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Color name
RGB 105 171 1

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 171 1 it is the complementary color RGB 150 84 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 171 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 171 1 shade: RGB 110 171 0, RGB 127 189 15, RGB 144 207 34, RGB 161 225 53 and RGB 178 243 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 171 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 171 1 shade: RGB 105 171 1, RGB 88 153 0, RGB 71 135 0, RGB 54 117 0 and RGB 37 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 171 1 shade: RGB 105 172 0, RGB 152 172 0, RGB 172 146 0, RGB 172 100 0 and RGB 172 53 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 171 1 shade: RGB 105 172 0, RGB 59 172 0, RGB 13 172 0, RGB 0 172 34 and RGB 0 172 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 171 1 shade matches the following richer shades: RGB 105 172 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 171 1 shade: RGB 105 172 0, RGB 102 158 14, RGB 99 144 28, RGB 96 130 42 and RGB 93 116 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 171 1 shade: RGB 172 146 0, RGB 152 172 0, RGB 106 172 0, RGB 60 172 0 and RGB 15 172 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 171 1 shade: RGB 55 90 0, RGB 80 131 0, RGB 105 172 0, RGB 131 213 1 and RGB 156 253 2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 171 1 shade: RGB 105 171 1, RGB 0 172 101 and RGB 169 0 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 171 1 shade: RGB 105 171 1, RGB 0 106 172 and RGB 172 0 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 171 1 shade: RGB 105 171 1, RGB 0 172 101, RGB 66 0 172 and RGB 172 0 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 171 1 shade: RGB 105 171 1, RGB 0 172 152, RGB 66 0 172 and RGB 172 0 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 99 / 33

HEX #69AB01

RGB 105 171 1

HSL 83.29, 0.99%, 0.34%

LAB 63.45, -43.13, 64.63

 

Complementary color

CMYK 41 / 67 / 0 / 0

HEX #9654FE

RGB 150 84 254

HSL 263.29, 0.99%, 0.66%

LAB 51.82, 61.36, -74.76

 

CMYK 36 / 0 / 100 / 33

HEX #6EAB00

RGB 110 171 0

HSL 81.4, 1%, 0.34%

LAB 63.71, -41.32, 65.07

 

CMYK 33 / 0 / 92 / 26

HEX #7FBD0F

RGB 127 189 15

HSL 81.38, 0.85%, 0.4%

LAB 70.14, -42.44, 68.66

 

CMYK 30 / 0 / 84 / 19

HEX #90CF22

RGB 144 207 34

HSL 81.85, 0.72%, 0.47%

LAB 76.48, -43.32, 70.75

 

CMYK 28 / 0 / 76 / 12

HEX #A1E135

RGB 161 225 53

HSL 82.33, 0.74%, 0.55%

LAB 82.75, -43.99, 71.65

 

CMYK 27 / 0 / 70 / 5

HEX #B2F348

RGB 178 243 72

HSL 82.81, 0.88%, 0.62%

LAB 88.94, -44.49, 71.77

 

CMYK 39 / 0 / 99 / 33

HEX #69AB01

RGB 105 171 1

HSL 83.29, 0.99%, 0.34%

LAB 63.45, -43.13, 64.63

 

CMYK 42 / 0 / 100 / 40

HEX #589900

RGB 88 153 0

HSL 85.49, 1%, 0.3%

LAB 56.94, -41.7, 59.35

 

CMYK 47 / 0 / 100 / 47

HEX #478700

RGB 71 135 0

HSL 88.44, 1%, 0.26%

LAB 50.3, -40.17, 53.83

 

CMYK 54 / 0 / 100 / 54

HEX #367500

RGB 54 117 0

HSL 92.31, 1%, 0.23%

LAB 43.52, -38.49, 48.21

 

CMYK 63 / 0 / 100 / 61

HEX #256300

RGB 37 99 0

HSL 97.58, 1%, 0.19%

LAB 36.59, -36.56, 42.48

 

