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Color name
RGB 105 59 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 59 146 it is the complementary color RGB 150 196 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 59 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 59 146 shade: RGB 110 59 141, RGB 127 77 160, RGB 144 95 179, RGB 161 113 198 and RGB 178 131 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 59 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 59 146 shade: RGB 105 59 146, RGB 88 41 127, RGB 71 23 108, RGB 54 5 89 and RGB 37 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 59 146 shade: RGB 104 59 144, RGB 127 59 144, RGB 144 59 139, RGB 144 59 115 and RGB 144 59 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 59 146 shade: RGB 104 59 144, RGB 81 59 144 and RGB 59 59 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 59 146 shade matches the following richer shades: RGB 104 59 144, RGB 105 42 161, RGB 106 26 177 and RGB 107 9 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 59 146 shade: RGB 104 59 144, RGB 103 75 128, RGB 102 92 111, RGB 101 108 95 and RGB 100 125 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 59 146 shade: RGB 59 60 144, RGB 80 59 144, RGB 103 59 144, RGB 126 59 144 and RGB 144 59 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 59 146 shade: RGB 62 35 86, RGB 83 47 115, RGB 104 59 144, RGB 125 71 174 and RGB 145 96 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 59 146 shade: RGB 105 59 146, RGB 144 59 83 and RGB 59 144 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 59 146 shade: RGB 105 59 146, RGB 144 103 59 and RGB 59 144 103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 59 146 shade: RGB 105 59 146, RGB 144 59 83, RGB 100 144 59 and RGB 59 144 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 59 146 shade: RGB 105 59 146, RGB 144 60 59, RGB 100 144 59 and RGB 59 143 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 60 / 0 / 43

HEX #693B92

RGB 105 59 146

HSL 271.72, 0.42%, 0.4%

LAB 34.41, 37.52, -40.44

 

Complementary color

CMYK 23 / 0 / 44 / 23

HEX #96C46D

RGB 150 196 109

HSL 91.72, 0.42%, 0.6%

LAB 74.23, -30.29, 38.74

 

CMYK 22 / 58 / 0 / 45

HEX #6E3B8D

RGB 110 59 141

HSL 277.32, 0.41%, 0.39%

LAB 34.73, 37.62, -36.83

 

CMYK 21 / 52 / 0 / 37

HEX #7F4DA0

RGB 127 77 160

HSL 276.14, 0.35%, 0.46%

LAB 41.78, 36.76, -37

 

CMYK 20 / 47 / 0 / 30

HEX #905FB3

RGB 144 95 179

HSL 275, 0.36%, 0.54%

LAB 48.72, 35.87, -37.11

 

CMYK 19 / 43 / 0 / 22

HEX #A171C6

RGB 161 113 198

HSL 273.88, 0.43%, 0.61%

LAB 55.55, 35.02, -37.2

 

CMYK 18 / 40 / 0 / 15

HEX #B283D9

RGB 178 131 217

HSL 272.79, 0.53%, 0.68%

LAB 62.26, 34.22, -37.29

 

CMYK 28 / 60 / 0 / 43

HEX #693B92

RGB 105 59 146

HSL 271.72, 0.42%, 0.4%

LAB 34.41, 37.52, -40.44

 

CMYK 31 / 68 / 0 / 50

HEX #58297F

RGB 88 41 127

HSL 272.79, 0.51%, 0.33%

LAB 27.28, 38.35, -40.25

 

CMYK 34 / 79 / 0 / 58

HEX #47176C

RGB 71 23 108

HSL 273.88, 0.65%, 0.26%

LAB 20.18, 38.73, -39.69

 

CMYK 39 / 94 / 0 / 65

HEX #360559

RGB 54 5 89

HSL 275, 0.89%, 0.18%

LAB 13.32, 38.04, -38.42

 

CMYK 47 / 100 / 0 / 73

HEX #250046

RGB 37 0 70

HSL 271.71, 1%, 0.14%

LAB 7.55, 33.45, -34.9

 

