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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 78 48 it is the complementary color RGB 151 177 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 78 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 78 48 shade: RGB 109 78 43, RGB 126 96 62, RGB 143 114 81, RGB 160 132 100 and RGB 177 150 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 78 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 78 48 shade: RGB 104 78 48, RGB 87 60 29, RGB 70 42 10, RGB 53 24 0 and RGB 36 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 78 48 shade: RGB 104 78 48, RGB 104 63 48 and RGB 104 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 78 48 shade: RGB 104 78 48, RGB 104 93 48, RGB 100 104 48, RGB 85 104 48 and RGB 70 104 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 78 48 shade matches the following richer shades: RGB 104 78 48, RGB 117 79 35, RGB 129 80 23 and RGB 141 81 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 78 48 shade: RGB 104 78 48, RGB 92 77 60, RGB 80 76 72, RGB 67 75 85 and RGB 55 74 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 78 48 shade: RGB 104 48 48, RGB 104 63 48, RGB 104 78 48, RGB 104 93 48 and RGB 101 104 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 78 48 shade: RGB 48 36 22, RGB 76 57 35, RGB 104 78 48, RGB 133 99 61 and RGB 161 120 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 78 48 shade: RGB 104 78 48, RGB 63 104 48 and RGB 55 48 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 78 48 shade: RGB 104 78 48, RGB 48 104 78 and RGB 78 48 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 78 48 shade: RGB 104 78 48, RGB 63 104 48, RGB 48 74 104 and RGB 89 48 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 78 48 shade: RGB 104 78 48, RGB 48 104 50, RGB 48 74 104 and RGB 104 48 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

Complementary color

CMYK 27 / 14 / 0 / 19

HEX #97B1CF

RGB 151 177 207

HSL 212.14, 0.37%, 0.7%

LAB 71.23, -2.1, -18.12

 

CMYK 0 / 28 / 61 / 57

HEX #6D4E2B

RGB 109 78 43

HSL 31.82, 0.43%, 0.3%

LAB 35.74, 8.75, 25.62

 

CMYK 0 / 24 / 51 / 51

HEX #7E603E

RGB 126 96 62

HSL 31.88, 0.34%, 0.37%

LAB 42.99, 7.63, 24.04

 

CMYK 0 / 20 / 43 / 44

HEX #8F7251

RGB 143 114 81

HSL 31.94, 0.28%, 0.44%

LAB 50.06, 6.74, 22.6

 

CMYK 0 / 18 / 38 / 37

HEX #A08464

RGB 160 132 100

HSL 32, 0.24%, 0.51%

LAB 56.97, 6.02, 21.29

 

CMYK 0 / 15 / 33 / 31

HEX #B19677

RGB 177 150 119

HSL 32.07, 0.27%, 0.58%

LAB 63.75, 5.42, 20.1

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 0 / 31 / 67 / 66

HEX #573C1D

RGB 87 60 29

HSL 32.07, 0.5%, 0.23%

LAB 27.7, 8.12, 23.56

 

CMYK 0 / 40 / 86 / 73

HEX #462A0A

RGB 70 42 10

HSL 32, 0.75%, 0.16%

LAB 19.96, 9.87, 24.65

 

CMYK 0 / 55 / 100 / 79

HEX #351800

RGB 53 24 0

HSL 27.17, 1%, 0.1%

LAB 12.03, 12.35, 18.19

 

CMYK 0 / 83 / 100 / 86

HEX #240600

RGB 36 6 0

HSL 10, 1%, 0.07%

LAB 4.56, 12.8, 7.07

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 0 / 39 / 54 / 59

HEX #683F30

RGB 104 63 48

HSL 16.07, 0.37%, 0.3%

LAB 31.14, 16.11, 16.68

 

CMYK 0 / 54 / 54 / 59

HEX #683030

RGB 104 48 48

HSL 0, 0.37%, 0.3%

LAB 27.49, 25.07, 11.83

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 0 / 11 / 54 / 59

HEX #685D30

RGB 104 93 48

HSL 48.21, 0.37%, 0.3%

LAB 39.56, -2.19, 27.25

 

CMYK 4 / 0 / 54 / 59

HEX #646830

RGB 100 104 48

HSL 64.29, 0.37%, 0.3%

LAB 42.5, -10.42, 30.67

 

CMYK 18 / 0 / 54 / 59

HEX #556830

RGB 85 104 48

HSL 80.36, 0.37%, 0.3%

LAB 41.29, -17.11, 28.94

 

CMYK 33 / 0 / 54 / 59

HEX #466830

RGB 70 104 48

HSL 96.43, 0.37%, 0.3%

LAB 40.27, -23.34, 27.48

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 0 / 32 / 70 / 54

HEX #754F23

RGB 117 79 35

HSL 32.2, 0.54%, 0.3%

LAB 36.92, 11.31, 31.7

 

