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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 88 133 it is the complementary color RGB 151 167 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 88 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 88 133 shade: RGB 109 88 128, RGB 126 106 147, RGB 143 124 166, RGB 160 142 185 and RGB 177 160 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 88 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 88 133 shade: RGB 104 88 133, RGB 87 70 114, RGB 70 52 95, RGB 53 34 76 and RGB 36 16 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 88 133 shade: RGB 103 87 131, RGB 115 87 131, RGB 126 87 131, RGB 131 87 124 and RGB 131 87 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 88 133 shade: RGB 103 87 131, RGB 91 87 131 and RGB 87 87 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 88 133 shade matches the following richer shades: RGB 103 87 131, RGB 98 69 149, RGB 93 52 167, RGB 87 34 184 and RGB 82 16 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 88 133 shade: RGB 103 87 131, RGB 108 105 113, RGB 113 123 96, RGB 118 140 78 and RGB 123 158 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 88 133 shade: RGB 87 95 131, RGB 91 87 131, RGB 103 87 131, RGB 114 87 131 and RGB 126 87 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 88 133 shade: RGB 64 54 82, RGB 83 71 106, RGB 103 87 131, RGB 123 105 155 and RGB 144 130 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 88 133 shade: RGB 104 88 133, RGB 131 87 107 and RGB 89 131 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 88 133 shade: RGB 104 88 133, RGB 131 103 87 and RGB 87 131 103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 88 133 shade: RGB 104 88 133, RGB 131 87 107, RGB 116 131 87 and RGB 87 131 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 88 133 shade: RGB 104 88 133, RGB 131 87 94, RGB 116 131 87 and RGB 87 131 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 34 / 0 / 48

HEX #685885

RGB 104 88 133

HSL 261.33, 0.2%, 0.43%

LAB 40.6, 16.48, -22.76

 

Complementary color

CMYK 10 / 0 / 27 / 35

HEX #97A77A

RGB 151 167 122

HSL 81.33, 0.2%, 0.57%

LAB 66.23, -13.65, 21.47

 

CMYK 15 / 31 / 0 / 50

HEX #6D5880

RGB 109 88 128

HSL 271.5, 0.19%, 0.42%

LAB 40.88, 16.94, -19.25

 

CMYK 14 / 28 / 0 / 42

HEX #7E6A93

RGB 126 106 147

HSL 269.27, 0.16%, 0.5%

LAB 48.07, 16.31, -19.46

 

CMYK 14 / 25 / 0 / 35

HEX #8F7CA6

RGB 143 124 166

HSL 267.14, 0.19%, 0.57%

LAB 55.08, 15.75, -19.7

 

CMYK 14 / 23 / 0 / 27

HEX #A08EB9

RGB 160 142 185

HSL 265.12, 0.23%, 0.64%

LAB 61.93, 15.25, -19.95

 

CMYK 13 / 22 / 0 / 20

HEX #B1A0CC

RGB 177 160 204

HSL 263.18, 0.3%, 0.71%

LAB 68.64, 14.8, -20.22

 

CMYK 22 / 34 / 0 / 48

HEX #685885

RGB 104 88 133

HSL 261.33, 0.2%, 0.43%

LAB 40.6, 16.48, -22.76

 

CMYK 24 / 39 / 0 / 55

HEX #574672

RGB 87 70 114

HSL 263.18, 0.24%, 0.36%

LAB 33.18, 17.23, -22.7

 

CMYK 26 / 45 / 0 / 63

HEX #46345F

RGB 70 52 95

HSL 265.12, 0.29%, 0.29%

LAB 25.52, 18.12, -22.7

 

CMYK 30 / 55 / 0 / 70

HEX #35224C

RGB 53 34 76

HSL 267.14, 0.38%, 0.22%

LAB 17.57, 19.17, -22.74

 

CMYK 37 / 72 / 0 / 78

HEX #241039

RGB 36 16 57

HSL 269.27, 0.56%, 0.14%

LAB 9.33, 20.32, -22.73

 