CMYK 28 / 59 / 0 / 44

HEX #683B90

RGB 104 59 144

HSL 271.76, 0.42%, 0.4%

LAB 34.16, 36.75, -39.63

 

CMYK 12 / 59 / 0 / 44

HEX #7F3B90

RGB 127 59 144

HSL 288, 0.42%, 0.4%

LAB 37.21, 42.92, -34.58

 

CMYK 0 / 59 / 3 / 44

HEX #903B8B

RGB 144 59 139

HSL 303.53, 0.42%, 0.4%

LAB 39.45, 46.67, -27.84

 

CMYK 0 / 59 / 20 / 44

HEX #903B73

RGB 144 59 115

HSL 320.47, 0.42%, 0.4%

LAB 38.37, 42.66, -14.7

 

CMYK 0 / 59 / 36 / 44

HEX #903B5C

RGB 144 59 92

HSL 336.71, 0.42%, 0.4%

LAB 37.54, 39.43, -1.5

 

CMYK 28 / 59 / 0 / 44

HEX #683B90

RGB 104 59 144

HSL 271.76, 0.42%, 0.4%

LAB 34.16, 36.75, -39.63

 

CMYK 44 / 59 / 0 / 44

HEX #513B90

RGB 81 59 144

HSL 255.53, 0.42%, 0.4%

LAB 31.56, 30.99, -43.95

 

CMYK 59 / 59 / 0 / 44

HEX #3B3B90

RGB 59 59 144

HSL 240, 0.42%, 0.4%

LAB 29.59, 26.21, -47.22

 

CMYK 28 / 59 / 0 / 44

HEX #683B90

RGB 104 59 144

HSL 271.76, 0.42%, 0.4%

LAB 34.16, 36.75, -39.63

 

CMYK 35 / 74 / 0 / 37

HEX #692AA1

RGB 105 42 161

HSL 271.76, 0.59%, 0.4%

LAB 32.33, 49.87, -52.92

 

CMYK 40 / 85 / 0 / 31

HEX #6A1AB1

RGB 106 26 177

HSL 271.79, 0.74%, 0.4%

LAB 31.76, 59.77, -63.47

 

CMYK 45 / 95 / 0 / 24

HEX #6B09C2

RGB 107 9 194

HSL 271.78, 0.91%, 0.4%

LAB 32.29, 67.33, -72.66

 

CMYK 28 / 59 / 0 / 44

HEX #683B90

RGB 104 59 144

HSL 271.76, 0.42%, 0.4%

LAB 34.16, 36.75, -39.63

 

CMYK 20 / 41 / 0 / 50

HEX #674B80

RGB 103 75 128

HSL 271.7, 0.26%, 0.4%

LAB 36.88, 22.94, -25.5

 

CMYK 8 / 17 / 0 / 56

HEX #665C6F

RGB 102 92 111

HSL 271.58, 0.09%, 0.4%

LAB 40.62, 8.01, -9.32

 

CMYK 6 / 0 / 12 / 58

HEX #656C5F

RGB 101 108 95

HSL 92.31, 0.06%, 0.4%

LAB 44.69, -5.32, 6.36

 

CMYK 20 / 0 / 38 / 51

HEX #647D4E

RGB 100 125 78

HSL 91.91, 0.23%, 0.4%

LAB 49.41, -18.09, 22.74

 

CMYK 59 / 58 / 0 / 44

HEX #3B3C90

RGB 59 60 144

HSL 239.29, 0.42%, 0.4%

LAB 29.85, 25.56, -46.8

 

CMYK 44 / 59 / 0 / 44

HEX #503B90

RGB 80 59 144

HSL 254.82, 0.42%, 0.4%

LAB 31.46, 30.75, -44.12

 

CMYK 28 / 59 / 0 / 44

HEX #673B90

RGB 103 59 144

HSL 271.06, 0.42%, 0.4%

LAB 34.04, 36.49, -39.83

 

CMYK 13 / 59 / 0 / 44

HEX #7E3B90

RGB 126 59 144

HSL 287.29, 0.42%, 0.4%

LAB 37.07, 42.65, -34.81

 

