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Color name
RGB 104 93 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 93 94 it is the complementary color RGB 151 162 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 93 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 93 94 shade: RGB 109 93 89, RGB 126 111 108, RGB 143 129 127, RGB 160 147 146 and RGB 177 165 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 93 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 93 94 shade: RGB 104 93 94, RGB 87 75 75, RGB 70 57 56, RGB 53 39 37 and RGB 36 21 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 93 94 shade: RGB 105 93 94 and RGB 105 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 93 94 shade: RGB 105 93 94, RGB 105 93 97, RGB 105 93 101, RGB 105 93 104 and RGB 103 93 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 93 94 shade matches the following richer shades: RGB 105 93 94, RGB 121 77 81, RGB 137 61 68, RGB 153 45 55 and RGB 169 29 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 93 94 shade: RGB 105 93 94, RGB 89 109 107, RGB 73 125 120, RGB 57 141 134 and RGB 41 157 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 93 94 shade: RGB 105 93 101, RGB 105 93 97, RGB 105 93 94, RGB 105 95 93 and RGB 105 98 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 93 94 shade: RGB 61 54 55, RGB 83 74 74, RGB 105 93 94, RGB 127 112 114 and RGB 147 133 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 93 94 shade: RGB 104 93 94, RGB 104 105 93 and RGB 93 99 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 93 94 shade: RGB 104 93 94, RGB 94 105 93 and RGB 93 94 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 93 94 shade: RGB 104 93 94, RGB 104 105 93, RGB 93 105 104 and RGB 94 93 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 93 94 shade: RGB 104 93 94, RGB 100 105 93, RGB 93 105 104 and RGB 98 93 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 10 / 59

HEX #685D5E

RGB 104 93 94

HSL 354.55, 0.06%, 0.39%

LAB 40.54, 4.62, 1.04

 

Complementary color

CMYK 7 / 0 / 1 / 36

HEX #97A2A1

RGB 151 162 161

HSL 174.55, 0.06%, 0.61%

LAB 65.74, -4.09, -0.83

 

CMYK 0 / 15 / 18 / 57

HEX #6D5D59

RGB 109 93 89

HSL 12, 0.1%, 0.39%

LAB 40.9, 5.75, 4.68

 

CMYK 0 / 12 / 14 / 51

HEX #7E6F6C

RGB 126 111 108

HSL 10, 0.08%, 0.46%

LAB 48.12, 5.32, 3.81

 

CMYK 0 / 10 / 11 / 44

HEX #8F817F

RGB 143 129 127

HSL 7.5, 0.07%, 0.53%

LAB 55.15, 4.95, 3.01

 

CMYK 0 / 8 / 9 / 37

HEX #A09392

RGB 160 147 146

HSL 4.29, 0.07%, 0.6%

LAB 62.01, 4.63, 2.26

 

CMYK 0 / 7 / 7 / 31

HEX #B1A5A5

RGB 177 165 165

HSL 0, 0.07%, 0.67%

LAB 68.73, 4.33, 1.55

 

CMYK 0 / 11 / 10 / 59

HEX #685D5E

RGB 104 93 94

HSL 354.55, 0.06%, 0.39%

LAB 40.54, 4.62, 1.04

 

CMYK 0 / 14 / 14 / 66

HEX #574B4B

RGB 87 75 75

HSL 0, 0.07%, 0.32%

LAB 33.06, 5.03, 1.85

 

CMYK 0 / 19 / 20 / 73

HEX #463938

RGB 70 57 56

HSL 4.29, 0.11%, 0.25%

LAB 25.3, 5.53, 2.76

 

CMYK 0 / 26 / 30 / 79

HEX #352725

RGB 53 39 37

HSL 7.5, 0.18%, 0.18%

LAB 17.19, 6.2, 3.85

 

CMYK 0 / 42 / 50 / 86

HEX #241512

RGB 36 21 18

HSL 10, 0.33%, 0.11%

LAB 8.61, 7.18, 4.86

 

