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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 232 47 it is the complementary color RGB 151 23 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 232 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 232 47 shade: RGB 109 232 42, RGB 126 250 61, RGB 143 255 80, RGB 160 255 99 and RGB 177 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 232 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 232 47 shade: RGB 104 232 47, RGB 87 214 28, RGB 70 196 9, RGB 53 178 0 and RGB 36 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 232 47 shade: RGB 105 232 48, RGB 154 232 48, RGB 204 232 48, RGB 232 210 48 and RGB 232 161 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 232 47 shade: RGB 105 232 48, RGB 55 232 48, RGB 48 232 90, RGB 48 232 140 and RGB 48 232 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 232 47 shade matches the following richer shades: RGB 105 232 48 and RGB 97 250 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 232 47 shade: RGB 105 232 48, RGB 112 213 67, RGB 119 194 85, RGB 126 176 104 and RGB 133 157 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 232 47 shade: RGB 204 232 48, RGB 155 232 48, RGB 106 232 48, RGB 57 232 48 and RGB 48 232 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 232 47 shade: RGB 68 178 19, RGB 82 215 23, RGB 105 232 48, RGB 131 236 85 and RGB 158 240 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 232 47 shade: RGB 104 232 47, RGB 48 232 210 and RGB 232 48 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 232 47 shade: RGB 104 232 47, RGB 48 106 232 and RGB 232 48 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 232 47 shade: RGB 104 232 47, RGB 48 232 210, RGB 173 48 232 and RGB 232 48 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 232 47 shade: RGB 104 232 47, RGB 48 198 232, RGB 173 48 232 and RGB 232 82 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 80 / 9

HEX #68E82F

RGB 104 232 47

HSL 101.51, 0.8%, 0.55%

LAB 82.3, -65.07, 72.06

 

Complementary color

CMYK 27 / 89 / 0 / 18

HEX #9717D0

RGB 151 23 208

HSL 281.51, 0.8%, 0.45%

LAB 40.81, 73.14, -66.61

 

CMYK 53 / 0 / 82 / 9

HEX #6DE82A

RGB 109 232 42

HSL 98.84, 0.81%, 0.54%

LAB 82.45, -64, 73.55

 

CMYK 50 / 0 / 76 / 2

HEX #7EFA3D

RGB 126 250 61

HSL 99.37, 0.95%, 0.61%

LAB 88.52, -64.79, 74.15

 

CMYK 44 / 0 / 69 / 0

HEX #8FFF50

RGB 143 255 80

HSL 98.4, 1%, 0.66%

LAB 90.75, -60.49, 70.22

 

CMYK 37 / 0 / 61 / 0

HEX #A0FF63

RGB 160 255 99

HSL 96.54, 1%, 0.69%

LAB 91.64, -53.68, 64.01

 

CMYK 31 / 0 / 54 / 0

HEX #B1FF76

RGB 177 255 118

HSL 94.16, 1%, 0.73%

LAB 92.65, -46.28, 57.21

 

CMYK 55 / 0 / 80 / 9

HEX #68E82F

RGB 104 232 47

HSL 101.51, 0.8%, 0.55%

LAB 82.3, -65.07, 72.06

 

CMYK 59 / 0 / 87 / 16

HEX #57D61C

RGB 87 214 28

HSL 100.97, 0.77%, 0.47%

LAB 76.19, -63.96, 70.87

 

CMYK 64 / 0 / 95 / 23

HEX #46C409

RGB 70 196 9

HSL 100.43, 0.91%, 0.4%

LAB 70.04, -62.39, 68.38

 

CMYK 70 / 0 / 100 / 30

HEX #35B200

RGB 53 178 0

HSL 102.13, 1%, 0.35%

LAB 63.83, -60.27, 64.27

 

CMYK 78 / 0 / 100 / 37

HEX #24A000

RGB 36 160 0

HSL 106.5, 1%, 0.31%

LAB 57.58, -57.56, 59.15

 

