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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 124 146 it is the complementary color RGB 150 131 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 124 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 124 146 shade: RGB 110 124 141, RGB 127 142 160, RGB 144 160 179, RGB 161 178 198 and RGB 178 196 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 124 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 124 146 shade: RGB 105 124 146, RGB 88 106 127, RGB 71 88 108, RGB 54 70 89 and RGB 37 52 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 124 146 shade: RGB 104 123 144, RGB 104 112 144, RGB 107 104 144, RGB 118 104 144 and RGB 129 104 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 124 146 shade: RGB 104 123 144, RGB 104 112 144 and RGB 104 104 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 124 146 shade matches the following richer shades: RGB 104 123 144, RGB 84 122 165, RGB 64 120 185, RGB 44 119 205 and RGB 24 117 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 124 146 shade: RGB 104 123 144, RGB 125 124 124, RGB 145 126 104, RGB 165 127 84 and RGB 185 129 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 124 146 shade: RGB 104 144 144, RGB 104 134 144, RGB 104 123 144, RGB 104 112 144 and RGB 107 104 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 124 146 shade: RGB 70 82 97, RGB 87 103 121, RGB 104 123 144, RGB 128 144 163 and RGB 152 165 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 124 146 shade: RGB 105 124 146, RGB 134 104 144 and RGB 139 144 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 124 146 shade: RGB 105 124 146, RGB 144 104 123 and RGB 123 144 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 124 146 shade: RGB 105 124 146, RGB 134 104 144, RGB 144 126 104 and RGB 115 144 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 124 146 shade: RGB 105 124 146, RGB 144 104 143, RGB 144 126 104 and RGB 104 144 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 15 / 0 / 43

HEX #697C92

RGB 105 124 146

HSL 212.2, 0.16%, 0.49%

LAB 51.26, -1.61, -14.17

 

Complementary color

CMYK 0 / 13 / 27 / 41

HEX #96836D

RGB 150 131 109

HSL 32.2, 0.16%, 0.51%

LAB 55.91, 3.67, 14.56

 

CMYK 22 / 12 / 0 / 45

HEX #6E7C8D

RGB 110 124 141

HSL 212.9, 0.12%, 0.49%

LAB 51.44, -1.22, -10.93

 

CMYK 21 / 11 / 0 / 37

HEX #7F8EA0

RGB 127 142 160

HSL 212.73, 0.15%, 0.56%

LAB 58.41, -1.36, -11.33

 

CMYK 20 / 11 / 0 / 30

HEX #90A0B3

RGB 144 160 179

HSL 212.57, 0.19%, 0.63%

LAB 65.22, -1.5, -11.73

 

CMYK 19 / 10 / 0 / 22

HEX #A1B2C6

RGB 161 178 198

HSL 212.43, 0.25%, 0.7%

LAB 71.89, -1.62, -12.13

 

CMYK 18 / 10 / 0 / 15

HEX #B2C4D9

RGB 178 196 217

HSL 212.31, 0.34%, 0.77%

LAB 78.44, -1.75, -12.54

 

CMYK 28 / 15 / 0 / 43

HEX #697C92

RGB 105 124 146

HSL 212.2, 0.16%, 0.49%

LAB 51.26, -1.61, -14.17

 

CMYK 31 / 17 / 0 / 50

HEX #586A7F

RGB 88 106 127

HSL 212.31, 0.18%, 0.42%

LAB 44.11, -1.42, -13.86

 

CMYK 34 / 19 / 0 / 58

HEX #47586C

RGB 71 88 108

HSL 212.43, 0.21%, 0.35%

LAB 36.75, -1.2, -13.57

 

CMYK 39 / 21 / 0 / 65

HEX #364659

RGB 54 70 89

HSL 212.57, 0.24%, 0.28%

LAB 29.12, -0.93, -13.32

 

CMYK 47 / 26 / 0 / 73

HEX #253446

RGB 37 52 70

HSL 212.73, 0.31%, 0.21%

LAB 21.18, -0.55, -13.12

 

