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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 240 100 it is the complementary color RGB 151 15 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 240 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 240 100 shade: RGB 109 240 95, RGB 126 255 114, RGB 143 255 133, RGB 160 255 152 and RGB 177 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 240 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 240 100 shade: RGB 104 240 100, RGB 87 222 81, RGB 70 204 62, RGB 53 186 43 and RGB 36 168 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 240 100 shade: RGB 105 239 101, RGB 142 239 101, RGB 180 239 101, RGB 217 239 101 and RGB 239 225 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 240 100 shade: RGB 105 239 101, RGB 101 239 135, RGB 101 239 172, RGB 101 239 209 and RGB 101 232 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 240 100 shade matches the following richer shades: RGB 105 239 101 and RGB 92 253 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 240 100 shade: RGB 105 239 101, RGB 118 226 115, RGB 131 212 129, RGB 144 199 142 and RGB 157 185 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 240 100 shade: RGB 180 239 101, RGB 143 239 101, RGB 106 239 101, RGB 101 239 134 and RGB 101 239 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 240 100 shade: RGB 32 232 26, RGB 69 236 64, RGB 105 239 101, RGB 142 243 139 and RGB 178 247 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 240 100 shade: RGB 104 240 100, RGB 101 216 239 and RGB 239 101 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 240 100 shade: RGB 104 240 100, RGB 101 106 239 and RGB 239 101 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 240 100 shade: RGB 104 240 100, RGB 101 216 239, RGB 235 101 239 and RGB 239 124 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 240 100 shade: RGB 104 240 100, RGB 101 175 239, RGB 235 101 239 and RGB 239 166 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 58 / 6

HEX #68F064

RGB 104 240 100

HSL 118.29, 0.82%, 0.67%

LAB 85.09, -63.65, 55.59

 

Complementary color

CMYK 3 / 90 / 0 / 39

HEX #970F9B

RGB 151 15 155

HSL 298.29, 0.82%, 0.33%

LAB 36.53, 65.15, -42.14

 

CMYK 55 / 0 / 60 / 6

HEX #6DF05F

RGB 109 240 95

HSL 114.21, 0.83%, 0.66%

LAB 85.2, -62.97, 57.91

 

CMYK 51 / 0 / 55 / 0

HEX #7EFF72

RGB 126 255 114

HSL 114.89, 1%, 0.72%

LAB 90.4, -62.11, 55.79

 

CMYK 44 / 0 / 48 / 0

HEX #8FFF85

RGB 143 255 133

HSL 115.08, 1%, 0.76%

LAB 91.26, -55.17, 48.26

 

CMYK 37 / 0 / 40 / 0

HEX #A0FF98

RGB 160 255 152

HSL 115.34, 1%, 0.8%

LAB 92.25, -47.61, 40.54

 

CMYK 31 / 0 / 33 / 0

HEX #B1FFAB

RGB 177 255 171

HSL 115.71, 1%, 0.84%

LAB 93.37, -39.55, 32.76

 

CMYK 57 / 0 / 58 / 6

HEX #68F064

RGB 104 240 100

HSL 118.29, 0.82%, 0.67%

LAB 85.09, -63.65, 55.59

 

CMYK 61 / 0 / 64 / 13

HEX #57DE51

RGB 87 222 81

HSL 117.45, 0.68%, 0.59%

LAB 78.96, -63.17, 56.65

 

CMYK 66 / 0 / 70 / 20

HEX #46CC3E

RGB 70 204 62

HSL 116.62, 0.58%, 0.52%

LAB 72.78, -62.38, 57.47

 

CMYK 72 / 0 / 77 / 27

HEX #35BA2B

RGB 53 186 43

HSL 115.8, 0.62%, 0.45%

LAB 66.56, -61.14, 57.82

 

CMYK 79 / 0 / 86 / 34

HEX #24A818

RGB 36 168 24

HSL 115, 0.75%, 0.38%

LAB 60.29, -59.27, 57.29

 

CMYK 56 / 0 / 58 / 6

HEX #69EF65

RGB 105 239 101

HSL 118.26, 0.81%, 0.67%

LAB 84.83, -62.94, 54.85

 