CMYK 0 / 11 / 10 / 59

HEX #695D5E

RGB 105 93 94

HSL 355, 0.06%, 0.39%

LAB 40.64, 5.02, 1.19

 

CMYK 0 / 11 / 11 / 59

HEX #695D5D

RGB 105 93 93

HSL 0, 0.06%, 0.39%

LAB 40.61, 4.83, 1.76

 

CMYK 0 / 11 / 10 / 59

HEX #695D5E

RGB 105 93 94

HSL 355, 0.06%, 0.39%

LAB 40.64, 5.02, 1.19

 

CMYK 0 / 11 / 8 / 59

HEX #695D61

RGB 105 93 97

HSL 340, 0.06%, 0.39%

LAB 40.73, 5.6, -0.52

 

CMYK 0 / 11 / 4 / 59

HEX #695D65

RGB 105 93 101

HSL 320, 0.06%, 0.39%

LAB 40.85, 6.41, -2.8

 

CMYK 0 / 11 / 1 / 59

HEX #695D68

RGB 105 93 104

HSL 305, 0.06%, 0.39%

LAB 40.95, 7.02, -4.5

 

CMYK 2 / 11 / 0 / 59

HEX #675D69

RGB 103 93 105

HSL 290, 0.06%, 0.39%

LAB 40.79, 6.46, -5.37

 

CMYK 0 / 11 / 10 / 59

HEX #695D5E

RGB 105 93 94

HSL 355, 0.06%, 0.39%

LAB 40.64, 5.02, 1.19

 

CMYK 0 / 36 / 33 / 53

HEX #794D51

RGB 121 77 81

HSL 354.55, 0.22%, 0.39%

LAB 37.78, 19.18, 5.37

 

CMYK 0 / 55 / 50 / 46

HEX #893D44

RGB 137 61 68

HSL 354.47, 0.38%, 0.39%

LAB 36.12, 33.13, 11.57

 

CMYK 0 / 71 / 64 / 40

HEX #992D37

RGB 153 45 55

HSL 354.44, 0.55%, 0.39%

LAB 35.84, 45.34, 19.93

 

CMYK 0 / 83 / 76 / 34

HEX #A91D29

RGB 169 29 41

HSL 354.86, 0.71%, 0.39%

LAB 36.88, 54.89, 30.63

 

CMYK 0 / 11 / 10 / 59

HEX #695D5E

RGB 105 93 94

HSL 355, 0.06%, 0.39%

LAB 40.64, 5.02, 1.19

 

CMYK 18 / 0 / 2 / 57

HEX #596D6B

RGB 89 109 107

HSL 174, 0.1%, 0.39%

LAB 44.41, -7.87, -1.37

 

CMYK 42 / 0 / 4 / 51

HEX #497D78

RGB 73 125 120

HSL 174.23, 0.26%, 0.39%

LAB 48.81, -18.66, -2.75

 

CMYK 60 / 0 / 5 / 45

HEX #398D86

RGB 57 141 134

HSL 175, 0.42%, 0.39%

LAB 53.64, -26.93, -3.87

 

CMYK 74 / 0 / 6 / 38

HEX #299D93

RGB 41 157 147

HSL 174.83, 0.59%, 0.39%

LAB 58.69, -33.54, -3.91

 

CMYK 0 / 11 / 4 / 59

HEX #695D65

RGB 105 93 101

HSL 320, 0.06%, 0.39%

LAB 40.85, 6.41, -2.8

 

CMYK 0 / 11 / 8 / 59

HEX #695D61

RGB 105 93 97

HSL 340, 0.06%, 0.39%

LAB 40.73, 5.6, -0.52

 

CMYK 0 / 11 / 10 / 59

HEX #695D5E

RGB 105 93 94

HSL 355, 0.06%, 0.39%

LAB 40.64, 5.02, 1.19

 

CMYK 0 / 10 / 11 / 59

HEX #695F5D

RGB 105 95 93

HSL 10, 0.06%, 0.39%

LAB 41.18, 3.62, 2.59

 