CMYK 39 / 0 / 100 / 33

HEX #69AC00

RGB 105 172 0

HSL 83.37, 1%, 0.34%

LAB 63.76, -43.56, 65

 

CMYK 12 / 0 / 100 / 33

HEX #98AC00

RGB 152 172 0

HSL 66.98, 1%, 0.34%

LAB 66.66, -24.78, 68.48

 

CMYK 0 / 15 / 100 / 33

HEX #AC9200

RGB 172 146 0

HSL 50.93, 1%, 0.34%

LAB 61.07, -2.33, 65.18

 

CMYK 0 / 42 / 100 / 33

HEX #AC6400

RGB 172 100 0

HSL 34.88, 1%, 0.34%

LAB 49.36, 23.28, 57.27

 

CMYK 0 / 69 / 100 / 33

HEX #AC3500

RGB 172 53 0

HSL 18.49, 1%, 0.34%

LAB 40.11, 46.8, 51.98

 

CMYK 39 / 0 / 100 / 33

HEX #69AC00

RGB 105 172 0

HSL 83.37, 1%, 0.34%

LAB 63.76, -43.56, 65

 

CMYK 66 / 0 / 100 / 33

HEX #3BAC00

RGB 59 172 0

HSL 99.42, 1%, 0.34%

LAB 62.03, -57.09, 62.9

 

CMYK 92 / 0 / 100 / 33

HEX #0DAC00

RGB 13 172 0

HSL 115.47, 1%, 0.34%

LAB 61.3, -63.48, 62.01

 

CMYK 100 / 0 / 80 / 33

HEX #00AC22

RGB 0 172 34

HSL 131.86, 1%, 0.34%

LAB 61.33, -62.85, 55.4

 

CMYK 100 / 0 / 53 / 33

HEX #00AC51

RGB 0 172 81

HSL 148.26, 1%, 0.34%

LAB 61.74, -57.65, 36.22

 

CMYK 39 / 0 / 100 / 33

HEX #69AC00

RGB 105 172 0

HSL 83.37, 1%, 0.34%

LAB 63.76, -43.56, 65

 

CMYK 39 / 0 / 100 / 33

HEX #69AC00

RGB 105 172 0

HSL 83.37, 1%, 0.34%

LAB 63.76, -43.56, 65

 

CMYK 35 / 0 / 91 / 38

HEX #669E0E

RGB 102 158 14

HSL 83.33, 0.84%, 0.34%

LAB 59.26, -38.41, 59.36

 

CMYK 31 / 0 / 81 / 44

HEX #63901C

RGB 99 144 28

HSL 83.28, 0.67%, 0.34%

LAB 54.74, -32.77, 51.97

 

CMYK 26 / 0 / 68 / 49

HEX #60822A

RGB 96 130 42

HSL 83.18, 0.51%, 0.34%

LAB 50.24, -26.42, 42.17

 

CMYK 20 / 0 / 52 / 55

HEX #5D7438

RGB 93 116 56

HSL 83, 0.35%, 0.34%

LAB 45.78, -19.17, 30.18

 

CMYK 0 / 15 / 100 / 33

HEX #AC9200

RGB 172 146 0

HSL 50.93, 1%, 0.34%

LAB 61.07, -2.33, 65.18

 

CMYK 12 / 0 / 100 / 33

HEX #98AC00

RGB 152 172 0

HSL 66.98, 1%, 0.34%

LAB 66.66, -24.78, 68.48

 

CMYK 38 / 0 / 100 / 33

HEX #6AAC00

RGB 106 172 0

HSL 83.02, 1%, 0.34%

LAB 63.81, -43.2, 65.06

 

CMYK 65 / 0 / 100 / 33

HEX #3CAC00

RGB 60 172 0

HSL 99.07, 1%, 0.34%

LAB 62.05, -56.86, 62.93

 

