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Color name
RGB 104 167 100

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 167 100 it is the complementary color RGB 151 88 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 167 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 167 100 shade: RGB 109 167 95, RGB 126 185 114, RGB 143 203 133, RGB 160 221 152 and RGB 177 239 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 167 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 167 100 shade: RGB 104 167 100, RGB 87 149 81, RGB 70 131 62, RGB 53 113 43 and RGB 36 95 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 167 100 shade: RGB 102 166 98, RGB 120 166 98, RGB 139 166 98, RGB 157 166 98 and RGB 166 157 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 167 100 shade: RGB 102 166 98, RGB 98 166 112, RGB 98 166 131, RGB 98 166 149 and RGB 98 165 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 167 100 shade matches the following richer shades: RGB 102 166 98, RGB 84 186 78, RGB 67 206 58, RGB 50 226 38 and RGB 32 246 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 167 100 shade: RGB 102 166 98, RGB 119 147 118, RGB 137 127 137, RGB 154 107 157 and RGB 172 87 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 167 100 shade: RGB 139 166 98, RGB 121 166 98, RGB 102 166 98, RGB 98 166 112 and RGB 98 166 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 167 100 shade: RGB 68 116 65, RGB 84 143 80, RGB 102 166 98, RGB 128 181 124 and RGB 153 196 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 167 100 shade: RGB 104 167 100, RGB 98 157 166 and RGB 166 98 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 167 100 shade: RGB 104 167 100, RGB 98 102 166 and RGB 166 98 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 167 100 shade: RGB 104 167 100, RGB 98 157 166, RGB 162 98 166 and RGB 166 107 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 167 100 shade: RGB 104 167 100, RGB 98 137 166, RGB 162 98 166 and RGB 166 128 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 40 / 35

HEX #68A764

RGB 104 167 100

HSL 116.42, 0.28%, 0.52%

LAB 62.93, -34.01, 28.42

 

Complementary color

CMYK 3 / 43 / 0 / 39

HEX #97589B

RGB 151 88 155

HSL 296.42, 0.28%, 0.48%

LAB 46.88, 36.76, -25.82

 

CMYK 35 / 0 / 43 / 35

HEX #6DA75F

RGB 109 167 95

HSL 108.33, 0.29%, 0.51%

LAB 63.11, -33.1, 31.34

 

CMYK 32 / 0 / 38 / 27

HEX #7EB972

RGB 126 185 114

HSL 109.86, 0.34%, 0.59%

LAB 69.72, -32.9, 30.11

 

CMYK 30 / 0 / 34 / 20

HEX #8FCB85

RGB 143 203 133

HSL 111.43, 0.4%, 0.66%

LAB 76.22, -32.69, 28.94

 

CMYK 28 / 0 / 31 / 13

HEX #A0DD98

RGB 160 221 152

HSL 113.04, 0.5%, 0.73%

LAB 82.62, -32.47, 27.83

 

CMYK 26 / 0 / 28 / 6

HEX #B1EFAB

RGB 177 239 171

HSL 114.71, 0.68%, 0.8%

LAB 88.93, -32.26, 26.78

 

CMYK 38 / 0 / 40 / 35

HEX #68A764

RGB 104 167 100

HSL 116.42, 0.28%, 0.52%

LAB 62.93, -34.01, 28.42

 

CMYK 42 / 0 / 46 / 42

HEX #579551

RGB 87 149 81

HSL 114.71, 0.3%, 0.45%

LAB 56.2, -34.21, 29.71

 

CMYK 47 / 0 / 53 / 49

HEX #46833E

RGB 70 131 62

HSL 113.04, 0.36%, 0.38%

LAB 49.35, -34.31, 31.05

 

CMYK 53 / 0 / 62 / 56

HEX #35712B

RGB 53 113 43

HSL 111.43, 0.45%, 0.31%

LAB 42.37, -34.23, 32.36

 

CMYK 62 / 0 / 75 / 63

HEX #245F18

RGB 36 95 24

HSL 109.86, 0.6%, 0.23%

LAB 35.25, -33.76, 33.35

 

CMYK 39 / 0 / 41 / 35

HEX #66A662

RGB 102 166 98

HSL 116.47, 0.28%, 0.52%

LAB 62.49, -34.52, 28.89

 