CMYK 55 / 0 / 79 / 9

HEX #69E830

RGB 105 232 48

HSL 101.41, 0.8%, 0.55%

LAB 82.34, -64.77, 71.83

 

CMYK 34 / 0 / 79 / 9

HEX #9AE830

RGB 154 232 48

HSL 85.43, 0.8%, 0.55%

LAB 84.38, -49.68, 74.45

 

CMYK 12 / 0 / 79 / 9

HEX #CCE830

RGB 204 232 48

HSL 69.13, 0.8%, 0.55%

LAB 87.37, -30.7, 78.27

 

CMYK 0 / 9 / 79 / 9

HEX #E8D230

RGB 232 210 48

HSL 52.83, 0.8%, 0.55%

LAB 83.69, -8.38, 75.85

 

CMYK 0 / 31 / 79 / 9

HEX #E8A130

RGB 232 161 48

HSL 36.85, 0.8%, 0.55%

LAB 71.46, 17.16, 64.93

 

CMYK 55 / 0 / 79 / 9

HEX #69E830

RGB 105 232 48

HSL 101.41, 0.8%, 0.55%

LAB 82.34, -64.77, 71.83

 

CMYK 76 / 0 / 79 / 9

HEX #37E830

RGB 55 232 48

HSL 117.72, 0.8%, 0.55%

LAB 81.15, -74.69, 70.29

 

CMYK 79 / 0 / 61 / 9

HEX #30E85A

RGB 48 232 90

HSL 133.7, 0.8%, 0.55%

LAB 81.34, -72, 55.29

 

CMYK 79 / 0 / 40 / 9

HEX #30E88C

RGB 48 232 140

HSL 150, 0.8%, 0.55%

LAB 81.97, -64.54, 32.42

 

CMYK 79 / 0 / 19 / 9

HEX #30E8BD

RGB 48 232 189

HSL 165.98, 0.8%, 0.55%

LAB 82.92, -54.01, 8.39

 

CMYK 55 / 0 / 79 / 9

HEX #69E830

RGB 105 232 48

HSL 101.41, 0.8%, 0.55%

LAB 82.34, -64.77, 71.83

 

CMYK 61 / 0 / 88 / 2

HEX #61FA1D

RGB 97 250 29

HSL 101.54, 0.96%, 0.55%

LAB 87.49, -73.45, 80.46

 

CMYK 55 / 0 / 79 / 9

HEX #69E830

RGB 105 232 48

HSL 101.41, 0.8%, 0.55%

LAB 82.34, -64.77, 71.83

 

CMYK 47 / 0 / 69 / 16

HEX #70D543

RGB 112 213 67

HSL 101.51, 0.63%, 0.55%

LAB 76.94, -54.64, 60.32

 

CMYK 39 / 0 / 56 / 24

HEX #77C255

RGB 119 194 85

HSL 101.28, 0.47%, 0.55%

LAB 71.66, -43.05, 46.89

 

CMYK 28 / 0 / 41 / 31

HEX #7EB068

RGB 126 176 104

HSL 101.67, 0.31%, 0.55%

LAB 66.89, -30.11, 31.67

 

CMYK 15 / 0 / 22 / 38

HEX #859D7A

RGB 133 157 122

HSL 101.14, 0.15%, 0.55%

LAB 62.09, -15.19, 15.58

 

CMYK 12 / 0 / 79 / 9

HEX #CCE830

RGB 204 232 48

HSL 69.13, 0.8%, 0.55%

LAB 87.37, -30.7, 78.27

 

CMYK 33 / 0 / 79 / 9

HEX #9BE830

RGB 155 232 48

HSL 85.11, 0.8%, 0.55%

LAB 84.43, -49.32, 74.52

 

CMYK 54 / 0 / 79 / 9

HEX #6AE830

RGB 106 232 48

HSL 101.09, 0.8%, 0.55%

LAB 82.37, -64.51, 71.87

 

CMYK 75 / 0 / 79 / 9

HEX #39E830

RGB 57 232 48

HSL 117.07, 0.8%, 0.55%

LAB 81.18, -74.42, 70.33

 

