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Color name
RGB 104 235 39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 235 39 it is the complementary color RGB 151 20 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 235 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 235 39 shade: RGB 109 235 34, RGB 126 253 53, RGB 143 255 72, RGB 160 255 91 and RGB 177 255 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 235 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 235 39 shade: RGB 104 235 39, RGB 87 217 20, RGB 70 199 1, RGB 53 181 0 and RGB 36 163 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 235 39 shade: RGB 104 235 40, RGB 157 235 40, RGB 209 235 40, RGB 235 207 40 and RGB 235 155 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 235 39 shade: RGB 104 235 40, RGB 52 235 40, RGB 40 235 80, RGB 40 235 133 and RGB 40 235 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 235 39 shade matches the following richer shades: RGB 104 235 40 and RGB 98 254 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 235 39 shade: RGB 104 235 40, RGB 111 216 59, RGB 117 197 78, RGB 124 178 97 and RGB 130 159 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 235 39 shade: RGB 209 235 40, RGB 157 235 40, RGB 105 235 40, RGB 53 235 40 and RGB 40 235 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 235 39 shade: RGB 69 176 16, RGB 84 214 19, RGB 104 235 40, RGB 131 238 78 and RGB 157 242 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 235 39 shade: RGB 104 235 39, RGB 40 235 209 and RGB 235 40 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 235 39 shade: RGB 104 235 39, RGB 40 105 235 and RGB 235 40 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 235 39 shade: RGB 104 235 39, RGB 40 235 209, RGB 170 40 235 and RGB 235 40 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 235 39 shade: RGB 104 235 39, RGB 40 202 235, RGB 170 40 235 and RGB 235 72 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 83 / 8

HEX #68EB27

RGB 104 235 39

HSL 100.1, 0.83%, 0.54%

LAB 83.18, -66.47, 74.85

 

Complementary color

CMYK 30 / 91 / 0 / 15

HEX #9714D8

RGB 151 20 216

HSL 280.1, 0.83%, 0.46%

LAB 41.28, 75.21, -70.47

 

CMYK 54 / 0 / 86 / 8

HEX #6DEB22

RGB 109 235 34

HSL 97.61, 0.83%, 0.53%

LAB 83.33, -65.36, 76.12

 

CMYK 50 / 0 / 79 / 1

HEX #7EFD35

RGB 126 253 53

HSL 98.1, 0.98%, 0.6%

LAB 89.37, -66.29, 77.25

 

CMYK 44 / 0 / 72 / 0

HEX #8FFF48

RGB 143 255 72

HSL 96.72, 1%, 0.64%

LAB 90.7, -61.04, 72.98

 

CMYK 37 / 0 / 64 / 0

HEX #A0FF5B

RGB 160 255 91

HSL 94.76, 1%, 0.68%

LAB 91.57, -54.35, 67.15

 

CMYK 31 / 0 / 57 / 0

HEX #B1FF6E

RGB 177 255 110

HSL 92.28, 1%, 0.72%

LAB 92.57, -47.06, 60.63

 

CMYK 56 / 0 / 83 / 8

HEX #68EB27

RGB 104 235 39

HSL 100.1, 0.83%, 0.54%

LAB 83.18, -66.47, 74.85

 

CMYK 60 / 0 / 91 / 15

HEX #57D914

RGB 87 217 20

HSL 99.59, 0.83%, 0.46%

LAB 77.1, -65.2, 73.02

 

CMYK 65 / 0 / 99 / 22

HEX #46C701

RGB 70 199 1

HSL 99.09, 0.99%, 0.39%

LAB 70.97, -63.52, 70.01

 

CMYK 71 / 0 / 100 / 29

HEX #35B500

RGB 53 181 0

HSL 102.43, 1%, 0.35%

LAB 64.81, -61.22, 65.05

 

CMYK 78 / 0 / 100 / 36

HEX #24A300

RGB 36 163 0

HSL 106.75, 1%, 0.32%

LAB 58.57, -58.49, 59.94

 