CMYK 28 / 0 / 41 / 35

HEX #78A662

RGB 120 166 98

HSL 100.59, 0.28%, 0.52%

LAB 63.46, -28.32, 30.34

 

CMYK 16 / 0 / 41 / 35

HEX #8BA662

RGB 139 166 98

HSL 83.82, 0.28%, 0.52%

LAB 64.68, -21.16, 32.14

 

CMYK 5 / 0 / 41 / 35

HEX #9DA662

RGB 157 166 98

HSL 67.94, 0.28%, 0.52%

LAB 66, -13.98, 34.1

 

CMYK 0 / 5 / 41 / 35

HEX #A69D62

RGB 166 157 98

HSL 52.06, 0.28%, 0.52%

LAB 64.24, -5.49, 32.02

 

CMYK 39 / 0 / 41 / 35

HEX #66A662

RGB 102 166 98

HSL 116.47, 0.28%, 0.52%

LAB 62.49, -34.52, 28.89

 

CMYK 41 / 0 / 33 / 35

HEX #62A670

RGB 98 166 112

HSL 132.35, 0.28%, 0.52%

LAB 62.54, -33.42, 21.38

 

CMYK 41 / 0 / 21 / 35

HEX #62A683

RGB 98 166 131

HSL 149.12, 0.28%, 0.52%

LAB 62.93, -29.7, 11.45

 

CMYK 41 / 0 / 10 / 35

HEX #62A695

RGB 98 166 149

HSL 165, 0.28%, 0.52%

LAB 63.38, -25.67, 2.04

 

CMYK 41 / 1 / 0 / 35

HEX #62A5A6

RGB 98 165 166

HSL 180.88, 0.28%, 0.52%

LAB 63.56, -20.97, -7.22

 

CMYK 39 / 0 / 41 / 35

HEX #66A662

RGB 102 166 98

HSL 116.47, 0.28%, 0.52%

LAB 62.49, -34.52, 28.89

 

CMYK 55 / 0 / 58 / 27

HEX #54BA4E

RGB 84 186 78

HSL 116.67, 0.44%, 0.52%

LAB 67.69, -51.01, 45.14

 

CMYK 67 / 0 / 72 / 19

HEX #43CE3A

RGB 67 206 58

HSL 116.35, 0.6%, 0.52%

LAB 73.31, -63.97, 59.48

 

CMYK 78 / 0 / 83 / 11

HEX #32E226

RGB 50 226 38

HSL 116.17, 0.76%, 0.52%

LAB 79.16, -74.11, 71.01

 

CMYK 87 / 0 / 92 / 4

HEX #20F613

RGB 32 246 19

HSL 116.56, 0.93%, 0.52%

LAB 85.13, -82.13, 79.47

 

CMYK 39 / 0 / 41 / 35

HEX #66A662

RGB 102 166 98

HSL 116.47, 0.28%, 0.52%

LAB 62.49, -34.52, 28.89

 

CMYK 19 / 0 / 20 / 42

HEX #779376

RGB 119 147 118

HSL 117.93, 0.12%, 0.52%

LAB 58.13, -15.76, 12.16

 

CMYK 0 / 7 / 0 / 46

HEX #897F89

RGB 137 127 137

HSL 300, 0.04%, 0.52%

LAB 54.35, 5.72, -4.04

 

CMYK 2 / 32 / 0 / 38

HEX #9A6B9D

RGB 154 107 157

HSL 296.4, 0.2%, 0.52%

LAB 51.63, 27.42, -19.64

 

CMYK 3 / 51 / 0 / 31

HEX #AC57B1

RGB 172 87 177

HSL 296.67, 0.37%, 0.52%

LAB 50.41, 47.87, -33.06

 

CMYK 16 / 0 / 41 / 35

HEX #8BA662

RGB 139 166 98

HSL 83.82, 0.28%, 0.52%

LAB 64.68, -21.16, 32.14

 

CMYK 27 / 0 / 41 / 35

HEX #79A662

RGB 121 166 98

HSL 99.71, 0.28%, 0.52%

LAB 63.52, -27.95, 30.43

 

CMYK 39 / 0 / 41 / 35

HEX #66A662

RGB 102 166 98

HSL 116.47, 0.28%, 0.52%

LAB 62.49, -34.52, 28.89

 