CMYK 79 / 0 / 62 / 9

HEX #30E858

RGB 48 232 88

HSL 133.04, 0.8%, 0.55%

LAB 81.32, -72.23, 56.12

 

CMYK 62 / 0 / 89 / 30

HEX #44B213

RGB 68 178 19

HSL 101.51, 0.81%, 0.39%

LAB 64.26, -56.57, 62.11

 

CMYK 62 / 0 / 89 / 16

HEX #52D717

RGB 82 215 23

HSL 101.56, 0.81%, 0.47%

LAB 76.35, -65.62, 71.85

 

CMYK 55 / 0 / 79 / 9

HEX #69E830

RGB 105 232 48

HSL 101.41, 0.8%, 0.55%

LAB 82.34, -64.77, 71.83

 

CMYK 44 / 0 / 64 / 7

HEX #83EC55

RGB 131 236 85

HSL 101.72, 0.8%, 0.63%

LAB 84.73, -56.39, 61.77

 

CMYK 34 / 0 / 49 / 6

HEX #9EF07A

RGB 158 240 122

HSL 101.69, 0.8%, 0.71%

LAB 87.48, -45.74, 48.94

 

CMYK 55 / 0 / 80 / 9

HEX #68E82F

RGB 104 232 47

HSL 101.51, 0.8%, 0.55%

LAB 82.3, -65.07, 72.06

 

CMYK 79 / 0 / 9 / 9

HEX #30E8D2

RGB 48 232 210

HSL 172.83, 0.8%, 0.55%

LAB 83.44, -48.66, -1.93

 

CMYK 0 / 79 / 22 / 9

HEX #E830B4

RGB 232 48 180

HSL 316.96, 0.8%, 0.55%

LAB 54.62, 78.16, -27.54

 

CMYK 55 / 0 / 80 / 9

HEX #68E82F

RGB 104 232 47

HSL 101.51, 0.8%, 0.55%

LAB 82.3, -65.07, 72.06

 

CMYK 79 / 54 / 0 / 9

HEX #306AE8

RGB 48 106 232

HSL 221.09, 0.8%, 0.55%

LAB 47.96, 26.29, -69.04

 

CMYK 0 / 79 / 54 / 9

HEX #E8306A

RGB 232 48 106

HSL 341.09, 0.8%, 0.55%

LAB 52.19, 70.97, 12.89

 

CMYK 55 / 0 / 80 / 9

HEX #68E82F

RGB 104 232 47

HSL 101.51, 0.8%, 0.55%

LAB 82.3, -65.07, 72.06

 

CMYK 79 / 0 / 9 / 9

HEX #30E8D2

RGB 48 232 210

HSL 172.83, 0.8%, 0.55%

LAB 83.44, -48.66, -1.93

 

CMYK 25 / 79 / 0 / 9

HEX #AD30E8

RGB 173 48 232

HSL 280.76, 0.8%, 0.55%

LAB 48.04, 74.88, -68.44

 

CMYK 0 / 79 / 70 / 9

HEX #E83045

RGB 232 48 69

HSL 353.15, 0.8%, 0.55%

LAB 51.5, 68.85, 34.15

 

CMYK 55 / 0 / 80 / 9

HEX #68E82F

RGB 104 232 47

HSL 101.51, 0.8%, 0.55%

LAB 82.3, -65.07, 72.06

 

CMYK 79 / 15 / 0 / 9

HEX #30C6E8

RGB 48 198 232

HSL 191.09, 0.8%, 0.55%

LAB 74.09, -26.62, -27.73

 

CMYK 25 / 79 / 0 / 9

HEX #AD30E8

RGB 173 48 232

HSL 280.76, 0.8%, 0.55%

LAB 48.04, 74.88, -68.44

 

CMYK 0 / 65 / 79 / 9

HEX #E85230

RGB 232 82 48

HSL 11.09, 0.8%, 0.55%

LAB 55.49, 56.39, 49.9

 

Description

Color code: RGB 104 232 47 | qconv.com Color code: RGB 104 232 47 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 232 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 232 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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