CMYK 56 / 0 / 83 / 8

HEX #68EB28

RGB 104 235 40

HSL 100.31, 0.83%, 0.54%

LAB 83.19, -66.43, 74.62

 

CMYK 33 / 0 / 83 / 8

HEX #9DEB28

RGB 157 235 40

HSL 84, 0.83%, 0.54%

LAB 85.37, -50.17, 77.39

 

CMYK 11 / 0 / 83 / 8

HEX #D1EB28

RGB 209 235 40

HSL 68, 0.83%, 0.54%

LAB 88.51, -30.34, 81.33

 

CMYK 0 / 12 / 83 / 8

HEX #EBCF28

RGB 235 207 40

HSL 51.38, 0.83%, 0.54%

LAB 83.15, -5.82, 77.63

 

CMYK 0 / 34 / 83 / 8

HEX #EB9B28

RGB 235 155 40

HSL 35.38, 0.83%, 0.54%

LAB 70.36, 21.37, 66.81

 

CMYK 56 / 0 / 83 / 8

HEX #68EB28

RGB 104 235 40

HSL 100.31, 0.83%, 0.54%

LAB 83.19, -66.43, 74.62

 

CMYK 78 / 0 / 83 / 8

HEX #34EB28

RGB 52 235 40

HSL 116.31, 0.83%, 0.54%

LAB 82, -76.38, 73.12

 

CMYK 83 / 0 / 66 / 8

HEX #28EB50

RGB 40 235 80

HSL 132.31, 0.83%, 0.54%

LAB 82.08, -74.81, 60.22

 

CMYK 83 / 0 / 43 / 8

HEX #28EB85

RGB 40 235 133

HSL 148.62, 0.83%, 0.54%

LAB 82.68, -67.59, 36.84

 

CMYK 83 / 0 / 21 / 8

HEX #28EBB9

RGB 40 235 185

HSL 164.62, 0.83%, 0.54%

LAB 83.64, -56.85, 11.49

 

CMYK 56 / 0 / 83 / 8

HEX #68EB28

RGB 104 235 40

HSL 100.31, 0.83%, 0.54%

LAB 83.19, -66.43, 74.62

 

CMYK 61 / 0 / 92 / 0

HEX #62FE15

RGB 98 254 21

HSL 100.17, 0.99%, 0.54%

LAB 88.7, -74.7, 82.64

 

CMYK 56 / 0 / 83 / 8

HEX #68EB28

RGB 104 235 40

HSL 100.31, 0.83%, 0.54%

LAB 83.19, -66.43, 74.62

 

CMYK 49 / 0 / 73 / 15

HEX #6FD83B

RGB 111 216 59

HSL 100.13, 0.67%, 0.54%

LAB 77.76, -56.67, 64.07

 

CMYK 41 / 0 / 60 / 23

HEX #75C54E

RGB 117 197 78

HSL 100.34, 0.51%, 0.54%

LAB 72.4, -45.7, 50.9

 

CMYK 30 / 0 / 46 / 30

HEX #7CB261

RGB 124 178 97

HSL 100, 0.34%, 0.54%

LAB 67.27, -32.73, 35.75

 

CMYK 18 / 0 / 27 / 38

HEX #829F74

RGB 130 159 116

HSL 100.47, 0.18%, 0.54%

LAB 62.34, -18.36, 19.22

 

CMYK 11 / 0 / 83 / 8

HEX #D1EB28

RGB 209 235 40

HSL 68, 0.83%, 0.54%

LAB 88.51, -30.34, 81.33

 

CMYK 33 / 0 / 83 / 8

HEX #9DEB28

RGB 157 235 40

HSL 84, 0.83%, 0.54%

LAB 85.37, -50.17, 77.39

 

CMYK 55 / 0 / 83 / 8

HEX #69EB28

RGB 105 235 40

HSL 100, 0.83%, 0.54%

LAB 83.22, -66.18, 74.67

 