CMYK 21 / 34 / 0 / 49

HEX #675783

RGB 103 87 131

HSL 261.82, 0.2%, 0.43%

LAB 40.15, 16.26, -22.26

 

CMYK 12 / 34 / 0 / 49

HEX #735783

RGB 115 87 131

HSL 278.18, 0.2%, 0.43%

LAB 41.37, 20.32, -20.26

 

CMYK 4 / 34 / 0 / 49

HEX #7E5783

RGB 126 87 131

HSL 293.18, 0.2%, 0.43%

LAB 42.6, 24.13, -18.27

 

CMYK 0 / 34 / 5 / 49

HEX #83577C

RGB 131 87 124

HSL 309.55, 0.2%, 0.43%

LAB 42.91, 24.48, -13.49

 

CMYK 0 / 34 / 15 / 49

HEX #835770

RGB 131 87 112

HSL 325.91, 0.2%, 0.43%

LAB 42.48, 22.24, -6.82

 

CMYK 21 / 34 / 0 / 49

HEX #675783

RGB 103 87 131

HSL 261.82, 0.2%, 0.43%

LAB 40.15, 16.26, -22.26

 

CMYK 31 / 34 / 0 / 49

HEX #5B5783

RGB 91 87 131

HSL 245.45, 0.2%, 0.43%

LAB 39.03, 12.35, -24.07

 

CMYK 34 / 34 / 0 / 49

HEX #575783

RGB 87 87 131

HSL 240, 0.2%, 0.43%

LAB 38.69, 11.09, -24.63

 

CMYK 21 / 34 / 0 / 49

HEX #675783

RGB 103 87 131

HSL 261.82, 0.2%, 0.43%

LAB 40.15, 16.26, -22.26

 

CMYK 34 / 54 / 0 / 42

HEX #624595

RGB 98 69 149

HSL 261.75, 0.37%, 0.43%

LAB 36.03, 30.62, -39.73

 

CMYK 44 / 69 / 0 / 35

HEX #5D34A7

RGB 93 52 167

HSL 261.39, 0.53%, 0.43%

LAB 33.08, 44.19, -55.39

 

CMYK 53 / 82 / 0 / 28

HEX #5722B8

RGB 87 34 184

HSL 261.2, 0.69%, 0.43%

LAB 30.95, 56.25, -69.05

 

CMYK 59 / 92 / 0 / 21

HEX #5210CA

RGB 82 16 202

HSL 261.29, 0.85%, 0.43%

LAB 30.47, 65.79, -80.47

 

CMYK 21 / 34 / 0 / 49

HEX #675783

RGB 103 87 131

HSL 261.82, 0.2%, 0.43%

LAB 40.15, 16.26, -22.26

 

CMYK 4 / 7 / 0 / 56

HEX #6C6971

RGB 108 105 113

HSL 262.5, 0.04%, 0.43%

LAB 44.92, 2.83, -4.06

 

CMYK 8 / 0 / 22 / 52

HEX #717B60

RGB 113 123 96

HSL 82.22, 0.12%, 0.43%

LAB 50.12, -8.91, 13.55

 

CMYK 16 / 0 / 44 / 45

HEX #768C4E

RGB 118 140 78

HSL 81.29, 0.28%, 0.43%

LAB 55.23, -18.72, 30.48

 

CMYK 22 / 0 / 62 / 38

HEX #7B9E3C

RGB 123 158 60

HSL 81.43, 0.45%, 0.43%

LAB 60.77, -27.64, 46.05

 

CMYK 34 / 27 / 0 / 49

HEX #575F83

RGB 87 95 131

HSL 229.09, 0.2%, 0.43%

LAB 40.98, 6.08, -21.09

 

CMYK 31 / 34 / 0 / 49

HEX #5B5783

RGB 91 87 131

HSL 245.45, 0.2%, 0.43%

LAB 39.03, 12.35, -24.07

 

CMYK 21 / 34 / 0 / 49

HEX #675783

RGB 103 87 131

HSL 261.82, 0.2%, 0.43%

LAB 40.15, 16.26, -22.26

 

