0 / 53

HEX #693C78

RGB 105 60 120

HSL 285, 0.33%, 0.35%

LAB 33.12, 30.71, -26.42

 

CMYK 13 / 58 / 0 / 60

HEX #582A65

RGB 88 42 101

HSL 286.78, 0.41%, 0.28%

LAB 25.77, 31.52, -26.04

 

CMYK 13 / 71 / 0 / 68

HEX #471852

RGB 71 24 82

HSL 288.62, 0.55%, 0.21%

LAB 18.37, 32.02, -25.37

 

CMYK 14 / 90 / 0 / 75

HEX #36063F

RGB 54 6 63

HSL 290.53, 0.83%, 0.14%

LAB 11.09, 31.61, -24.03

 

CMYK 16 / 100 / 0 / 83

HEX #25002C

RGB 37 0 44

HSL 290.45, 1%, 0.09%

LAB 5.2, 25.63, -19.76

 

CMYK 13 / 50 / 0 / 54

HEX #673B76

RGB 103 59 118

HSL 284.75, 0.33%, 0.35%

LAB 32.52, 30.21, -26.11

 

CMYK 0 / 50 / 1 / 54

HEX #763B75

RGB 118 59 117

HSL 301.02, 0.33%, 0.35%

LAB 34.53, 34.75, -22.2

 

CMYK 0 / 50 / 14 / 54

HEX #763B65

RGB 118 59 101

HSL 317.29, 0.33%, 0.35%

LAB 33.81, 31.75, -13.2

 

CMYK 0 / 50 / 28 / 54

HEX #763B55

RGB 118 59 85

HSL 333.56, 0.33%, 0.35%

LAB 33.21, 29.12, -3.88

 

CMYK 0 / 50 / 42 / 54

HEX #763B45

RGB 118 59 69

HSL 349.83, 0.33%, 0.35%

LAB 32.72, 26.9, 5.73

 

CMYK 13 / 50 / 0 / 54

HEX #673B76

RGB 103 59 118

HSL 284.75, 0.33%, 0.35%

LAB 32.52, 30.21, -26.11

 

CMYK 25 / 50 / 0 / 54

HEX #583B76

RGB 88 59 118

HSL 269.49, 0.33%, 0.35%

LAB 30.67, 25.55, -29.16

 

CMYK 39 / 50 / 0 / 54

HEX #483B76

RGB 72 59 118

HSL 253.22, 0.33%, 0.35%

LAB 28.94, 20.83, -32.01

 

CMYK 50 / 50 / 0 / 54

HEX #3B3B76

RGB 59 59 118

HSL 240, 0.33%, 0.35%

LAB 27.75, 17.31, -33.97

 

CMYK 13 / 50 / 0 / 54

HEX #673B76

RGB 103 59 118

HSL 284.75, 0.33%, 0.35%

LAB 32.52, 30.21, -26.11

 

CMYK 17 / 66 / 0 / 48

HEX #6F2D85

RGB 111 45 133

HSL 285, 0.49%, 0.35%

LAB 31.69, 43.35, -36.73

 

CMYK 20 / 80 / 0 / 42

HEX #761E93

RGB 118 30 147

HSL 285.13, 0.66%, 0.35%

LAB 31.55, 54, -45.56

 

CMYK 23 / 90 / 0 / 36

HEX #7D10A2

RGB 125 16 162

HSL 284.79, 0.82%, 0.35%

LAB 32.57, 61.84, -53.01

 

CMYK 25 / 99 / 0 / 31

HEX #8402B0

RGB 132 2 176

HSL 284.83, 0.98%, 0.35%

LAB 34.16, 67.57, -58.79

 

CMYK 13 / 50 / 0 / 54

HEX #673B76

RGB 103 59 118

HSL 284.75, 0.33%, 0.35%

LAB 32.52, 30.21, -26.11

 

CMYK 8 / 29 / 0 / 59

HEX #604A68

RGB 96 74 104

HSL 284, 0.17%, 0.35%

LAB 34.77, 15.39, -13.89

 

CMYK 0 / 1 / 0 / 65

HEX #595859

RGB 89 88 89

HSL 300, 0.01%, 0.35%

LAB 37.53, 0.61, -0.44

 

CMYK 20 / 0 / 27 / 60

HEX #52674B

RGB 82 103 75

HSL 105, 0.16%, 0.35%

LAB 41.22, -13.79, 13.29

 

CMYK 36 / 0 / 49 / 54

HEX #4B753C

RGB 75 117 60

HSL 104.21, 0.32%, 0.35%

LAB 45, -26.29, 26.81

 

CMYK 39 / 50 / 0 / 54

HEX #483B76

RGB 72 59 118

HSL 253.22, 0.33%, 0.35%

LAB 28.94, 20.83, -32.01

 