CMYK 0 / 59 / 3 / 44

HEX #903B8C

RGB 144 59 140

HSL 302.82, 0.42%, 0.4%

LAB 39.5, 46.85, -28.37

 

CMYK 28 / 59 / 0 / 66

HEX #3E2356

RGB 62 35 86

HSL 271.76, 0.42%, 0.24%

LAB 19.63, 24.13, -26.13

 

CMYK 28 / 59 / 0 / 55

HEX #532F73

RGB 83 47 115

HSL 271.76, 0.42%, 0.32%

LAB 27.05, 30.6, -33.06

 

CMYK 28 / 59 / 0 / 44

HEX #683B90

RGB 104 59 144

HSL 271.76, 0.42%, 0.4%

LAB 34.16, 36.75, -39.63

 

CMYK 28 / 59 / 0 / 32

HEX #7D47AE

RGB 125 71 174

HSL 271.46, 0.42%, 0.48%

LAB 41.09, 42.9, -46.43

 

CMYK 24 / 49 / 0 / 25

HEX #9160BE

RGB 145 96 190

HSL 271.28, 0.42%, 0.56%

LAB 49.62, 38.17, -42.06

 

CMYK 28 / 60 / 0 / 43

HEX #693B92

RGB 105 59 146

HSL 271.72, 0.42%, 0.4%

LAB 34.41, 37.52, -40.44

 

CMYK 0 / 59 / 42 / 44

HEX #903B53

RGB 144 59 83

HSL 343.06, 0.42%, 0.4%

LAB 37.27, 38.35, 3.82

 

CMYK 59 / 0 / 52 / 44

HEX #3B9045

RGB 59 144 69

HSL 127.06, 0.42%, 0.4%

LAB 53.28, -42, 32.12

 

CMYK 28 / 60 / 0 / 43

HEX #693B92

RGB 105 59 146

HSL 271.72, 0.42%, 0.4%

LAB 34.41, 37.52, -40.44

 

CMYK 0 / 28 / 59 / 44

HEX #90673B

RGB 144 103 59

HSL 31.06, 0.42%, 0.4%

LAB 46.9, 11.36, 31.05

 

CMYK 59 / 0 / 28 / 44

HEX #3B9067

RGB 59 144 103

HSL 151.06, 0.42%, 0.4%

LAB 53.87, -35.71, 14.27

 

CMYK 28 / 60 / 0 / 43

HEX #693B92

RGB 105 59 146

HSL 271.72, 0.42%, 0.4%

LAB 34.41, 37.52, -40.44

 

CMYK 0 / 59 / 42 / 44

HEX #903B53

RGB 144 59 83

HSL 343.06, 0.42%, 0.4%

LAB 37.27, 38.35, 3.82

 

CMYK 31 / 0 / 59 / 44

HEX #64903B

RGB 100 144 59

HSL 91.06, 0.42%, 0.4%

LAB 55.04, -30.04, 39.68

 

CMYK 59 / 0 / 17 / 44

HEX #3B9078

RGB 59 144 120

HSL 163.06, 0.42%, 0.4%

LAB 54.27, -31.7, 5.13

 

CMYK 28 / 60 / 0 / 43

HEX #693B92

RGB 105 59 146

HSL 271.72, 0.42%, 0.4%

LAB 34.41, 37.52, -40.44

 

CMYK 0 / 58 / 59 / 44

HEX #903C3B

RGB 144 60 59

HSL 0.71, 0.42%, 0.4%

LAB 36.89, 35.51, 18.46

 

CMYK 31 / 0 / 59 / 44

HEX #64903B

RGB 100 144 59

HSL 91.06, 0.42%, 0.4%

LAB 55.04, -30.04, 39.68

 

CMYK 59 / 1 / 0 / 44

HEX #3B8F90

RGB 59 143 144

HSL 180.71, 0.42%, 0.4%

LAB 54.65, -24.68, -8.15

 

Description

Color code: RGB 105 59 146 | qconv.com Color code: RGB 105 59 146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 59 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 59 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 60 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 60% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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