CMYK 28 / 15 / 0 / 44

HEX #687B90

RGB 104 123 144

HSL 211.5, 0.16%, 0.49%

LAB 50.83, -1.86, -13.66

 

CMYK 28 / 22 / 0 / 44

HEX #687090

RGB 104 112 144

HSL 228, 0.16%, 0.49%

LAB 47.68, 4.64, -18.45

 

CMYK 26 / 28 / 0 / 44

HEX #6B6890

RGB 107 104 144

HSL 244.5, 0.16%, 0.49%

LAB 45.69, 10.45, -21.49

 

CMYK 18 / 28 / 0 / 44

HEX #766890

RGB 118 104 144

HSL 261, 0.16%, 0.49%

LAB 46.67, 14.1, -19.9

 

CMYK 10 / 28 / 0 / 44

HEX #816890

RGB 129 104 144

HSL 277.5, 0.16%, 0.49%

LAB 47.73, 17.86, -18.18

 

CMYK 28 / 15 / 0 / 44

HEX #687B90

RGB 104 123 144

HSL 211.5, 0.16%, 0.49%

LAB 50.83, -1.86, -13.66

 

CMYK 28 / 22 / 0 / 44

HEX #687090

RGB 104 112 144

HSL 228, 0.16%, 0.49%

LAB 47.68, 4.64, -18.45

 

CMYK 28 / 28 / 0 / 44

HEX #686890

RGB 104 104 144

HSL 240, 0.16%, 0.49%

LAB 45.44, 9.48, -21.9

 

CMYK 28 / 15 / 0 / 44

HEX #687B90

RGB 104 123 144

HSL 211.5, 0.16%, 0.49%

LAB 50.83, -1.86, -13.66

 

CMYK 49 / 26 / 0 / 35

HEX #547AA5

RGB 84 122 165

HSL 211.85, 0.33%, 0.49%

LAB 50.12, -1.06, -27.12

 

CMYK 65 / 35 / 0 / 27

HEX #4078B9

RGB 64 120 185

HSL 212.23, 0.49%, 0.49%

LAB 49.53, 2.48, -39.71

 

CMYK 79 / 42 / 0 / 20

HEX #2C77CD

RGB 44 119 205

HSL 212.05, 0.65%, 0.49%

LAB 49.66, 7.55, -51.01

 

CMYK 89 / 48 / 0 / 12

HEX #1875E1

RGB 24 117 225

HSL 212.24, 0.81%, 0.49%

LAB 49.92, 14.87, -61.95

 

CMYK 28 / 15 / 0 / 44

HEX #687B90

RGB 104 123 144

HSL 211.5, 0.16%, 0.49%

LAB 50.83, -1.86, -13.66

 

CMYK 0 / 1 / 1 / 51

HEX #7D7C7C

RGB 125 124 124

HSL 0, 0%, 0.49%

LAB 52.1, 0.38, 0.13

 

CMYK 0 / 13 / 28 / 43

HEX #917E68

RGB 145 126 104

HSL 32.2, 0.16%, 0.49%

LAB 53.96, 3.73, 14.67

 

CMYK 0 / 23 / 49 / 35

HEX #A57F54

RGB 165 127 84

HSL 31.85, 0.33%, 0.49%

LAB 55.91, 9.16, 28.94

 

CMYK 0 / 30 / 65 / 27

HEX #B98140

RGB 185 129 64

HSL 32.23, 0.49%, 0.49%

LAB 58.4, 15.07, 43.05

 

CMYK 28 / 0 / 0 / 44

HEX #689090

RGB 104 144 144

HSL 180, 0.16%, 0.49%

LAB 56.98, -13.67, -4.46

 

CMYK 28 / 7 / 0 / 44

HEX #688690

RGB 104 134 144

HSL 195, 0.16%, 0.49%

LAB 54.03, -8.15, -8.84

 

CMYK 28 / 15 / 0 / 44

HEX #687B90

RGB 104 123 144

HSL 211.5, 0.16%, 0.49%

LAB 50.83, -1.86, -13.66

 

CMYK 28 / 22 / 0 / 44

HEX #687090

RGB 104 112 144

HSL 228, 0.16%, 0.49%

LAB 47.68, 4.64, -18.45

 

