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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 21 60 it is the complementary color RGB 151 234 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 21 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 21 60 shade: RGB 109 21 55, RGB 126 39 74, RGB 143 57 93, RGB 160 75 112 and RGB 177 93 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 21 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 21 60 shade: RGB 104 21 60, RGB 87 3 41, RGB 70 0 22, RGB 53 0 3 and RGB 36 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 21 60 shade: RGB 105 21 61, RGB 105 21 38 and RGB 105 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 21 60 shade: RGB 105 21 61, RGB 105 21 83, RGB 105 21 105, RGB 82 21 105 and RGB 59 21 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 21 60 shade matches the following richer shades: RGB 105 21 61, RGB 116 11 60 and RGB 126 1 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 21 60 shade: RGB 105 21 61, RGB 95 31 61, RGB 85 42 62, RGB 74 52 63 and RGB 64 62 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 21 60 shade: RGB 104 21 105, RGB 105 21 84, RGB 105 21 62, RGB 105 21 39 and RGB 105 25 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 21 60 shade: RGB 37 7 21, RGB 71 14 41, RGB 105 21 61, RGB 140 28 81 and RGB 174 35 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 21 60 shade: RGB 104 21 60, RGB 105 81 21 and RGB 21 96 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 21 60 shade: RGB 104 21 60, RGB 62 105 21 and RGB 21 62 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 21 60 shade: RGB 104 21 60, RGB 105 81 21, RGB 21 105 65 and RGB 21 45 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 21 60 shade: RGB 104 21 60, RGB 104 105 21, RGB 21 105 65 and RGB 23 21 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 42 / 59

HEX #68153C

RGB 104 21 60

HSL 331.81, 0.66%, 0.25%

LAB 23.02, 39.31, -2.64

 

Complementary color

CMYK 35 / 0 / 17 / 8

HEX #97EAC3

RGB 151 234 195

HSL 151.81, 0.66%, 0.75%

LAB 86.68, -33.57, 11.03

 

CMYK 0 / 81 / 50 / 57

HEX #6D1537

RGB 109 21 55

HSL 336.82, 0.68%, 0.25%

LAB 23.88, 40.29, 2.18

 

CMYK 0 / 69 / 41 / 51

HEX #7E274A

RGB 126 39 74

HSL 335.86, 0.53%, 0.32%

LAB 30.35, 40.61, -0.78

 

CMYK 0 / 60 / 35 / 44

HEX #8F395D

RGB 143 57 93

HSL 334.88, 0.43%, 0.39%

LAB 37.03, 40.2, -2.89

 

CMYK 0 / 53 / 30 / 37

HEX #A04B70

RGB 160 75 112

HSL 333.88, 0.36%, 0.46%

LAB 43.76, 39.48, -4.48

 

CMYK 0 / 47 / 26 / 31

HEX #B15D83

RGB 177 93 131

HSL 332.86, 0.35%, 0.53%

LAB 50.47, 38.66, -5.75

 

CMYK 0 / 80 / 42 / 59

HEX #68153C

RGB 104 21 60

HSL 331.81, 0.66%, 0.25%

LAB 23.02, 39.31, -2.64

 

CMYK 0 / 97 / 53 / 66

HEX #570329

RGB 87 3 41

HSL 332.86, 0.93%, 0.18%

LAB 16.76, 37.85, 1.17

 

CMYK 0 / 100 / 69 / 73

HEX #460016

RGB 70 0 22

HSL 341.14, 1%, 0.14%

LAB 11.69, 32.66, 7.55

 

CMYK 0 / 100 / 94 / 79

HEX #350003

RGB 53 0 3

HSL 356.6, 1%, 0.1%

LAB 6.9, 26.3, 9.67

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 80 / 42 / 59

HEX #69153D

RGB 105 21 61

HSL 331.43, 0.67%, 0.25%

LAB 23.26, 39.72, -2.95

 

CMYK 0 / 80 / 64 / 59

HEX #691526

RGB 105 21 38

HSL 347.86, 0.67%, 0.25%

LAB 22.58, 37.57, 12.01

 

CMYK 0 / 80 / 80 / 59

HEX #691515

RGB 105 21 21

HSL 0, 0.67%, 0.25%

LAB 22.28, 36.59, 23.1

 

CMYK 0 / 80 / 42 / 59

HEX #69153D

RGB 105 21 61

HSL 331.43, 0.67%, 0.25%

LAB 23.26, 39.72, -2.95

 

CMYK 0 / 80 / 21 / 59

HEX #691553

RGB 105 21 83

HSL 315.71, 0.67%, 0.25%

LAB 24.21, 42.62, -16.44

 

CMYK 0 / 80 / 0 / 59

HEX #691569

RGB 105 21 105

HSL 300, 0.67%, 0.25%

LAB 25.44, 46.22, -28.99

 

CMYK 22 / 80 / 0 / 59

HEX #521569

RGB 82 21 105

HSL 283.57, 0.67%, 0.25%

LAB 21.39, 41.14, -35.69

 

CMYK 44 / 80 / 0 / 59

HEX #3B1569

RGB 59 21 105

HSL 267.14, 0.67%, 0.25%

LAB 17.86, 36.57, -41.61

 

CMYK 0 / 80 / 42 / 59

HEX #69153D

RGB 105 21 61

HSL 331.43, 0.67%, 0.25%

LAB 23.26, 39.72, -2.95

 

CMYK 0 / 91 / 48 / 55

HEX #740B3C

RGB 116 11 60

HSL 332, 0.83%, 0.25%

LAB 24.57, 45.49, -0.07

 

CMYK 0 / 99 / 53 / 51

HEX #7E013B

RGB 126 1 59

HSL 332.16, 0.98%, 0.25%

LAB 26.08, 49.89, 3.08

 