CMYK 0 / 7 / 11 / 59

HEX #69625D

RGB 105 98 93

HSL 25, 0.06%, 0.39%

LAB 42.04, 1.81, 3.84

 

CMYK 0 / 11 / 10 / 76

HEX #3D3637

RGB 61 54 55

HSL 351.43, 0.06%, 0.23%

LAB 23.36, 3.29, 0.49

 

CMYK 0 / 11 / 11 / 67

HEX #534A4A

RGB 83 74 74

HSL 0, 0.06%, 0.31%

LAB 32.33, 3.76, 1.37

 

CMYK 0 / 11 / 10 / 59

HEX #695D5E

RGB 105 93 94

HSL 355, 0.06%, 0.39%

LAB 40.64, 5.02, 1.19

 

CMYK 0 / 12 / 10 / 50

HEX #7F7072

RGB 127 112 114

HSL 352, 0.06%, 0.47%

LAB 48.65, 6.22, 1.03

 

CMYK 0 / 10 / 8 / 42

HEX #938587

RGB 147 133 135

HSL 351.43, 0.06%, 0.55%

LAB 56.81, 5.64, 0.84

 

CMYK 0 / 11 / 10 / 59

HEX #685D5E

RGB 104 93 94

HSL 354.55, 0.06%, 0.39%

LAB 40.54, 4.62, 1.04

 

CMYK 1 / 0 / 11 / 59

HEX #68695D

RGB 104 105 93

HSL 65, 0.06%, 0.39%

LAB 44, -2.75, 6.62

 

CMYK 11 / 6 / 0 / 59

HEX #5D6369

RGB 93 99 105

HSL 210, 0.06%, 0.39%

LAB 41.64, -0.98, -4.2

 

CMYK 0 / 11 / 10 / 59

HEX #685D5E

RGB 104 93 94

HSL 354.55, 0.06%, 0.39%

LAB 40.54, 4.62, 1.04

 

CMYK 10 / 0 / 11 / 59

HEX #5E695D

RGB 94 105 93

HSL 115, 0.06%, 0.39%

LAB 43.17, -6.73, 5.33

 

CMYK 11 / 10 / 0 / 59

HEX #5D5E69

RGB 93 94 105

HSL 235, 0.06%, 0.39%

LAB 40.17, 2.05, -6.39

 

CMYK 0 / 11 / 10 / 59

HEX #685D5E

RGB 104 93 94

HSL 354.55, 0.06%, 0.39%

LAB 40.54, 4.62, 1.04

 

CMYK 1 / 0 / 11 / 59

HEX #68695D

RGB 104 105 93

HSL 65, 0.06%, 0.39%

LAB 44, -2.75, 6.62

 

CMYK 11 / 0 / 1 / 59

HEX #5D6968

RGB 93 105 104

HSL 175, 0.06%, 0.39%

LAB 43.4, -4.77, -0.99

 

CMYK 10 / 11 / 0 / 59

HEX #5E5D69

RGB 94 93 105

HSL 245, 0.06%, 0.39%

LAB 39.96, 3.04, -6.69

 

CMYK 0 / 11 / 10 / 59

HEX #685D5E

RGB 104 93 94

HSL 354.55, 0.06%, 0.39%

LAB 40.54, 4.62, 1.04

 

CMYK 5 / 0 / 11 / 59

HEX #64695D

RGB 100 105 93

HSL 85, 0.06%, 0.39%

LAB 43.66, -4.36, 6.09

 

CMYK 11 / 0 / 1 / 59

HEX #5D6968

RGB 93 105 104

HSL 175, 0.06%, 0.39%

LAB 43.4, -4.77, -0.99

 

CMYK 7 / 11 / 0 / 59

HEX #625D69

RGB 98 93 105

HSL 265, 0.06%, 0.39%

LAB 40.32, 4.55, -6.11

 

Description

Color code: RGB 104 93 94 | qconv.com Color code: RGB 104 93 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 93 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 93 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 10 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 10% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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