CMYK 41 / 0 / 33 / 35

HEX #62A670

RGB 98 166 112

HSL 132.35, 0.28%, 0.52%

LAB 62.54, -33.42, 21.38

 

CMYK 41 / 0 / 22 / 35

HEX #62A682

RGB 98 166 130

HSL 148.24, 0.28%, 0.52%

LAB 62.91, -29.91, 11.98

 

CMYK 41 / 0 / 44 / 55

HEX #447441

RGB 68 116 65

HSL 116.47, 0.28%, 0.35%

LAB 44.38, -27.53, 23.16

 

CMYK 41 / 0 / 44 / 44

HEX #548F50

RGB 84 143 80

HSL 116.19, 0.28%, 0.44%

LAB 54.14, -32.58, 27.59

 

CMYK 39 / 0 / 41 / 35

HEX #66A662

RGB 102 166 98

HSL 116.47, 0.28%, 0.52%

LAB 62.49, -34.52, 28.89

 

CMYK 29 / 0 / 31 / 29

HEX #80B57C

RGB 128 181 124

HSL 115.79, 0.28%, 0.6%

LAB 68.82, -28.74, 23.64

 

CMYK 22 / 0 / 23 / 23

HEX #99C497

RGB 153 196 151

HSL 117.33, 0.28%, 0.68%

LAB 75.13, -22.97, 18.05

 

CMYK 38 / 0 / 40 / 35

HEX #68A764

RGB 104 167 100

HSL 116.42, 0.28%, 0.52%

LAB 62.93, -34.01, 28.42

 

CMYK 41 / 5 / 0 / 35

HEX #629DA6

RGB 98 157 166

HSL 187.94, 0.28%, 0.52%

LAB 61.19, -16.78, -10.75

 

CMYK 0 / 41 / 22 / 35

HEX #A66282

RGB 166 98 130

HSL 331.76, 0.28%, 0.52%

LAB 50.04, 31.9, -5.95

 

CMYK 38 / 0 / 40 / 35

HEX #68A764

RGB 104 167 100

HSL 116.42, 0.28%, 0.52%

LAB 62.93, -34.01, 28.42

 

CMYK 41 / 39 / 0 / 35

HEX #6266A6

RGB 98 102 166

HSL 236.47, 0.28%, 0.52%

LAB 45.43, 15.09, -34.97

 

CMYK 0 / 41 / 39 / 35

HEX #A66266

RGB 166 98 102

HSL 356.47, 0.28%, 0.52%

LAB 49.25, 28, 9.63

 

CMYK 38 / 0 / 40 / 35

HEX #68A764

RGB 104 167 100

HSL 116.42, 0.28%, 0.52%

LAB 62.93, -34.01, 28.42

 

CMYK 41 / 5 / 0 / 35

HEX #629DA6

RGB 98 157 166

HSL 187.94, 0.28%, 0.52%

LAB 61.19, -16.78, -10.75

 

CMYK 2 / 41 / 0 / 35

HEX #A262A6

RGB 162 98 166

HSL 296.47, 0.28%, 0.52%

LAB 50.89, 36.9, -25.98

 

CMYK 0 / 36 / 41 / 35

HEX #A66B62

RGB 166 107 98

HSL 7.94, 0.28%, 0.52%

LAB 51.27, 22.46, 14.81

 

CMYK 38 / 0 / 40 / 35

HEX #68A764

RGB 104 167 100

HSL 116.42, 0.28%, 0.52%

LAB 62.93, -34.01, 28.42

 

CMYK 41 / 17 / 0 / 35

HEX #6289A6

RGB 98 137 166

HSL 205.59, 0.28%, 0.52%

LAB 55.32, -5.79, -19.63

 

CMYK 2 / 41 / 0 / 35

HEX #A262A6

RGB 162 98 166

HSL 296.47, 0.28%, 0.52%

LAB 50.89, 36.9, -25.98

 

CMYK 0 / 23 / 41 / 35

HEX #A68062

RGB 166 128 98

HSL 26.47, 0.28%, 0.52%

LAB 56.51, 10.55, 21.92

 

Description

Color code: RGB 104 167 100 | qconv.com Color code: RGB 104 167 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 167 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 167 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 40 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 40% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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