CMYK 0 / 80 / 42 / 59

HEX #69153D

RGB 105 21 61

HSL 331.43, 0.67%, 0.25%

LAB 23.26, 39.72, -2.95

 

CMYK 0 / 67 / 36 / 63

HEX #5F1F3D

RGB 95 31 61

HSL 331.88, 0.51%, 0.25%

LAB 22.83, 32.3, -3.81

 

CMYK 0 / 51 / 27 / 67

HEX #552A3E

RGB 85 42 62

HSL 332.09, 0.34%, 0.25%

LAB 23.46, 22.67, -3.74

 

CMYK 0 / 30 / 15 / 71

HEX #4A343F

RGB 74 52 63

HSL 330, 0.17%, 0.25%

LAB 24.55, 11.94, -2.96

 

CMYK 0 / 3 / 2 / 75

HEX #403E3F

RGB 64 62 63

HSL 330, 0.02%, 0.25%

LAB 26.43, 1.07, -0.31

 

CMYK 1 / 80 / 0 / 59

HEX #681569

RGB 104 21 105

HSL 299.29, 0.67%, 0.25%

LAB 25.26, 46, -29.29

 

CMYK 0 / 80 / 20 / 59

HEX #691554

RGB 105 21 84

HSL 315, 0.67%, 0.25%

LAB 24.26, 42.77, -17.03

 

CMYK 0 / 80 / 41 / 59

HEX #69153E

RGB 105 21 62

HSL 330.71, 0.67%, 0.25%

LAB 23.3, 39.84, -3.58

 

CMYK 0 / 80 / 63 / 59

HEX #691527

RGB 105 21 39

HSL 347.14, 0.67%, 0.25%

LAB 22.61, 37.65, 11.35

 

CMYK 0 / 76 / 80 / 59

HEX #691915

RGB 105 25 21

HSL 2.86, 0.67%, 0.25%

LAB 22.84, 35.05, 23.71

 

CMYK 0 / 81 / 43 / 85

HEX #250715

RGB 37 7 21

HSL 332, 0.68%, 0.09%

LAB 5.41, 16.31, -1.73

 

CMYK 0 / 80 / 42 / 72

HEX #470E29

RGB 71 14 41

HSL 331.58, 0.67%, 0.17%

LAB 14.48, 29.33, -2.59

 

CMYK 0 / 80 / 42 / 59

HEX #69153D

RGB 105 21 61

HSL 331.43, 0.67%, 0.25%

LAB 23.26, 39.72, -2.95

 

CMYK 0 / 80 / 42 / 45

HEX #8C1C51

RGB 140 28 81

HSL 331.61, 0.67%, 0.33%

LAB 31.81, 49.66, -2.94

 

CMYK 0 / 80 / 43 / 32

HEX #AE2364

RGB 174 35 100

HSL 331.94, 0.67%, 0.41%

LAB 39.78, 58.71, -2.63

 

CMYK 0 / 80 / 42 / 59

HEX #68153C

RGB 104 21 60

HSL 331.81, 0.66%, 0.25%

LAB 23.02, 39.31, -2.64

 

CMYK 0 / 23 / 80 / 59

HEX #695115

RGB 105 81 21

HSL 42.86, 0.67%, 0.25%

LAB 35.87, 3.49, 36.96

 

CMYK 80 / 9 / 0 / 59

HEX #156069

RGB 21 96 105

HSL 186.43, 0.67%, 0.25%

LAB 37.01, -18.5, -11.51

 

CMYK 0 / 80 / 42 / 59

HEX #68153C

RGB 104 21 60

HSL 331.81, 0.66%, 0.25%

LAB 23.02, 39.31, -2.64

 

CMYK 41 / 0 / 80 / 59

HEX #3E6915

RGB 62 105 21

HSL 90.71, 0.67%, 0.25%

LAB 39.88, -29.58, 39.59

 

CMYK 80 / 41 / 0 / 59

HEX #153E69

RGB 21 62 105

HSL 210.71, 0.67%, 0.25%

LAB 25.64, 2.5, -29.19

 

CMYK 0 / 80 / 42 / 59

HEX #68153C

RGB 104 21 60

HSL 331.81, 0.66%, 0.25%

LAB 23.02, 39.31, -2.64

 

CMYK 0 / 23 / 80 / 59

HEX #695115

RGB 105 81 21

HSL 42.86, 0.67%, 0.25%

LAB 35.87, 3.49, 36.96

 

CMYK 80 / 0 / 38 / 59

HEX #156941

RGB 21 105 65

HSL 151.43, 0.67%, 0.25%

LAB 38.97, -34.45, 15.74

 

CMYK 80 / 57 / 0 / 59

HEX #152D69

RGB 21 45 105

HSL 222.86, 0.67%, 0.25%

LAB 20.27, 14.61, -37.82

 

CMYK 0 / 80 / 42 / 59

HEX #68153C

RGB 104 21 60

HSL 331.81, 0.66%, 0.25%

LAB 23.02, 39.31, -2.64

 

CMYK 1 / 0 / 80 / 59

HEX #686915

RGB 104 105 21

HSL 60.71, 0.67%, 0.25%

LAB 42.91, -11.05, 43.52

 

CMYK 80 / 0 / 38 / 59

HEX #156941

RGB 21 105 65

HSL 151.43, 0.67%, 0.25%

LAB 38.97, -34.45, 15.74

 

CMYK 78 / 80 / 0 / 59

HEX #171569

RGB 23 21 105

HSL 241.43, 0.67%, 0.25%

LAB 14.05, 31.44, -48

 

Description

Color code: RGB 104 21 60 | qconv.com Color code: RGB 104 21 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 21 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 21 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 42 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 42% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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