CMYK 13 / 34 / 0 / 49

HEX #725783

RGB 114 87 131

HSL 276.82, 0.2%, 0.43%

LAB 41.27, 19.98, -20.43

 

CMYK 4 / 34 / 0 / 49

HEX #7E5783

RGB 126 87 131

HSL 293.18, 0.2%, 0.43%

LAB 42.6, 24.13, -18.27

 

CMYK 22 / 34 / 0 / 68

HEX #403652

RGB 64 54 82

HSL 261.43, 0.21%, 0.27%

LAB 24.76, 11.12, -15.4

 

CMYK 22 / 33 / 0 / 58

HEX #53476A

RGB 83 71 106

HSL 260.57, 0.2%, 0.35%

LAB 32.67, 13.12, -18.49

 

CMYK 21 / 34 / 0 / 49

HEX #675783

RGB 103 87 131

HSL 261.82, 0.2%, 0.43%

LAB 40.15, 16.26, -22.26

 

CMYK 21 / 32 / 0 / 39

HEX #7B699B

RGB 123 105 155

HSL 261.6, 0.2%, 0.51%

LAB 47.86, 17.81, -24.55

 

CMYK 16 / 24 / 0 / 33

HEX #9082AB

RGB 144 130 171

HSL 260.49, 0.2%, 0.59%

LAB 56.91, 13.73, -19.77

 

CMYK 22 / 34 / 0 / 48

HEX #685885

RGB 104 88 133

HSL 261.33, 0.2%, 0.43%

LAB 40.6, 16.48, -22.76

 

CMYK 0 / 34 / 18 / 49

HEX #83576B

RGB 131 87 107

HSL 332.73, 0.2%, 0.43%

LAB 42.31, 21.37, -4

 

CMYK 32 / 0 / 34 / 49

HEX #598357

RGB 89 131 87

HSL 117.27, 0.2%, 0.43%

LAB 50.74, -23.89, 19.29

 

CMYK 22 / 34 / 0 / 48

HEX #685885

RGB 104 88 133

HSL 261.33, 0.2%, 0.43%

LAB 40.6, 16.48, -22.76

 

CMYK 0 / 21 / 34 / 49

HEX #836757

RGB 131 103 87

HSL 21.82, 0.2%, 0.43%

LAB 45.93, 8.76, 13.3

 

CMYK 34 / 0 / 21 / 49

HEX #578367

RGB 87 131 103

HSL 141.82, 0.2%, 0.43%

LAB 50.96, -21.51, 10.4

 

CMYK 22 / 34 / 0 / 48

HEX #685885

RGB 104 88 133

HSL 261.33, 0.2%, 0.43%

LAB 40.6, 16.48, -22.76

 

CMYK 0 / 34 / 18 / 49

HEX #83576B

RGB 131 87 107

HSL 332.73, 0.2%, 0.43%

LAB 42.31, 21.37, -4

 

CMYK 11 / 0 / 34 / 49

HEX #748357

RGB 116 131 87

HSL 80.45, 0.2%, 0.43%

LAB 52.55, -13.53, 22.02

 

CMYK 34 / 0 / 15 / 49

HEX #57836F

RGB 87 131 111

HSL 152.73, 0.2%, 0.43%

LAB 51.16, -19.78, 6.03

 

CMYK 22 / 34 / 0 / 48

HEX #685885

RGB 104 88 133

HSL 261.33, 0.2%, 0.43%

LAB 40.6, 16.48, -22.76

 

CMYK 0 / 34 / 28 / 49

HEX #83575E

RGB 131 87 94

HSL 350.45, 0.2%, 0.43%

LAB 41.92, 19.26, 3.41

 

CMYK 11 / 0 / 34 / 49

HEX #748357

RGB 116 131 87

HSL 80.45, 0.2%, 0.43%

LAB 52.55, -13.53, 22.02

 

CMYK 34 / 0 / 5 / 49

HEX #57837D

RGB 87 131 125

HSL 171.82, 0.2%, 0.43%

LAB 51.54, -16.5, -1.58

 

Description

Color code: RGB 104 88 133 | qconv.com Color code: RGB 104 88 133 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 88 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 88 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 34 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 34% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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