CMYK 41 / 0 / 58 / 6

HEX #8EEF65

RGB 142 239 101

HSL 102.17, 0.81%, 0.67%

LAB 86.22, -52.72, 56.82

 

CMYK 25 / 0 / 58 / 6

HEX #B4EF65

RGB 180 239 101

HSL 85.65, 0.81%, 0.67%

LAB 88.15, -39.88, 59.53

 

CMYK 9 / 0 / 58 / 6

HEX #D9EF65

RGB 217 239 101

HSL 69.57, 0.81%, 0.67%

LAB 90.52, -25.89, 62.84

 

CMYK 0 / 6 / 58 / 6

HEX #EFE165

RGB 239 225 101

HSL 53.91, 0.81%, 0.67%

LAB 88.51, -10.27, 61.07

 

CMYK 56 / 0 / 58 / 6

HEX #69EF65

RGB 105 239 101

HSL 118.26, 0.81%, 0.67%

LAB 84.83, -62.94, 54.85

 

CMYK 58 / 0 / 44 / 6

HEX #65EF87

RGB 101 239 135

HSL 134.78, 0.81%, 0.67%

LAB 85.12, -59.3, 39.24

 

CMYK 58 / 0 / 28 / 6

HEX #65EFAC

RGB 101 239 172

HSL 150.87, 0.81%, 0.67%

LAB 85.74, -52.71, 21.38

 

CMYK 58 / 0 / 13 / 6

HEX #65EFD1

RGB 101 239 209

HSL 166.96, 0.81%, 0.67%

LAB 86.56, -44.59, 3.27

 

CMYK 58 / 3 / 0 / 6

HEX #65E8EF

RGB 101 232 239

HSL 183.04, 0.81%, 0.67%

LAB 85.36, -33.79, -14.26

 

CMYK 56 / 0 / 58 / 6

HEX #69EF65

RGB 105 239 101

HSL 118.26, 0.81%, 0.67%

LAB 84.83, -62.94, 54.85

 

CMYK 64 / 0 / 65 / 1

HEX #5CFD58

RGB 92 253 88

HSL 118.55, 0.98%, 0.67%

LAB 88.56, -71.97, 64.37

 

CMYK 56 / 0 / 58 / 6

HEX #69EF65

RGB 105 239 101

HSL 118.26, 0.81%, 0.67%

LAB 84.83, -62.94, 54.85

 

CMYK 48 / 0 / 49 / 11

HEX #76E273

RGB 118 226 115

HSL 118.38, 0.66%, 0.67%

LAB 81.56, -52.93, 44.58

 

CMYK 38 / 0 / 39 / 17

HEX #83D481

RGB 131 212 129

HSL 118.55, 0.49%, 0.67%

LAB 78.17, -41.25, 33.45

 

CMYK 28 / 0 / 29 / 22

HEX #90C78E

RGB 144 199 142

HSL 117.89, 0.34%, 0.67%

LAB 75.28, -29.01, 22.96

 

CMYK 15 / 0 / 16 / 27

HEX #9DB99C

RGB 157 185 156

HSL 117.93, 0.17%, 0.67%

LAB 72.41, -15.14, 11.57

 

CMYK 25 / 0 / 58 / 6

HEX #B4EF65

RGB 180 239 101

HSL 85.65, 0.81%, 0.67%

LAB 88.15, -39.88, 59.53

 

CMYK 40 / 0 / 58 / 6

HEX #8FEF65

RGB 143 239 101

HSL 101.74, 0.81%, 0.67%

LAB 86.26, -52.41, 56.88

 

CMYK 56 / 0 / 58 / 6

HEX #6AEF65

RGB 106 239 101

HSL 117.83, 0.81%, 0.67%

LAB 84.86, -62.7, 54.9

 

CMYK 58 / 0 / 44 / 6

HEX #65EF86

RGB 101 239 134

HSL 134.35, 0.81%, 0.67%

LAB 85.11, -59.45, 39.71

 