CMYK 91 / 0 / 100 / 33

HEX #0FAC00

RGB 15 172 0

HSL 114.77, 1%, 0.34%

LAB 61.31, -63.35, 62.03

 

CMYK 39 / 0 / 100 / 65

HEX #375A00

RGB 55 90 0

HSL 83.33, 1%, 0.18%

LAB 34.24, -26.36, 41

 

CMYK 39 / 0 / 100 / 49

HEX #508300

RGB 80 131 0

HSL 83.36, 1%, 0.26%

LAB 49.42, -35.23, 53.34

 

CMYK 39 / 0 / 100 / 33

HEX #69AC00

RGB 105 172 0

HSL 83.37, 1%, 0.34%

LAB 63.76, -43.56, 65

 

CMYK 38 / 0 / 100 / 16

HEX #83D501

RGB 131 213 1

HSL 83.21, 0.99%, 0.42%

LAB 77.53, -51.15, 76.12

 

CMYK 38 / 0 / 99 / 1

HEX #9CFD02

RGB 156 253 2

HSL 83.19, 0.98%, 0.5%

LAB 90.47, -58.42, 86.61

 

CMYK 39 / 0 / 99 / 33

HEX #69AB01

RGB 105 171 1

HSL 83.29, 0.99%, 0.34%

LAB 63.45, -43.13, 64.63

 

CMYK 100 / 0 / 41 / 33

HEX #00AC65

RGB 0 172 101

HSL 155.23, 1%, 0.34%

LAB 62.04, -54.09, 26.25

 

CMYK 2 / 100 / 0 / 33

HEX #A900AC

RGB 169 0 172

HSL 298.95, 1%, 0.34%

LAB 40.27, 72.65, -46.2

 

CMYK 39 / 0 / 99 / 33

HEX #69AB01

RGB 105 171 1

HSL 83.29, 0.99%, 0.34%

LAB 63.45, -43.13, 64.63

 

CMYK 100 / 38 / 0 / 33

HEX #006AAC

RGB 0 106 172

HSL 203.02, 1%, 0.34%

LAB 43.19, -0.19, -42.29

 

CMYK 0 / 100 / 38 / 33

HEX #AC006A

RGB 172 0 106

HSL 323.02, 1%, 0.34%

LAB 37.5, 64.86, -9.88

 

CMYK 39 / 0 / 99 / 33

HEX #69AB01

RGB 105 171 1

HSL 83.29, 0.99%, 0.34%

LAB 63.45, -43.13, 64.63

 

CMYK 100 / 0 / 41 / 33

HEX #00AC65

RGB 0 172 101

HSL 155.23, 1%, 0.34%

LAB 62.04, -54.09, 26.25

 

CMYK 62 / 100 / 0 / 33

HEX #4200AC

RGB 66 0 172

HSL 263.02, 1%, 0.34%

LAB 24.12, 60.68, -73.25

 

CMYK 0 / 100 / 58 / 33

HEX #AC0048

RGB 172 0 72

HSL 334.88, 1%, 0.34%

LAB 36.44, 62.07, 10.46

 

CMYK 39 / 0 / 99 / 33

HEX #69AB01

RGB 105 171 1

HSL 83.29, 0.99%, 0.34%

LAB 63.45, -43.13, 64.63

 

CMYK 100 / 0 / 12 / 33

HEX #00AC98

RGB 0 172 152

HSL 173.02, 1%, 0.34%

LAB 63.15, -41.72, -0.22

 

CMYK 62 / 100 / 0 / 33

HEX #4200AC

RGB 66 0 172

HSL 263.02, 1%, 0.34%

LAB 24.12, 60.68, -73.25

 

CMYK 0 / 100 / 88 / 33

HEX #AC0014

RGB 172 0 20

HSL 353.02, 1%, 0.34%

LAB 35.64, 59.91, 41.5

 

Description

Color code: RGB 105 171 1 | qconv.com Color code: RGB 105 171 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 171 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 171 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 99 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 99% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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