CMYK 25 / 50 / 0 / 54

HEX #583B76

RGB 88 59 118

HSL 269.49, 0.33%, 0.35%

LAB 30.67, 25.55, -29.16

 

CMYK 13 / 50 / 0 / 54

HEX #673B76

RGB 103 59 118

HSL 284.75, 0.33%, 0.35%

LAB 32.52, 30.21, -26.11

 

CMYK 0 / 50 / 1 / 54

HEX #763B75

RGB 118 59 117

HSL 301.02, 0.33%, 0.35%

LAB 34.53, 34.75, -22.2

 

CMYK 0 / 50 / 14 / 54

HEX #763B66

RGB 118 59 102

HSL 316.27, 0.33%, 0.35%

LAB 33.86, 31.93, -13.77

 

CMYK 13 / 49 / 0 / 75

HEX #37203F

RGB 55 32 63

HSL 284.52, 0.33%, 0.19%

LAB 16.52, 17.64, -15.4

 

CMYK 13 / 51 / 0 / 64

HEX #4F2D5B

RGB 79 45 91

HSL 284.35, 0.34%, 0.27%

LAB 24.62, 24.56, -21.41

 

CMYK 13 / 50 / 0 / 54

HEX #673B76

RGB 103 59 118

HSL 284.75, 0.33%, 0.35%

LAB 32.52, 30.21, -26.11

 

CMYK 12 / 50 / 0 / 43

HEX #804992

RGB 128 73 146

HSL 285.21, 0.33%, 0.43%

LAB 40.29, 36.12, -30.92

 

CMYK 12 / 48 / 0 / 33

HEX #9759AB

RGB 151 89 171

HSL 285.37, 0.33%, 0.51%

LAB 47.83, 39.5, -33.77

 

CMYK 13 / 50 / 0 / 53

HEX #693C78

RGB 105 60 120

HSL 285, 0.33%, 0.35%

LAB 33.12, 30.71, -26.42

 

CMYK 0 / 50 / 47 / 54

HEX #763B3E

RGB 118 59 62

HSL 356.95, 0.33%, 0.35%

LAB 32.54, 26.06, 9.99

 

CMYK 50 / 0 / 32 / 54

HEX #3B7650

RGB 59 118 80

HSL 141.36, 0.33%, 0.35%

LAB 44.89, -28.57, 15.15

 

CMYK 13 / 50 / 0 / 53

HEX #693C78

RGB 105 60 120

HSL 285, 0.33%, 0.35%

LAB 33.12, 30.71, -26.42

 

CMYK 0 / 13 / 50 / 54

HEX #76673B

RGB 118 103 59

HSL 44.75, 0.33%, 0.35%

LAB 44.04, -0.46, 26.9

 

CMYK 50 / 0 / 13 / 54

HEX #3B7667

RGB 59 118 103

HSL 164.75, 0.33%, 0.35%

LAB 45.45, -23.22, 2.34

 

CMYK 13 / 50 / 0 / 53

HEX #693C78

RGB 105 60 120

HSL 285, 0.33%, 0.35%

LAB 33.12, 30.71, -26.42

 

CMYK 0 / 50 / 47 / 54

HEX #763B3E

RGB 118 59 62

HSL 356.95, 0.33%, 0.35%

LAB 32.54, 26.06, 9.99

 

CMYK 37 / 0 / 50 / 54

HEX #4A763B

RGB 74 118 59

HSL 104.75, 0.33%, 0.35%

LAB 45.26, -27.29, 27.66

 

CMYK 50 / 0 / 3 / 54

HEX #3B7673

RGB 59 118 115

HSL 176.95, 0.33%, 0.35%

LAB 45.8, -19.99, -4.29

 

CMYK 13 / 50 / 0 / 53

HEX #693C78

RGB 105 60 120

HSL 285, 0.33%, 0.35%

LAB 33.12, 30.71, -26.42

 

CMYK 0 / 37 / 50 / 54

HEX #764A3B

RGB 118 74 59

HSL 15.25, 0.33%, 0.35%

LAB 36.11, 16.89, 16.71

 

CMYK 37 / 0 / 50 / 54

HEX #4A763B

RGB 74 118 59

HSL 104.75, 0.33%, 0.35%

LAB 45.26, -27.29, 27.66

 

CMYK 50 / 13 / 0 / 54

HEX #3B6776

RGB 59 103 118

HSL 195.25, 0.33%, 0.35%

LAB 41.12, -10.76, -13.13

 

Description

Color code: RGB 105 60 120 | qconv.com Color code: RGB 105 60 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 60 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 60 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 50 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 50% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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