CMYK 26 / 28 / 0 / 44

HEX #6B6890

RGB 107 104 144

HSL 244.5, 0.16%, 0.49%

LAB 45.69, 10.45, -21.49

 

CMYK 28 / 15 / 0 / 62

HEX #465261

RGB 70 82 97

HSL 213.33, 0.16%, 0.33%

LAB 34.4, -0.87, -10.28

 

CMYK 28 / 15 / 0 / 53

HEX #576779

RGB 87 103 121

HSL 211.76, 0.16%, 0.41%

LAB 42.92, -1.55, -12.05

 

CMYK 28 / 15 / 0 / 44

HEX #687B90

RGB 104 123 144

HSL 211.5, 0.16%, 0.49%

LAB 50.83, -1.86, -13.66

 

CMYK 21 / 12 / 0 / 36

HEX #8090A3

RGB 128 144 163

HSL 212.57, 0.16%, 0.57%

LAB 59.14, -1.46, -11.94

 

CMYK 16 / 8 / 0 / 29

HEX #98A5B4

RGB 152 165 180

HSL 212.14, 0.16%, 0.65%

LAB 67.19, -1.41, -9.29

 

CMYK 28 / 15 / 0 / 43

HEX #697C92

RGB 105 124 146

HSL 212.2, 0.16%, 0.49%

LAB 51.26, -1.61, -14.17

 

CMYK 7 / 28 / 0 / 44

HEX #866890

RGB 134 104 144

HSL 285, 0.16%, 0.49%

LAB 48.24, 19.59, -17.36

 

CMYK 3 / 0 / 28 / 44

HEX #8B9068

RGB 139 144 104

HSL 67.5, 0.16%, 0.49%

LAB 58.45, -8.78, 20.7

 

CMYK 28 / 15 / 0 / 43

HEX #697C92

RGB 105 124 146

HSL 212.2, 0.16%, 0.49%

LAB 51.26, -1.61, -14.17

 

CMYK 0 / 28 / 15 / 44

HEX #90687B

RGB 144 104 123

HSL 331.5, 0.16%, 0.49%

LAB 48.59, 19.14, -4.23

 

CMYK 15 / 0 / 28 / 44

HEX #7B9068

RGB 123 144 104

HSL 91.5, 0.16%, 0.49%

LAB 57.23, -15.1, 18.85

 

CMYK 28 / 15 / 0 / 43

HEX #697C92

RGB 105 124 146

HSL 212.2, 0.16%, 0.49%

LAB 51.26, -1.61, -14.17

 

CMYK 7 / 28 / 0 / 44

HEX #866890

RGB 134 104 144

HSL 285, 0.16%, 0.49%

LAB 48.24, 19.59, -17.36

 

CMYK 0 / 13 / 28 / 44

HEX #907E68

RGB 144 126 104

HSL 33, 0.16%, 0.49%

LAB 53.87, 3.31, 14.52

 

CMYK 20 / 0 / 28 / 44

HEX #739068

RGB 115 144 104

HSL 103.5, 0.16%, 0.49%

LAB 56.67, -18.14, 18

 

CMYK 28 / 15 / 0 / 43

HEX #697C92

RGB 105 124 146

HSL 212.2, 0.16%, 0.49%

LAB 51.26, -1.61, -14.17

 

CMYK 0 / 28 / 1 / 44

HEX #90688F

RGB 144 104 143

HSL 301.5, 0.16%, 0.49%

LAB 49.27, 22.89, -15.1

 

CMYK 0 / 13 / 28 / 44

HEX #907E68

RGB 144 126 104

HSL 33, 0.16%, 0.49%

LAB 53.87, 3.31, 14.52

 

CMYK 28 / 0 / 26 / 44

HEX #68906A

RGB 104 144 106

HSL 123, 0.16%, 0.49%

LAB 56.02, -21.79, 15.86

 

Description

Color code: RGB 105 124 146 | qconv.com Color code: RGB 105 124 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 124 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 124 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 15 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 15% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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