CMYK 58 / 0 / 29 / 6

HEX #65EFAA

RGB 101 239 170

HSL 150, 0.81%, 0.67%

LAB 85.71, -53.1, 22.35

 

CMYK 86 / 0 / 89 / 9

HEX #20E81A

RGB 32 232 26

HSL 118.25, 0.82%, 0.51%

LAB 80.79, -78.14, 74.79

 

CMYK 71 / 0 / 73 / 7

HEX #45EC40

RGB 69 236 64

HSL 118.26, 0.82%, 0.59%

LAB 82.71, -72.74, 66.93

 

CMYK 56 / 0 / 58 / 6

HEX #69EF65

RGB 105 239 101

HSL 118.26, 0.81%, 0.67%

LAB 84.83, -62.94, 54.85

 

CMYK 42 / 0 / 43 / 5

HEX #8EF38B

RGB 142 243 139

HSL 118.27, 0.81%, 0.75%

LAB 87.83, -49.75, 41.05

 

CMYK 28 / 0 / 29 / 3

HEX #B2F7B0

RGB 178 247 176

HSL 118.31, 0.82%, 0.83%

LAB 91.29, -34.83, 27.44

 

CMYK 57 / 0 / 58 / 6

HEX #68F064

RGB 104 240 100

HSL 118.29, 0.82%, 0.67%

LAB 85.09, -63.65, 55.59

 

CMYK 58 / 10 / 0 / 6

HEX #65D8EF

RGB 101 216 239

HSL 190, 0.81%, 0.67%

LAB 80.8, -26.1, -21.13

 

CMYK 0 / 58 / 33 / 6

HEX #EF65A1

RGB 239 101 161

HSL 333.91, 0.81%, 0.67%

LAB 61.85, 58.92, -5.45

 

CMYK 57 / 0 / 58 / 6

HEX #68F064

RGB 104 240 100

HSL 118.29, 0.82%, 0.67%

LAB 85.09, -63.65, 55.59

 

CMYK 58 / 56 / 0 / 6

HEX #656AEF

RGB 101 106 239

HSL 237.83, 0.81%, 0.67%

LAB 51.04, 36.01, -67.85

 

CMYK 0 / 58 / 56 / 6

HEX #EF656A

RGB 239 101 106

HSL 357.83, 0.81%, 0.67%

LAB 60.51, 53.59, 24.4

 

CMYK 57 / 0 / 58 / 6

HEX #68F064

RGB 104 240 100

HSL 118.29, 0.82%, 0.67%

LAB 85.09, -63.65, 55.59

 

CMYK 58 / 10 / 0 / 6

HEX #65D8EF

RGB 101 216 239

HSL 190, 0.81%, 0.67%

LAB 80.8, -26.1, -21.13

 

CMYK 2 / 58 / 0 / 6

HEX #EB65EF

RGB 235 101 239

HSL 298.26, 0.81%, 0.67%

LAB 64.32, 69.15, -45.81

 

CMYK 0 / 48 / 58 / 6

HEX #EF7C65

RGB 239 124 101

HSL 10, 0.81%, 0.67%

LAB 64.73, 42.17, 32.69

 

CMYK 57 / 0 / 58 / 6

HEX #68F064

RGB 104 240 100

HSL 118.29, 0.82%, 0.67%

LAB 85.09, -63.65, 55.59

 

CMYK 58 / 27 / 0 / 6

HEX #65AFEF

RGB 101 175 239

HSL 207.83, 0.81%, 0.67%

LAB 69.23, -4.66, -38.93

 

CMYK 2 / 58 / 0 / 6

HEX #EB65EF

RGB 235 101 239

HSL 298.26, 0.81%, 0.67%

LAB 64.32, 69.15, -45.81

 

CMYK 0 / 31 / 58 / 6

HEX #EFA665

RGB 239 166 101

HSL 28.26, 0.81%, 0.67%

LAB 73.91, 20.3, 44.08

 

Description

Color code: RGB 104 240 100 | qconv.com Color code: RGB 104 240 100 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 240 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 240 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 58 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 58% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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