CMYK 77 / 0 / 83 / 8

HEX #35EB28

RGB 53 235 40

HSL 116, 0.83%, 0.54%

LAB 82.02, -76.25, 73.13

 

CMYK 83 / 0 / 66 / 8

HEX #28EB4F

RGB 40 235 79

HSL 132, 0.83%, 0.54%

LAB 82.07, -74.91, 60.61

 

CMYK 61 / 0 / 91 / 31

HEX #45B010

RGB 69 176 16

HSL 100.13, 0.83%, 0.38%

LAB 63.63, -55.73, 62.12

 

CMYK 61 / 0 / 91 / 16

HEX #54D613

RGB 84 214 19

HSL 100, 0.84%, 0.46%

LAB 76.08, -64.94, 72.28

 

CMYK 56 / 0 / 83 / 8

HEX #68EB28

RGB 104 235 40

HSL 100.31, 0.83%, 0.54%

LAB 83.19, -66.43, 74.62

 

CMYK 45 / 0 / 67 / 7

HEX #83EE4E

RGB 131 238 78

HSL 100.13, 0.82%, 0.62%

LAB 85.26, -57.74, 65.09

 

CMYK 35 / 0 / 52 / 5

HEX #9DF273

RGB 157 242 115

HSL 100.16, 0.83%, 0.7%

LAB 87.93, -47.72, 52.71

 

CMYK 56 / 0 / 83 / 8

HEX #68EB27

RGB 104 235 39

HSL 100.1, 0.83%, 0.54%

LAB 83.18, -66.47, 74.85

 

CMYK 83 / 0 / 11 / 8

HEX #28EBD1

RGB 40 235 209

HSL 172, 0.83%, 0.54%

LAB 84.21, -50.83, -0.29

 

CMYK 0 / 83 / 22 / 8

HEX #EB28B7

RGB 235 40 183

HSL 316, 0.83%, 0.54%

LAB 54.66, 80.96, -29.18

 

CMYK 56 / 0 / 83 / 8

HEX #68EB27

RGB 104 235 39

HSL 100.1, 0.83%, 0.54%

LAB 83.18, -66.47, 74.85

 

CMYK 83 / 55 / 0 / 8

HEX #2869EB

RGB 40 105 235

HSL 220, 0.83%, 0.54%

LAB 47.69, 27.37, -71.18

 

CMYK 0 / 83 / 55 / 8

HEX #EB2869

RGB 235 40 105

HSL 340, 0.83%, 0.54%

LAB 52.06, 73.57, 13.41

 

CMYK 56 / 0 / 83 / 8

HEX #68EB27

RGB 104 235 39

HSL 100.1, 0.83%, 0.54%

LAB 83.18, -66.47, 74.85

 

CMYK 83 / 0 / 11 / 8

HEX #28EBD1

RGB 40 235 209

HSL 172, 0.83%, 0.54%

LAB 84.21, -50.83, -0.29

 

CMYK 28 / 83 / 0 / 8

HEX #AA28EB

RGB 170 40 235

HSL 280, 0.83%, 0.54%

LAB 47.06, 77.24, -71.75

 

CMYK 0 / 83 / 72 / 8

HEX #EB2842

RGB 235 40 66

HSL 352, 0.83%, 0.54%

LAB 51.35, 71.47, 35.87

 

CMYK 56 / 0 / 83 / 8

HEX #68EB27

RGB 104 235 39

HSL 100.1, 0.83%, 0.54%

LAB 83.18, -66.47, 74.85

 

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

CMYK 28 / 83 / 0 / 8

HEX #AA28EB

RGB 170 40 235

HSL 280, 0.83%, 0.54%

LAB 47.06, 77.24, -71.75

 

CMYK 0 / 69 / 83 / 8

HEX #EB4828

RGB 235 72 40

HSL 9.85, 0.83%, 0.54%

LAB 54.5, 61.07, 52.96

 

Description

Color code: RGB 104 235 39 | qconv.com Color code: RGB 104 235 39 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 235 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 235 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 83% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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