CMYK 0 / 38 / 82 / 49

HEX #815017

RGB 129 80 23

HSL 32.26, 0.7%, 0.3%

LAB 38.67, 15.73, 39.83

 

CMYK 0 / 43 / 92 / 45

HEX #8D510B

RGB 141 81 11

HSL 32.31, 0.86%, 0.3%

LAB 40.53, 20.33, 46.39

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 0 / 16 / 35 / 64

HEX #5C4D3C

RGB 92 77 60

HSL 31.88, 0.21%, 0.3%

LAB 33.79, 3.42, 12.43

RGB 92 77 60

CMYK 0 / 5 / 10 / 69

HEX #504C48

RGB 80 76 72

HSL 30, 0.05%, 0.3%

LAB 32.57, 0.84, 2.96

RGB 80 76 72

CMYK 21 / 12 / 0 / 67

HEX #434B55

RGB 67 75 85

HSL 213.33, 0.12%, 0.3%

LAB 31.54, -0.73, -7

RGB 67 75 85

CMYK 43 / 24 / 0 / 62

HEX #374A61

RGB 55 74 97

HSL 212.86, 0.28%, 0.3%

LAB 30.81, -0.71, -15.84

RGB 55 74 97

CMYK 0 / 54 / 54 / 59

HEX #683030

RGB 104 48 48

HSL 0, 0.37%, 0.3%

LAB 27.49, 25.07, 11.83

 

CMYK 0 / 39 / 54 / 59

HEX #683F30

RGB 104 63 48

HSL 16.07, 0.37%, 0.3%

LAB 31.14, 16.11, 16.68

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 0 / 11 / 54 / 59

HEX #685D30

RGB 104 93 48

HSL 48.21, 0.37%, 0.3%

LAB 39.56, -2.19, 27.25

 

CMYK 3 / 0 / 54 / 59

HEX #656830

RGB 101 104 48

HSL 63.21, 0.37%, 0.3%

LAB 42.58, -9.96, 30.79

 

CMYK 0 / 25 / 54 / 81

HEX #302416

RGB 48 36 22

HSL 32.31, 0.37%, 0.14%

LAB 15.21, 3.38, 11.52

 

CMYK 0 / 25 / 54 / 70

HEX #4C3923

RGB 76 57 35

HSL 32.2, 0.37%, 0.22%

LAB 25.52, 5.19, 16.9

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 0 / 26 / 54 / 48

HEX #85633D

RGB 133 99 61

HSL 31.67, 0.37%, 0.38%

LAB 44.59, 8.92, 26.79

 

CMYK 0 / 25 / 54 / 37

HEX #A1784A

RGB 161 120 74

HSL 31.72, 0.37%, 0.46%

LAB 53.5, 10.43, 31.32

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 39 / 0 / 54 / 59

HEX #3F6830

RGB 63 104 48

HSL 103.93, 0.37%, 0.3%

LAB 39.87, -26.02, 26.89

 

CMYK 47 / 54 / 0 / 59

HEX #373068

RGB 55 48 104

HSL 247.5, 0.37%, 0.3%

LAB 23.42, 19.04, -31.96

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 54 / 0 / 25 / 59

HEX #30684E

RGB 48 104 78

HSL 152.14, 0.37%, 0.3%

LAB 39.71, -25.26, 9.1

 

CMYK 25 / 54 / 0 / 59

HEX #4E3068

RGB 78 48 104

HSL 272.14, 0.37%, 0.3%

LAB 25.96, 25.66, -27.77

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 39 / 0 / 54 / 59

HEX #3F6830

RGB 63 104 48

HSL 103.93, 0.37%, 0.3%

LAB 39.87, -26.02, 26.89

 

CMYK 54 / 29 / 0 / 59

HEX #304A68

RGB 48 74 104

HSL 212.14, 0.37%, 0.3%

LAB 30.7, -0.39, -20.5

 

CMYK 14 / 54 / 0 / 59

HEX #593068

RGB 89 48 104

HSL 283.93, 0.37%, 0.3%

LAB 27.4, 29.05, -25.4

 

CMYK 0 / 25 / 54 / 59

HEX #684E30

RGB 104 78 48

HSL 32.14, 0.37%, 0.3%

LAB 35.21, 6.87, 21.9

 

CMYK 54 / 0 / 52 / 59

HEX #306832

RGB 48 104 50

HSL 122.14, 0.37%, 0.3%

LAB 39.17, -30.8, 24.77

 

CMYK 54 / 29 / 0 / 59

HEX #304A68

RGB 48 74 104

HSL 212.14, 0.37%, 0.3%

LAB 30.7, -0.39, -20.5

 

CMYK 0 / 54 / 2 / 59

HEX #683066

RGB 104 48 102

HSL 302.14, 0.37%, 0.3%

LAB 29.45, 33.35, -20.74

 

Description

Color code: RGB 104 78 48 | qconv.com Color code: RGB 104 78 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 78 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 78 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 54 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 54% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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